Barrie, J M - Peter Pan 03 - Peter Pan In Kensington Gardens

by Peter Pan In Kensington Gardens

  Everybody stood still, the music ceased, the lights went out, and all in the time you may take to say "Oh dear!" An awful sense of her peril came upon Maimie, too late she remembered that she was a lost child in a place where no human must be between the locking and the opening of the gates, she heard the murmur of an angry multitude, she saw a thousand swords flashing for her blood, and she uttered a cry of terror and fled.

  How she ran! and all the time her eyes were starting out of her head. Many times she lay down, and then quickly jumped up and ran on again. Her little mind was so entangled in terrors that she no longer knew she was in the Gardens. The one thing she was sure of was that she must never cease to run, and she thought she was still running long after she had dropped in the Figs and gone to sleep. She thought the snowflakes falling on her face were her mother kissing her good-night. She thought her coverlet of snow was a warm blanket, and tried to pull it over her head. And when she heard talking through her dreams she thought it was mother bringing father to the nursery door to look at her as she slept. But it was the fairies.

  I am very glad to be able to say that they no longer desired to mischief her. When she rushed away they had rent the air with such cries as "Slay her!" "Turn her into something extremely unpleasant!" and so on, but the pursuit was delayed while they discussed who should march in front, and this gave Duchess Brownie time to cast herself before the Queen and demand a boon.

  Every bride has a right to a boon, and what she asked for was Maimie's life. "Anything except that," replied Queen Mab sternly, and all the fairies chanted "Anything except that." But when they learned how Maimie had befriended Brownie and so enabled her to attend the ball to their great glory and renown, they gave three huzzas for the little human, and set off, like an army, to thank her, the court advancing in front and the canopy keeping step with it. They traced Maimie easily by her footprints in the snow.

  But though they found her deep in snow in the Figs, it seemed impossible to thank Maimie, for they could not waken her. They went through the form of thanking her, that is to say, the new King stood on her body and read her a long address of welcome, but she heard not a word of it. They also cleared the snow off her, but soon she was covered again, and they saw she was in danger of perishing of cold.

  "Turn her into something that does not mind the cold," seemed a good suggestion of the doctor's, but the only thing they could think of that does not mind cold was a snowflake. "And it might melt," the Queen pointed out, so that idea had to be given up.

  A magnificent attempt was made to carry her to a sheltered spot, but though there were so many of them she was too heavy. By this time all the ladies were crying in their handkerchiefs, but presently the Cupids had a lovely idea. "Build a house round her," they cried, and at once everybody perceived that this was the thing to do; in a moment a hundred fairy sawyers were among the branches, architects were running round Maimie, measuring her; a bricklayer's yard sprang up at her feet, seventy-five masons rushed up with the foundation stone and the Queen laid it, overseers were appointed to keep the boys off, scaffoldings were run up, the whole place rang with hammers and chisels and turning lathes, and by this time the roof was on and the glaziers were putting in the windows.

  The house was exactly the size of Maimie and perfectly lovely. One of her arms was extended and this h ad bothered them for a second, but they built a verandah round it, leading to the front door. The windows were the size of a coloured picture-book and the door rather smaller, but it would be easy for her to get out by taking off the roof. The fairies, as is their custom, clapped their hands with delight over their cleverness, and they were all so madly in love with

  the little house that they could not bear to think they had finished it. So they gave it ever so many little extra touches, and even then they added more extra touches.

  For instance, two of them ran up a ladder and put on a chimney.

  "Now we fear it is quite finished," they sighed.

  But no, for another two ran up the ladder, and tied some smoke to the chimney.

  "That certainly finishes it," they cried reluctantly.

  "Not at all," cried a glow-worm, "if she were to wake without seeing a night-light she might be frightened, so I shall be her night-light."

  "Wait one moment," said a china merchant, "and I shall make you a saucer."

  Now alas, it was absolutely finished.

  Oh, dear no!

  "Gracious me," cried a brass manufacturer, "there's no handle on the door," and he put one on.

  An ironmonger added a scraper and an old lady ran up with a door-mat. Carpenters arrived with a water-butt, and the painters insisted on painting it.

  Finished at last!

  "Finished! how can it be finished," the plumber demanded scornfully, "before hot and cold are put in?" and he put in hot and cold. Then an army of gardeners arrived with fairy carts and spades and seeds and bulbs and forcing-houses, and soon they had a flower garden to the right of the verandah and a vegetable garden to the left, and roses and clematis on the walls of the house, and in less time than five minutes all these dear things were in full bloom.

  Oh, how beautiful the little house was now! But it was at last finished true as true, and they had to leave it and return to the

  dance. They all kissed their hands to it as they went away, and the last to go was Brownie. She stayed a moment behind the others to drop a pleasant dream down the chimney.

  All through the night the exquisite little house stood there in the Figs taking care of Maimie, and she never knew. She slept until the dream was quite finished and woke feeling deliciously cosy just as morning was breaking from its egg, and then she almost fell asleep again, and then she called out,

  "Tony," for she thought she was at home in the nursery. As Tony made no answer, she sat up, whereupon her head hit the roof, and it opened like the lid of a box, and to her bewilderment she saw all around her the Kensington Gardens lying deep in snow. As she was not in the nursery she wondered whether this was really herself, so she pinched her cheeks, and then she knew it was herself, and this reminded her that she was in the middle of a great adventure. She remembered now everything that had happened to her from the closing of the gates up to her running away from the fairies, but however, she asked herself, had she got into this funny place? She stepped out by the roof, right over the garden, and then she saw the dear house in which she had passed the night. It so entranced her that she could think of nothing else.

  "Oh, you darling, oh, you sweet, oh, you love!" she cried.

  Perhaps a human voice frightened the little house, or maybe it now knew that its work was done, for no sooner had Maimie spoken than it began to grow smaller; it shrank so slowly that she could scarce believe it was shrinking, yet she soon knew that it could not contain her now. It always remained as complete as ever, but it became smaller and smaller, and the garden dwindled at the same time, and the snow crept closer, lapping house and garden up. Now the house was the size of a little dog's kennel, and now of a Noah's Ark, but still you could see the smoke and the door-handle and the roses on the wall, every one complete. The glow-worm fight was waning too, but it was still there. "Darling, loveliest, don't go!" Maimie cried, falling on her knees, for the little house was now the size of a reel of thread, but still quite complete. But as she stretched out her arms imploringly the snow crept up on all sides until it met itself, and where the little house had been was now one unbroken expanse of snow.

  Maimie stamped her foot naughtily, and was putting her fingers to her eyes, when she heard a kind voice say, "Don't cry, pretty human, don't cry," and then she turned round and saw a beautiful little naked boy regarding her wistfully. She knew at once that he must be Peter Pan.

  Lock-out Time

  It is frightfully difficult to know much about the fairies, and almost the only thing known for certain is that there are fairies wherever there are children. Long ago children were forbidden the Gardens, and at that time there was not a fairy in the plac
e; then the children were admitted, and the fairies came trooping in that very evening. They can't resist following the children, but you seldom see them, partly because they live in the daytime behind the railings, where you are not allowed to go, and also partly because they are so cunning. They are not a bit cunning after Lock-out, but until Lock-out, my word!

  When you were a bird you knew the fairies pretty well, and you remember a good deal about them in your babyhood, which it is a great pity you can't write down, for gradually you forget, and I have heard of children who declared that they had never once seen a fairy. Very likely if they said this in the Kensington Gardens, they were standing looking at a fairy all the time. The reason they were cheated was that she pretended to be something else. This is one of their best tricks. They usually pretend to be flowers, because the court sits in the Fairies' Basin, and there are so many flowers there, and all along the Baby Walk, that a flower is the thing least likely to attract attention. They dress exactly like flowers, and change with the seasons, putting on white when lilies are in and blue for blue-bells, and so on. They like crocus and hyacinth time best of all, as they are partial to a bit of colour, but tulips (except white ones, which are the fairy-cradles) they consider garish, and they sometimes put off dressing like tulips for days, so that the beginning of the tulip weeks is almost the best time to catch them.

  When they think you are not looking they skip along pretty lively, but if you look and they fear there is no time to hide, they stand quite still, pretending to be flowers. Then, after you have passed without knowing that they were fairies, they rush home and tell their mothers they have had such an adventure. The Fairy Basin, you remember, is

  all covered with ground-ivy (from which they make their castor-oil), with flowers growing in it here and there. Most of them really are flowers, but some of them are fairies. You never can be sure of them, but a good plan is to walk by looking the other way, and then turn round sharply. Another good plan, which David and I sometimes follow, is to stare them down. After a long time they can't help winking, and then you know for certain that they are fairies.

  There are also numbers of them along the Baby Walk, which is a famous gentle place, as spots frequented by fairies are called. Once twenty-four of them had an extraordinary adventure. They were a girls' school out for a walk with the governess, and all wearing hyacinth gowns, when she suddenly put her finger to her mouth, and then they all stood still on an empty bed and pretended to be hyacinths. Unfortunately, what the governess had heard was two gardeners coming to plant new flowers in that very bed. They were wheeling a handcart with flowers in it, and were quite surprised to find the bed occupied. "Pity to lift them hyacinths," said the one man. "Duke's orders," replied the other, and, having emptied the cart, they dug up the boarding-school and put the poor, terrified things in it in five rows. Of course, neither the governess nor the girls dare let on that they were fairies, so they were carted far away to a potting-shed, out of which they escaped in the night without their shoes, but there was a great row about it among the parents, and the school was ruined.

  As for their houses, it is no use looking for them, because they are the exact opposite of our houses. You can see our houses by day but you can't see them by dark. Well, you can see their houses by dark, but you can't see them by day, for they are the colour of night, and I never heard of anyone yet who could see night in the daytime. This does not mean that they are black, for night has its colours just as day has, but ever so much brighter. Their blues and reds and greens are like ours with a light behind them. The palace is entirely built of many-coloured glasses, and is quite the loveliest of all royal residences, but the queen sometimes complains because the common people will peep in to see what she is doing. They are very inquisitive folk, and press quite hard against the glass, and that is why their noses are mostly snubby. The streets are miles long and very twisty, and have paths on each side made of bright worsted. The birds used to steal the worsted for their nests, but a policeman has been appointed to hold on at the other end.

  One of the great differences between the fairies and us is that they never do anything useful. When the first baby laughed for the first time, his laugh broke into a million pieces, and they all went skipping about. That was the beginning of fairies. They look tremendously busy, you know, as if they had not a moment to spare, but if you were to ask them what they are doing, they could not tell you in the least. They are frightfully ignorant, and everything they do is make-believe. They have a postman, but he never calls except at Christmas with his little box, and though they have beautiful schools, nothing is taught in them; the youngest child being chief person is always elected mistress, and when she has called the roll, they all go out for a walk and never come back. It is a very noticeable thing that, in fairy families, the youngest is always chief person, and usually becomes a prince or princess, and children remember this, and think it must be so among humans also, and that is why they are often made uneasy when they come upon their mother furtively putting new frills on the basinette.

  You have probably observed that your baby-sister wants to do all sorts of things that your mother and her nurse want her not to do: to stand up at sitting-down time, and to sit down at standing-up time, for instance, or to wake up when she should fall asleep, or to crawl on the floor when she is wearing her best frock, and so on, and perhaps you put this down to naughtiness. But it is not; it simply means that she is doing as she has seen the fairies do; she begins by following their ways, and it takes about two years to get her into the human ways. Her fits of passion, which are awful to behold, and are usually called teething, are no such thing; they are her natural exasperation, because we don't understand her, though she is talking an intelligible language. She is talking fairy. The reason mothers and nurses know what her remarks mean, before other people know, as that "Guch" means "Give it to me at once," while "Wa" is "Why do you wear such a funny hat?" is because, mixing so much with babies, they have picked up a little of the fairy language.

  Of late David has been thinking back hard about the fairy tongue, with his hands clutching his temples, and he has remembered a number of their phrases which I shall tell you some day if I don't forget. He had heard them in the days when he was a thrush, and though I suggested to him that perhaps it is really bird language he is remembering, he says not, for these phrases are about fun and

  adventures, and the birds talked of nothing but nest-building. He distinctly remembers that the birds used to go from spot to spot like ladies at shop-windows, looking at the different nests and saying, "Not my colour, my dear," and "How would that do with a soft lining?" and "But will it wear?" and "What hideous trimming!" and so on.

  The fairies are exquisite dancers, and that is why one of the first things the baby does is to sign to you to dance to him and then to cry when you do it. They hold their great balls in the open air, in what is called a fairy-ring. For weeks afterward you can see the ring on the grass. It is not there when they begin, but they make it by waltzing round and round. Sometimes you will find mushrooms inside the ring, and these are fairy chairs that the servants have forgotten to clear away. The chairs and the rings are the only tell-tale marks these little people leave behind them, and they would remove even these were they not so fond of dancing that they toe it till the very moment of the opening of the gates. David and I once found a fairy-ring quite warm.

  But there is also a way of finding out about the ball before it takes place. You know the boards which tell at what time the Gardens are to close to-day. Well, these tricky fairies sometimes slyly change the board on a ball night, so that it says the Gardens are to close at six-thirty for instance, instead of at seven. This enables them to get begun half an hour earlier.

  If on such a night we could remain behind in the Gardens, as the famous Maimie Mannering did, we might see delicious sights, hundreds of lovely fairies hastening to the ball, the married ones wearing their wedding-rings round their waists, the gentlemen, all in uniform, hol
ding up the ladies' trains, and linkmen running in front carrying winter cherries, which are the fairy-lanterns, the cloakroom where they put on their silver slippers and get a ticket for their wraps, the flowers streaming up from the Baby Walk to look on, and always welcome because they can lend a pin, the supper-table, with Queen Mab at the head of it, and behind her chair the Lord Chamberlain, who carries a dandelion on which he blows when Her Majesty wants to know the time.

  The table-cloth varies according to the seasons, and in May it is made of chestnut-blossom. The way the fairy-servants do is this: The men, scores of them, climb up the trees and shake the branches, and the

  blossom falls like snow. Then the lady servants sweep it together by whisking their skirts until it is exactly like a table-cloth, and that is how they get their table-cloth.

  They have real glasses and real wine of three kinds, namely, blackthorn wine, berberris wine, and cowslip wine, and the Queen pours out, but the bottles are so heavy that she just pretends to pour out. There is bread and butter to begin with, of the size of a threepenny bit; and cakes to end with, and they are so small that they have no crumbs. The fairies sit round on mushrooms, and at first they are very well-behaved and always cough off the table, and so on, but after a bit they are not so well-behaved and stick their fingers into the butter, which is got from the roots of old trees, and the really horrid ones crawl over the table-cloth chasing sugar or other delicacies with their tongues. When the Queen sees them doing this she signs to the servants to wash up and put away, and then everybody adjourns to the dance, the Queen walking in front while the Lord Chamberlain walks behind her, carrying two little pots, one of which contains the juice of wall-flower and the other the juice of Solomon's Seals. Wall-flower juice is good for reviving dancers who fall to the ground in a fit, and Solomon's Seals juice is for bruises. They bruise very easily and when Peter plays faster and faster they foot it till they fall down in fits. For, as you know without my telling you, Peter Pan is the fairies' orchestra. He sits in the middle of the ring, and they would never dream of having a smart dance nowadays without him. "P. P." is written on the corner of the invitation-cards sent out by all really good families. They are grateful little people, too, and at the princess's coming-of-age ball (they come of age on their second birthday and have a birthday every month) they gave him the wish of his heart.