Silver and Gold

by Coolidge, Dane

  “Send me back to the Pen’” he said to the guard, “I’m going to apply for parole.”

  * * *

  CHAPTER XXIX

  THE INTERPRETATION THEREOF

  After all his suffering, his oaths, his refusals, his rejection of each friendly offer, Denver had changed his mind in the fraction of a second when he saw Drusilla whirl past. He forgot his mine, the fierce battles, the prophecy–all he wanted was to see her again. Placed on his honor for the trip he started down the road, walking fast when he failed to catch a ride, and early the next morning he reported at the prison to apply for an immediate parole. But luck was against him and his heart died in his breast, for the Board of Prison Directors had met the week before and would not meet again for three weeks. Three weeks of idle waiting, of pacing up and down and cursing the slow passage of time; and then, perhaps, delays and disappointments and obstructions from Bible-Back Murray. He sat with bowed head, then rose up suddenly and wrote a brief letter to Murray.

  “Get me a pardon,” he scrawled, “and I’ll give you a quit-claim. This goes, if you do it quick.”

  He put it in the mail, with a special delivery stamp, and watched the endless hours creep by. She was there in Pinal, running her scales, practicing her exercises, singing arias from the operas at night; and he was shut in by the gray concrete walls where the guards looked down from the towers. He could not trust himself now outside of the yard, his nerve was gone and he would head for Pinal like a homing bird to its mate. And then it came, quicker than he had ever thought or hoped for, though he had offered the Silver Treasure in return for it–a full pardon from the Governor, with his citizenship restored and a letter expressing confidence in his innocence. Denver clutched it to his breast and started out across the desert with his eyes on distant Pinal.

  It lay in the shadow of Apache Leap, that blue wall that loomed to the east, and he hardly stopped to shake hands with the Warden in his haste to get out on the road. There he stopped the first automobile that was going up the canyon and demanded a ride as his right, and so earnest was his manner that the driver took him in and even speeded up his machine. But at the fork of the ways, where the new road turned off to Murray, Denver thanked him and got off to walk. The sun was low but he did not hurry–he had begun to doubt his welcome. A hot shame swept over him at his convict’s shirt, his worn shoes and battered hat; and he wondered suddenly if it was not all a mistake, if he had not thrown his mine away. She was an opera singer now, returning from a season which must have given her a taste of success–what use would she have for him?

  Up the wash to the west, where the automobile road went, a big camp had sprung up in his absence; but when he topped the hill and gazed down on Pinal nothing had changed, it was just the same. The street was broad and empty, the houses still in ruins, his cave still there across the creek; and from the chimney of Bunker’s house a column of smoke mounted up to show that supper was being cooked. Yes, it was the same old town that he had entered the year before when Old Bunk had taken him for a hobo; but now he was hobo and ex-convict both, though the pardon had restored him to citizenship. His broad shoulders drooped, he turned back and crossed the creek and slunk like a thief to his cave.

  The door was chained but he wrenched it open and slipped in out of sight. Bunker Hill had closed up the cave and covered all his things, and his bed was spread with clean, white sheets; the floor was swept and the dishes washed, and he knew whose hands had done it. It was Mrs. Hill’s, that kindest of all women; who had even invited him to their home. Denver started a fire and cooked a hasty supper from the canned goods that were left in his boxes and then he looked down on the town. The sun had set now and a single bright star glowed solemnly in the west, but the valley was silent except for the frogs that made the air palpitate with their chorus. Old Bunk came out and went over to the store; someone struck a chord in the house, and as Denver listened hungrily a voice rose up, clear and flute-like, yet somehow changed.

  It was her’s, it was Drusilla’s, and yet it was not; the year had made a change. There was a difference in her singing; a new note of tenderness, of yearning, of sadness, of love. Yes, he recognized it now, it had the quality of the Cradle Song that she had listened to so enviously on his phonograph. She had caught it, at last, that secret, subtle something which gives Schumann-Heink her power; and which comes only from love–and suffering. Denver rose up, startled; he had not thought of it before, but Drusilla must have suffered, too. Not as tragically as he but in other ways, fighting her way against the whole world. He went in hastily and lit his lamp but even when he was dressed his courage failed him and he bowed his head on the table. He dared not face her–now.

  The singing had ceased, the frog chorus seemed to mock him, to din his convict’s shame into his ears; but as he yielded to despair a hand fell on his shoulders and he looked up to see Drusilla. She was more beautiful than ever, dressed in the soft yellow gown that she had worn when first he saw her, but her eyes were reproachful and near to tears and she drew her hand away.

  “What is it?” she asked. “Can’t you ever care for me? Must I make every single advance? Oh, Denver, after I’d come clear home to see you–why wouldn’t you come down to the house?”

  He roused up startled, unable to comprehend her, his mind in a whirl of emotions.

  “I was afraid you didn’t want me,” he said at last and she sank down on the bench beside him.

  “Not want you?” she repeated. “Why, haven’t I done everything to get you out of prison? Didn’t I go to the Professor and beg and plead with him and sing all my German songs; didn’t I go to the Governor and take him with me, and go through everything to have you pardoned?”

  “Pardoned!” burst out Denver and then he stopped and shook his head regretfully. “No,” he said, “I wish you had, though. I traded my mine for it–to Murray!”

  “Why, Denver!” she cried, “you did nothing of the kind. I got you that pardon myself! And then, after all that–and after I’d played, and sung, and waited for you–you wouldn’t even come down to see me!”

  “Why, sure I would!” he protested brokenly, “I’d do anything for you, Drusilla! But I was afraid you wouldn’t want me. I’ve been in prison, you know, and it makes a difference. They call me an ex-con now.”

  “No, but Denver,” she entreated, “surely you didn’t think–why, we asked you to come and stay with us.”

  “Yes, I know,” he said but the sullen look had come back; he could not forget so soon. “I know,” he went on, “but it wouldn’t be right–I guess we’ve made a mistake. I wanted to see you, Drusilla; I gave everything I had, just to get here before you went─”

  “Did you really?” she asked taking him gently by the hand and looking deep into his eyes, “did you give up your mine–for me?”

  “Just to see you,” answered Denver, “but after I got here─”

  “Oh, I’m so glad!” she sighed, “and you haven’t lost your mine. I got to the Governor first.”

  “You did?” he cried and then he sat up and the old fire came back into his eyes. “That’s right,” he laughed, “you must have beat him to it–I thought that pardon came quick! This’ll cost old Murray a million.”

  “No, you haven’t lost your mine,” she went on, smiling curiously. “You think a lot of it, don’t you?”

  “Well, I don’t know,” grumbled Denver, “whether I do or not now. I believe that mine was a Jonah. I believe I made a mistake and chose the wrong treasure–I should have taken the gold.”

  “Oh, Denver!” she beamed, “do you really think so? I’ve always just hated that mine. I’ve always had the feeling that you thought more of it than you did of me–or anybody.”

  “Well, I did,” confessed Denver, “it seemed to kind of draw me–to make me forget everything else. And Drusilla, I’m sorry I didn’t come down–that night when you went away.”

  “It was the mine,” she frowned, “I believe it was accursed. It always came between us. But you
must sell it now, and not work for a while–I want you to entertain me.”

  “I’ll do it!” exclaimed Denver, “I’ll sell out for what I can get and then we can be together. How did you get along on your trip?”

  “Oh, fine!” she burst out radiantly, “Oh, I had such luck. I was only the understudy, and doing minor parts, when the soprano was taken ill in the second act and I went in and scored a triumph. It was ‘Love Tales of Hoffmann’ and when I sang the ‘Barcarolle’ they recalled me seven times! That is they recalled us both–it’s sung as a duet, you know.”

  “Um,” nodded Denver and listened in glum silence as she related the details of her premier. “And how about those tenors?” he asked at last, “did any of ’em steal my kiss?”

  “No–or that is–well, we won’t talk about that now. But of course I have to act my parts.”

  “Oh, sure, sure!” he answered rebelliously and a triumphant twinkle came into her eyes.

  “Do you still believe in the prophecy?” she asked, “and in all that Mother Trigedgo told you? Because if you do, I’ve got some news–you won’t die until you’re past eighty.”

  “I won’t?” challenged Denver and then he stopped and waited as she smiled back at him mischievously.

  “She’s a nice old woman,” went on Drusilla demurely, “but I wouldn’t take her too seriously. She told me, for instance, that I’d give up a great career in order to marry for love. Yes, I went over to see her, myself.”

  “But what about me?” demanded Denver eagerly, “did she say I’d live till I was eighty?”

  “Yes, she did; and she told me some other things, including the color of your eyes. But don’t you see, Denver, that you made a mistake when you took what she said so seriously? Why, you wouldn’t even speak to me or let us be friends for fear that I’d rise up and kill you; and now it appears that it was all a mistake and you’re going to live till you’re eighty.”

  “Well, all the same,” responded Denver sighing and stretching his great arms, “I’m awful glad she said it. And a man could live to be eighty and still be killed by his friend. No, I believe that prophecy was true!”

  “Very well,” she assented, “but you don’t need to worry about our friendship, and that’s the principal thing. I just did it to set your mind at rest.”

  “Yes, it was true,” he went on rousing up from a reverie, “but I was wrong–I should have taken the gold.”

  “Is that all you think of?” she asked impatiently, “is there nothing but silver and gold?”

  “Yes, there is,” he acknowledged, “but–say, Drusilla I’m going to buy out the Dutchman. I believe that stringer of his is rich.”

  “What stringer?” she demanded looking up from her own musings and then she nodded and sighed. “Yes, I know,” she said, “you’re back at your mining–but you promised you’d think only of me. I may not be here long and you want to be nice to me; because I almost hated you, once. Now listen, Denver, and let me interpret–don’t you know you’ve got everything wrong?”

  “No!” declared Denver, “it has all come out perfectly. I’ve lived clear through it, already. Only I chose the wrong treasure and so I lost them both and suffered a great disgrace. I should have taken the gold.”

  “No; listen Denver,” she went on patiently, “and don’t always be thinking of things. A golden treasure isn’t necessarily of gold, it might be even–me.”

  “You?” echoed Denver and then he clutched his hands and stared about him wildly.

  “Why, yes,” she answered evenly, “haven’t you noticed my hair? Other men are not so blind–and one of them said it reminded him of fine-spun gold. Yes, I was the golden treasure in the shadow of Apache Leap, but all you could think of was mines. The mine was your silver treasure, and you had to choose between us–and you always chose the mine. No matter how I sang, or did up my hair or came around where you were at work; you always went into that black, hateful hole, and I used to go home and cry. But–no, listen, Denver–when you saw me come back, and you wanted to see me, and there was no other way to do it; then you threw away your mine and told Murray to take it–and I knew that you really loved me. You loved me even more than your mine, and so you won us both. Do you like your golden treasure?”

  “I was a fool!” moaned Denver but she stroked his rumpled hair and raised his face from his hands.

  “We’ve both of us been foolish,” she whispered, “I nearly hated you once, and nearly gave your kiss to a tenor. But–oh Denver, I’ll never sing with those men again! I know you wouldn’t like it.”

  “No, I wouldn’t,” he admitted, “and if you’ll only─”

  “There it is,” she interrupted, giving him the long-treasured kiss. “I saved it just for you.”

  * * *

  ***END OF THE PROJECT GUTENBERG EBOOK SILVER AND GOLD***

  ******* This file should be named 30572-h.txt or 30572-h.zip *******

  This and all associated files of various formats will be found in:

  http://www.gutenberg.org/3/0/5/7/30572

  Updated editions will replace the previous one--the old editions will be renamed.

  Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution.

  *** START: FULL LICENSE ***

  THE FULL PROJECT GUTENBERG LICENSE

  PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

  To protect the Project Gutenberg-tm mission of promoting the free

  distribution of electronic works, by using or distributing this work

  (or any other work associated in any way with the phrase "Project

  Gutenberg"), you agree to comply with all the terms of the Full Project

  Gutenberg-tm License (available with this file or online at

  http://www.gutenberg.org/license).

  Section 1. General Terms of Use and Redistributing Project Gutenberg-tm

  electronic works

  1.A. By reading or using any part of this Project Gutenberg-tm

  electronic work, you indicate that you have read, understand, agree to

  and accept all the terms of this license and intellectual property

  (trademark/copyright) agreement. If you do not agree to abide by all

  the terms of this agreement, you must cease using and return or destroy

  all copies of Project Gutenberg-tm electronic works in your possession.

  If you paid a fee for obtaining a copy of or access to a Project

  Gutenberg-tm electronic work and you do not agree to be bound by the

  terms of this agreement, you may obtain a refund from the person or

  entity to whom you paid the fee as set forth in paragraph 1.E.8.

  1.B. "Project Gutenberg" is a registered trademark. It may only be

  used on or associated in any way with an electronic work by people who

  agree to be bound by the terms of this agreement. There are a few

  things that you can do with most Project Gutenberg-tm electronic works

  even without complying with the full terms of this agreement. See

  paragraph 1.C below. There are a lot of things you can do with Project

&nb
sp; Gutenberg-tm electronic works if you follow the terms of this agreement

  and help preserve free future access to Project Gutenberg-tm electronic

  works. See paragraph 1.E below.

  1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"

  or PGLAF), owns a compilation copyright in the collection of Project

  Gutenberg-tm electronic works. Nearly all the individual works in the

  collection are in the public domain in the United States. If an

  individual work is in the public domain in the United States and you are

  located in the United States, we do not claim a right to prevent you from

  copying, distributing, performing, displaying or creating derivative

  works based on the work as long as all references to Project Gutenberg

  are removed. Of course, we hope that you will support the Project

  Gutenberg-tm mission of promoting free access to electronic works by

  freely sharing Project Gutenberg-tm works in compliance with the terms of

  this agreement for keeping the Project Gutenberg-tm name associated with

  the work. You can easily comply with the terms of this agreement by

  keeping this work in the same format with its attached full Project

  Gutenberg-tm License when you share it without charge with others.