"His suit looked fine to me," I commented.
"Yes, it would," Moriarty said. "Anything else?"
"How did you know it was an older brother who died? Why not his father?"
"If it were his father, then he would have expected to inherit at some time, and the conflict between career and station would have been resolved long since. No, it was clearly the unexpected death of an older brother that has created this dilemma for him."
"And the antipathy between him and his brother?"
"A glance at his right sleeve showed me the pinholes where a black armband had been. The band had not been tacked on, and the pinholes had not enlarged with wear. His period of mourning for his brother was brief. Surely that suggests a certain coolness between them?"
"But not irreconcilable?"
"Certainly not. After all, he did wear the armband."
-
The next morning Moriarty disappeared before breakfast and returned just as I was finishing my coffee. "I have been to Scotland Yard," he said, drawing off his coat and hanging it on a peg by the door. "This exercise is promising indeed. I have sent the Mummer out to procure copies of the last two months' London Daily Gazette. The crime news is more complete, if a bit more lurid, in the Gazette. Is there more coffee?"
"What did you learn at Scotland Yard?" I asked, pouring him a cup.
"The inquest has been postponed at the request of the medical office, who are still trying to determine the cause of death. The defunct earl may have suffered from apoplexy, as diagnosed by Dr. Papoli, probably on the basis of the red face, but that did not cause his death. There are indications of asphyxiation, but nothing that could have caused it, and two deep puncture marks on his neck. The two pathologists who have been consulted can agree on nothing except their disagreement with Dr. Papoli's findings."
I put down my coffee cup. "Puncture marks—my dear Moriarty!"
Moriarty sipped his coffee. "No, Barnett," he said. "They are not the marks of a vampire, and neither are they the punctures of a viper. They are too wide apart, coming low on the neck and almost under the ear on each side of his head. There are some older puncture marks also, in odd places; on the inner thighs and under the arms. They do not seem to have contributed to his death, but what purpose they served is unknown."
Moriarty drank a second cup of coffee, staring at the fireplace, apparently deep in thought. Then Mummer Tolliver, Moriarty's midget-of-all-work, came in with bundles of newspapers, and Moriarty began slowly going through them. "It is as I remembered," he said finally. "Look here, Barnett: the naked body of a young man was found floating in the Thames last week, with two unexplained puncture marks."
"In his neck?" I asked.
"In his upper arms. And here—three weeks previously the body of a girl, clad only in her shift, was discovered in a field in Lower Norwood. She had what the Gazette describes as strange bruises on her legs."
"Is that significant?" I asked.
"Scotland Yard doesn't think so," Moriarty said. After a moment's reflection he put down the paper and jumped to his feet. "Come, Barnett!" he cried.
"Where?" I asked, struggling into my jacket.
"Since we cannot get satisfactory answers as to the manner of Lord Vincent Tams's death, we must inquire into the manner of his life. We are going to Abelard Court."
"I thought the Paradol Club was in Montague Street."
"It is," Moriarty said, clapping his hat on his head and taking up his stick. "But we go to Abelard Court. Come along!"
We waved down a passing hansom cab, Moriarty shouted an address to the driver, and we were off. "I must tell you, Barnett," Moriarty said, turning to face me in the cab. "We are going to visit a lady who is a good friend and is very important to me. Society would forbid us calling her a 'lady,' but society is a fool."
"Important to you how?" I asked.
Moriarty stared at me for a moment. "We have shared events in our lives that have drawn us very close," he said. "I trust her as fully as I trust myself."
The address the hansom cab let us off in front of was a paradigm of middle-class virtue, as was the lady's maid who answered the door, though her costume was a bit too French for the more conservative household.
"Is Mrs. Atterleigh at home?" Moriarty asked. "Would you tell her that Professor Moriarty and a friend are calling?"
The maid curtseyed and showed us to a drawing room that was decorated in pink and light blue, and filled with delicate, finely detailed furniture that bespoke femininity. Any male would feel rough and clumsy and out of place in this room.
After a brief wait, Mrs. Atterleigh entered the drawing room. One of those ageless mortals who, in form and gesture, encompass the mystery that is woman, she might have been nineteen, or forty, I cannot say. And no man would care. Her long brown hair framed a perfect oval face and intelligent brown eyes. She wore a red silk house dress that I cannot describe, not being adept at such things, but I could not but note that it showed more of her than I had ever seen of a woman to whom I was not married. I did not find it offensive.
"Professor!" she said, holding out her arms.
Moriarty stepped forward. "Beatrice!"
She kissed him firmly on the cheek and released him. "It has been too long," she said.
"I have a favor to ask," Moriarty said.
"I, who owe you everything, can refuse you nothing," she replied.
Moriarty turned. "This is my friend and colleague, Mr. Barnett," he said.
Beatrice took my hand and firmly shook it. "Any friend of Professor Moriarty has a call on my affections," she said. "And a man whom Professor Moriarty calls 'colleague' must be worthy indeed."
"Ahem," I said.
She released my hand and turned to again clasp both of Moriarty's hands in hers. "Professor Moriarty rescued me from a man who, under the guise of benevolence, was the incarnation of evil."
I resisted the impulse to pull out my notebook then and there. "Who?" I asked.
"The monster who was my husband, Mr. Gerald Atterleigh," she replied.
"Moriarty, you never—" I began.
"It was before you joined my organization," Moriarty said. "And I didn't discuss it later because there were aspects of the events that are better forgotten."
"Thanks to Professor Moriarty, Gerald Atterleigh will no longer threaten anyone on this earth," Mrs. Atterleigh said. "And I pity the denizens of Hell that must deal with him."
Moriarty let go of Mrs. Atterleigh's hands, looking self-conscious for the first time since I had known him. "It was an interesting problem," he said.
Mrs. Atterleigh went to the sideboard and took a decanter from the tantalus. "It is not too early, I think, for a glass of port," she said, looking questioningly at us.
"Thank you, but we cannot stay," Moriarty said.
"A small glass," she said, pouring the umber liquid into three small stemmed glasses and handing us each one.
Moriarty took a sip, and then another, and then stared down at his glass. "My God!" he said. "This is the aught-nine Languert D'or! I didn't know there was any of this left in the world."
"I have a new gentleman friend," she said. "His cellars, I believe, are unrivaled. Now, what can I do for you, my dear professor?"
"Vincent Tams, the newly defunct Earl of Whitton," Moriarty said. "Do you know of him?"
"He died at the Paradol Club last month," Mrs. Atterleigh said. "I believe he was alone in bed at the time, which was unlike him."
"He was a regular visitor to the demimonde?"
"Say rather he dwelled in its precincts," Mrs. Atterleigh said.
Moriarty turned to me. "Mrs. Atterleigh is my gazette to the fils du joi—the harlots, strumpets, and courtesans of London," he said. "They all trust her, and bring her their problems. And on occasion, when it violates no confidences, she passes on information to me."
I remained silent and sipped my port.
"Was his lordship keeping a mistress?" Moriarty asked.
"Always," Mrs
. Atterleigh replied. "He changed them every three or four months, but he was seldom without."
"Do you know who was the current inamorata at the time of his death?"
"Lenore," she said. "Dark haired, slender, exotic looking, artistic; she is, I believe, from Bath."
"Will she speak with me?" Moriarty asked.
"I'll give you a note," Mrs. Atterleigh said. "I would come with you, but I'm expecting company momentarily."
Moriarty rose to his feet. "Then we will not keep you. If you would be so kind—"
Mrs. Atterleigh went to her writing-desk and composed a brief note, which she handed to Moriarty. "I have written the address on the outside," she said. "Please come back to see me soon, when you don't have to run off."
"I shall," Moriarty said.
She turned to me and stretched out a hand. "Mr. Barnett," she said. "You are welcome here, too. Anytime. Please visit."
"I would be honored," I said.
We left the house and walked down the street to hail a cab. As the vehicle took us back up the street again, I saw a black covered carriage stop in front of the house we had just left. A man in formal attire got out and went up the steps. Just as we passed he turned around to say something to his driver and I got a good look at his face. "Moriarty!" I said. "That was the prime minister!"
"Ah, well," Moriarty said. "He is reputed to have an excellent wine cellar."
The address we went to was in a mews off St. Humbert's Square. A small woman with raven-black hair, bright dark eyes, and a cheerful expression threw the door open at our ring. She was wearing a painter's smock, and by the daubs of color on it I judged that the garment had seen its intended use. "Well?" she demanded.
"Miss Lenore Lestrelle?" Moriarty asked.
She looked us up and down, and didn't seem impressed by what she saw. "I have enough insurance," she said, "I don't read books, and if a distant relative died and left me a vast fortune which you will procure for me for only a few pounds for your out-of-pocket expenses, I'm not interested, thank you very much. Does that cover it?"
Moriarty handed her the note and she read it thoughtfully and then stepped aside. "Come in then."
She led us down a hallway to a long room at the rear which had been fixed up as an artist's studio. A easel holding a large canvas on which paint had begun to be blocked in faced us as we entered the room. On a platform under the skylight a thin red-headed woman, draped in artfully arranged bits of gauze, stood with a Greek urn balanced on her shoulder.
"Take a break, Mollie," Miss Lestrelle said. "These gentlemen want to talk to me."
Mollie jumped off the platform and pulled a housecoat around her shoulders. "I'll be in the kitchen then, getting sommat to eat," she said. "Call me when you need me."
A large wooden table piled high with stacks of books and clothing and assorted household goods stood against one wall, surrounded by similarly burdened straight-back chairs. Miss Lestrelle waved in their general direction. "Take your coats off. Sit if you like," she said. "Just pile the stuff on the floor."
"That's all right, Miss Lestrelle," Moriarty said.
"Suit yourself," she said. "Don't bother with the 'Miss Lestrelle.' Lenore is good enough."
"My name is Professor Moriarty, and this is Mr. Barnett," Moriarty told her.
"So the letter said. And you want to know about Vincent. Why?"
"We are enquiring into his death."
"I can't be much help to you there. I didn't see him for several days before he died."
"I thought he was—ah—"
"Keeping me? That he was. In a nice flat in as fashionable a section of town as is reasonable in the circumstances." She waved a hand at the goods piled up on the table. "Those are my things from there. I've just finished moving out."
"Ah!" Moriarty said. "The brother evicted you?"
"I've not seen the brother. This is where I do my work, and this is where I choose to be. I am an artist by choice and a harlot only by necessity. As there was no longer any reason to remain in that flat, I left."
A fair number of canvases were leaning stacked against the near wall, and Moriarty started flipping them forward and examining them one at a time. "You don't seem overly broken up at his lordship's death," he commented.
Lenore turned, her hands on her hips, and glared at Moriarty. After a moment she shrugged and sat on a high wooden stool by her easel. "It was not a love match," she said. "Most men want their mistresses to provide love and affection, but Vincent wanted only one thing of his women: to be there when he called. He was not particularly faithful to the girl he was keeping at the moment, and he tired of her after a few months. As I'd been with Vincent for over three months, I expected to be replaced within the fortnight. The flat he kept, the girls were transitory."
"You had to be at the flat all day waiting for him?"
"After ten at night," she said. "If he hadn't found another interest by ten or eleven, he wanted to have someone to come home to."
"Did he ever discuss his business affairs with you?"
"Never."
"Ever have any visitors?"
"Once we had another girl in for the evening, but aside from that none."
"How did you feel about that?"
Lenore shrugged. "He was paying the bills," she said.
Moriarty looked up from his study of the paintings. "How would you describe his sexual tastes? You can speak freely. Mr. Barnett is a journalist, and therefore unshockable."
"I have no objection to talking about it if you have no objection to listening. Lord Tams was normal that way. No strange desires or positions or partners. He was just rather insistent. He felt that if he didn't bed a woman every night he would die."
I couldn't help but exclaim, "Every night?"
"So he told me." She looked at me. "You're trying to solve his murder?"
"That's right," I said.
She turned to Moriarty. "And you're Professor Moriarty. I've heard of you. Then I guess it's all right."
Moriarty leaned forward like a hound dog catching a scent. "What's all right?" he asked her.
"Talking about Vincent. A person in my trade shouldn't talk about her clients, it isn't professional. And since I haven't found a patron for my art yet, I can't afford to take my departure from the sporting life."
"Has anyone else asked you to talk about Vincent?" Moriarty asked.
"Oh, no," she said. "Not specifically. But there's always men wanting to hear about other men. I figure there's men who like to do it, men who like to talk about doing it, and men who like to hear about it. They come around and buy a girl dinner and ask all sorts of questions about who does what and what other men like to do and what do girls really like, and that sort of thing. Most of them claim to be writers, but I never heard of them. And where could they publish the stories I tell them?"
"The intimate tastes of men are varied, and stretch from the mundane to the absurd," Moriarty commented.
"I'll say," Lenore agreed. "Why I could tell you—" She smiled. "But I won't. Except about poor Vincent, which is why you're here."
"Indeed," Moriarty agreed. "So Vincent saw his prowess as necessary to his health?"
"That he did. About a month ago, when for a couple of nights he couldn't—perform—he went into a sulk like you've never seen. I tried cheering him up, told him he was just overtired, or ill, and would be up to snuff in no time."
"How did he take to your cheering words?" Moriarty asked.
"He threw a fit. I thought he had gone crazy. He broke everything in the house that could be lifted, and some that couldn't. He knocked me down, but that was an accident. I got between him and something he was trying to break. When everything was broken, he collapsed on the floor. The next morning when he left he seemed quite normal, as if nothing had happened. That afternoon a team of men from Briggs and Mendel came to repair the damage and replace the furniture and crockery."
"And how was he after that?"
"I only saw him a couple of times
after that. Once he came to the flat, and once he sent a carriage for me to join him at the Paradol Club. There's an inconspicuous door around the side for the special friends of the members. He was unusually silent, but he had recovered from his trouble, whatever it was. He proved that."
The Infernal Device & Others: A Professor Moriarty Omnibus Page 28
