Eclipse Two

by Jonathan Strahan

  "What?" the rabbi said loudly. "You found what? Slow down, Sheila, I'm having trouble. . .When? You're coming. . . Sheila, slow down!. . . So how come you can't just tell me on the phone? Wait a minute, I'm not understanding—you're sure?" And after that he was silent for a long time, just listening. When he saw that that was all I was doing too, he waved me sternly back to my studies. I bent my head earnestly over the book, pretending to be working, while he tried to squeeze a few more inches out of that phone cord. Both of us failed.

  Finally the rabbi said wearily, "I do not have a car, I can't pick you up. You'll have to. . . oh, okay, if you don't mind taking a cab. Okay, then, I will see you tomorrow. . .What? Yes, yes, Joseph will be here. . . . yes—goodbye, Sheila. Goodbye."

  He hung up, looked at me, and said "Oy."

  It was a profound oy, an oy of stature and dignity, an oy from the heart. I waited. Rabbi Tuvim said, "She's coming here tomorrow. Sheila Olsen."

  "Wow," I said. "Wow." Then I said, "Why?"

  "She's found another picture. Abel's girl. Only this one she says she can't send us—she can't even tell me about it. She just has to get on a plane and come straight here to show us." The rabbi sat down and sighed. "It's not exactly the best time."

  I said, "Wow," for a third time. "That's wonderful." Then I remembered I was Detective Yossele, and tried to act the part. I asked, "How did she sound?"

  "It's hard to say. She was talking so fast." The rabbi thought for a while. "As though she wanted to tell me what she had discovered, really wanted to—maybe to share it, maybe just to get rid of it, I don't know. But she couldn't do it. Every time she tried, the words seemed to stick in her throat, like Macbeth's amen." He read my blank expression and sighed again. "Maybe they'll have you reading Shakespeare next year. You'll like Shakespeare."

  In spite of that freight train of a Bar Mitzvah bearing down on us, neither the rabbi nor I were worth much for the rest of the day. We never exactly quit on the Torah, but we kept drifting to a halt in the middle of work, speculating more or less silently on what could possibly set a woman we'd never met flying from Grand Forks, North Dakota, to tell us in person what she had learned about her father and his mysterious model. Rabbi Tuvim finally said, "Well, I don't know about you, but I'm going to have to drink a gallon of chamomile tea if I'm to get any sleep tonight. What do you do when you can't sleep, Joseph?"

  He always asked me questions as though we were the same age. I said, "I guess I listen to the radio. Baseball games."

  "Too exciting for me," the rabbi said. "I'll stick with the tea. Go home. She won't be here until your school lets out." I was at the door when he called after me, "And bring both of your notebooks, I made up a test for you." He never gave up, that man. Not on Abel Bagaybagayan, not on me.

  Sheila Olsen and I arrived at Rabbi Tuvim's house almost together. I had just rung the doorbell when her cab pulled around the corner, and the rabbi opened the door as she was getting out. She was a pleasant-faced blonde woman, a little plump, running more to the Alice Faye side than Lauren Bacall, and I sighed inwardly to think that only a year before she would have been my ideal. The rabbi—dressed, I noticed, in his second-best suit, the one he wore for all other occasions than the High Holidays—opened the door and said, "Sheila Olsen, I presume?"

  "Rabbi Sidney Tuvim," she answered as they shook hands. To me, standing awkwardly one step above her, she said, "And you could only be Joseph Malakoff." The rabbi stepped back to usher us in ahead of him.

  Sheila—somehow, after our phone conversations, it was impossible to think of her as Mrs. Olsen—was carrying a large purse and a small overnight bag, which she set down near the kitchen door. "Don't panic, I'm not moving in. I've got a hotel reservation right at the airport, and I'll fly home day after tomorrow. But at the moment I require—no, I request—a glass of wine. Jews are like Armenians, bless them, they've always got wine in the house." She wrinkled her nose and added, "Unlike Lutherans."

  The rabbi smiled. "You wouldn't like our wine. We just drink it on Shabbos. Once a week, believe me, that's enough. I can do better."

  He went into the kitchen and I stared after him, vaguely jealous, never having seen him quite like this. Not flirtatious, I don't mean that; he wouldn't have known how to be flirtatious on purpose. But he wasn't my age now. Suddenly he was an adult, a grownup, with that elusive but familiar tone in his voice that marked grownups talking to other grownups in the presence of children. Sheila Olsen regarded me with a certain shrewd friendliness in her small, wide-set brown eyes.

  "You're going to be thirteen in a week," she said. "The rabbi told me." I nodded stiffly. "You'll hate it, everybody does. Boy or girl, it doesn't make any difference—everybody hates thirteen. I remember."

  "It's supposed to be like a borderline for us," I said. "Between being a kid and being a man. Or a woman, I guess."

  "But that's just the time when you don't know what the hell you are, excuse my French," Sheila Olsen said harshly. "Or who you are, or even if you are. You couldn't pay me to be thirteen again, I'll tell you. You could not pay me."

  She laughed then, and patted my hand. "I'm sorry, Joseph, don't listen to me. I just have. . . associations with thirteen." Rabbi Tuvim was coming back into the room, holding a small tray bearing three drinks in cocktail glasses I didn't know he had. Sheila Olsen raised her voice slightly. "I was just telling Joseph not to worry—once he makes it through thirteen, it's all downhill from there. Wasn't it that way for you?"

  The rabbi raised his eyebrows. "I don't know. Sometimes I feel as though I never did get through thirteen myself." He handed her her drink, and gave me a glass of cocoa cream, which is a soft drink you can't get anymore. I was crazy about cocoa cream that year. I liked to mix it with milk.

  The third glass, by its color, unmistakably contained Concord grape wine, and Sheila Olsen's eyebrows went up further than his. "I thought you couldn't stand Jewish wine."

  "I can't," the rabbi answered gravely. "L'chaim."

  Sheila Olsen lifted her glass and said something that must have been the Armenian counterpart of "To life." They both looked at me, and I blurted out the first toast that came into my head. "Past the teeth, over the gums / Look out, gizzard—here she comes!" My father always said that, late in the evening, with friends over.

  We drank. Sheila Olsen said to the rabbi, clearly in some surprise, "You make a mean G-and-T."

  "And you are stalling," Rabbi Tuvim said. "You come all this way from Grand Forks because you have found something connecting your father and that covergirl we're all obsessed with—and now you're here, you'll talk about anything but her." He smiled at her again, but this time it was like the way he smiled at me when I'd try in every way I knew to divert him from haftarah and get him talking about the Dodgers' chances of overtaking the St. Louis Cardinals. For just that moment, then, we were all the same age, motionless in time.

  I wasn't any more perceptive than any average twelve-year-old, but I saw a kind of grudging sadness in Sheila Olsen's eyes that had nothing in common with the dryly cheerful voice on the phone from North Dakota. Sheila Olsen said, "You're perfectly right. Of course I'm stalling." She reached into her purse and took out a large manila envelope. It had a red string on the flap that you wound around a dime-sized red anchor to hold it closed. "Okay," she said. "Look what I found in my father's safety-deposit box yesterday."

  It was a black-and-white photograph, clipped to a large rectangle of cardboard, like the kind that comes back from the laundry with your folded shirt. The photo had the sepia tint and scalloped edges that I knew meant that it was likely to be older than I was. And it was a picture of a dead baby.

  I didn't know it was dead at first. I hadn't seen death then, ever, and I thought the baby was sleeping, dressed in a kind of nightgown with feet, like Swee'Pea, and tucked into a little bed that could almost have fitted into a dollhouse. I don't know how or when I realized the truth. Sheila Olsen said, "My sister."

  Rabbi Tuvim had no more to say
than I did. We just stared at her. Sheila Olsen went on, "I never knew about her until yesterday. She was stillborn."

  I was the one who mumbled, "I'm sorry." The rabbi didn't bother with words, but came over to Sheila Olsen and put his arm around her. She didn't cry; if there is one sound I know to this day, it's the sound people make who are not going to cry, not going to cry. She put her head on the rabbi's shoulder and closed her eyes, but she didn't cry. I'm her witness.

  When she could talk, she said in a different voice, "Turn it over,"

  There was a card clipped to the back of the mounting board, and there was very neat, dark handwriting on it that looked almost like printing. Rabbi Tuvim read it aloud.

  "Eleanor Araxia Bagaybagayan.

  Born: 24 February 1907

  Died: 24 February 1907.

  Length: 13½ inches.

  Weight: 5 lbs, 9 oz.

  We planned to call her Anoush."

  Below that, there was a space, and then the precise writing gave way to a strange scrawl: clearly the same hand, but looking somehow shrunken and warped, as though the words had been left out in the rain. The rabbi squinted at it over his glasses, and went on reading:

  "She has been dead for years—she never lived—how can she be invading my pictures? I take a shot of men coming to work at a factory—when I develop it, there she is, a little girl eating an apple, watching the men go by. I photograph a train—she has her nose against a window in the sleeping car. It is her, I know her, how could I not know her? When I take pictures of young women at outdoor dinner parties—"

  "That's your magazine cover!" I interrupted. My voice sounded so loud in the hushed room that I was suddenly embarrassed, and shrank back into the couch where I was sitting with Sheila Olsen. She patted my arm, and the rabbi said patiently, "Yes, Joseph." He continued:

  "—I see her sitting among them, grown now, as she was never given the chance to be. Child or adult, she always knows me, and she knows that I know her. She is never the focal point of the shot; she prefers to place herself at the edge, in the background, to watch me at my work, to be some small part of it, nothing more. She will not speak to me, nor can I ever get close to her; she fades when I try. I would think of her as a hallucination, but since when can you photograph a hallucination?"

  The rabbi stopped reading again, and he and Sheila Olsen looked at each other without speaking. Then he looked at me and said, somewhat hesitantly, "This next part is a little terrible, Joseph. I don't know whether your parents would want you to hear it."

  "If I'm old enough to be Bar Mitzvah," I said, "I'm old enough to hear about a baby who died. I'm staying."

  Sheila Olsen chuckled hoarsely. "One for the kid, Rabbi." She gestured with her open hand. "Go on."

  Rabbi Tuvim nodded. He took a deep breath.

  "She was born with her eyes open. Such blue eyes, almost lavender. I closed them before my wife had a chance to see. But I saw her eyes. I would know her eyes anywhere. . . is it her ghost haunting my photographs? Can one be a ghost if one never drew breath in this world? I do not know—but it is her, it is her. Somehow, it is our Anoush."

  Nobody said anything for a long time after he had finished reading. The rabbi blew his nose and polished his glasses, and Sheila Olsen opened her mouth and then closed it again. I had all kinds of things I wanted to say, but they all sounded so stupid in my head that I just let them go and stared at the photo of Sheila Olsen's stillborn baby sister. I thought about the word still. . . quiet, motionless, silent, tranquil, at rest. I hadn't known it meant dead.

  Sheila Olsen asked at length, "What do Jews believe about ghosts? Do you even have ghosts?"

  Rabbi Tuvim scratched his head. "Well, the Torah doesn't really talk about supernatural beings at all. The Talmud, yes—the Talmud is up to here in demons, but ghosts, as we would think of them. . . no, not so much." He leaned forward, resting his elbows on his knees and tenting his fingers, the way he did when he was coaxing me to think beyond my schooling. "We call them spirits, when we call them anything, and we imagine some of them to be malevolent, dangerous—demonic, if you like. But there are benign ones as well, and those are usually here for a specific reason. To help someone, to bring a message. To comfort."

  "Comfort," Sheila Olsen said softly. Her face had gone very pale; but as she spoke color began to come back to it, too much color. "My dad needed that, for sure, and from Day One I couldn't give it to him. He never stopped missing my mother—this person I never even knew, and couldn't be—and now I find out that he missed someone else, too. My perfect, magical, lost baby sister, who didn't have to bother to get herself born to become legendary. Oh, Christ, it explains so much!" She had gone pale again. "And you're telling me she came back to comfort him? That's the message?"

  "Well, I don't know that," the rabbi said reasonably. "But it would be nice, wouldn't it, if that turned out to be true? If there really were two worlds, and certain creatures—call them spirits, call them demons, angels, anything you like—could come and go between those worlds, and offer advice, and tell the rest of us not to be so scared of it all. I'd like that, wouldn't you?"

  "But do you believe it? Do you believe my stillborn sister came back to tell my father that it wasn't his fault? Sneaking into his photographs just to wave to him, so he could see she was really okay somewhere? Because it sure didn't comfort him much, I'll tell you that."

  "Didn't it?" the rabbi asked gently. "Are you sure?"

  Sheila Olsen was fighting for control, doggedly refusing to let her voice escape into the place where it just as determinedly wanted to go. The effort made her sound as though she had something caught in her throat that she could neither swallow nor spit up. She said, "The earliest memory I have is of my father crying in the night. I don't know how old I was—three, three and a half. Not four. It's like a dream now—I get out of my bed, and I go to him, and I pat him, pat his back, the way someone. . .someone used to do for me when I had a nightmare. He doesn't reject me, but he doesn't turn around to me, either. He just lies there and cries and cries." The voice almost got away from her there, but she caught it, and half-laughed. "Well, I guess that is rejection, actually."

  "Excuse me, but that's nonsense," Rabbi Tuvim said sharply. "You were a baby, trying to ease an adult's pain. That only happens in movies. Give me your glass."

  He went back into the kitchen, while Sheila Olsen and I sat staring at each other. She cleared her throat and finally said, "I guess you didn't exactly bargain for such a big dramatic scene, huh, Joseph?"

  "It beats writing a speech in Hebrew," I answered from the heart. Sheila Olsen did laugh then, which emboldened me enough to say, "Do you think your father ever saw her again, your sister, after he stopped being a photographer?"

  "Oh, he never stopped taking pictures," Sheila Olsen said. "He just quit trying to make a living at it." She was trying to fix her makeup, but her hands were shaking too much. She said, "He couldn't go through a day without taking a dozen shots of everything around him, and then he'd spend the evening in his closet darkroom, developing them all. But if he had any more photos of. . . her, I never saw them. There weren't any others in the safe-deposit box." She paused, and then added, more to herself than to me, "He was always taking pictures of me, I used to get annoyed sometimes. Had them up all over the place."

  Rabbi Tuvim came back with a fresh drink for her. I was hoping for more cocoa cream soda, but I didn't get it. Sheila Olsen practically grabbed the gin-and-tonic, then looked embarrassed. "I'm not a drunk, really—I'm just a little shaky right now. So you honestly think that's her, my sister. . . my sister Anoush in those old photographs?"

  "Don't you?" the rabbi asked quietly. "I'd say that's what matters most."

  Sheila Olsen took half her drink in one swallow and looked him boldly in the face. "Oh, I do, but I haven't trusted my own opinion on anything for. . . oh, for years, since my husband walked out. And I'm very tired, and I know I'm halfway nutsy when it comes to anything to do with my father. He was
kind and good, and he was a terrific photographer, and he lost his baby and his wife, one right after the other, so I'm not blaming him that there wasn't much left for me. I'm not!"—loudly and defiantly, though the rabbi had said nothing. "But I just wish. . . I just wish. . ."

  And now, finally, she did begin to cry.

  I didn't know what to do. I hadn't seen many adults crying in my life. I knew aunts and uncles undoubtedly did cry—my cousins told me so—but not ever in front of us children, except for Aunt Frieda, who smelled funny, and always cried late in the evening, whatever the occasion. My mother went into the bathroom to cry, my father into his basement office. I can't be sure he actually cried, but he did put his head down on his desk. He never made a sound, and neither did Sheila Olsen. She just sat there on the couch with the tears sliding down her face, and she kept on trying to talk, as though nothing were happening. But nothing came out—not words, not sobs; nothing but hoarse breathing that sounded terribly painful. I wanted to run away.

  I didn't, but only because Rabbi Tuvim did know what to do. First he handed Sheila Olsen a box of tissues to wipe her eyes with, which she did, although the tears kept coming. Next, he went to his desk by the window and took from the lowest drawer the battered tin box which I knew contained his collection of lost keys, Then he went back to Sheila Olsen and crouched down in front of her, holding the tin box out. When she didn't respond, he opened the box and put it on her lap. He said, "Pick one."

  Sheila Olsen sniffled, "What? Pick what?"

  "A key," Rabbi Tuvim said. "Pick two, three, if you like. Just take your time, and be careful."

  Sheila Olsen stared down into the box, so crowded with keys that by now Rabbi Tuvim couldn't close it so it clicked. Then she looked back at the rabbi, and she said, "You really are crazy. I was worried about that."

  "Indulge me," the rabbi said. "Crazy people have to be indulged."