"Did you notice any peculiar bruises on his body when you saw him?"
"Bruises? Why, yes. On his neck. Two bright red marks, almost opposite each other. I asked him about them, and he laughed and said something about Shelley."
"Shelley?" I asked. "The poet?"
"I suppose. He said something about an homage to Shelley, and then for a long time we didn't speak. And then I left, and that was the last time I saw him."
"I see you're heavily influenced by the French school," Moriarty said.
"Excuse me?"
"Your art." Moriarty gestured toward the paintings. "You're quite good."
"Oh. Thank you."
"Will you sell me one?"
"Will I—you don't have to—"
"I want to. I'll tell you what; there's a gentleman who owns an art gallery in the Strand who owes me a favor. I'll send him down to see you, look at your work."
"That would be very kind."
"Nonsense. After he's seen your stuff he'll owe me two favors. We'll have to make up some tale about your past, London society is not ready for a harlot artist. It's barely ready for a woman artist. You won't make as much money as men who only paint half as well, but it'll be better than you're doing now."
Lenore had the wide-eyed look of a poor little girl at the pastry counter. "I don't know what to say," she said.
"Say nothing until it happens," Moriarty said. "And I'll be back next week to pick out a painting for myself."
"Whichever you want, it's yours," Lenore said.
"We'll let Vincent's brother pay for it," Moriarty said. "It's only fitting." He took her hand. "It's been a pleasure meeting you," he said. "You've been a great help."
We exited to the street, leaving behind a pleased Miss Lestrelle. "Moriarty," I said, putting my collar up against the light drizzle that had begun while we were inside, "you shouldn't do that."
"What?"
"You know perfectly well what. Raising that girl's hopes like that. I got a good look at her paintings and they were nothing but blobs of color splattered on the canvas. Why, from close up you almost couldn't tell what the pictures represented."
Moriarty laughed. "Barnett," he said, "you are a fixed point of light in an otherwise hazy world. Just trust me that Van Delding will not consider himself ill-used to look at those canvases. The world of art has progressed in the last few decades, along with practically everything else. And we are going to have to accustom ourselves to even more rapid changes in the future."
"I hope you're wrong," I told him. "Few of the changes that I've observed over the last quarter-century have been for the better."
"Change is the natural condition of life," Moriarty said. "Stones do not change of themselves." He hailed a passing hansom cab and gave our address to the driver. "Well, Barnett," he said as we started off, "what do you think?"
"I think I've missed my lunch," I said.
"True," he admitted. "I get rather single-minded when I'm concentrating on a problem." He knocked on the roof and shouted to the driver to change our destination to the Savoy.
"I don't see as we're any further along with discovering how Lord Tams met his death," I told him. "We've learned a lot about the character and habits of the deceased earl, but it doesn't seem to have gotten us any closer to the way he died."
Moriarty glanced at me. "Scientists must train themselves to use rational deductive processes in solving whatever problems come their way, whether they involve distant galaxies or sordid crimes in Belgravia," he said. "And the deductive process begins with the collection of data. Only after we have all the facts can we separate the dross from the gold."
"Of course, Moriarty," I said. "And what of this case? You must have some facts that are relevant to the problem at hand on which to set those rational processes to work. Lord Vincent Tams may have been a sexual glutton, but I fail to see how a knowledge of his grosser appetites of the flesh will advance our knowledge of how he died."
"Grosser appetites of the flesh?" Moriarty said. "Very good, Barnett; you outdo yourself. If you reflect on what we have learned these past few hours, you will realize that our time has not entirely been wasted."
"I am not aware that we have learned anything of value," I said.
Moriarty considered for a moment. "We have learned that the defunct earl spoke of Shelley," he said, "and that by itself should tell us all. But we have learned more: We have learned that artistic talent can flower in the most unlikely places."
"Flower!" I said. "Pah!"
Moriarty looked at me. "Who, for example, would suspect that such fine writing talent could emerge from a quondam reporter for the New York World?"
"Pah!" I repeated.
-
I had some errands that occupied me after lunch, and Moriarty was out when I returned to Russell Square. I dined alone, and was catching up on filing some accumulated newspaper clippings when the door to the study was flung open and a tall man with a scraggly beard, a dark, well-patched overcoat, and a blue cap strode in. Convinced that I was being accosted by a dangerous anarchist, I rose, trying to remember where I had put my revolver.
"Ah, Barnett," the anarchist said in the most familiar voice I know, "I hope there is some dinner left. I have been forced to drink more than I should of a variety of vile liquors, and I didn't trust the food."
"Moriarty!" I exclaimed. "I will ring for Mrs. Randall to prepare something at once. Where have you been?"
"Patience," Moriarty said, taking off his long gabardine overcoat. He pulled off the beard and reached into his mouth to remove two gutta-percha pads from his cheeks. Then a few quick swipes over his face with a damp sponge, and he was once again recognizable. "Food first, and perhaps a cup of coffee. Then I'll tell you of my adventures."
I rang and told the girl to have Mrs. Randall prepare a tray for the professor, and she returned with it inside of five minutes. Moriarty ate rapidly, seemingly unaware of what he was eating, his eyes fixed on the far wall. I had seen these symptoms before. He was working out some problem, and I knew better than to interrupt. If it was a difficult one he might spend hours, or even days, with a pencil and notepad in front of him, drinking countless cups of coffee and consuming endless cigars, or quantities of the rough-cut Virginia tobacco he favored in one of his briar pipes, and staring off into space before he again became conscious of his surroundings.
But this time the problem had worked itself out by the time he finished the last of the roast, and he poured himself a small glass of cognac and waved the bottle in my direction. "This was laid in the cask twenty years before we met," he said, "and it has aged well. Let me pour you a dram!"
"Not tonight, Moriarty," I said. "Tell me what you have discovered!"
"Ah!" he said. "There was a fact in the new earl of Whitton's statement to us that begged for examination, and I have spent the afternoon and evening examining it."
"What fact?" I asked.
"How many clubs are you a member of, my friend?"
I thought for a second. "Let's see ... the Century, the American Service Club, Whites, the Bellona; that's it at present."
"And you have, no doubt, an intimate knowledge of two or three others through guest membership, or visiting friends and the like?"
"I suppose so."
"And of these half-dozen clubs you are well-acquainted with, how many have club doctors?"
"I'm sure they all have physician members," I said.
"Your reasoning is impeccable," Moriarty said. "But how many of them have doctors on staff?"
"Why, none," I said. "Why would a club keep a doctor on staff?"
"My question exactly," Moriarty said. "But Dr. Papoli was described by both Lord Tams and Inspector Lestrade as the club doctor, which implies a professional relationship between the doctor and the club. And a further question: if, for some reason, the directors of a club decided to hire a doctor, would they pick one who, as Lord Tams told us, lacks a British medical degree?"
"Certainly not!" I said.
/>
"Quite so. And so I went to that area of the East End that is teaming with Balkan immigrants and I let it be known that I was in search of a doctor. I hinted at mysterious needs, but I was very vague, since I didn't know just what the needs in question were."
"But Moriarty," I said, "You don't speak the language."
"There are five or six possible languages," Moriarty said. "Whenever someone spoke to me in anything other than English, I told him I was from Ugarte, and didn't understand his dialect."
"Where is Ugarte?" I asked.
"I have no idea," Moriarty said. "I would be very surprised if there is any such place."
"What did you find out?" I asked.
"That Dr. Papoli is looked upon with almost superstitious dread by his countrymen, and that he has recently hired several assistants with strong backs and dubious reputations."
"And what does that tell you?"
"That a visit to the Paradol Club is in order for tomorrow. But for now I will enjoy my cognac, and then get a good night's sleep."
Although it was clear that Moriarty had reached some conclusion, he did not share it with me. That night I dreamed of beautiful women in dishabille marching on Parliament and demanding the right to paint. The prime minister and Beatrice were singing a duet from Pirates of Penzance to a packed House of Commons, who were about to join in on the chorus, when the chimes on my alarm clock woke me up the next morning.
The Paradol Club was housed in a large building at the corner of Montague and Charles Streets. The brass plaque on the front door was very small and discreet, and the ground floor windows were all barred. Moriarty and I walked around the block twice, Moriarty peering at windows and poking at the pavement and the buildings with his walking stick. There appeared to be two additional entrances; a small, barred door on Charles Street, and an alleyway leading to a rear entry. After the second circuit we mounted the front steps and entered the club.
Considering what we had been told of the Paradol Club, the entrance area was disappointingly mundane. To the right was a cloakroom and porter's room; to the left was the manager's office, with a desk by the door. Past the desk was the door to the front reading room, with a rack holding current newspapers and magazines visible inside. A little birdlike man sitting behind the desk leaned forward and cocked his head to the side as we entered. "Gentlemen," he said. "Welcome to the Paradol Club. Of which of our members are you the guests?"
"Are you the club manager?"
"I am the assistant manager, Torkson by name."
Moriarty nodded. "I am Professor Moriarty," he said. "I am here to investigate the death of one of your members. This is my associate, Mr. Barnett."
Torkson reared back as though he had been stung. "Which one?" he asked.
"How many have there been?" Moriarty asked.
"Three in the past three months," Torkson said. "Old General Quincy, Hapsman the barrister, and Lord Tams."
"It is the death of Vincent Tams that occupies us at the moment," Moriarty said. "Has his room been cleaned out yet, and if not may we see it?"
"Who sent you?" Torkson asked.
"Lord Tams," Moriarty said.
Torkson looked startled. "The Lord Tams that is," explained Moriarty, "has asked me to enquire into the death of the Lord Tams that was."
"Ah!" said Torkson. "That would be Mr. Everett. Well then, I guess it will be all right." Pulling a large ring of keys from a desk drawer, he led the way upstairs. "Lord Tams kept a room here permanently," he said. "Our hostesses were very fond of him, as he was always a perfect gentleman and very generous," he added, pausing on the first floor landing and glancing back at us. Moriarty and I just stared back at him, as though the idea of "hostesses" at a gentleman's club were perfectly normal. Reassured, he took us up to the second floor, and down the hall to Vincent Tams's room. Again I was struck by the very normality of my surroundings. One would expect a club defined by its members' addiction to vice, as others are by their members' military backgrounds or fondness for cricket, to have risqué wall hangings or scantily clad maidens dashing from room to room. But from the dark wood furniture to the paintings of hunting scenes on the wall, it all looked respectable, mundane, and very British.
When we reached the door to Vincent Tams's room the assistant manager paused and turned to us. "Do you suppose the new Lord Tams will wish to keep the room?" he asked.
"He is hoping to get married in the near future," I said.
"Ah!" said Torkson. "Then he will almost certainly wish to keep the room." He unlocked the door and turned to go.
"One moment," Moriarty said. "Is the waiter who found his lordship's body available?"
"Williamson," the assistant manager said. "I believe he is working today."
"Will you please send him up here?"
Torkson nodded and scurried off back downstairs. The room was actually a three-room suite. Moriarty and I entered a sitting room, to the left was the bedroom, and to the right a small dining room. The sitting room was fixed with a writing desk, a couch, and an easy chair. A large bookcase took up one wall. Moriarty whipped out a magnifying glass and tape measure and began a methodical examination of the walls and floor.
"What can I do, Professor?" I asked.
He thought for a second. "Examine the books," he said.
"For what?" I asked.
"Anything that isn't book," he told me.
I went to the bookcase and took down some of the volumes at random. Except for some popular novels and a six-volume work on the Napoleonic Wars, they were all books that could not be displayed in mixed company. Most were what are called "French" novels, and the rest were full of erotic drawings displaying couples coupling, many in positions that I had never dreamed of, and some in positions that I believe are impossible to attain. I began going through them methodically, right to left, top to bottom, for anything that might have been inserted between the pages, but found nothing.
There was a knock at the door and I turned to see a thick-set man in the uniform of a waiter standing in the doorway. "You wished to see me, sir?" he asked, addressing the air somewhere between Moriarty and myself.
"Williamson?" Moriarty asked.
"That's right, sir."
"You found Lord Tams's body the morning he died?"
"I did, and quite a shock it was too." Williamson stepped into the room and closed the door. "Tell me," Moriarty said.
"Well, sir, I brought the tray up at a quarter to eight, as instructed, and entered the sitting room."
"You had a key?"
"Yes, sir. I got the key from the porter on the way up. My instructions were to set breakfast up in the dining room, and then to knock on the bedroom door at eight o'clock sharp. Which same I did. Only there was no answer."
"One breakfast or two?" Moriarty asked.
"Only one."
"Was that usual?"
"Oh yes, sir. If a hostess spent the night with his lordship, she left when he sat down to breakfast."
"I see," said Moriarty. "And when there was no answer?"
"I waited a moment and then knocked again. Getting no response, I ventured to open the door."
"And?"
"There was his lordship, lying face-up on the bed, staring at the ceiling. His hands were raised in the air over his head, as though he were afraid someone were going to hit him. His face were beet-red. He were dead."
"Were the bedclothes covering him?"
"No, sir. He were lying atop of them."
"What did you do?"
"I chucked."
"You—?"
"I throwed up. All over my dickey, too."
"Very understandable. And then?"
"And then I went downstairs and told Mr. Caltro, the manager. And he fetched Dr. Papoli, and I went to the pantry to change my dickey."
Moriarty pulled a shilling out of his pocket and tossed it to the waiter. "Thank you, Williamson," he said. "You've been quite helpful."
"Thank you, sir," Williamson said, pocketing the coi
n and leaving the room.
A short, dapper man with a spade beard that looked as if it belonged on a larger face knocked on the open door, took two steps into the room, and bowed. The tail of his black frock coat bobbed up as he bent over, giving the impression that one was observing a large, black fowl. "Professor Moriarty?" he asked.
Moriarty swivelled to face the intruder. "That is I."
"Ah! Torkson told me you were here. I am Dr. Papoli. Can I be of any service to you?"
"Perhaps. What can you tell me of Lord Tams's death?"
The Infernal Device & Others: A Professor Moriarty Omnibus Page 29