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Perfect Hatred

Page 26

by Leighton Gage


  The PLB, or personal locator beacon, was a transmitter that sent out a signal that could be picked up by satellites and aircraft, and homed-in upon by search teams.

  “You call us before you go into the jungle,” her boss had told her when he’d given it to her. “Then you call again when you come out. It’s like making a flight plan. If you get into trouble, push the button. Then sit tight and wait to be rescued.”

  Sit tight? In the middle of the biggest rainforest in the world? Easy to say. Not so easy to do.

  She glanced back at the road.

  How ironic, she thought. The damned loggers who scarred the land with their bulldozers actually did the tribespeople some good. Without that road, she would have had to cut her way through sixty-two kilometers of dense undergrowth to reach this spot. Even though the rains had turned much of it to mud and even though new vegetation was quickly erasing the scars of the white men’s predations, she could still cover the entire distance from Azevedo to this, the end point, in a little less than two hours.

  And, because of that, and that alone, she was able to look in on the tribe twice a month instead of six times a year.

  She clipped the PLB to the belt of her khaki shorts, switched on the GPS, and punched in the coordinates of the village. Then she hoisted her knapsack to her shoulders and set off.

  SOMEONE OR something stepped on a twig. It broke with a loud snap.

  A tapir or a man, Amati thought. Nothing else could have done it. He grabbed his bow.

  “Stay close,” he said to his son.

  The arrow he chose was tipped with poison. If it was a tapir, he’d kill it for the meat. If a white man … well, let it not be a white man. Not after what those monsters had done.

  But the figure that emerged from the forest was neither tapir nor man. It was a woman, one he knew, but white just the same. And she was coming toward him with a smile on her face.

  A smile!

  Consumed with a towering anger, Amati lowered the bow. Why should he waste poison on a creature such as this? Poison was precious, time-consuming to extract. He’d kill her with his knife.

  PERPLEXED, JADE came to a stop. She’d been expecting to find dozens of people. Instead, there were only two: Amati and Raoni, and both were staring at her in the strangest sort of way.

  It was true that Amati had always been a bit distant, and Raoni a bit shy, but now their body language and grim faces were making an entirely different impression. Hatred.

  If she could have spoken to them she might have been able to defuse it, but speaking was a problem. Raoni’s grandmother, Yara, was the only person in the entire village with whom Jade could actually converse.

  Yara hadn’t been born of the tribe. Her native language was a dialect of Tupi, a tongue Jade already spoke, but the language of the Awana was unique. Since the tribe was small and recently contacted, no one else in Jade’s organization had ever attempted to master it. Not before Jade. Not until now.

  She’d been learning with Yara’s help. The two women had been working together on a Tupi/Awana dictionary, one that Jade intended to turn into a Portuguese/Awana dictionary as soon as she completed it. But the work was in the early stages, and Jade’s entire vocabulary, at the moment, numbered less than two hundred words.

  She remembered advice she’d once received from an expert on the tribes: “When words fail, offer a present. It’s the Indian way.”

  The gifts she’d brought, a little concave mirror about nine centimeters across, the strings of beads, and a little aluminum pot, were all in her backpack. But this was no time to go looking for them.

  Get closer, she thought. Smile. Give the child your knife.

  So she did just that, walked toward them, smiled through her fear, and started unbuckling her belt. The muscles in Amati’s arms and legs went taut. She freed the leather scabbard suspended next to her PLB, taking care not to put a hand to the hilt.

  The Indian had no such compunction. Slitting his eyes, he bared the steel of his weapon.

  She stopped in front of the boy, knelt down and made the offer. Solemnly, he accepted it. In her peripheral vision she could see Amati’s hand lowering his knife. She turned her head and looked up at him, still smiling. He didn’t return the smile, but he was no longer scowling. He waited for her to speak.

  But of course, she couldn’t. Silently, she cursed Carlo Castori. Castori was the parish priest back in Azevedo. Once a missionary, he claimed to have lived among the Awana for more than a year. He’d told her he’d attained fluency in their language, but denied ever having made a dictionary—a claim she found difficult to believe. Who tries to learn a language without making a dictionary?

  But, true or not, the man had never been of any help to her, and she’d given up trying to extract anything useful from him. Sign language had become her only option—and she was getting rather good at it. She began by pointing around her and simulating a mystified expression, as if to say, What happened?

  Amati grabbed her wrist. His grip was strong, and it frightened her. She gave a little whimper and stood her ground. Exasperated, he released her, pointed, and took her wrist again, this time more gently. She realized then that he was trying to lead her somewhere, and she went.

  With Raoni trailing behind, they passed through the heart of the village, exited the other side, and arrived in a glade occupied by mound after mound of loosely-packed soil. At the head of one of the mounds, the trunk of a sacred Kam′ywá tree had been embedded into the red earth. Kuarups, the Indians called them. They personified the spirits of the dead.

  Jade’s mouth opened in surprise. Then she closed it and began to count. The mounds totaled thirty-nine, and they were divided into three neat rows of thirteen each. At last count, there had been forty-one members of the tribe. Two, the man and the boy, were standing next to her.

  “All Awana,” he said. And then, in case she failed to understand, added the word “Dead.”

  “How?”

  “Men kill.”

  More words exploded from his mouth, angry words, but Jade was unable to understand a single one. While he spoke, she tried to piece together what might have happened. There hadn’t been a war among the tribes in this part of Pará in living memory. It could have been disease, of course, but what kind of disease could have killed so many so quickly? And, if disease had been the cause, how was it possible that neither the man nor the boy were showing signs of sickness?

  A horrible suspicion came over her.

  “Rainforest men?” she asked.

  “No rainforest men,” he said shaking his head emphatically. “White men.” He stabbed a finger into her breastbone and repeated it. “White men.”

  “When?”

  He pointed to the sun and held up seven fingers. A week ago. If he and his son had been doing the burying themselves, they must have been digging graves and cutting kuarups ever since.

  “You come,” she said. “I help. We talk. Hurt bad men.”

  “Come where?” he asked. “Talk how? Hurt how?”

  “Come,” she said and then pointed to her chest and made a pillow with her hands as if she was going to sleep. She hoped he understood what she was trying to tell him. She wanted to take him to the place where she slept, to her home, to the little city of Azevedo. She pointed at him, then back at herself. “Talk. Father Carlo Castori help.”

  He gave a contemptuous snort, said something she couldn’t understand, and made a sign as if he were drinking. Yes, he knows who I’m talking about. Castori is a drunk. She made a beckoning gesture. He seemed to think it over.

  At last he nodded. Then he said, “How long?” She pointed to the sun and held up one finger. Again, he nodded. “I come. Not Raoni. Your place bad for Raoni.”

  She couldn’t argue. Considering the contempt in which the townsfolk held the people of the rainforest Azevedo was a bad place for him.

  But how will he cope if we leave him for twenty-four hours on his own?

  She concluded he’d cope well
. Indian boys grew up fast.

  “Good,” she said. “You come. Boy stay.”

  OTHER TITLES IN THE SOHO CRIME SERIES

  Quentin Bates

  (Iceland)

  Frozen Assets

  Cold Comfort

  Chilled to the Bone

  Cheryl Benard

  (Pakistan)

  Moghul Buffet

  James R. Benn

  (World War II Europe)

  Billy Boyle

  The First Wave

  Blood Alone

  Evil for Evil

  Rag & Bone

  A Mortal Terror

  Death’s Door

  A Blind Goddess

  Cara Black

  (Paris, France)

  Murder in the Marais

  Murder in Belleville

  Murder in the Sentier

  Murder in the Bastille

  Murder in Clichy

  Murder in Montmartre

  Murder on the Ile Saint-Louis

  Murder in the Rue de Paradis

  Murder in the Latin Quarter

  Murder in the Palais Royal

  Murder in Passy

  Murder at the Lanterne Rouge

  Murder Below Montparnasse

  Murder in Pigalle

  Grace Brophy

  (Italy)

  The Last Enemy

  A Deadly Paradise

  Henry Chang

  (Chinatown)

  Chinatown Beat

  Year of the Dog

  Red Jade

  Death Money

  Gary Corby

  (Ancient Greece)

  The Pericles Commission

  The Ionia Sanction

  Sacred Games

  The Marathon Conspiracy

  Colin Cotterill

  (Laos)

  The Coroner’s Lunch

  Thirty-Three Teeth

  Disco for the Departed

  Anarchy and Old Dogs

  Curse of the Pogo Stick

  The Merry Misogynist

  Love Songs from a Shallow Grave

  Slash and Burn

  The Woman Who Wouldn’t Die

  Garry Disher

  (Australia)

  The Dragon Man

  Kittyhawk Down

  Snapshot

  Chain of Evidence

  Blood Moon

  Wyatt

  Whispering Death

  Port Vila Blues

  Fallout

  David Downing

  (World War II Germany)

  Zoo Station

  Silesian Station

  Stettin Station

  Potsdam Station

  Lehrter Station

  Masaryk Station

  (World War I)

  Jack of Spies

  Leighton Gage

  (Brazil)

  Blood of the Wicked

  Buried Strangers

  Dying Gasp

  Every Bitter Thing

  A Vine in the Blood

  Perfect Hatred

  The Ways of Evil Men

  Michael Genelin

  (Slovakia)

  Siren of the Waters

  Dark Dreams

  The Magician’s Accomplice

  Requiem for a Gypsy

  Timothy Hallinan

  (Thailand)

  The Fear Artist

  For the Dead

  (Los Angeles)

  Crashed

  Little Elvises

  The Fame Thief

  Mick Herron

  (England)

  Dead Lions

  Adrian Hyland

  (Australia)

  Moonlight Downs

  Gunshot Road

  Stan Jones

  (Alaska)

  White Sky, Black Ice

  Shaman Pass

  Village of the Ghost Bears

  Lene Kaaberbøl & Agnete Friis

  (Denmark)

  The Boy in the Suitcase

  Invisible Murder

  Death of a Nightingale

  Graeme Kent

  (Solomon Islands)

  Devil-Devil

  One Blood

  James Lilliefors

  (Global Thrillers)

  Viral

  The Leviathan Effect

  Martin Limón

  (South Korea)

  Jade Lady Burning

  Slicky Boys

  Buddha’s Money

  The Door to Bitterness

  The Wandering Ghost

  G.I. Bones

  Mr. Kill

  The Joy Brigade

  Nightmare Range

  The Man with the Iron Sickle

  Peter Lovesey

  (Bath, England)

  The Last Detective

  The Vault

  On the Edge

  The Reaper

  Rough Cider

  The False Inspector Dew

  Diamond Dust

  Diamond Solitaire

  The House Sitter

  The Summons

  Bloodhounds

  Upon a Dark Night

  The Circle

  The Secret Hangman

  The Headhunters

  Skeleton Hill

  Stagestruck

  Cop to Corpse

  The Tooth Tattoo

  The Stone Wife

  Jassy Mackenzie

  (South Africa)

  Random Violence

  Stolen Lives

  The Fallen

  Pale Horses

  Seichō Matsumoto

  (Japan)

  Inspector Imanishi Investigates

  James McClure

  (South Africa)

  The Steam Pig

  The Caterpillar Cop

  The Gooseberry Fool

  Snake

  The Sunday Hangman

  The Blood of an Englishman

  The Artful Egg

  The Song Dog

  Jan Merete Weiss

  (Italy)

  These Dark Things

  A Few Drops of Blood

  Magdalen Nabb

  (Italy)

  Death of an Englishman

  Death of a Dutchman

  Death in Springtime

  Death in Autumn

  The Marshal and the Madwoman

  The Marshal and the Murderer

  The Marshal’s Own Case

  The Marshal Makes His Report

  The Marshal at the Villa Torrini

  Property of Blood

  Some Bitter Taste

  The Innocent

  Vita Nuova

  The Monster of Florence

  Fuminori Nakamura

  (Japan)

  The Theif

  Evil and the Mask

  Stuart Neville

  (Northern Ireland)

  The Ghosts of Belfast

  Collusion

  Stolen Souls

  Ratlines

  Eliot Pattison

  (Tibet)

  Prayer of the Dragon

  The Lord of Death

  Rebecca Pawel

  (1930s Spain)

  Death of a Nationalist

  Law of Return

  The Watcher in the Pine

  The Summer Snow

  Qiu Xiaolong

  (China)

  Death of a Red Heroine

  A Loyal Character Dancer

  When Red is Black

  Matt Beynon Rees

  (Palestine)

  The Collaborator of Bethlehem

  A Grave in Gaza

  The Samaritan’s Secret

  The Fourth Assassin

  John Straley

  (Alaska)

  The Woman Who Married a Bear

  The Curious Eat Themselves

  The Big Both Ways

  Cold Storage, Alaska

  Akimitsu Takagi

  (Japan)

  The Tattoo Murder Case

  Honeymoon to Nowhere

  The Informer

  Helene Tursten

  (Sweden)

  Detective Inspector Huss

  The
Torso

  The Glass Devil

  Night Rounds

  The Golden Calf

  The Fire Dance

  Janwillem van de Wetering

  (Holland)

  Outsider in Amsterdam

  Tumbleweed

  The Corpse on the Dike

  Death of a Hawker

  The Japanese Corpse

  The Blond Baboon

  The Maine Massacre

  The Mind-Murders

  The Streetbird

  The Rattle-Rat

  Hard Rain

  Just a Corpse at Twilight

  Hollow-Eyed Angel

  The Perfidious Parrot

  Amsterdam Cops: Collected Stories

  Timothy Williams

  (Guadeloup)

  Another Sun

  Return from Nowhere

 

 

 


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