Hello, Gorgeous: Becoming Barbra Streisand
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The Third Album, [>], [>]–[>]
Wholesale cast album, [>]
comedy, Streisand’s skills at, [>], [>]–[>], [>]. See also Funny Girl; Miss Marmelstein
“Come to the Supermarket in Old Peking” (Porter)
at the Blue Angel, [>]
recording of, [>]
at the Town ‘n’ Country, [>]
Concord Hotel, Kiamesha Lake, NY, performance at, [>]–[>]
Confession, The (movie), [>], [>], [>]
confidence
and communication of authenticity, [>]
ability to project, [>], [>], [>], [>]
awareness of role in own success, [>]
and clear likes/dislikes, [>]–[>]
and detractors, hecklers, [>], [>], [>]
and diva-like reputation, [>], [>], [>]–[>], [>]–[>], [>]–[>], [>]
focus on the future, [>]
impact on relationships, [>], [>], [>]
and innate talent, specialness, [>]–[>], [>]–[>], [>]–[>], [>], [>]
and narcissism, self-absorption, [>], [>]–[>], [>], [>], [>], [>], [>]–[>]
and self-awareness, [>]
Connolly, Mike, [>]–[>], [>], [>]
Conried, Hans, [>]–[>]
Conway, Curt, [>], [>]
Cook, Barbara, [>]
Cooke, Richard P., [>]
Cooper, Marilyn, [>], [>], [>], [>]
Copelan, Sheila, [>]
Corman, Cis (Eleanor Cohen)
enduring friendship with, [>]–[>], [>], [>], [>], [>], [>]
on first hearing Streisand sing, [>]–[>]
as mother and mentor, [>]–[>], [>]
on Streisand’s problems with stardom, [>]
Corman, Harvey H., [>]–[>], [>]–[>], [>]
Corman, Cid, [>]
Cosby, Bill, [>]
Coward, Noël, [>]
Crawford, Cheryl, [>], [>]
Crawford, Joan, [>], [>]
creative control. See also Funny Girl; publicity
as artistic responsibility, [>], [>]
importance of, to Streisand, [>], [>]
insistence on, for recordings, [>], [>], [>], [>]
and risk-taking, [>]
and willingness to speak out, [>]–[>], [>]
Creative Management Associates (CMA), [>], [>], [>]–[>]
Critics Circle Award, [>]
“Cry Me a River”
emotional resonance, [>]
at Basin St. East, [>]
at the Blue Angel, [>]
at the Caucus Club, [>]–[>]
on The Dinah Shore Show, [>], [>]
at the hungry i, [>]
Crystal Palace, St. Louis, “Caught in the Act” revue, [>]–[>]
Cue magazine, Entertainer of the Year Award, [>]–[>]
Cukor, George, [>]
“Cult of Barbara Streisand, The” (Shearer), [>]
Curley, Wilma, [>]
Daily Telegraph (London) reviews in, [>]
Damned Don’t Cry, The (movie), [>]
Daniels, Jimmie, [>], [>]
Daniels, Peter. See also Matz, Peter
as assistant conductor of Funny Girl, [>]
crediting of on The Third Album, [>]
escalating tensions with, [>]
“Happy Days Are Here Again” arrangement [>], [>]–[>]
introduction of at the hungry i, [>]
rehearsals with, [>]–[>]
relationship with Kazan, [>]
salary, [>], [>]
as Streisand’s accompanist, [>], [>]–[>], [>], [>], [>]–[>], [>]
studio of, [>], [>]
touring with Streisand, [>], [>]
Dartmouth College, [>]
Dave (stage manager in Fanny Girl), [>]
Dave Brubeck Quartet, [>]
Davidson, Joyce, [>]
Davis, Judy, [>]–[>], [>]–[>]
Davis, Miles, [>]–[>], [>]
Davis, Sammy, Jr., [>]
Dawn, Charles, review by, [>]
Day, Doris, [>]
“Day by Day” (Cahn), [>]
“Days of Wine and Roses” (Mancini), [>]
Deckers, Jeanine, [>]
decorating, enjoyment of, [>]–[>], [>]–[>], [>], [>]
Dekker, Albert, [>]
DeLuise, Dom, [>]
Dennen, Barré (Barry)
acting career, [>]–[>], [>]–[>], [>]–[>], [>], [>]
apartment, decorating style, [>], [>], [>]
breakup with Streisand, [>], [>], [>]–[>], [>]
childhood, family, [>]–[>], [>]–[>]
estrangement from Streisand, [>]–[>], [>], [>]
homosexuality, [>], [>]
job at the Village Vanguard, [>]
marriage plans, [>]
mentoring role, [>]–[>], [>]–[>], [>], [>]–[>], [>]
musical arrangements, [>]–[>], [>], [>]–[>]
recording made for Blum, [>]–[>]
recording of Bon Soir debut, [>], [>]
relationship with Streisand, [>], [>], [>]–[>], [>]–[>], [>]–[>], [>], [>], [>]–[>]
response to The Barbra Streisand Album, [>]
at 20th birthday party, [>]
on Streisand’s voice, [>], [>]–[>], [>]–[>]
view of the cultural renaissance, [>]
Desmond, Johnny, [>]
Detroit, MI, friends and following in, [>]. See also Caucus Club, Detroit
Detroit News, publicity in, [>]–[>]
Deutsch, Harriet and Armand, [>]
Devil and Daniel Webster, The (play), [>]
DeWar, Cameron, [>]
Diary of Anne Frank, The (play), [>], [>]
Dieterle, William, [>], [>]
Diller, Phyllis
at Bon Soir debut, [>]–[>], [>]
friendship with Streisand, [>]–[>]
on the Jack Paar Show, [>], [>], [>]–[>]
as mentor, advisor, [>]–[>], [>]
in Splendor in the Grass, [>]
Diller, Sherwood, [>]
Dinah Shore Show, The (television), appearance on, [>], [>]–[>], [>]
“Ding-Dong! The Witch Is Dead,” on PM East, [>]
“Doing the Reactionary” (Rome), recording of, [>]
“Don’t Rain on My Parade” (Funny Girl), [>], [>]–[>], [>]
Dooley, Paul, [>]–[>], [>], [>]
Do Re Mi (Broadway show), [>]
Downs, Hugh, [>], [>]–[>]
“Down with Love,” performance of, [>]–[>]
Driftwood (play), [>], [>]
DuBrow, Rick, [>], [>], [>]
Durgin, Cyrus, review by, [>]
Earl Carroll Vanities, [>]
Ebb, Fred, [>]
eccentric, kooky persona. See also clothing, outfits
and anger, cynicism, [>]–[>]
and communication of authenticity, [>]
conflating with Brice persona, [>]–[>], [>]
and desire for uniqueness, [>]–[>]
development, honing of, [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]
and differentness as an asset, [>]–[>], [>]
and enjoyment of spontaneity, [>]
smoked foods riff, [>]–[>]
and talkativeness, [>]–[>]
tiring of, [>]–[>], [>], [>]
Eden Roc Hotel, Miami, performance, [>]–[>]
Edge of Night, The (television), [>]–[>]
Ed Sullivan Show, The (television)
appearances on, [>], [>], [>], [>], [>], [>], [>]
the Beatles on, [>]
Clancy Brothers on, [>]
Ellis, Edward Robb, [>]
Emmy nomination, [>], [>]
Entertainer, The (play), [>]
Erasmus Hall High School, Brooklyn
Chorale Club, [>]
Kazan at, [>], [>]
Streisand’s outsider status, [>], [>]
Erlanger Theatre, New York City, Funny Girl at, [>]
Erlichman, Martin Lee (Marty). See also contracts
approach to sellin
g Streisand, [>]–[>], [>]–[>], [>]
background, [>]–[>]
at Cocoanut Grove reception, [>]
devotion to Streisand, [>]–[>], [>], [>], [>], [>]
as father figure, [>]
handling of fan mail, [>]
introduction to Streisand, [>]–[>]
publicity, PR skills, [>], [>], [>]
during recording of The Second Barbra Streisand Album, [>]
role in Streisand’s success, [>], [>]–[>]
selling of the Clancy Brothers, [>]
at Streisand and Gould’s wedding, [>]–[>]
television bookings, [>], [>]–[>], [>]–[>]
work to assure casting of Streisand as Brice, [>], [>], [>]
Esser, Carl, [>]–[>], [>]–[>], [>], [>]
etiquette, need to learn, [>]
Evans, Richard, [>], [>]
“Evergreen” (A Star Is Born), [>]
Falk, Richard, [>]–[>], [>], [>]
fame, stardom. See also ambition, goals; confidence
and changing concepts of beauty, [>]–[>], [>]
difficulties with, [>], [>]–[>], [>], [>]
downside of, [>]–[>]
drive for, [>]
greatness vs., [>]
movie stars, [>]
as predestined, [>], [>], [>], [>]
Fancy Free (musical), [>]
Fanny (musical), [>], [>]
“Fanny Brice Award,” [>]
fans
and audiences for Funny Girl, [>]–[>], [>]–[>]
autograph seekers, discomfort with, [>]
of the Beatles, [>]
development of groupies, followers, [>]–[>], [>], [>]
fan mail, [>]
Winter Garden Kids, [>]–[>], [>], [>]
Fantasticks, The (musical), [>]
Ferrer, José, [>]
Feuer, Cy, [>]–[>]
Fiddler on the Roof (musical), [>]
Fields, Freddie, [>], [>]
Fifty-fourth Street Theatre, New York City, Wholesale rehearsals at, [>], [>]
Finian’s Rainbow (musical), [>]
Fiorello! (musical), [>]
Flatbush Life (newspaper), [>]
Fleming, Tucker, [>]–[>]
Fletcher, Sam, [>]
Flies, The (Sartre), [>]
Flower Drum Song, The (musical), [>]
“Fly Me to the Moon,” [>]
folk music, popularity of, [>]
Forrest Theatre, Philadelphia, Funny Girl previews, [>]
Fosse, Bob
contract for Funny Girl, [>]–[>]
as director, [>], [>], [>], [>]
papers of, as source of information, [>]
resignation from Funny Girl, [>]–[>]
Franciosa, Tony, [>]
Francis, Connie, [>]
Fried, Marilyn, [>], [>], [>]
friends, friendships. See also self-doubt
difficulties with, [>], [>], [>]
old, elimination of, [>], [>], [>]–[>]
rarity of, [>]
frugality, [>], [>]
Fry, Christopher (The Lady’s Not for Burning), [>]
Funicello, Annette, [>]
Funke, Lewis, reviews by, [>]–[>], [>]
Funny Girl (movie)
casting of Streisand as Brice in, [>]
Oscar, [>]
Funny Girl (musical). See also Brice, Fanny; Chaplin, Sydney; Fosse, Bob; Haney, Carol; Kanin, Garson; Miller, Bob; Robbins, Jerome; Stark, Ray; Styne, Jule
advertising for, [>]
arguments about songs and musical numbers, [>]–[>]
boredom with repetitiveness of, [>]
Boston previews, [>], [>]–[>], [>], [>]–[>]
Broadway opening, [>]–[>], [>]
cast album, [>]–[>]
casting for role of Arnstein, [>], [>]
casting for role of Brice, [>], [>], [>]–[>], [>]–[>]
cuts and tweaking, [>], [>], [>], [>], [>]–[>], [>]–[>]
delays, postponements, [>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>]
Fosse’s role, [>], [>], [>]
interviews for understudies, [>]
Kanin’s role, [>], [>]
Kazan’s role, [>], [>]
love scenes, [>]–[>], [>], [>]
Merrick’s role, [>]–[>]
name changes, [>], [>], [>]
New York City previews, [>]
opening line/scene, [>], [>], [>]
Philadelphia previews, [>]–[>]
rehearsals, [>]–[>], [>]–[>], [>]–[>], [>]
reviews, [>]
Robbins’s role, [>], [>], [>]–[>], [>]–[>]
script, rewrites, [>]–[>], [>]–[>], [>], [>], [>]–[>], [>], [>]
Sharaff costumes, [>]
Streisand’s contract for, [>]
Streisand’s dominance of, control over, [>], [>]–[>], [>], [>], [>], [>]
theme of appearance and identity, [>]–[>]
Tony nominations, [>]
Funny Thing Happened on the Way to the Forum, A (musical), [>]
Gallagher, Bill, [>]
Galpern, Auby, [>]–[>]
Gam, Rita, [>]
Garland, Judy
comparisons of Streisand with, [>]–[>], [>], [>]
competing Emmy nomination, [>]
on The Judy Garland Show, [>]–[>], [>]–[>], [>]–[>]
personal and financial difficulties, [>]
recording session, [>]–[>]
Streisand’s response to, [>]–[>], [>]
Garry Moore Show, The (television), appearance on, [>], [>]–[>]
Gautier, Dick, [>]–[>], [>]
Gaver, Jack, [>]
Gay Life, The, [>]
Gelb, Arthur, [>]–[>], [>]–[>], [>]–[>]
Gentlemen Prefer Blondes (musical and movie), [>]
Gernreich, Rudy, [>]
Gershwin brothers (“Lorelei”), [>]
“Get Happy” duet, [>], [>]
Gill, Alan, [>]
Gish, Lillian, [>], [>]
Gister, Carole, [>], [>]–[>], [>], [>]
Glaser, Fred, [>]
Glaser, Joe, [>]
Glaser, Marty, [>]
Glazer, Barney, [>], [>]
Gleason, Ralph J., [>], [>], [>]
Glee (television), Streisand covers, [>]
Glenn, Tyree, [>]
Godden, Rumer, [>]
Goldstein, Bernard, [>]
Goldstein, Elliott. See Gould, Elliott
Goldstein, Lucille Raver, [>]–[>]
“Goodbye Brooklyn Hello Fame” (Hamill), [>]–[>]
Goodman, Benny, [>]
Goodman, Dody, [>]
Gordon, Lorraine, [>], [>], [>], [>]
Gordon, Max, [>], [>], [>], [>], [>]
Gordon, Ruth, [>], [>], [>]–[>]
Gore, Lesley, [>]
Gormé, Eydie, [>], [>], [>], [>], [>]–[>]
Gotham Hotel, New York City, award dinner at, [>]
“Gotta Move” (Matz), performances of, [>], [>], [>]–[>]
Gottfried, Martin, [>]
Gould, Elliott
acting career, goals, [>], [>]–[>], [>], [>], [>], [>]–[>]
career following divorce, [>]
changing relationship with Streisand, [>]–[>], [>], [>]–[>]
comparisons with Chaplin, [>]–[>]
in The Confession, [>]
courtship, relationship with Streisand, [>], [>]–[>], [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>]
criticisms of, Streisand’s reaction to, [>], [>]
depression, [>], [>], [>], [>]
devotion to Streisand, loyalty, [>], [>], [>]–[>], [>]–[>]
filming of The Confession, [>]
financial dependency, [>], [>], [>], [>], [>]–[>], [>]
gambling and drug problems, [>], [>]–[>], [>]–[>], [>]
heterosexuality, [>]
in Wholesale, [>]–[>], [>], [>]–[>], [>], [>], [>]–[>], [>]–[>]
/> marriage, [>], [>]–[>], [>], [>]
Merrick on, [>]
name change, [>]–[>]
On the Town London revival, [>]–[>], [>], [>], [>]–[>], [>], [>], [>], [>]–[>]
in Once Upon a Mattress, [>]
parents, early acting career, [>]–[>]
professionalism, [>]
protectiveness, [>], [>]–[>]
psychoanalysis, [>]–[>]
public appearances with Streisand, [>], [>], [>