Francisco Goya, The Great Hispanic Heritage
Page 16
Francisco Goya (NewYork:
Goya: Painter of Terrible Splendor
McGraw-HillBookCompany,
(NewYork:HarryN.Abrams,
1967),8.
Inc.,Publishers,1994),40.
24.Schickel,15.
61.Schickel,59.
25.Connell,15.
62.Ibid.,78.
26.Schickel,30.
63.Ibid.,79.
27.Ibid.,31.
64.Baticle,46.
28.Connell,20.
29.Schickel,35.
Chapter 6
30.Ibid.,36.
65.Ibid.,48.
31.Ibid.,37.
66.Ibid.,51.
32.Ibid.
67.Ibid.,57.
142
Notes 143
68.Ibid.
96.Ibid.
69.Ibid.
97.Schickel,72.
70.Tomlinson, Goya,78.
98.Tomlinson, Goya, 164.
71.Schickel,85.
99.Schickel,127.
72.Baticle,64.
100.Ibid.,126.
73.Schickel,86.
101.Baticle,91.
74.Baticle,58.
102.Ibid.,91–92.
75.Ibid.,64.
103.Schickel,127.
76.QuotedinSarahCarr-
104.Ibid.
Gomm, Francisco de Goya, 1746–
1828(Kent,England:Grange
Chapter 9
Books,2005),82.
105.Baticle,94.
77.Baticle,66.
106.Virch,43.
78.Ibid.
107.Tomlinson,197.
108.Baticle,112.
Chapter 7
109.Hughes,313.
79.Ibid.,67.
110.Virch,45.
80.Schickel,97.
81.Ibid.
Chapter 10
82.Ibid.,98.
111.Baticle,113.
83.Ibid.
112.Schickel,167.
84.Ibid.
113.QuotedinFredLicht,
85.Hughes,131.
Goya: The Origins of the Modern
86.Schickel,98.
Temper in Art(NewYork:
87.Ibid.,100.
Harper&Row,Publishers,
88.Connell,1
1983),159.
89.Baticle,72.
114.Virch,46.
90.Ibid.,76–77.
115.Baticle,119.
91.Hughes,214.
116.Virch,46.
92.Baticle,78.
117.Hughes,389.
118.Baticle,124.
Chapter 8
119.Schickel,166.
93.Ibid.,84.
120.Baticle,124.
94.Ibid.
121.Schickel,170.
95.QuotedinRose-Marie
122.Hughes,400.
andRainerHagen, Francisco
123.Schickel,171.
Goya, 1746–1828(LosAngeles:
124.Ibid.
Taschen,2003),29.
125.Ibid.
Bibliography
Baticle,Jeannine. Goya: Painter of Terrible Splendor.NewYork:Harry
N.Abrams,Inc.,1994.
Brown,Jonathan. Goya’s Last Works. NewHaven,Conn.:Yale
UniversityPress,2006.
Carr-Gomm,Sarah. Francisco de Goya, 1746-1828.Kent,England:
GrangeBooks,2005.
Connell,EvanS. Francisco Goya: Life and Times.NewYork:
CounterpointPublishers,2004.
Hagen,Rose-Marie,andRainerHagen. Francisco Goya, 1746–1828.
LosAngeles:Taschen,2003.
Hofmann,Werner. Goya: “To Every Story There Belongs Another.”
NewYork:Thames&Hudson,2003.
Hughes,Robert. Goya.NewYork:AlfredA.Knopf,2003.
Licht,Fred. Goya: The Origins of the Modern Temper in Art.NewYork:
Harper&Row,Publishers,1983.
Rishel,Joseph. Goya, Another Look.Philadelphia:Philadelphia
MuseumofArt,1999.
Schickel,Richard. The World of Goya, 1746–1828.NewYork:Time-Life
Books,1968.
Tomlinson,Janis. Francisco Goya y Lucientes, 1746–1828.London:
PhaidonPress,Ltd.,1994.
———. From El Greco to Goya: Painting in Spain, 1561–1828.
NewYork:HarryN.Abrams,Inc.,1997.
Virch,Claus. Francisco Goya.NewYork:McGraw-HillBook
Company,1967.
144
Further Reading
Gudiol,Jose. Goya.NewYork:HarryN.Abrams,Inc.,1989.
Muhlberger,Richard. What Makes a Goya a Goya? NewYork:Viking
Children’sBooks,1994.
Sanchez,AlfonsoPerez. Goya.NewYork:HenryHolt&Company,
Inc.,1990.
Schiaffino,MariaRosa. Goya.GrandRapids,Mich.:SchoolSpecialty
Publishing,1990.
Venezia,Mike. Francisco Goya.NewYork:ScholasticLibrary
Publishing,1991.
Wright,Patricia Goya.NewYork:DKPublishing,Inc.,1993.
WeB siTes
WebMuseum, paris
www.ibiblio.org/wm/paint/auth/goya/
cyberspain
www.cyberspain.com/passion/goya.htm
Francisco Goya
www.imageone.com/goya/index.html
Metropolitan Museum of art/Timeline of art history
www.metmuseum.org/toah/hd/goya/hd_goya.htm
Famous painter.com
www.famouspainter.com/goya.htm
napoleonic Guide/Goya’s Disasters of War
www.napoleonguide.com/goyaind.htm
145
Picture Credits
page:
8: Bridgeman-Giraudon/ArtResource
81:Scala/ArtResource
13: Snark/ArtResource
88:Scala/ArtResource
17: Time&LifePictures/GettyImages
96:Giraudon/TheBridgemanArtLibrary
21: ErichLessing/ArtResource
102:Scala/ArtResource
33: Scala/ArtResource
109:Scala/ArtResource
36: ErichLessing/ArtResource
119:Scala/ArtResource
45: Scala/ArtResource
120:Scala/ArtResource
53: ErichLessing/ArtResource
129:Scala/ArtResource
57: ErichLessing/ArtResource
132:ErichLessing/ArtResource
63: ErichLessing/ArtResource
68: Scala/ArtResource
cover:©TheBridgemanArtLibrary,
75: Giraudon/ArtResource
London/Superstock
146
Index
a
Bonaparte,Joseph,10,
CharlesII(Kingof
AcademyofFineArts
115,118,126
Spain),19
(Parma),37–38
Bonaparte,Napoleon,6,
children,43,60,66,
Adoration of the Name of
7–14,80,103,113–117
78–79,84
God (Goya),42–43,44
Bordeaux,133–134
Christ on the Cross
Alba(Duchessof),88,
Bourbonfamily,9–10,
(Goya),49,57–59
92–94,108,110–111,
19
ChurchofSanFrancisco
123
Brigands Shooting Their
elGrande,62
AlfonsotheWise(King
Prisoners (Goya),
ChurchofSantaMaiade
ofSpain),32
116–117
laFlorida,137
Allegory of the
Cimabue,22
Constitution of 1812
Brigands Stripping
Clothed Maja (Goya),
(Goya),120–121
a Woman (Goya),
108,109,110–111
Annunciation (Goya),
116–117
ColondeLarreategui,
69–70
Bulls of Bordeaux
Felix,90
Antoinette,Marie,80,86
(Goya),134
Columbus,Christopher,
Apotheosis of the Spanish
18,40
Monarchy(Tiepolo),
c
competitions,30,32–33,
28
Cabarrus,82–83,91,94,
37–38,61–62
Appearance of the Virgin
115
ConventofSantaAna,
of the Pillar (Goya),26
cabriolets,72–73
76
apprenticeships,23,
Caesar,August,24
Correggio,37
25–26,34
CalatravaCollege,69
Count of Fernan Nuñez
AulaDeipaintings,44,
Campomanes,Pedrode,
(Goya),109–110
46,61
62,122–123
Countess of Chinchon
Autumn (Goya),73–74
Caprices (Goya),99–100,
(Goya),109
104,108,127
Countess-Duchess of
B
CarlosIII(Kingof
Benavente (Goya),
BancoNacionaldeSan
Spain)
70–71
Carlos,49,62
abdicationof,114–
Crespi,GiuseppeMaria,
baptism,16–19,66
115
37
baroquestyle,44–45
ChurchofSan
BattleofLeon,7
FranciscoelGrande
D
Bayeu,Francisco,32,34,
and,61–62,69
Dali,Salvador,40
38,46,51,61
frescoforRoyal
David,JacquesLouis,
Bayeu,Josefa(wife),34,
Palaceand,28–29
35
43,45,46,118
meetingwith,56–57
deAzara,JoséNicolás,
Bayeu,Ramon,32–34,
Mengs’spaintingof,
35
46,61
36
deafness,89
Betrayal of Christ
reformsand,31,50
deathofFranciscoGoya,
(Goya),99
CarlosIV(Kingof
136–137
Betrothal of the Virgin
Spain),6–10,80–82,
demons,75,76
(Goya),44,46
84,101–102
Desastros de la Guerra
birthofFranciscoGoya,
ElCarpio(Countof),91
(Goya),104
15
carriages,72–73
Disasters of War (Goya),
“BlackDuchess” (Goya),
cartoons. Seetapestries
118
93
censors,Inquisitionand,
diseases,87–89
blackpaintings,
26
Disparates (Goya),
128–132
Ceruti,Giacomo,37
100–101
147
148 Index
Duchess of Alba
FrenchRevolution,10,
L
Arranging Her Hair
80,86,90–91,128
Las Meninas
(Goya),93
frescos,28,33,37,
(Velázquez),67
42,61
Leon,Battleof,7
e
Fuendetodos,Spain,
LiriaPalace,12
education,23,25–26
15–17,26–27-26-28
‘littleboyinred’ (Goya),
ElGreco,40
78–79
Enlightenment,31,
G
Longhi,Pietro,37
47–51
gilders,16,23
LouisXVI(Kingof
ElEscorial,81
Godoy,Manuelde,9,82,
France),10,80,86–87
EscuelaPia,23,122
87,91,94–95,103–108
Lucientes,Gracia(moth-
estate,distributionof,
Godoy as Commander in
er),16,22–23
136–137
the War of the Oranges
LuisdeBourbon(Don),
etchings,99–101,117–
(Goya),104
65–67,71
118,127
Goya,Camillo(brother),
LuzányMartinez,José,
23
25–26,32–34
F
Goya,José(father),16,
Fall from a Donkey
22–23
M
(Goya),75
Goya,Tomas(brother),
Madhouse (Goya),90
Family of Carlos IV
23
Madrid,27–30,46,
(Goya),102,106–107
Goya,Xavier(son),60,
50–51,61–62
Family of the Infante
66,108,114,135–136
Magnasco,Alessandro,
Don Luis (Goya),
GrandeArmeé,6
37
67–69
Greased Pole (Goya),75
majosandmajas,54–55
Fantastic Vision (Goya),
Guernica(Picasso),
Making Bullets (Goya),
129,130
121
117
FerdinandVII(Kingof
Making Gunpowder in
Spain),9–10,31,
h
the Sierra Tardienta
114–115,118–121,
Habsburgfamily,19
(Goya),117
126
Hamerton,P.G.,131
Mamelukes,11–12,119,
Ferro,Gregorio,110
Hannibalscene,37–38
122,124
Festival of St. Isidore
The Harvesting (Goya),
ManzanaresRiver,56
(Goya),77–78
73–74
MariaLuisa(Queen
Fight at the New Inn
hearingloss,89
ofSpain),9,82,95,
(Goya),55
101–102
Fight with Cudgels
i
Martinez,José. See
(Goya),130
illness,87–89,134
LuzányMartinez,José
FirstCourtPainterposi-
IndustrialRevolution,
Meadow of St. Isidore
tion,101–102
50
(Goya),77–78
Floridablanca,Count,
Inquisition,26,28–29,
Medinaceli(Duke),70
62–65,87,91,115,
100,111
Mengs,AntonRaphael,
122–123
Isabella(Queenof
28–29,35,36,46,51
The Flowergirls (Goya),
Spain),18
meningitis,89
73–74
Italy,lifein,34–37
mercenaries. See
The Forge (Goya),
Mamelukes
115–116
J
Milkmaid of Bordeaux
France,6–10
Jovellanos,Gaspar
(Goya),132,135,137
FranciscodePaula
Melchorde,62,82–83,
Miracle of San Antonio of
(PrinceofSpain),
91,95,115,1
22–123
Padua (Goya),95–98
10–11
Judith (Goya),130
miracles,97–98
Index 149
Mojas on a Balcony
Pilgrimage of St. Isidore
s
(Goya),115
(Goya),131
St. Francis of Borgia and
MonasteryofAulaDei.
PintordelRey,72–73
the Impenitent Dying
SeeAulaDeipaintings
pinturasnegras,128–132
Man (Goya),75,76
money,43–44,72–73,
Piranesi,37
St. Francis of Borgia and
118
Plombières,133
His Family (Goya),76
Moñino,José,62
Poor at the Fountain
SanAdrian(Marquis
Moratin,Leandro,133,
(Goya),73–74
de),111
134,136
Portrait of General Don
SanAntoniodela
mountains,18
Jose de Palafox on
Florida,95–98
Murat,Joaquim,9,12
Horseback (Goya),126
SanFernandoAcademy.
Portrait of Maria
SeeRoyalAcademyof
n
Teresa Vallabriga on
SanFernando
Naked Maja (Goya),107,
Horseback (Goya),67
San Francisco de Paula
109,110–111
PosadoySoto,Ramon,
(Goya),27
NapoleonI(Emperorof
90
Sanlucar Notebook,93
France),6,7–14,80,
Poussin,Nicolas,35
Saragossa,Spain,15–17,
103,113–117
PradoMuseum,12
22–24,39,42–45
NapoleonicWars,69,80
Preaching of San
Sarto,Andreadel,24
Nelson,Horatio,113
Bernardino (Goya),62
Saturn(RomanGod),
neoclassicalstyle,29–30,
prieststory,22
131
33–34,36,37
Proverbios (Goya),
Saturn Devouring a Son
nobility,parentsas,16,
100–101
(Goya),131
23
PuertadelSol,11–12
Second of May (Goya),
nunstory,35
14,119,121–124
Q
seguidillas,85
p
QuintadelSordo,127
Seville,Cathedralof,127
paintings. See also by
ShrineofourLadyof
title; tapestries
r
thePillar,42–43
ofCount
ReignofTerror,90–91
The Snowstorm (Goya),
Floridablanca,
religion,Goyaand,
73–74
63–65
48–49
SobradielPalace,39,
ofDuchessofAlba,
reliquarypaintings,
42–43
88,92–94
26–27
Spain,6–10,18–22,
ofMarquisedela