Robert Browning - Delphi Poets Series
Page 226
Fate’s secret from thy safeguard, — was it then
That all these thunders rent earth, ruined air
To reach thee, pay thy patronage of men?
He thundered, — to withdraw, as beast to lair,
Before the triumph on thy pallid brow.
Gather the night again about thee now,
Hate on, love ever! Morn is breaking there —
The granite ridge pricks through the mist, turns gold
As wrong turns right. O laughters manifold
Of ocean’s ripple at dull earth’s despair!
IX.
But morning’s laugh sets all the crags alight
Above the baffled tempest: tree and tree
Stir themselves from the stupor of the night
And every strangled branch resumes its right
To breathe, shakes loose dark’s clinging dregs, waves free
In dripping glory. Prone the runnels plunge,
While earth, distent with moisture like a sponge,
Smokes up, and leaves each plant its gem to see,
Each grass-blade’s glory-glitter. Had I known
The torrent now turned river? — masterful
Making its rush o’er tumbled ravage — stone
And stub which barred the froths and foams: no bull
Ever broke bounds in formidable sport
More overwhelmingly, till lo, the spasm
Sets him to dare that last mad leap: report
Who may — his fortunes in the deathly chasm
That swallows him in silence! Rather turn
Whither, upon the upland, pedestalled
Into the broad day-splendour, whom discern
These eyes but thee, supreme one, rightly called
Moon-maid in heaven above and, here below,
Earth’s huntress-queen? I note the garb succinct
Saving from smirch that purity of snow
From breast to knee — snow’s self with just the tinct
Of the apple-blossom’s heart-blush. Ah, the bow
Slack-strung her fingers grasp, where, ivory-linked
Horn curving blends with horn, a moonlike pair
Which mimic the brow’s crescent sparkling so —
As if a star’s live restless fragment winked
Proud yet repugnant, captive in such hair!
What hope along the hillside, what far bliss
Lets the crisp hair-plaits fall so low they kiss
Those lucid shoulders? Must a morn so blithe,
Needs have its sorrow when the twang and hiss
Tell that from out thy sheaf one shaft makes writhe
Its victim, thou unerring Artemis?
Why did the chamois stand so fair a mark
Arrested by the novel shape he dreamed
Was bred of liquid marble in the dark
Depths of the mountain’s womb which ever teemed
With novel births of wonder? Not one spark
Of pity in that steel-grey glance which gleamed
At the poor hoof’s protesting as it stamped
Idly the granite? Let me glide unseen
From thy proud presence: well mayst thou be queen
Of all those strange and sudden deaths which damped
So oft Love’s torch and Hymen’s taper lit
For happy marriage till the maidens paled
And perished on the temple-step, assailed
By — what except to envy must man’s wit
Impute that sure implacable release
Of life from warmth and joy? But death means peace.
X.
Noon is the conqueror, — not a spray, nor leaf,
Nor herb, nor blossom but has rendered up
Its morning dew: the valley seemed one cup
Of cloud-smoke, but the vapour’s reign was brief,
Sun-smitten, see, it hangs — the filmy haze —
Grey-garmenting the herbless mountain-side,
To soothe the day’s sharp glare: while far and wide
Above unclouded burns the sky, one blaze
With fierce immitigable blue, no bird
Ventures to spot by passage. E’en of peaks
Which still presume there, plain each pale point speaks
In wan transparency of waste incurred
By over-daring: far from me be such!
Deep in the hollow, rather, where combine
Tree, shrub and briar to roof with shade and cool
The remnant of some lily-strangled pool,
Edged round with mossy fringing soft and fine.
Smooth lie the bottom slabs, and overhead
Watch elder, bramble, rose, and service-tree
And one beneficent rich barberry
Jewelled all over with fruit-pendents red.
What have I seen! O Satyr, well I know
How sad thy case, and what a world of woe
Was hid by the brown visage furry-framed
Only for mirth: who otherwise could think —
Marking thy mouth gape still on laughter’s brink,
Thine eyes a-swim with merriment unnamed
But haply guessed at by their furtive wink?
And all the while a heart was panting sick
Behind that shaggy bulwark of thy breast —
Passion it was that made those breath-bursts thick
I took for mirth subsiding into rest.
So, it was Lyda — she of all the train
Of forest-thridding nymphs, — ’t was only she
Turned from thy rustic homage in disdain,
Saw but that poor uncouth outside of thee,
And, from her circling sisters, mocked a pain
Echo had pitied — whom Pan loved in vain —
For she was wishful to partake thy glee,
Mimic thy mirth — who loved her not again,
Savage for Lyda’s sake. She crouches there —
Thy cruel beauty, slumberously laid
Supine on heaped-up beast-skins, unaware
Thy steps have traced her to the briery glade,
Thy greedy hands disclose the cradling lair,
Thy hot eyes reach and revel on the maid!
XI.
Now, what should this be for? The sun’s decline
Seems as he lingered lest he lose some act
Dread and decisive, some prodigious fact
Like thunder from the safe sky’s sapphirine
About to alter earth’s conditions, packed
With fate for nature’s self that waits, aware
What mischief unsuspected in the air
Menaces momently a cataract.
Therefore it is that yonder space extends
Untrenched upon by any vagrant tree,
Shrub, weed well nigh; they keep their bounds, leave free
The platform for what actors? Foes or friends,
Here come they trooping silent: heaven suspends
Purpose the while they range themselves. I see!
Bent on a battle, two vast powers agree
This present and no after-contest ends
One or the other’s grasp at rule in reach
Over the race of man — host fronting host,
As statue statue fronts — wrath-molten each,
Solidified by hate, — earth halved almost,
To close once more in chaos. Yet two shapes
Show prominent, each from the universe
Of minions round about him, that disperse
Like cloud-obstruction when a bolt escapes.
Who flames first? Macedonian is it thou?
Ay, and who fronts thee, King Darius, drapes
His form with purple, fillet-folds his brow.
XII.
What, then the long day dies at last? Abrupt
The sun that seemed, in stooping, sure to melt
Our mountain ridge, is mastered: black the belt
Of westward crags, his gold could not corrupt,
Barriers again th
e valley, lets the flow
Of lavish glory waste itself away
— Whither? For new climes, fresh eyes breaks the day!
Night was not to be baffled. If the glow
Were all that’s gone from us! Did clouds, afloat
So filmily but now, discard no rose,
Sombre throughout the fleeciness that grows
A sullen uniformity. I note
Rather displeasure, — in the overspread
Change from the swim of gold to one pale lead
Oppressive to malevolence, — than late
Those amorous yearnings when the aggregate
Of cloudlets pressed that each and all might sate
Its passion and partake in relics red
Of day’s bequeathment: now, a frown instead
Estranges, and affrights who needs must fare
On and on till his journey ends: but where?
Caucasus? Lost now in the night. Away
And far enough lies that Arcadia.
The human heroes tread the world’s dark way
No longer. Yet I dimly see almost —
Yes, for my last adventure! ‘T is a ghost.
So drops away the beauty! There he stands
Voiceless, scarce strives with deprecating hands
XIII.
Enough! Stop further fooling, De Lairesse!
My fault, not yours! Some fitter way express
Heart’s satisfaction that the Past indeed
Is past, gives way before Life’s best and last,
The all-including Future! What were life
Did soul stand still therein, forego her strife
Through the ambiguous Present to the goal
Of some all-reconciling Future? Soul,
Nothing has been which shall not bettered be
Hereafter, — leave the root, by law’s decree
Whence springs the ultimate and perfect tree!
Busy thee with unearthing root? Nay, climb —
Quit trunk, branch, leaf and flower — reach, rest sublime
Where fruitage ripens in the blaze of day!
O’erlook, despise, forget, throw flower away,
Intent on progress? No whit more than stop
Ascent therewith to dally, screen the top
Sufficiency of yield by interposed
Twistwork bold foot gets free from. Wherefore glozed
The poets — ”Dream afresh old godlike shapes,
Recapture ancient fable that escapes,
Push back reality, repeople earth
With vanished falseness, recognize no worth
In fact new-born unless ‘t is rendered back
Pallid by fancy, as the western rack
Of fading cloud bequeaths the lake some gleam
Of its gone glory!”
XIV.
Let things be — not seem,
I counsel rather, — do, and nowise dream!
Earth’s young significance is all to learn:
The dead Greek lore lies buried in the urn
Where who seeks fire finds ashes. Ghost, forsooth!
What was the best Greece babbled of as truth?
“A shade, a wretched nothing, — sad, thin, drear,
Cold, dark, it holds on to the lost loves here,
If hand have haply sprinkled o’er the dead
Three charitable dust-heaps, made mouth red
One moment by the sip of sacrifice:
Just so much comfort thaws the stubborn ice
Slow-thickening upward till it choke at length
The last faint flutter craving — not for strength,
Not beauty, not the riches and the rule
O’er men that made life life indeed.” Sad school
Was Hades! Gladly, — might the dead but slink
To life, back, — to the dregs once more would drink
Each interloper, drain the humblest cup
Fate mixes for humanity.
XV.
Cheer up, —
Be death with me, as with Achilles erst,
Of Man’s calamities the last and worst:
Take it so! By proved potency that still
Makes perfect, be assured, come what come will,
What once lives never dies — what here attains
To a beginning, has no end, still gains
And never loses aught: when, where, and how —
Lies in Law’s lap. What’s death then? Even now
With so much knowledge is it hard to bear
Brief interposing ignorance? Is care
For a creation found at fault just there —
There where the heart breaks bond and outruns time,
To reach, not follow what shall be?
XVI.
Here’s rhyme
Such as one makes now, — say, when Spring repeats
That miracle the Greek Bard sadly greets:
“Spring for the tree and herb — no Spring for us!”
Let Spring come: why, a man salutes her thus:
Dance, yellows and whites and reds, —
Lead your gay orgy, leaves, stalks, heads
Astir with the wind in the tulip-beds!
There’s sunshine; scarcely a wind at all
Disturbs starved grass and daisies small
On a certain mound by a churchyard wall.
Daisies and grass be my heart’s bedfellows
On the mound wind spares and sunshine mellows:
Dance you, reds and whites and yellows!
WITH CHARLES AVISON.
I.
How strange! — but, first of all, the little fact
Which led my fancy forth. This bitter morn
Showed me no object in the stretch forlorn
Of garden-ground beneath my window, backed
By yon worn wall wherefrom the creeper, tacked
To clothe its brickwork, hangs now, rent and racked
By five months’ cruel winter, — showed no torn
And tattered ravage worse for eyes to see
Than just one ugly space of clearance, left
Bare even of the bones which used to be
Warm wrappage, safe embracement: this one cleft —
— O what a life and beauty filled it up
Startlingly, when methought the rude clay cup
Ran over with poured bright wine! ‘T was a bird
Breast-deep there, tugging at his prize, deterred
No whit by the fast-falling snow-flake: gain
Such prize my blackcap must by might and main —
The cloth-shred, still a-flutter from its nail
That fixed a spray once. Now, what told the tale
To thee, — no townsman but born orchard-thief, —
That here — surpassing moss-tuft, beard from sheaf
Of sun-scorched barley, horsehairs long and stout,
All proper country-pillage — here, no doubt,
Was just the scrap to steal should line thy nest
Superbly? Off he flew, his bill possessed
The booty sure to set his wife’s each wing
Greenly a-quiver. How they climb and cling,
Hang parrot-wise to bough, these blackcaps! Strange
Seemed to a city-dweller that the finch
Should stray so far to forage: at a pinch,
Was not the fine wool’s self within his range
— Filchings on every fence? But no: the need
Was of this rag of manufacture, spoiled
By art, and yet by nature near unsoiled,
New-suited to what scheming finch would breed
In comfort, this uncomfortable March.
II.
Yet — by the first pink blossom on the larch! —
This was scarce stranger than that memory, —
In want of what should cheer the stay-at-home,
My soul, — must straight clap pinion, well nigh roam
A century back, nor once close plume, descry
The appropriate rag to plunder, till she pounced —
Pray, on what relic of a brain long still?
What old-world work proved forage for the bill
Of memory the far-flyer? “March” announced,
I verily believe, the dead and gone
Name of a music-maker: one of such
In England as did little or did much,
But, doing, had their day once. Avison!
Singly and solely for an air of thine,
Bold-stepping “March,” foot stept to ere my hand
Could stretch an octave, I o’erlooked the band
Of majesties familiar, to decline
On thee — not too conspicuous on the list
Of worthies who by help of pipe or wire
Expressed in sound rough rage or soft desire —
Thou, whilom of Newcastle organist!
III.
So much could one — well, thinnish air effect
Am I ungrateful? for, your March, styled “Grand,”
Did veritably seem to grow, expand,
And greaten up to title as, unchecked,
Dream-marchers marched, kept marching, slow and sure,
In time, to tune, unchangeably the same,
From nowhere into nowhere, — out they came,
Onward they passed, and in they went. No lure
Of novel modulation pricked the flat
Forthright persisting melody, — no hint
That discord, sound asleep beneath the flint,
— Struck — might spring spark-like, claim due tit-for-tat,
Quenched in a concord. No! Yet, such the might
Of quietude’s immutability,
That somehow coldness gathered warmth, well nigh
Quickened — which could not be! — grew burning-bright
With fife-shriek, cymbal-clash and trumpet-blare,
To drum-accentuation: pacing turned
Striding, and striding grew gigantic, spurned
At last the narrow space ‘twixt earth and air,
So shook me back into my sober self.
IV.
And where woke I? The March had set me down
There whence I plucked the measure, as his brown
Frayed flannel-bit my blackcap. Great John Relfe,
Master of mine, learned, redoubtable,
It little needed thy consummate skill
To fitly figure such a bass! The key
Was — should not memory play me false — well, C.
Ay, with the Greater Third, in Triple Time,
Three crotchets to a bar: no change, I grant,
Except from Tonic down to Dominant.
And yet — and yet — if I could put in rhyme
The manner of that marching! — which had stopped
— I wonder, where? — but that my weak self dropped
From out the ranks, to rub eyes disentranced
And feel that, after all the way advanced,