Copula Chronicles: The Complete Collection: Origin, Descend, Ascend, Legacy

by Venessa Kimball

  I’m threatening a complete breakdown as I narrow my eyes on Xander, the one who told me everything would be okay as soon as we got to the mounds. My voice trembles as I ask him, “He is here, among us. Why didn’t you tell us?”

  My disruption of the quietude is enough to make Xander and Sam both look at me, dumbfounded by my question.

  Ezra questions urgently, “Who is among us? Who are you talking about?”

  I peer at Nate now, staring at me shocked by my question. I aim my attack at him. “Seems your partner is speechless. You have an answer?”

  Nate realizes they have been caught. He stutters, “I wanted to tell you.”

  Xander’s voice yells over Nate’s warningly, “Nate!”

  I feel Tessa tense in my embrace and I rock side to side soothingly.

  Nick asks eagerly, looking from Nate to Xander, “What is it?”

  Nate and Xander say nothing.

  He probes again, “Nate, what the hell man?”

  Nate pinches his eyes shut and shakes his head. “A Dweller is—”

  Ezra explodes, cutting Nate off before he can finish his sentence, “A Dweller is among us?”

  Monica, Siobhan, Jake and Luke draw their guns and snap them into action, readying them for quick aim at both Nate and Xander.

  Xander releases his wringing hands and holds them out splayed before him, staring at the four guns aimed at him and Nate. Obviously stunned looking down the barrel of four guns, he keeps his voice as even as possible. “It’s under control. We just need to get to the mounds.”

  Panicked by the guns being drawn on both of them, I look between the four guns and Xander, angry at his idiotic comment. “Under control? You have no control! It isn’t just a Dweller, Xander! How is Michael involved in this? He is here, isn’t he?”

  I ignore the questioning whispers of the guardians, lean over Tessa, and bark at Xander. “Tessa just asked me about Michael! How would she know about him! How would she know his name unless he was trying to get to her too?”

  Siobhan hisses between her teeth, “Xander, I swear I’ll shoot if you don’t start explaining quick!”

  Tessa starts to whimper as she squeezes her arms around my waist. I yell at Siobhan, “No, you won’t! Back down!”

  Siobhan, Luke, Jake, and Monica keep their guns level, not retreating. I try to understand that Siobhan and the others don’t know what I know in my gut, that Xander and Nate aren’t a direct threat right now for some reason. I need to know why!

  Xander keeps his eyes steady on the four weapons pointing to our side of the truck. He says evenly, “Michael died.”

  I challenge him, “How do you know that?”

  Xander’s voice remains eerily steady. “Because I saw his soul yanked from his own body, that’s how.”

  I hear the latch of Tessa’s buckle release across us and she wiggles in my arms to break free. I try to reach for her, but she has crawled quickly across the aisle to Ms. Olivia. Tessa sits in the seat next to her and wraps her arms around Elicia’s waist.

  Monica warns him to talk faster, “Xander?”

  He continues as evenly as before, “In a vision, I saw Michael’s soul combine with a Dweller. He had just left our facility and he found Sondians that had defected and joined the Dobrian fellowship. They wanted to implant him, help him, but he refused. Dwellers attacked them and occupied the entire cell. One Dweller found him and it drew his soul from his body with some kind of ritual, a chant. It combined with the soul before my eyes.”

  There is a pause before he continues, “It started with Nate when we got back from beyond the veil.”

  I think of the inky matter slinking along the surface of its prey. I challenge his explanation, looking at Nate for an answer. “Didn’t you see it coming?”

  Nate responds, eyes still glued to the weaponry aimed at him. “No, I saw nothing.”

  Xander continues, “When it combined with Michael’s soul, it transformed, evolved into a different type of Dweller. That is how it got to him. It is invisible to us.”

  Sam interjects all of a sudden, “It is jumping between vessels.”

  Daniel asks accusingly, “And you know this how?”

  Sam tilts his head to look down the aisle at Daniel. “You forget that I was haunted and controlled by that bastard for years. I could feel his essence, his spirit among us on that plane.”

  I look at Corinna as she stares at me and ask, “You knew also?”

  Corinna nods. “Yes.”

  Sam defends Corinna, “I told her not to say anything.”

  I ask, “Why? Why have none of you told us this! This thing is hopping from one vessel to another, threatening all of us.”

  Nate answers, “Because of the Rephaim. They are keeping it from taking any of us.”

  Xander adds, “The hybrid Dweller is intimidated by them because it knows that they can kill it. That is why we needed to stop to bury the pup. Nate and I’d just figured it out and we needed to tell Ira and the others, so they could help protect all of us until we got to the mounds.”

  Luke interjects, “The Rephaim aren’t keeping it from drawing the other Dwellers to us though.”

  Jake mutters in disgust, “It’s like some kind of tracking device. It is using us as radar for the rest of them to find us. We are leading every Dweller tracking us to the mounds.”

  He was right. This hybrid Dweller donning Michael’s soul is like a target on the vessel it haunts.

  Monica demands matter-of-factly, “We need to leave them behind then! They are going to get us killed if we don’t!”

  Daniel, Sebastian and Ms. Olivia begin to argue with her.

  I defend Nate and Xander, “No! It’s not attached to them right now.”

  Everyone quiets again.

  Siobhan jeers, “How can you tell? You can’t see this thing!”

  I remember Nate’s sallow face and dull eyes in Tom’s compound. “You can tell. It makes the vessel look ill. The eyes look dull, opaque, and the face is sallow, ashen.”

  I focus on the memory of Nate, remembering him in the cavern by the pool in Tom’s compound. How he touched my face, almost kissed my lips. Telling me that we were lost and we have been given a second chance. Were those his words, his actions or this thing taunting me? I look over at Nate. “It was in the compound with us, wasn’t it?”

  Nate’s eyes meet mine. He must see the deeper questioning in my eyes or hear it in my tone. He responds, “Yes, but not the whole time. I’m still in here, Jes. I’m still me.”

  The look in his eyes and the authentic honesty in his voice make my mind settle believing him.

  Xander adds, “It never had a chance to act within us because of our resistance.”

  Elicia questions, “Resistance?”

  Xander continues, “Our strength and abilities are returning, getting stronger the closer we get to the mounds.”

  I realize what they have been thinking. “You think that if we get to the mounds you can fight this hybrid Dweller off.”

  Xander nods. “When we buried the pup, we told Ira and the other Rephaim so they could help us. We are the closest to you, Jes. When we get to the mounds, this hybrid may try to take Nate or me to attack you.”

  Nate adds, “We need to keep it from you until you get into the mounds and fulfill the legacy.”

  Which I still don’t know how to fulfill.

  I refuse to think of anything happening to either of them. “I won’t let it take either of you.”

  Nate breathes in a deep, tense breath and says gravely, “Not your choice.”

  Giving myself whiplash, I look between them, appalled, and yell, “You are choosing to let this thing take you?”

  Commandingly Xander leans over and looks beyond me straight into Nate’s eyes. “Hey! Enough!”

  Nate looks over at him out of th
e corner of his eye.

  Xander proclaims, “I already told you, it is not going to take over! We are too strong for that! It won’t take us!”

  Xander glances at Nate, then back at me. I catch something new in his eyes suddenly, a streak of suffering in his greenish-blues. “I won’t let that happen, Jes.”

  Xander looks across the aisle through the window now. The emotions he briefly revealed mere seconds ago are completely gone, replaced with the look of reserved detachment. I’ve seen this look on him before when an out-of-control loss was bearing down on him. He had the look just before we left Kyoto to traverse beyond the veil. I want to tell him to stop, not detach and remain the combustible, hell bent, confident spirit that has always been Xander.

  “Xander.”

  Just as I say his name, the truck down shifts and brakes with the sound of screeching tires below us. The truck sways, pushing Xander and me into Ezra. Tessa’s scream and the sound of crushing metal is the last thing I hear before silence captures me.

  CHAPTER 29: PARALLEL

  Jesca

  The sound of crushing leaves is faint, barely detectable at first. It gets louder, clearer, like I’m coming into awareness in this vision. I feel the sensation of pressure on my hand, someone holding it, pulling me. Powerlessly, my eyes open, unveiling the scene I’m captured in. I see the white hair of the shaman in front of me. He is pulling me along through the woods. It is where I left off in the last vision.

  The heavy wood we are swiftly walking through opens up ahead and a faint, amber sunlight dances along the earth.

  The high priest shaman is speaking in his native language again. Onawah is arguing back in the same language. It is strange to hear the words coming from me, but not from me really. They are hers, Onawah’s. I’m just the conduit.

  We exit the woods and come out into an open meadow busy with people, natives, moving here and there. Children dressed in deerskin chase behind their mothers that cradle baskets in their arms. A few children surround a woman sitting under a tree nearby. They are listening intently as she speaks animatedly. Thatched roof huts line the path the shaman is pulling me along. There is so much to take in. I notice a larger structure on my right, just beyond the line of smaller huts; it towers over them. The walls are made of a mud-like clay resembling plaster with a flat rooftop. A smaller structure sits atop it, a thatched roof hut. I wonder what is beneath the mound.

  I notice a man appear at the open doorway of the small hut atop the mound. He is looking out over the smaller huts. He looks down and takes notice of the shaman and me, then looks out over the village again. I look over my other shoulder and see another section of small huts branching out along the length of the meadow, bordering the tree line. The village is enormous. Another mound with a thatched building atop, larger than the first, towers over another large patch of smaller thatched rooftops. No one is standing at the doorway of the upper building, but I see smoke rising from a hatch in the roof.

  The chatter of voices speaking around me makes it hard for me to hear the shaman’s tone as he shakes his head at me, carrying on.

  Onawah’s running argument has stopped. She must be listening to him, submitting to what he is saying to her. I wonder, is he telling her about the ritual? Is that why she is speechless? Something tells me this girl is not speechless very often.

  The shaman suddenly veers us to the left down yet another row of huts. As we pass structure after structure, Onawah gives me a glimpse into each hut, children, mothers, fathers, families. The second structure, the larger one, is straight ahead.

  Is he taking me there?

  All of a sudden, the shaman stops and I bump into the back of the high priest, drawing my attention to what has stopped us. As I look up to see who has stopped us, I notice the uniform. It is identical to the one Onawah’s love had worn. My eyes trail up to his face and meet his striking sea-green eyes. The dark brows that frame them are furrowed; he is distraught.

  He says the girl’s name, “Onawah.”

  His tone is troubled and burdened. His piercing eyes dart from me to the shaman. His voice deepens as he asks him, “Where are you taking her?”

  The shaman detours around him, but the dark-haired man keeps his grip on my hand, preventing the shaman from leading me away. “No, we can protect you! Don’t do this!” he pleads.

  Suddenly, the shaman bellows in his native prose and, within seconds, three natives are surrounding the uniformed man with a jagged blade resting on his jugular. Gritting his teeth, he releases my hand as the native at his ear hisses and snarls his indigenous threat. Again, this gentleman’s striking eyes hold mine until the high priest tugs me into motion again.

  I crane my neck the best I can, needing to know that the natives aren’t going to hurt him. I hear a man yell out nearby, “Wait!”

  The natives look in his direction, as does the gentleman under the knife. I see the man who gave Onawah the bracelet approach the dark-haired gentleman hastily.

  “Stop!” he yells again.

  The native holding the knife against the throat of Onawah’s champion drops it to his side and sheaths it, but still holds the man tightly. With fallen hair across his brow, he watches me as I’m pulled along.

  The sight of Onawah’s love and the other gentlemen suddenly spurs sadness and panic within me. Onawah’s breath is coming faster and she is whimpering below the surface of each breath. As the two men stand side by side, I note the only distinct difference between them is their hair, one with a dark brown and one with a chestnut tone. Their features, their jaw line, their eyes are so similar. Are they the brothers Elisabeth spoke of in her vision?

  Suddenly, the dark-haired man twists out of the native’s arms, turns to the other uniformed man, Onawah’s love, and glares before stalking away. His eyes find mine again before I’m pulled to the left into a doorway.

  The way he looked at Onawah’s love, it was anger toward him for something; a grudge or jealousy?

  I get the overwhelming feeling that they are both in love with her and they are trying to save her from the ritual she must perform to protect her tribe. They don’t want to let her go. Onawah is crying now because she doesn’t want to let go either, but she has no choice. She is the “wide awake one.”

  My eyes have a hard time adjusting to the darkened structure we have entered. I hear the voice of a woman speaking her native tongue first. She is speaking quickly, exasperated. The shaman takes me by the shoulders and sits me on something hard, a tree stump. The rays of sun pouring through the doorway are suddenly blocked by a tall form; a man in uniform, but not either of Onawah’s gentlemen. He steps through entry and approaches the shaman rashly, just as he sits on the stump next to me. The woman promptly steps in front of the uniformed man to prevent a confrontation between the two of them. Once again, her words do not make sense to me, but her expression of fear and warning speak loudly to me; she is trying to tell him to stop fighting this. Who is this new uniformed man and this woman?

  The man looks into her eyes with a longing that only a man in love could relay in that moment. He nods at the woman and she releases his arms. Trusting him to not continue the charge against the shaman, she comes to kneel in front of me now, taking hold of my hands. Her hands are rough, hard-worked, but warm and tender still as she pulls mine to her lips. I see the wetness of tears beginning to seep from the edges of her almond-shaped, honey-brown eyes as she fixes them on me—Her gaze is sincere, tender and full of love as she speaks to me.

  I think this is Onawah’s mother. This is the woman Sebastian told us about from his vision. He thought she was as well. I look at the uniformed man behind her looking down at both of us. Sebastian also saw this man in his vision. The one who leads Onawah and her mother to the mound, the tunnel.

  I wonder where Onawah’s father is? Was he killed during a battle? Is that why he isn’t here right now and this man is? I want to ask s
o many questions, but I’m trapped as a captive audience in this scene, just an observer.

  The woman takes hold of my face with her hands, forcing me to look at her. Looking at the mother’s tenderness with Onawah, it makes me think of her.

  Unexpectedly, as the woman’s lips move I hear a voice that has been absent since our plane ride from Kyoto. The voice I’ve missed and yearned to hear right now.

  The voice of my mother, Anna.

  “I always thought it would have been me, just as my mother had thought it was her,” she says.

  I want to tell her that I’ve talked to her mother, Elisabeth. That she is with us.

  Anna’s voice carries as the woman continues to speak to Onawah, “I know. She is with you. I’m with you, Jesca, always.”

  The woman shakes her head as my mother says, “I forgive her for leaving. I know she did it because of her belief that the legacy was after her and she was trying to protect me. She knew Sebastian would be able to protect me in ways she couldn’t.”

  The woman stops speaking and bows her head, just as my mother pauses. My mother begins again, “The two uniformed brothers, one with a level head and stable love, the other with the volatile temper and passionate love; they love this girl in your vision.”

  I knew it! They are brothers. I can’t help thinking of my own plight with Nate and Xander, how my life seems to parallel Onawah’s.

  My mother’s thoughts continue, “They want to keep her safe, keep her from the burden and pain the legacy can hold for her and her tribe. Even at her young age, she knows the legacy is a responsibility, a willing sacrifice that she cannot turn her back on, no matter the consequence to her own life. She does not know the sacrifice yet, just as you still don’t. I fear that even if you see these visions through, see the sacrifice, you won’t fully understand.”