Angels!

by Various

  When he wearies of talking with the angels, Cunningham begins the evening's programming. By now the algorithms are second nature and he can enter angels into the computer in a matter of minutes; once he has done the research. This evening he inserts nine more. Then he opens a beer, sits back, and lets the day wind down to its close.

  He thinks he understands why he has become so intensely involved with this enterprise. It is because he must contend each day in his daily work with matters of terrifying apocalyptic import: nothing less, indeed, than the impending destruction of the world. Cunningham works routinely with megadeath simulation. For six hours a day he sets up hypothetical situations in which Country A goes into alert mode, expecting an attack from Country B, which thereupon begins to suspect a preemptive strike and commences a defensive response, which leads Country A to escalate its own readiness, and so on until the bombs are in the air. He is aware, as are many thoughtful people both in Country A and Country B, that the possibility of computer-generated misinformation leading to a nuclear holocaust increases each year, as the time-window for correcting a malfunction diminishes. Cunningham also knows something that very few others do, or perhaps no one else at all: that it is now possible to send a signal to the giant computers—to Theirs or Ours, it makes no difference—that will be indistinguishable from the impulses that an actual flight of airborne warhead-bearing missiles would generate. If such a signal is permitted to enter the system, a minimum of eleven minutes, at the present time, will be needed to carry out fail-safe determination of its authenticity. That, at the present time, is too long to wait to decide whether the incoming missiles are real; a much swifter response is required.

  Cunningham, when he designed his missile-simulating signal, thought at once of erasing his work. But he could not bring himself to do that: the program was too elegant, too perfect. On the other hand, he was afraid to tell anyone about it, for fear that it would be taken beyond his level of classification at once, and sealed away from him. He does not want that, for he dreams of finding an antidote for it, some sort of resonating inquiry mode that will distinguish all true alarms from false. When he has it, if he ever does, he will present both modes, in a single package, to Defense. Meanwhile, he bears the burden of suppressing a concept of overwhelming strategic importance. He had never done anything like that before. And he does not delude himself into thinking his mind is unique: if he could devise something like this, someone else probably could do it also, perhaps someone on the other side. True, it is a useless, suicidal program. But it would not be the first suicidal program to be devised in the interests of military security.

  He knows he must take his simulator to his superiors before much more time goes by. And under the strain of that knowledge, he is beginning to show distinct signs of erosion. He mingles less and less with other people, _ he has unpleasant dreams and occasional periods of insomnia; he has lost his appetite and looks gaunt and haggard. The angel project is his only useful diversion, his chief distraction, his one avenue of escape.

  For all his scrupulous scholarship, Cunningham has not hesitated to invent a few angels of his own. Uraniel is one of his: the angel of radioactive decay, with a face of whirling electron shells. And he has coined Dimitrion, too: the angel of Russian literature, whose wings are sleighs, and whose head is a snow-covered samovar. Cunningham feels no guilt over such whimsies. It is his computer, after all, and his program. And he knows he is not the first to concoct angels. Blake engendered platoons of them in his poems: Urizen and Orc and Enitharmon and more. Milton, he suspects, populated Paradise Lost with dozens of sprites of his own invention. Gurdjieff and Aleister Crowley and even Pope Gregory the Great had their turns at amplifying the angelic roster: why then not also Dan Cunningham of Palo Alto, California? So from time to time he works one up on his own. His most recent is the dread high lord Basileus, to whom Cunningham has given the title of Emperor of the Angels. Basileus is still incomplete: Cunningham has not arrived at his physical appearance, nor his specific functions, other than to make him the chief administrator of the angelic horde. But there is something unsatisfactory about imagining a new archangel, when Gabriel, Raphael, and Michael already constitute the high command. Basileus needs more work. Cunningham puts him aside, and begins to key in Duma, the angel of silence and of the stillness of death, thousand-eyed, armed with a fiery rod. His style in angels is getting darker and darker.

  On a misty, rainy night in late October, a woman from San Francisco whom he knows in a distant, occasional way, phones to invite him to a party. Her name is Joanna; she is in her mid-thirties, a biologist working for one of the little gene-splicing outfits in Berkeley; Cunningham had had a brief and vague affair with her five or six years back, when she was at Stanford, and since then they have kept fitfully in touch, with long intervals elapsing between meetings. He has not seen her or heard from her in over a year. "It's going to be an interesting bunch," she tells him. "A futurologist from New York, Thomson the sociobiology man, a couple of video poets, and someone from the chimpanzee-language outfit, and I forget the rest, but they all sounded first rate."

  Cunningham hates parties. They bore and jangle him. No matter how first rate the people are, he thinks, real interchange of ideas is impossible in a large random group, and the best one can hope for is some pleasant low-level chatter. He would rather be alone with his angels than waste an evening that way.

  On the other hand, it has been so long since he has done anything of a social nature that he has trouble remembering what the last gathering was. As he had been telling himself all his life, he needs to get out more often. He likes Joanna and it's about time they got together, he thinks, and he fears that if he turns her down, she may not call again for years. And the gentle patter of the rain, coming on this mild evening after the long dry months of summer, has left him feeling uncharacteristically relaxed, open, accessible.

  "All right," he says. "I'll be glad to go."

  The party is in San Mateo, on Saturday night. He takes down the address. They arrange to meet there. Perhaps she'll come home with him afterward, he thinks: San Mateo is only fifteen minutes from his house, and she'll have a much longer drive back up to San Francisco. The thought surprises him. He had supposed he had lost all interest in her that way; he had supposed he had lost all interest in anyone that way, as a matter of fact.

  Three days before the party, he decides to call Joanna and cancel. The idea of milling about in a roomful of strangers appalls him. He can't imagine, now, why he ever agreed to go. Better to stay home alone and pass a long rainy night designing angels and conversing with Uriel, Ithuriel, Raphael, Gabriel.

  But as he goes toward the telephone, that renewed hunger for solitude vanishes as swiftly as it came. He does want to go to the party. He does want to see Joanna: very much, indeed. It startles him to realize that he positively yearns for some change in his rigid routine, some escape from his little apartment, its elaborate computer hookup, even its angels.

  Cunningham imagines himself at the party, in some brightly lit room in a handsome redwood-and-glass house perched in the hills above San Mateo. He stands with his back to the vast-sparkling wraparound window, a drink in his hand and he is holding forth, dominating the conversation, sharing his rich stock of angel lore with a fascinated audience.

  "Yes. 300 million of them," he is saying, "and each with his fixed-function. Angels don't have free will, you know. It's Church doctrine that they're created with it, but at the moment of their

  birth, they're given the choice of opting for God or against Him, and the choice is irrevocable. Once they've made it, they're unalterably fixed, for good or for evil. Oh, and angels are born circumcised, too. At least the Angels of Sanctification and the Angels of Glory are, and maybe the seventy Angels of the Presence."

  "Does that mean that all angels are male?" asks a slender dark-haired woman.

  "Strictly speaking, they're bodiless and therefore without sex," Cunningham tells her. "But in fact, the religions t
hat believe in angels are mainly patriarchal ones, and when the angels are visualized, they tend to be portrayed as men. Although some of them, apparently, can change sex at will. Milton tells us that in Paradise Lost: `Spirits when they please can either sex assume, or both; so soft and uncompounded is their essence pure.' And some angels seem to be envisioned as female in the first place. There's the Shekinah, for instance, `the bride of God,' the manifestation of His glory indwelling in human beings. There's Sophia, the angel of wisdom. And Lilith, Adam's first wife, the demon of lust—"

  "Are demons considered angels, then?" a tall professorial-looking man wants to know.

  "Of course. They're the angels who opted away from God. But they're angels nevertheless, even if we mortals perceive their aspects as demonic or diabolical."

  He goes on and on. They all listen as though he is God's own messenger. He speaks of the hierachies of angels—the seraphim, cherubim, thrones, dominations, principalities, powers, virtues, archangels, and angels—and he tells them of the various lists of the seven great angels which differ so greatly once one gets beyond Michael, Gabriel, and Raphael, and he speaks of the 90,000 angels of destruction and the 300 angels of light; he conjures up the seven angels with seven trumpets from the Book of Revelation; he tells them which angels rule the seven days of the week and which the hours of the days and nights; he pours forth the wondrous angelic names, Zadkiel, Hashmal, Orphaniel, Jehudiel, Phaleg, Zagzagel. There is no end to it. He is in his glory. He is a fount of arcana. Then the manic mood passes. He is alone

  in his room; there is no eager audience. Once again he thinks he will skip the party. No. No. He will go. He wants to see Joanna.

  He goes to his terminal and calls up two final angels before bedtime: Leviathan and Behemoth. Behemoth is the great hippopotamus-angel, the vast beast of darkness, the angel of chaos. Leviathan is his mate, the mighty she-whale, the splendid sea serpent. They dance for him on the screen. Behemoth's huge mouth yawns wide. Leviathan gapes even more awesomely. "We are getting hungry," they tell him. "When is feeding time?" In rabbinical lore, these two will swallow all the damned souls at the end of days. Cunningham tosses them some electronic sardines and sends them away. As he closes his eyes he invokes Poteh, the angel of oblivion, and falls into a black dreamless sleep.

  At his desk the next morning, he is at work on a standard item, a glitch-clearing program for the third-quadrant surveillance satellites, when he finds himself unaccountably trembling. That has never happened to him before. His fingernails look almost white, his wrists are rigid, his hands are quivering. He feels chilled. It is as though he has not slept for days. In the washroom he clings to the sink and stares at his pallid, sweaty face. Someone comes up behind him and says, "You all right, Dan?"

  "Yeah. Just a little attack of the damn queasies."

  "All that wild living in the middle of the week wears a man down," the other says, and moves along. The social necessities have been observed: a question, a noncommittal answer, a quip, goodbye. He could have been having a stroke here and they would have played it the same way. Cunningham has no close friends at the office. He knows that they regard him as eccentric—eccentric in the wrong way, not lively and quirky but just a peculiar kind of hermit—and getting worse all the time. I could destroy the world, he thinks. I could go into the Big Room and type for fifteen seconds, and we'd be on all-out alert a minute later and the bombs would be coming down from orbit six minutes later. I could give that signal. I could really do it. I could do it right now.

  Waves of nausea sweep him and he grips the edge of the sink until the last racking spasm is over. Then he cleans his face, and calmer now, returns to his desk to stare at the little green symbols on the screen.

  That evening, still trying to find a function for Basileus, Cunningham discovers himself thinking of demons, and of one demon not in the classical demonology—Maxwell's Demon, the one that the physicist James Clerk Maxwell postulated to send fast-moving molecules in one direction and slow ones in another, thereby providing an ultra-efficient method for heating and refrigeration. Perhaps some sort of filtering role could be devised for Basileus. Last week a few of the loftier angels had been complaining about the proximity to them of certain fallen angels within the computer. "There's a smell of brimstone on this disk that I don't like," Gabriel had said. Cunningham wonders if he could make Basileus a kind of traffic manager within the program: let him sit in there and ship the celestial angels into one sector of a disk, the fallen ones to another.

  The idea appeals to him for about thirty seconds. Then he sees how fundamentally trivial it is. He doesn't need an angel for a job like that; a little simple software could do it: Cunningham's corollary to Kant's categorical imperative: Never use an angel as mere software. He smiles, possibly for the first time all week. Why, he doesn't even need software. He can handle it himself, simply by assigning princes of Heaven to one file and demons to a different one. It hadn't seemed necessary to segregate his angels that way, or he would have done it from the start. But since now they were complaining—

  He begins to flange up a sorting program to separate the files. It should have taken him a few minutes, but he finds himself working in a rambling, muddled way, doing an untypically sloppy job. With a quick swipe, he erases whút he has done. Gabriel would have to put up with the reek of brimstone a little longer, he thinks.

  There is a dull throbbing pain just behind his eyes. His throat is dry, his lips feel parched. Basileus would have to wait a little longer, too. Cunningham keys up another angel, allowing his fingers to choose for him, and finds himself looking at a blankfaced angel with a gleaming metal skin. One of the early ones, Cunningham realizes. "I don't remember your name," he says. "Who are you?"

  "I am Anaphaxeton."

  "And your function?"

  "When my name is pronounced aloud, I will cause the angels to summon the entire universe before the bar of justice on Judgment Day."

  "Oh, Jesus," Cunningham says. "I don't want you tonight."

  He sends Anaphaxeton away and finds himself with the dark angel Apollyon, fish scales, dragon wings, bear feet, breathing fire and smoke, holding the key to the Abyss. "No," Cunningham says, and brings up Michael, standing with drawn sword over Jerusalem, and sends him away only to find on the screen an angel with 70,000 feet and 4,000 wings, who is Azrael, the angel of death. "No," says Cunningham again. "Not you. Oh, Christ!" A vengeful army crowds his computer. On his screen there passes a flurrying regiment of wings and eyes and beaks. He shivers and shuts the system down for the night. Jesus, he thinks. Jesus, Jesus, Jesus. All night long, suns explode in his brain.

  On Friday his supervisor, Ned Harris, saunters to his desk in an unusually folksy way and asks if he's going to be doing anything interesting this weekend. Cunningham shrugs. "A party Saturday night, that's about all. Why?"

  "Thought you might be going off on a fishing trip, or something. Looks like the last nice weekend before the rainy season sets in, wouldn't you say?"

  "I'm not a fisherman, Ned."

  "Take some kind of trip. Drive down to Monterey, maybe. Or up into the wine country."

  "What are you getting at?"

  "You look like you could use a little change of pace," Harris says amiably. "A couple of days off. You've been crunching numbers so hard, they're starting to crunch you, is my guess."

  "It's that obvious?"

  Harris nods. "You're tired, Dan. It shows. We're a little like air

  traffic controllers around here, you know, working so hard we start to dream about blips on the screen. That's no good. Get the hell out of town, fellow. The Defense Department can operate without you for a while. Okay? Take Monday off. Tuesday, even. I can't afford to have a fine mind like yours going goofy from fatigue, Dan."

  "All right, Ned. Sure. Thanks."

  His hands are shaking again. His fingernails are colorless. "And get a good early start on the weekend, too. No need for you to hang around here today until four."

  "I
f that's okay—"

  "Go on. Shoo!"

  Cunningham closes down his desk and makes his way uncertainly out of the building. The security guards wave at him. Everyone seems to know he's being sent home early. Is this what it's like to crack up on the job? He wanders about the parking lot for a little while, not sure where he has left his car. At last he finds it, and drives home at thirty miles an hour, with horns honking at him all the way as he wanders up the freeway.

  He settles wearily in front of his computer and brings the system on line, calling for Harahel. Surely the angel of computers will not plague him with such apocalyptic matters.

  Harahel says, "Well, we've worked out your Basileus problem for you."

  "You have?"

  "Uriel had the basic idea, building on your Maxwell's Demon notion. Israfel and Azrael developed it some. What's needed is an angel embodying God's Justice and God's mercy. A kind of evaluator, a filtering angel. He weighs deeds in the balance, and arrives at a verdict."

  "What's new about that?" Cunningham asks. "Something like that's built into every mythology from Sumer and Egypt on. There's always a mechanism for evaluating the souls of the dead—this one goes to Paradise, this one goes to Hell—"

  "Wait," Harahel says. "I wasn't finished. I'm not talking about the evaluation of individual souls."