The Victorian Rogues MEGAPACK ™: 28 Classic Tales

by Maurice Leblanc

  “No pay,” said the voice of Mr. Pickup behind me; “no pay, my dear, unlesh your Rembrandt ish good enough to take me in—even me, Ishmael, who dealsh in pictersh and knowsh what’sh what.”

  What did I care about Rembrandt at that moment? I was thinking of my lost young lady; and I should probably have taken no notice of Mr. Pickup, if it had not occurred to me that the old wretch must know her father’s name and address. I at once put the question. The Jew grinned, and shook his grisly head. “Her father’sh in difficultiesh, and mum’s the word, my dear.” To that answer he adhered, in spite of all that I could say to him.

  With equal obstinacy I determined, sooner or later, to get my information.

  I took service under Mr. Pickup, purposing to make myself essential to his prosperity, in a commercial sense—and then to threaten him with offering my services to a rival manufacturer of Old Masters, unless he trusted me with the secret of the name and address. My plan looked promising enough at the time. But, as some wise person has said, Man is the sport of circumstances. Mr. Pickup and I parted company unexpectedly, on compulsion. And, of all the people in the world, my grandmother, Lady Malkinshaw, was the unconscious first cause of the events which brought me and the beloved object together again, for the third time!

  CHAPTER VI

  On the next day, I was introduced to the Jew’s workshop, and to the eminent gentlemen occupying it. My model Rembrandt was put before me; the simple elementary rules were explained; and my materials were all placed under my hands.

  Regard for the lovers of the Old Masters, and for the moral well-being of society, forbids me to be particular about the nature of my labors, or to go into dangerous detail on the subject of my first failures and my subsequent success. I may, however, harmlessly admit that my Rembrandt was to be of the small or cabinet size, and that, as there was a run on Burgomasters just then, my subject was naturally to be of the Burgomaster sort. Three parts of my picture consisted entirely of different shades of dirty brown and black; the fourth being composed of a ray of yellow light falling upon the wrinkled face of a treacle-colored old man. A dim glimpse of a hand, and a faint suggestion of something like a brass washhand basin, completed the job, which gave great satisfaction to Mr. Pickup, and which was described in the catalogue as—

  “A Burgomaster at Breakfast. Originally in the collection of Mynheer Van Grubb. Amsterdam. A rare example of the master. Not engraved. The chiar’oscuro in this extraordinary work is of a truly sublime character. Price, Two Hundred Guineas.”

  I got five pounds for it. I suppose Mr. Pickup got one-ninety-five.

  This was perhaps not very encouraging as a beginning, in a pecuniary point of view. But I was to get five pounds more, if my Rembrandt sold within a given time. It sold a week after it was in a fit state to be trusted in the showroom. I got my money, and began enthusiastically on another Rembrandt—“A Burgomaster’s Wife Poking the Fire.” Last time, the chiar’oscuro of the master had been yellow and black, this time it was to be red and black. I was just on the point of forcing my way into Mr. Pickup’s confidence, as I had resolved, when a catastrophe happened, which shut up the shop and abruptly terminated my experience as a maker of Old Masters.

  “The Burgomaster’s Breakfast” had been sold to a new customer, a venerable connoisseur, blessed with a great fortune and a large picture-gallery. The old gentleman was in raptures with the picture—with its tone, with its breadth, with its grand feeling for effect, with its simple treatment of detail. It wanted nothing, in his opinion, but a little cleaning. Mr. Pickup knew the raw and ticklish state of the surface, however, far too well, to allow of even an attempt at performing this process, and solemnly asserted, that he was acquainted with no cleansing preparation which could be used on the Rembrandt without danger of “flaying off the last exquisite glazings of the immortal master’s brush.” The old gentleman was quite satisfied with this reason for not cleaning the Burgomaster, and took away his purchase in his own carriage on the spot.

  For three weeks we heard nothing more of him. At the end of that time, a Hebrew friend of Mr. Pickup, employed in a lawyer’s office, terrified us all by the information that a gentleman related to our venerable connoisseur had seen the Rembrandt, had pronounced it to be an impudent counterfeit, and had engaged on his own account to have the picture tested in a court of law, and to charge the seller and maker thereof with conspiring to obtain money under false pretenses. Mr. Pickup and I looked at each other with very blank faces on receiving this agreeable piece of news. What was to be done? I recovered the full use of my faculties first; and I was the man who solved that important and difficult question, while the rest were still utterly bewildered by it. “Will you promise me five and twenty pounds in the presence of these gentlemen if I get you out of this scrape?” said I to my terrified employer. Ishmael Pickup wrung his dirty hands and answered, “Yesh, my dear!”

  Our informant in this awkward matter was employed at the office of the lawyers who were to have the conducting of the case against us; and he was able to tell me some of the things I most wanted to know in relation to the picture.

  I found out from him that the Rembrandt was still in our customer’s possession. The old gentleman had consented to the question of its genuineness being tried, but had far too high an idea of his own knowledge as a connoisseur to incline to the opinion that he had been taken in. His suspicious relative was not staying in the house, but was in the habit of visiting him, every day, in the forenoon. That was as much as I wanted to know from others. The rest depended on myself, on luck, time, human credulity, and a smattering of chemical knowledge which I had acquired in the days of my medical studies. I left the conclave at the picture-dealer’s forthwith, and purchased at the nearest druggist’s a bottle containing a certain powerful liquid, which I decline to particularize on high moral grounds. I labeled the bottle “The Amsterdam Cleansing Compound”; and I wrapped round it the following note:

  “Mr. Pickup’s respectful compliments to Mr.—(let us say, Green). Is rejoiced to state that he finds himself unexpectedly able to forward Mr. Green’s views relative to the cleaning of ‘The Burgomaster’s Breakfast.’ The inclosed compound has just reached him from Amsterdam. It is made from a recipe found among the papers of Rembrandt himself—has been used with the most astonishing results on the Master’s pictures in every gallery of Holland, and is now being applied to the surface of the largest Rembrandt in Mr. P.’s own collection. Directions for use: Lay the picture flat, pour the whole contents of the bottle over it gently, so as to flood the entire surface; leave the liquid on the surface for six hours, then wipe it off briskly with a soft cloth of as large a size as can be conveniently used. The effect will be the most wonderful removal of all dirt, and a complete and brilliant metamorphosis of the present dingy surface of the picture.”

  I left this note and the bottle myself at two o’clock that day; then went home, and confidently awaited the result.

  The next morning our friend from the office called, announcing himself by a burst of laughter outside the door. Mr. Green had implicitly followed the directions in the letter the moment he received it—had allowed the “Amsterdam Cleansing Compound” to remain on the Rembrandt until eight o’clock in the evening—had called for the softest linen cloth in the whole house—and had then, with his own venerable hands, carefully wiped off the compound, and with it the whole surface of the picture! The brown, the black, the Burgomaster, the breakfast, and the ray of yellow light, all came clean off together in considerably less than a minute of time. If the picture, was brought into court now, the evidence it could give against us was limited to a bit of plain panel, and a mass of black pulp rolled up in a duster.

  Our line of defense was, of course, that the compound had been improperly used. For the rest, we relied with well-placed confidence on the want of evidence against us. Mr. Pickup wisely closed his shop for a while, and went off to the
Continent to ransack the foreign galleries. I received my five and twenty pounds, rubbed out the beginning of my second Rembrandt, closed the back door of the workshop behind me, and there was another scene of my life at an end. I had but one circumstance to regret—and I did regret it bitterly. I was still as ignorant as ever of the young lady’s name and address.

  My first visit was to the studio of my excellent artist-friend, whom I have already presented to the reader under the sympathetic name of “Dick.” He greeted me with a letter in his hand. It was addressed to me—it had been left at the studio a few days since; and (marvel of all marvels!) the handwriting was Mr. Batterbury’s. Had this philanthropic man not done befriending me even yet? Were there any present or prospective advantages to be got out of him still? Read his letter, and judge.

  “SIR—Although you have forfeited by your ungentlemanly conduct toward myself, and your heartlessly mischievous reception of my dear wife, all claim upon the forbearance of the most forbearing of your relatives, I am disposed, from motives of regard for the tranquillity of Mrs. Batterbury’s family, and of sheer good-nature so far as I am myself concerned, to afford you one more chance of retrieving your position by leading a respectable life. The situation I am enabled to offer you is that of secretary to a new Literary and Scientific Institution, about to be opened in the town of Duskydale, near which neighborhood I possess, as you must be aware, some landed property. The office has been placed at my disposal, as vice-president of the new Institution. The salary is fifty pounds a year, with apartments on the attic-floor of the building. The duties are various, and will be explained to you by the local committee, if you choose to present yourself to them with the inclosed letter of introduction. After the unscrupulous manner in which you have imposed on my liberality by deceiving me into giving you fifty pounds for an audacious caricature of myself, which it is impossible to hang up in any room of the house, I think this instance of my forgiving disposition still to befriend you, after all that has happened, ought to appeal to any better feelings that you may still have left, and revive the long dormant emotions of repentance and self-reproach, when you think on your obedient servant,

  “DANIEL BATTERBURY.”

  Bless me! What A long-winded style, and what a fuss about fifty pounds a year, and a bed in an attic! These were naturally the first emotions which Mr. Batterbury’s letter produced in me. What was his real motive for writing it? I hope nobody will do me so great an injustice as to suppose that I hesitated for one instant about the way of finding that out. Of course I started off directly to inquire if Lady Malkinshaw had had another narrow escape of dying before me.

  “Much better, sir,” answered my grandmother’s venerable butler, wiping his lips carefully before he spoke; “her ladyship’s health has been much improved since her accident.”

  “Accident!” I exclaimed. “What, another? Lately? Stairs again?”

  “No, sir; the drawing-room window this time,” answered the butler, with semi-tipsy gravity. “Her ladyship’s sight having been defective of late years, occasions her some difficulty in calculating distances. Three days ago, her ladyship went to look out of the window, and, miscalculating the distance—” Here the butler, with a fine dramatic feeling for telling a story, stopped just before the climax of the narrative, and looked me in the face with an expression of the deepest sympathy.

  “And miscalculating the distance?” I repeated impatiently.

  “Put her head through a pane of glass,” said the butler, in a soft voice suited to the pathetic nature of the communication. “By great good fortune her ladyship had been dressed for the day, and had got her turban on. This saved her ladyship’s head. But her ladyship’s neck, sir, had a very narrow escape. A bit of the broken glass wounded it within half a quarter of an inch of the carotty artery” (meaning, probably, carotid); “I heard the medical gentleman say, and shall never forget it to my dying day, that her ladyship’s life had been saved by a hair-breadth. As it was, the blood lost (the medical gentleman said that, too, sir) was accidentally of the greatest possible benefit, being apoplectic, in the way of clearing out the system. Her ladyship’s appetite has been improved ever since—the carriage is out airing of her at this very moment—likewise, she takes the footman’s arm and the maid’s up and downstairs now, which she never would hear of before this last accident. ‘I feel ten years younger’ (those were her ladyship’s own words to me, this very day), ‘I feel ten years younger, Vokins, since I broke the drawing-room window.’ And her ladyship looks it!”

  No doubt. Here was the key to Mr. Batterbury’s letter of forgiveness. His chance of receiving the legacy looked now further off than ever; he could not feel the same confidence as his wife in my power of living down any amount of starvation and adversity; and he was, therefore, quite ready to take the first opportunity of promoting my precious personal welfare and security, of which he could avail himself, without spending a farthing of money. I saw it all clearly, and admired the hereditary toughness of the Malkinshaw family more gratefully than ever. What should I do? Go to Duskydale? Why not? It didn’t matter to me where I went, now that I had no hope of ever seeing those lovely brown eyes again.

  I got to my new destination the next day, presented my credentials, gave myself the full advantage of my high connections, and was received with enthusiasm and distinction.

  I found the new Institution torn by internal schisms even before it was opened to the public. Two factious governed it—a grave faction and a gay faction. Two questions agitated it: the first referring to the propriety of celebrating the opening season by a public ball, and the second to the expediency of admitting novels into the library. The grim Puritan interest of the whole neighborhood was, of course, on the grave side—against both dancing and novels, as proposed by local loose thinkers and latitudinarians of every degree. I was officially introduced to the debate at the height of the squabble; and found myself one of a large party in a small room, sitting round a long table, each man of us with a new pewter inkstand, a new quill pen, and a clean sheet of foolscap paper before him. Seeing that everybody spoke, I got on my legs along with the rest, and made a slashing speech on the loose-thinking side. I was followed by the leader of the grim faction—an unlicked curate of the largest dimensions.

  “If there were, so to speak, no other reason against dancing,” said my reverend opponent, “there is one unanswerable objection to it. Gentlemen! John the Baptist lost his head through dancing!”

  Every man of the grim faction hammered delightedly on the table, as that formidable argument was produced; and the curate sat down in triumph. I jumped up to reply, amid the counter-cheering of the loose-thinkers; but before I could say a word the President of the Institution and the rector of the parish came into the room.

  They were both men of authority, men of sense, and fathers of charming daughters, and they turned the scale on the right side in no time. The question relating to the admission of novels was postponed, and the question of dancing or no dancing was put to the vote on the spot. The President, the rector and myself, the three handsomest and highest-bred men in the assembly, led the way on the liberal side, waggishly warning all gallant gentlemen present to beware of disappointing the young ladies. This decided the waverers, and the waverers decided the majority. My first business, as Secretary, was the drawing out of a model card of admission to the ball.

  My next occupation was to look at the rooms provided for me.

  The Duskydale Institution occupied a badly-repaired ten-roomed house, with a great flimsy saloon built at one side of it, smelling of paint and damp plaster, and called the Lecture Theater. It was the chilliest, ugliest, emptiest, gloomiest place I ever entered in my life; the idea of doing anything but sitting down and crying in it seemed to me quite preposterous; but the committee took a different view of the matter, and praised the Lecture Theater as a perfect ballroom. The Secretary’s apartments were two ga
rrets, asserting themselves in the most barefaced manner, without an attempt at disguise. If I had intended to do more than earn my first quarter’s salary, I should have complained. But as I had not the slightest intention of remaining at Duskydale, I could afford to establish a reputation for amiability by saying nothing.

  “Have you seen Mr. Softly, the new Secretary? A most distinguished person, and quite an acquisition to the neighborhood.” Such was the popular opinion of me among the young ladies and the liberal inhabitants. “Have you seen Mr. Softly, the new Secretary? A worldly, vainglorious young man. The last person in England to promote the interests of our new Institution.” Such was the counter-estimate of me among the Puritan population. I report both opinions quite disinterestedly. There is generally something to be said on either side of every question; and, as for me, I can always hold up the scales impartially, even when my own character is the substance weighing in them. Readers of ancient history need not be reminded, at this time of day, that there may be Roman virtue even in a Rogue.

  The objects, interests, and general business of the Duskydale Institution were matters with which I never thought of troubling myself on assuming the duties of Secretary. All my energies were given to the arrangements connected with the opening ball.

  I was elected by acclamation to the office of general manager of the entertainments; and I did my best to deserve the confidence reposed in me; leaving literature and science, so far as I was concerned, perfectly at liberty to advance themselves or not, just as they liked. Whatever my colleagues may have done, after I left them, nobody at Duskydale can accuse me of having ever been accessory to the disturbing of quiet people with useful knowledge. I took the arduous and universally neglected duty of teaching the English people how to be amused entirely on my own shoulders, and left the easy and customary business of making them miserable to others.