Decline in Prophets

by Sulari Gentill

  A note from the publisher

  Dear Reader,

  If you enjoy riveting stories with engaging characters and strong writing, as I do, you’ll love A Decline in Prophets. Historical crime fiction at its best, Sulari Gentill brings together art, money, crime, religion and… murder in an extraordinary tale set in 1932 on the luxury cruise liner RMS Aquitania. The second book in the Rowland Sinclair Series, it’s the sequel to A Few Right Thinking Men. She had me hooked from her very first page, and I couldn’t put the story down.

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  Happy reading,

  Alison Green

  First published in 2011 by Pantera Press Pty Limited

  www.PanteraPress.com

  Text Copyright © Sulari Gentill, 2011

  Sulari Gentill has asserted her moral rights to be identified as the author of this work.

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  This is a work of fiction, though it is based on some real events. Names, characters, organisations, dialogue and incidents are either products of the author’s imagination or are used fictitiously, and any resemblance to actual people, living or dead, firms, events or locales is coincidental.

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  A Cataloguing-in-Publication entry for this book is available from the National Library of Australia.

  ISBN 978-0-9807418-9-6

  eBook ISBN 978-1-9219970-1-3

  Cover and internal design: Luke Causby, Blue Cork

  Front cover image: © Getty Images, Hulton Archive [#JE2886-001]

  Back cover image: © Getty Images, Hulton Archive [#JC8953-001]

  Typesetting by Kirby Jones

  Printed and bound in Australia by McPherson’s Printing Group

  Author Photo by J.C. Henry, Lime Photography

  Pantera Press policy is to use papers that are natural, renewable and recyclable products made from wood grown in sustainable forests. The logging and manufacturing processes are expected to conform to the environmental regulations of the country of origin.

  To all the prophets and profiteers I have known.

  CONTENTS

  Prologue DEATH WORE A DINNER SUIT

  1 RMS AQUITANIA

  2 TERRORISM

  3 TUTANKHAMEN

  4 THE CORONATION OATH

  5 KRISHNAMURTI

  6 RMS AQUITANIA

  7 THEOSOPHISTS IN CHICAGO

  8 MOVIE REVIEW

  9 Speech by Houdini, the great Mystifier

  10 Houdini’s Death

  11 CRIME IN NEW YORK

  12 RMS AQUITANIA

  13 GIANT AIRSHIPS

  14 WOMEN WANT “SPICY” FILMS

  15 PARENTS TO BLAME

  16 FOR THE BRIDE

  17 REGISTERING A CHILD

  18 SYDNEY WELOMES THE RMS AQUITANIA

  19 PASSING NOTES

  20 A GAY AND FESTIVE CHRISTMAS

  21 CHURCH COLLEGE

  22 POLO

  23 SOUTHERN CROSS

  24 CRITICAL WOOL POSITION

  25 A PLEASANT DINNER PARTY

  26 INTERVIEW WITH COLONEL OLCOTT

  27 BRADMAN’S DUCK

  28 The Book of Constitutions of the Ancient Grand Lodge of England

  29 THE ROOKWOOD TRAGEDY

  30 THE ENGLISH MAIL NEWS

  31 SHOOTING AFFRAY

  32 A NORMAN LINDSAY FANTASY

  33 LEGACY FOR LEADBEATER

  34 THEOSOPHICAL SOCIETY

  35 EXPENSIVE CARS

  36 OLD MAN PLATYPUS

  37 SUSPECT AT LARGE

  38 THE CONFESSION

  39 POISONING SPARROWS

  40 YOUNG WOMAN’S SUICIDE

  41 RESOURCEFUL MOTHER

  Epilogue NOT A THEOSOPHIST

  Acknowledgements

  Prologue

  DEATH WORE A DINNER SUIT

  His manners were perfect. Murder made sophisticated conversation while dancing the quickstep. He was light on his feet.

  Annie Besant shuddered and closed her eyes. How clearly she saw the spreading crimson stain on the starched white dress shirt. That much was revealed… but no more. She surveyed the room. So many immaculately tailored men—all dashing, some charming, at least one was dangerous.

  An old woman now, her celebrated clairvoyance was not what it once had been. The foresight was vague, useless for anything but tormenting her with a premonition of violence. The feeling was furtive, an occasional glimpse of a deep predatory darkness that lurked amongst the gaiety and cultured frivolity of the floating palace. A cold creeping certainty that one of the elegant gentlemen who gathered to dine, intended to kill.

  1

  RMS AQUITANIA

  The RMS Aquitania is like an English country house. Its great rooms are perfect replicas of the fine salons and handsome apartments that one finds in the best of old English manor halls. The decorations are too restrained ever to be oppressive in their magnificence. There is no effort to create an atmosphere of feverish gaiety by means of ornate and colourful furnishings. The ship breathes an air of elegance that is very gratifying to the type of people that are her passengers.

  The Cunard Steam Ship Company Ltd

  It was undeniably a civilised way to travel… particularly for fugitives.

  Overhead, crystal chandeliers moved almost imperceptibly with
the gentle sway of the ship. If the scene over which they hung had been silent, one may have noticed the faint tinkle of the hand-cut prisms as they made contact. As it was, however, the Louis XVI Restaurant was busy, ringing with polite repartee and refined laughter as the orchestra played an unobtrusive score from the upper balcony.

  The tables in the dining room were round, laid with crisp white linen and a full array of cutlery in polished silver. Each sat twelve, the parties carefully chosen from amongst the first class passengers of the transatlantic liner. Waiters wove efficiently and subtly through the hall. Though neither as large nor as fast as the newer ships in the Cunard Line, the RMS Aquitania boasted a luxury and opulence that was unsurpassed. Her passengers cared less about arriving first than they did about doing so in the most elegant manner possible.

  Rowland Sinclair, of Woollahra, Sydney, hooked his walking stick over the back of his chair before he sat down. He dragged a hand through his dark hair, irritated with the inordinately long time it seemed to be taking his leg to heal. It had been over seven months now since Edna had shot him. Early in the mornings the limp was negligible, but after a day contending with the constant roll of the deck, the damaged muscles in his thigh ached and he relied on the stick.

  His travelling companions, who had come with him into temporary exile, were already seated.

  Rowland glanced across at Edna. She sparkled, perfectly accustomed to the many admiring eyes that were upon her. Her face was rapt in attention to the man seated beside her, the fall of her copper tresses accentuating the tilt of her head. Rowland considered the angle with an artist’s eye. The creaminess of her complexion was dramatic in contrast to the chocolate skin of the man upon whose conversation she focussed.

  Jiddu Krishnamurti had dined with them before, and with him his eminent—perhaps notorious—entourage. Rowland found the man intriguing—it was not often that one broke bread with an erstwhile messiah.

  On the other side of Edna, leaning absurdly in an attempt to enter the intimacy between her and Krishnamurti, sat the Englishman, Orville Urquhart. A consciously elegant man, he had been solicitous of their company since he first encountered Edna on board. Rowland regarded the Englishman with the distance he habitually reserved for those who vied for the attentions of the beautiful sculptress. Urquhart was broad-shouldered and athletic, but so well groomed that it seemed to counteract the masculinity of his build. His hands were manicured, his thin moustache combed and waxed, and even from across, the table his cologne was noticeable. Despite himself, Rowland shook his head.

  He turned politely as the elderly woman in the next seat addressed him. “Tell me, Mr. Sinclair, will you be staying on in New York?”

  “Not for long I’m afraid, Mrs. Besant. We shall embark for Sydney within a week of our arrival in New York.”

  “I take it the Americas do not interest you?”

  Rowland smiled. “We have been abroad for a while,” he said. “We’re ready to go home.”

  Annie Besant, World President of the Theosophical movement, nodded. “I have travelled greatly through my long life,” she said. “First, spreading the word of intellectual socialism, and then, when I found Theosophy, promoting brotherhood and the wisdom of the Ancients. It was always the greater calling… but I do understand the call home.”

  “To London?” Rowland asked, knowing that the city was where the renowned activist’s work and legend had begun.

  “No, my dear… I belong to India where mysticism has long been accepted.”

  “Indeed.”

  “I was in Sydney before the war, you know.” She looked at Rowland critically. “You would have still been in knee pants I suppose, so you wouldn’t remember. I’m afraid I was considered somewhat controversial.” She smiled faintly, a little proudly.

  “And why was that?” Rowland asked, expecting that she wanted him to do so.

  “Free thought, and those who espouse it are always the enemy of those who rely on obedience and tradition for power,” she replied.

  Rowland raised a brow.

  “I gave a lecture…Why I do not believe in God.”

  He nodded. “That would do it.”

  Annie Besant smiled. She liked the young Australian. Clearly, he was a man of means, old money—well, as old as money could be in the younger colonies, but his mind was open despite a certain flippancy. His eyes were extraordinary, dark though they were blue. There was an easy boyishness to his smile and, she thought, a strength. He had often stayed talking with her when the other young people got up to dance. She put a hand on his knee—Annie Besant was eighty-five now—she could take certain liberties.

  “Tell me, how did you hurt your leg, Mr. Sinclair?”

  “Ed… Miss Higgins shot me.” He glanced towards Edna, still talking deeply with Krishnamurti.

  “A lovers’ tiff?”

  “Not quite. She wasn’t aiming at me.”

  “So fate misdirected the bullet?”

  He grinned. “Not fate—Ed. She’s a terrible shot, I’m afraid.”

  “And her intended victim?”

  “Oh, she missed them entirely.”

  “I see.” Annie placed her hand over his and gazed into his eyes. “You have an interesting aura, Mr. Sinclair. I have been clairvoyant for some years you know, but still, you would be difficult to read, I think.”

  Rowland was a little relieved. He was less than enamoured with the idea of being read.

  Annie Besant smiled again and whispered conspiratorially. “I would not be offended, Mr. Sinclair, if you were to take out that notebook of yours.”

  Rowland laughed. It was his tendency to draw whatever caught his interest… it was not always appropriate to do so and he regularly checked the impulse to extract the notebook from the inside pocket of his jacket. Whether or not she was clairvoyant, Annie Besant was perceptive.

  “I should rather like to draw you, Mrs. Besant,” he said as he opened the leather-bound artist’s journal. “Actually I’d very much like to paint you, but I’m afraid my painting equipment is in the ship’s hold.”

  “You must call me Annie. I think we are well enough acquainted now… Besant is just the name of the man who took my children.” She sighed. “Of course that was well before you were born.”

  Rowland was already drawing. He was aware that Annie’s activism had seen her lose custody and contact with her children. He was not really sure why he knew that—it was one of those snippets of information told in hushed tones that came one’s way from time to time.

  “Not that old line again, Rowly.” Milton Isaacs leant in from his seat on the other side of Annie Besant. “Not every beautiful woman can be seduced with a portrait, mate.”

  Rowland ignored him but Annie chuckled. Milton and Annie Besant got on famously. Her past as a socialist agitator and reformist made her a hero to Milton, whose politics were definitely, and at times awkwardly, Left. She in turn was intrigued by the brash young man who called himself a poet, and made no effort to hide the letters of the word ‘Red’ which disfigured his forehead. Being too old to wait upon niceties, she had asked him about it on their first introduction.

  “Are you particularly fond of the colour red, Mr. Isaacs?”

  “It is a perfectly acceptable colour, Mrs. Besant,” he had replied smoothly. “But it does not appear on my face with consent.”

  “Then why is it there?” she had persisted, looking carefully at the faded but readable letters.

  “I came across some men who took exception to my political persuasion and who decided that I should wear it.”

  It was not entirely true. Milton left out that the right-wing vigilantes who had branded him with silver nitrate, had done so thinking he was Rowland Sinclair. That was several months ago now—before they’d fled Sydney.

  Rowland sketched, listening vaguely as his friend gave Annie the benefit of his considerable charm. Annie Besant’s face was strong, her forehead broad, and the set of her mouth determined. She wore a fashion of her own creatio
n, a kind of anglicised form of Indian dress, in white and blue. He drew her with definite lines, concentrating on capturing both the wisdom and hope in her face, as she spoke to Milton of international brotherhood. Her eyes were farseeing, as if her focus was on something in the distance. The Theosophical movement was now in decline, but at its height it had counted powerful men amongst its number. Prime ministers, men of letters. Indeed, it was rumoured that Australia’s new national capital had been designed by Burley Griffin as a monument to Theosophical symbolism. And all these men had been led by Annie Besant.

  “Rowly,” Clyde caught his attention from across the table. A fellow artist, Clyde Watson Jones had, like Edna and Milton, accompanied him from Sydney on a tour that had taken them to Egypt, the Continent and England. In London, Rowland had attended to some of his family’s extensive business interests. It was of course Sinclair money that had paid all their passages and accommodated and attired them in a manner befitting. Rowland Sinclair was a wealthy man, but he chose his friends from among those who were not—not consciously of course. It just so happened that the bohemian set of poets and artists to whom he naturally gravitated were not often from the elite and conservative circles into which he was born.

  “Hu reckons there’s a game of baccarat going in the Smoking Room tonight,” Clyde said hopefully. Originally from the country, his rugged, weather-beaten face looked a little out of place in the dinner-suited grandeur of the restaurant.

  Hubert Van Hook was the other man at their table. He had occupied himself that evening exchanging suggestive witticisms with the Hoffman sisters, who were cruising to celebrate their recently acquired status as widows. There were four Hoffmans, so their simultaneous bereavement seemed an alarming coincidence, but by all accounts it was a happy one. In his mid-thirties, Van Hook was a native of Chicago, and one of the Theosophical movement’s inner circle, though he seemed to prefer his spirits in a glass. He had a fondness for cards and consequently, was often in their company.