The Man Who Knew Too Much

by Gilbert Keith Chesterton

  After a pause March observed, thoughtfully, "But he couldn't have brought him down like a bird with one of those little guns."

  "No; that was why I went into the gun-room," replied Fisher. "He did it with one of Burke's rifles, and Burke thought he knew the sound of it. That's why he rushed out without a hat, looking so wild. He saw nothing but a car passing quickly, which he followed for a little way, and then concluded he'd made a mistake."

  There was another silence, during which Fisher sat on a great stone as motionless as on their first meeting, and watched the gray and silver river eddying past under the bushes. Then March said, abruptly, "Of course he knows the truth now."

  "Nobody knows the truth but you and I," answered Fisher, with a certain softening in his voice. "And I don't think you and I will ever quarrel."

  "What do you mean?" asked March, in an altered accent. "What have you done about it?"

  Horne Fisher continued to gaze steadily at the eddying stream. At last he said, "The police have proved it was a motor accident."

  "But you know it was not."

  "I told you that I know too much," replied Fisher, with his eye on the river. "I know that, and I know a great many other things. I know the atmosphere and the way the whole thing works. I know this fellow has succeeded in making himself something incurably commonplace and comic. I know you can't get up a persecution of old Toole or Little Tich. If I were to tell Hoggs or Halkett that old Jink was an assassin, they would almost die of laughter before my eyes. Oh, I don't say their laughter's quite innocent, though it's genuine in its way. They want old Jink, and they couldn't do without him. I don't say I'm quite innocent. I like Hoggs; I don't want him to be down and out; and he'd be done for if Jink can't pay for his coronet. They were devilish near the line at the last election. But the only real objection to it is that it's impossible. Nobody would believe it; it's not in the picture. The crooked weathercock would always turn it into a joke."

  "Don't you think this is infamous?" asked March, quietly.

  "I think a good many things," replied the other. "If you people ever happen to blow the whole tangle of society to hell with dynamite, I don't know that the human race will be much the worse. But don't be too hard on me merely because I know what society is. That's why I moon away my time over things like stinking fish."

  There was a pause as he settled himself down again by the stream; and then he added:

  "I told you before I had to throw back the big fish."

  II. THE VANISHING PRINCE

  This tale begins among a tangle of tales round a name that is at once recent and legendary. The name is that of Michael O'Neill, popularly called Prince Michael, partly because he claimed descent from ancient Fenian princes, and partly because he was credited with a plan to make himself prince president of Ireland, as the last Napoleon did of France. He was undoubtedly a gentleman of honorable pedigree and of many accomplishments, but two of his accomplishments emerged from all the rest. He had a talent for appearing when he was not wanted and a talent for disappearing when he was wanted, especially when he was wanted by the police. It may be added that his disappearances were more dangerous than his appearances. In the latter he seldom went beyond the sensational–pasting up seditious placards, tearing down official placards, making flamboyant speeches, or unfurling forbidden flags. But in order to effect the former he would sometimes fight for his freedom with startling energy, from which men were sometimes lucky to escape with a broken head instead of a broken neck. His most famous feats of escape, however, were due to dexterity and not to violence. On a cloudless summer morning he had come down a country road white with dust, and, pausing outside a farmhouse, had told the farmer's daughter, with elegant indifference, that the local police were in pursuit of him. The girl's name was Bridget Royce, a somber and even sullen type of beauty, and she looked at him darkly, as if in doubt, and said, "Do you want me to hide you?" Upon which he only laughed, leaped lightly over the stone wall, and strode toward the farm, merely throwing over his shoulder the remark, "Thank you, I have generally been quite capable of hiding myself." In which proceeding he acted with a tragic ignorance of the nature of women; and there fell on his path in that sunshine a shadow of doom.

  While he disappeared through the farmhouse the girl remained for a few moments looking up the road, and two perspiring policemen came plowing up to the door where she stood. Though still angry, she was still silent, and a quarter of an hour later the officers had searched the house and were already inspecting the kitchen garden and cornfield behind it. In the ugly reaction of her mood she might have been tempted even to point out the fugitive, but for a small difficulty that she had no more notion than the policemen had of where he could possibly have gone. The kitchen garden was enclosed by a very low wall, and the cornfield beyond lay aslant like a square patch on a great green hill on which he could still have been seen even as a dot in the distance. Everything stood solid in its familiar place; the apple tree was too small to support or hide a climber; the only shed stood open and obviously empty; there was no sound save the droning of summer flies and the occasional flutter of a bird unfamiliar enough to be surprised by the scarecrow in the field; there was scarcely a shadow save a few blue lines that fell from the thin tree; every detail was picked out by the brilliant day light as if in a microscope. The girl described the scene later, with all the passionate realism of her race, and, whether or no the policemen had a similar eye for the picturesque, they had at least an eye for the facts of the case, and were compelled to give up the chase and retire from the scene. Bridget Royce remained as if in a trance, staring at the sunlit garden in which a man had just vanished like a fairy. She was still in a sinister mood, and the miracle took in her mind a character of unfriendliness and fear, as if the fairy were decidedly a bad fairy. The sun upon the glittering garden depressed her more than the darkness, but she continued to stare at it. Then the world itself went half-witted and she screamed. The scarecrow moved in the sun light. It had stood with its back to her in a battered old black hat and a tattered garment, and with all its tatters flying, it strode away across the hill.

  She did not analyze the audacious trick by which the man had turned to his advantage the subtle effects of the expected and the obvious; she was still under the cloud of more individual complexities, and she noticed most of all that the vanishing scarecrow did not even turn to look at the farm. And the fates that were running so adverse to his fantastic career of freedom ruled that his next adventure, though it had the same success in another quarter, should increase the danger in this quarter. Among the many similar adventures related of him in this manner it is also said that some days afterward another girl, named Mary Cregan, found him concealed on the farm where she worked; and if the story is true, she must also have had the shock of an uncanny experience, for when she was busy at some lonely task in the yard she heard a voice speaking out of the well, and found that the eccentric had managed to drop himself into the bucket which was some little way below, the well only partly full of water. In this case, however, he had to appeal to the woman to wind up the rope. And men say it was when this news was told to the other woman that her soul walked over the border line of treason.

  Such, at least, were the stories told of him in the countryside, and there were many more–as that he had stood insolently in a splendid green dressing gown on the steps of a great hotel, and then led the police a chase through a long suite of grand apartments, and finally through his own bedroom on to a balcony that overhung the river. The moment the pursuers stepped on to the balcony it broke under them, and they dropped pell-mell into the eddying waters, while Michael, who had thrown off his gown and dived, was able to swim away. It was said that he had carefully cut away the props so that they would not support anything so heavy as a policeman. But here again he was immediately fortunate, yet ultimately unfortunate, for it is said that one of the men was drowned, leaving a family feud which made a little rift in his popularity. These stories can now be told
in some detail, not because they are the most marvelous of his many adventures, but because these alone were not covered with silence by the loyalty of the peasantry. These alone found their way into official reports, and it is these which three of the chief officials of the country were reading and discussing when the more remarkable part of this story begins.

  Night was far advanced and the lights shone in the cottage that served for a temporary police station near the coast. On one side of it were the last houses of the straggling village, and on the other nothing but a waste moorland stretching away toward the sea, the line of which was broken by no landmark except a solitary tower of the prehistoric pattern still found in Ireland, standing up as slender as a column, but pointed like a pyramid. At a wooden table in front of the window, which normally looked out on this landscape, sat two men in plain clothes, but with something of a military bearing, for indeed they were the two chiefs of the detective service of that district. The senior of the two, both in age and rank, was a sturdy man with a short white beard, and frosty eyebrows fixed in a frown which suggested rather worry than severity.

  His name was Morton, and he was a Liverpool man long pickled in the Irish quarrels, and doing his duty among them in a sour fashion not altogether unsympathetic. He had spoken a few sentences to his companion, Nolan, a tall, dark man with a cadaverous equine Irish face, when he seemed to remember something and touched a bell which rang in another room. The subordinate he had summoned immediately appeared with a sheaf of papers in his hand.

  "Sit down, Wilson," he said. "Those are the depositions, I suppose."

  "Yes," replied the third officer. "I think I've got all there is to be got out of them, so I sent the people away."

  "Did Mary Cregan give evidence?" asked Morton, with a frown that looked a little heavier than usual.

  "No, but her master did," answered the man called Wilson, who had flat, red hair and a plain, pale face, not without sharpness. "I think he's hanging round the girl himself and is out against a rival. There's always some reason of that sort when we are told the truth about anything. And you bet the other girl told right enough."

  "Well, let's hope they'll be some sort of use," remarked Nolan, in a somewhat hopeless manner, gazing out into the darkness.

  "Anything is to the good," said Morton, "that lets us know anything about him."

  "Do we know anything about him?" asked the melancholy Irishman.

  "We know one thing about him," said Wilson, "and it's the one thing that nobody ever knew before. We know where he is."

  "Are you sure?" inquired Morton, looking at him sharply.

  "Quite sure," replied his assistant. "At this very minute he is in that tower over there by the shore. If you go near enough you'll see the candle burning in the window."

  As he spoke the noise of a horn sounded on the road outside, and a moment after they heard the throbbing of a motor car brought to a standstill before the door. Morton instantly sprang to his feet.

  "Thank the Lord that's the car from Dublin," he said. "I can't do anything without special authority, not if he were sitting on the top of the tower and putting out his tongue at us. But the chief can do what he thinks best."

  He hurried out to the entrance and was soon exchanging greetings with a big handsome man in a fur coat, who brought into the dingy little station the indescribable glow of the great cities and the luxuries of the great world.

  For this was Sir Walter Carey, an official of such eminence in Dublin Castle that nothing short of the case of Prince Michael would have brought him on such a journey in the middle of the night. But the case of Prince Michael, as it happened, was complicated by legalism as well as lawlessness. On the last occasion he had escaped by a forensic quibble and not, as usual, by a private escapade; and it was a question whether at the moment he was amenable to the law or not. It might be necessary to stretch a point, but a man like Sir Walter could probably stretch it as far as he liked.

  Whether he intended to do so was a question to be considered. Despite the almost aggressive touch of luxury in the fur coat, it soon became apparent that Sir Walter's large leonine head was for use as well as ornament, and he considered the matter soberly and sanely enough. Five chairs were set round the plain deal table, for who should Sir Walter bring with him but his young relative and secretary, Horne Fisher. Sir Walter listened with grave attention, and his secretary with polite boredom, to the string of episodes by which the police had traced the flying rebel from the steps of the hotel to the solitary tower beside the sea. There at least he was cornered between the moors and the breakers; and the scout sent by Wilson reported him as writing under a solitary candle, perhaps composing another of his tremendous proclamations. Indeed, it would have been typical of him to choose it as the place in which finally to turn to bay. He had some remote claim on it, as on a family castle; and those who knew him thought him capable of imitating the primitive Irish chieftains who fell fighting against the sea.

  "I saw some queer-looking people leaving as I came in," said Sir Walter Carey. "I suppose they were your witnesses. But why do they turn up here at this time of night?"

  Morton smiled grimly. "They come here by night because they would be dead men if they came here by day. They are criminals committing a crime that is more horrible here than theft or murder."

  "What crime do you mean?" asked the other, with some curiosity.

  "They are helping the law," said Morton.

  There was a silence, and Sir Walter considered the papers before him with an abstracted eye. At last he spoke.

  "Quite so; but look here, if the local feeling is as lively as that there are a good many points to consider. I believe the new Act will enable me to collar him now if I think it best. But is it best? A serious rising would do us no good in Parliament, and the government has enemies in England as well as Ireland. It won't do if I have done what looks a little like sharp practice, and then only raised a revolution."

  "It's all the other way," said the man called Wilson, rather quickly. "There won't be half so much of a revolution if you arrest him as there will if you leave him loose for three days longer. But, anyhow, there can't be anything nowadays that the proper police can't manage."

  "Mr. Wilson is a Londoner," said the Irish detective, with a smile.

  "Yes, I'm a cockney, all right," replied Wilson, "and I think I'm all the better for that. Especially at this job, oddly enough."

  Sir Walter seemed slightly amused at the pertinacity of the third officer, and perhaps even more amused at the slight accent with which he spoke, which rendered rather needless his boast about his origin.

  "Do you mean to say," he asked, "that you know more about the business here because you have come from London?"

  "Sounds funny, I know, but I do believe it," answered Wilson. "I believe these affairs want fresh methods. But most of all I believe they want a fresh eye."

  The superior officers laughed, and the redhaired man went on with a slight touch of temper:

  "Well, look at the facts. See how the fellow got away every time, and you'll understand what I mean. Why was he able to stand in the place of the scarecrow, hidden by nothing but an old hat? Because it was a village policeman who knew the scarecrow was there, was expecting it, and therefore took no notice of it. Now I never expect a scarecrow. I've never seen one in the street, and I stare at one when I see it in the field. It's a new thing to me and worth noticing. And it was just the same when he hid in the well. You are ready to find a well in a place like that; you look for a well, and so you don't see it. I don't look for it, and therefore I do look at it."

  "It is certainly an idea," said Sir Walter, smiling, "but what about the balcony? Balconies are occasionally seen in London."

  "But not rivers right under them, as if it was in Venice," replied Wilson.

  "It is certainly a new idea," repeated Sir Walter, with something like respect. He had all the love of the luxurious classes for new ideas. But he also had a critical faculty, and was inclined
to think, after due reflection, that it was a true idea as well.

  Growing dawn had already turned the window panes from black to gray when Sir Walter got abruptly to his feet. The others rose also, taking this for a signal that the arrest was to be undertaken. But their leader stood for a moment in deep thought, as if conscious that he had come to a parting of the ways.

  Suddenly the silence was pierced by a long, wailing cry from the dark moors outside. The silence that followed it seemed more startling than the shriek itself, and it lasted until Nolan said, heavily:

  "'Tis the banshee. Somebody is marked for the grave."

  His long, large-featured face was as pale as a moon, and it was easy to remember that he was the only Irishman in the room.

  "Well, I know that banshee," said Wilson, cheerfully, "ignorant as you think I am of these things. I talked to that banshee myself an hour ago, and I sent that banshee up to the tower and told her to sing out like that if she could get a glimpse of our friend writing his proclamation."

  "Do you mean that girl Bridget Royce?" asked Morton, drawing his frosty brows together. "Has she turned king's evidence to that extent?"