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How to Avoid Being Killed in a War Zone

Page 29

by Rosie Garthwaite


  ‘It taught me the value of being a guest and behaving like a guest in a country. If you are a guest and walk into a country like an invader, or as someone who is trying to explore without human interaction, you will never be received with open arms.

  ‘We went to visit an opium field. I took a camera to film the flowers – white flowers with random red flowers. They were very beautiful. I was sitting in the field filming when two people come out with their AK-47s slung around their shoulders. It was clear that this was the first time they had seen a camera. The US forces had recently announced that they were going to begin a programme to get rid of the poppies, and they thought our camera was a machine to clear their fields. At that point I was joined by my translator and driver, who told them we were a television crew. But they had never seen a TV, let alone a camera crew. They saw only hostile people.

  ‘More people came and they were tense and armed. Our translator came close to me, he was shaking. He was from a different tribe, but had overheard what they were saying. They were talking about killing us and then throwing us in a river nearby. He was a Tajik in a Pashtun land. I told him to tell them we were Muslims. In order to kill someone, you need to establish emotional distance from the victim. I was appealing to a shared relationship with Allah. They disagreed with us; for them our Western clothes showed we were non-believers. We apologized for not having the correct clothes. We didn’t engage in a debate about what was right and wrong; we said sorry. I recited some Koran…some common prayer every Muslim learns as a child. They were shocked. They needed to know we were bad, an enemy, and now they could see we were speaking like them. Then they asked about the weapons – the cameras. I told them we were there to show their story. I turned the camera and showed them the pictures of themselves. They started laughing and then we asked them to tell us their story. They changed their attitude, so we asked them how they could be Muslims and plant poppies that were damaging the lives of so many people. Then the situation switched, and they were apologizing. They explained the economics of the wheat versus poppies. Then we had a discussion about opium versus hunger. They invited us for lunch and told us all about their world.

  ‘Instinct is not just preparing and second-guessing what might happen before you get there…it is also what you do when danger comes to you. Be confident.

  ‘In the Kurdish areas they did not like Al Jazeera. We came across a group of angry people all upset to see the well-known symbol on our Land Cruiser. We were surrounded and in trouble. In a confident manner I opened the door and spoke to them directly, looking into their eyes. I told them we were there to tell their story – to help them. I questioned them confidently, aren’t you ashamed of yourselves for obstructing the story? They backed off and apologized.

  ‘If you feel fear, that is when you are facing danger. You must keep solid and stand strong and not to allow whoever is attacking you to see hesitation.

  ‘The final lesson is the most important. I was in Sulimaniya in northern Iraq in a place called Jomaa Islamiya on the Iran–Iraq border. It was the first place bombed by the US in Iraq in 2003. I wanted to go and cover the story. I had a very brave driver, a Kurd. When we arrived there the Kurdish Peshmerga – the leading local militia – were camping. They stopped us. There were dozens of Western and Arab journalists there, watching the bombing from a distance…a very long way away. The bombing had finished and they were still saying it was dangerous. The Kurds reluctantly let me through the checkpoint. They said I went at my own risk. There was another blockade near the village, and another three or four Peshmerga. We asked for permission to pass. The men were angry and they thought the media were hostile. They could see their base had been bombed. I said we can go there and listen to your people, take your voice to the world and explain what is happening. Or we will go back and narrate your story from a distance. So they agreed we could go ahead. We found 30 bodies in the camp. Villagers had just arrived to take them for burial, and we were the only TV crew there. We interviewed the local leader, and then we retreated to the area where the rest of the press was waiting with the Kurdish militia.

  ‘Everyone was asking us what we had seen. I remember one of my colleagues was an Australian journalist, and he was the last person to speak to me before we hurried back to the bureau to send the pictures. We were only a few hundred metres away when a bomber in a car arrived at the checkpoint and blew himself up. It killed the Australian and injured many other journalists who were there. That bomb was not meant to go off there, but it did. You can get bombed by either side during a war – by mistake or on purpose. Never think you are safe. You never know who your real enemy is. You can never really know where the safe area is. You need courage in your convictions. But never feel you are safe.

  ‘You believe it – you do it. But before you do anything you should be willing to pay the price. There are certain stories that are important because they can shape the future…you feel the importance of these stories. They deserve courage, determination. I don’t think we should put our lives in danger for something the world will not notice.

  ‘I have faith that if fate comes, it comes. And there are no guarantees either way.’

  Acknowledgements/

  If ever there was a book that was the sum of its parts, this is it. I cannot thank enough all the people who contributed, whether in name or behind the scenes. You are all street-smart geniuses. Never mind a war zone, I would carry you in my bag everywhere I went if I could.

  Chris Cobb-Smith has acted as my personal encyclopedia of all survival knowledge. There’ll be a crisp, cold lager waiting for you at the Windsor Castle whenever you want one, Chris – thank you.

  And I am especially grateful to Mark Brayne, psychotherapist and former BBC correspondent (www.braynework.com), whose invaluable work with trauma and journalism forms the backbone of chapter 15.

  I am indebted to Kathy Rooney for her faith in both me and the idea for this book. And to Nigel Newton and the rest of the Bloomsbury team for their ability to see past my terrible driving and lectures on the delights and doldrums of Doha to a potential author lurking inside. It has been a fantastic privilege to watch Bloomsbury Qatar Foundation Publishing grow from seed and now be a part of it.

  My lifelong partner in crime and now agent Alice Lutyens, thank you for teaching me the language of this new world and helping me over the hurdles.

  MÉDECINS SANS FRONTIÈRES

  Everyone who has ever worked with, travelled alongside or filmed Médecins Sans Frontières (MSF) has come back with stories of how impressed they were by the organization. My friends and colleagues say that MSF stands apart from other charities in their view because there are no pennies wasted. MSF provides free medical care to people in desperate need in war zones, disaster areas and other utterly forsaken places, often where no one else is willing or able to go.

  That’s why I decided to give them 30 per cent of the royalties from this book. They were happy with the idea and put me in touch with several very experienced current and former staff who have made generous contributions to the book, especially Dr Carl Hallam, who was kind enough to check over my medical knowledge whilst holed up in bed with a freshly broken back in his New Zealand home.

  However, MSF do want me to make it extremely clear that any input here from MSF people is their personal advice and is not to be confused with the strict rules and procedures to be found in the official MSF handbooks.

  First published in 2011

  Copyright © Rosie Garthwaite 2011

  Illustrations by Oxford Designers and Illustrators Ltd

  This electronic edition published 2011 by Bloomsbury Publishing Plc

  The right of Rosie Garthwaite to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act, 1988

  All rights reserved. You may not copy, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (including without limitatio
n electronic, digital, optical, mechanical, photocopying, printing, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

  Bloomsbury Publishing Plc, 36 Soho Square, London W1D 3QY

  A CIP catalogue record for this book is available from the British Library

  ISBN 978 1 4088 1815 2

  www.bloomsbury.com/rosiegarthwaite

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