100 Years of the Best American Short Stories

by Lorrie Moore

  “I hate to see you behave like this,” he said. “Just like a child. I should be able to expect more of you.” He decided to stop where he was and make her stop and wait for a bus. “I’m not going any farther,” he said, stopping. “We’re going on the bus.”

  She continued to go on as if she had not heard him. He took a few steps and caught her arm and stopped her. He looked into her face and caught his breath. He was looking into a face he had never seen before. “Tell Grandpapa to come get me,” she said.

  He stared, stricken.

  “Tell Caroline to come get me,” she said.

  Stunned, he let her go and she lurched forward again, walking as if one leg were shorter than the other. A tide of darkness seemed to be sweeping her from him. “Mother!” he cried. “Darling, sweetheart, wait!” Crumpling, she fell to the pavement. He dashed forward and fell at her side, crying, “Mamma, Mamma!” He turned her over. Her face was fiercely distorted. One eye, large and staring, moved slightly to the left as if it had become unmoored. The other remained fixed on him, raked his face again, found nothing and closed.

  “Wait here, wait here!” he cried and jumped up and began to run for help toward a cluster of lights he saw in the distance ahead of him. “Help, help!” he shouted, but his voice was thin, scarcely a thread of sound. The lights drifted farther away the faster he ran and his feet moved numbly as if they carried him nowhere. The tide of darkness seemed to sweep him back to her, postponing from moment to moment his entry into the world of guilt and sorrow.

  1962

  JOHN UPDIKE

  Pigeon Feathers

  from The New Yorker

  JOHN UPDIKE (1932­–2009) was born in Pennsylvania and graduated from Harvard University. After a few years away, he returned to Massachusetts, where he lived for the rest of his life.

  In 1959 Updike appeared in The Best American Short Stories for the first time with the story “A Gift from the City.” His stories continued to appear in every succeeding decade until his death. When Anne Tyler was guest editor of the series, she said that Updike’s fiction reminded her of “those tiny paintings that, when you examine certain details under a magnifying glass, appear to swell and take over a room.” Updike defined his own style as an attempt “to give the mundane its beautiful due.”

  Updike was the author of numerous books, including the celebrated Rabbit novels, Couples, In the Beauty of the Lilies, and Bech at Bay. His novels won the National Book Award, the Pulitzer Prize, the American Book Award, the National Book Critics Circle Award, and the William Dean Howells Medal from the American Academy of Arts and Letters. In 1998 he received the National Book Foundation Medal for Distinguished Contribution to American Letters.

  At the time of his death from lung cancer at the age of seventy-six, he was working on a novel about Saint Paul and the beginnings of Christianity.

  ★

  WHEN THEY MOVED to Firetown, things were upset, displaced, rearranged. A red cane-back sofa that had been the chief piece in the living room at Olinger was here banished, too big for the narrow country parlor, to the barn, and shrouded under a tarpaulin. Never again would David lie on its length all afternoon eating raisins and reading mystery novels and science fiction and P. G. Wodehouse. The blue wing chair that had stood for years in the ghostly, immaculate guest bedroom in town, gazing through windows curtained with dotted swiss at the telephone wires and horse-chestnut trees and opposite houses, was here established importantly in front of the smutty little fireplace that supplied, in those first cold April days, their only heat. As a child, David had always been afraid of the guest bedroom—it was there that he, lying sick with the measles, had seen a black rod the size of a yardstick jog along at a slight slant beside the edge of the bed, and vanish when he screamed—and it was disquieting to have one of the elements of its haunted atmosphere basking by the fire, in the center of the family, growing sooty with use. The books that at home had gathered dust in the case beside the piano were here hastily stacked, all out of order, in the shelves that the carpenters had built low along one wall. David, at fourteen, had been more moved than a mover; like the furniture, he had to find a new place, and on the Saturday of the second week tried to work off some of his disorientation by arranging the books.

  It was a collection obscurely depressing to him, mostly books his mother had acquired when she was young: college anthologies of Greek plays and Romantic poetry; Will Durant’s Story of Philosophy; a soft-leather set of Shakespeare with string bookmarks sewed to the bindings; Green Mansions, boxed and illustrated with woodcuts; I, the Tiger, by Manuel Komroff; novels by names like Galsworthy and Ellen Glasgow and Irvin S. Cobb and Sinclair Lewis and “Elizabeth.” The odor of faded taste made him feel the ominous gap between himself and his parents, the insulting gulf of time that existed before he was born. Suddenly he was tempted to dip into this time. From the heaps of books around him on the broad old floorboards, he picked up Volume II of a four-volume set of An Outline of History, by H. G. Wells. The book’s red binding had faded to orange-pink on the spine. When he lifted the cover, there was a sweetish, atticlike smell, and his mother’s maiden name written in unfamiliar handwriting on the flyleaf—an upright, bold, yet careful signature, bearing a faint relation to the quick scrunched backslant that flowed with marvelous consistency across her shopping lists and budget accounts and notes on Christmas cards to college friends from this same, vaguely menacing long ago.

  He leafed through, pausing at drawings, done in an old-fashioned stippled style, of bas-reliefs, masks, Romans without pupils in their eyes, articles of ancient costume, fragments of pottery found in unearthed homes. The print was determinedly legible, and smug, like a lesson book. As he bent over the pages, yellow at the edges, they were like rectangles of dusty glass through which he looked down into unreal and irrelevant worlds. He could see things sluggishly move, and an unpleasant fullness came into his throat. His mother and grandmother fussed in the kitchen; the puppy, which they had just acquired, “for protection in the country,” was cowering, with a sporadic panicked scrabble of claws, under the dining table that in their old home had been reserved for special days but that here was used for every meal.

  Then, before he could halt his eyes, David slipped into Wells’s account of Jesus. He had been an obscure political agitator, a kind of hobo, in a minor colony of the Roman Empire. By an accident impossible to reconstruct, he (the small h horrified David) survived his own crucifixion and presumably died a few weeks later. A religion was founded on the freakish incident. The credulous imagination of the times retrospectively assigned miracles and supernatural pretensions to Jesus; a myth grew, and then a church, whose theology at most points was in direct contradiction of the simple, rather communistic teachings of the Galilean.

  It was as if a stone that for weeks and even years had been gathering weight in the web of David’s nerves snapped them, plunged through the page, and a hundred layers of paper underneath. These fantastic falsehoods (plainly untrue; churches stood everywhere, the entire nation was founded “under God”) did not at first frighten him; it was the fact that they had been permitted to exist in an actual human brain. This was the initial impact—that at a definite spot in time and space a brain black with the denial of Christ’s divinity had been suffered to exist; that the universe had not spit out this ball of tar but allowed it to continue in its blasphemy, to grow old, win honors, wear a hat, write books that, if true, collapsed everything into a jumble of horror. The world outside the deep-silled windows—a rutted lawn, a whitewashed barn, a walnut tree frothy with fresh green—seemed a haven from which he was forever sealed off. Hot washrags seemed pressed against his cheeks.

  He read the account again. He tried to supply out of his ignorance objections that would defeat the complacent march of these black words, and found none. Survivals and misunderstandings more farfetched were reported daily in the papers. But none of them caused churches to be built in every town. He tried to work backward through the churches, f
rom their brave high fronts through their shabby, ill-attended interiors back into the events at Jerusalem, and felt himself surrounded by shifting gray shadows, centuries of history, where he knew nothing. The thread dissolved in his hands. Had Christ ever come to him, David Kern, and said, “Here. Feel the wound in My side”? No; but prayers had been answered. What prayers? He had prayed that Rudy Mohn, whom he had purposely tripped so he cracked his head on their radiator, not die, and he had not died. But for all the blood, it was just a cut; Rudy came back the same day, wearing a bandage and repeating the same teasing words. He could never have died. Again, David had prayed for two separate photographs of movie stars he had sent away for to arrive tomorrow, and though they did not, they did arrive, some days later, together, popping through the clacking letter slot like a rebuke from God’s mouth: I answer your prayers in My way, in My time. After that, he had made his prayers less definite, less susceptible of being twisted into a scolding. But what a tiny, ridiculous coincidence this was, after all, to throw into battle against H. G. Wells’s engines of knowledge! Indeed, it proved the enemy’s point: Hope bases vast premises on foolish accidents, and reads a word where in fact only a scribble exists.

  His father came home. They had supper. It got dark. He had to go to the bathroom, and took a flashlight down through the wet grass to the outhouse. For once, his fear of spiders there felt trivial. He set the flashlight, burning, beside him, and an insect alighted on its lens, a tiny insect, a mosquito or flea, so fragile and fine that the weak light projected its X-ray onto the wall boards: the faint rim of its wings, the blurred strokes, magnified, of its long hinged legs, the dark cone at the heart of its anatomy. The tremor must be its heart beating. Without warning, David was visited by an exact vision of death: a long hole in the ground, no wider than your body, down which you are drawn while the white faces above recede. You try to reach them but your arms are pinned. Shovels pour dirt into your face. There you will be forever, in an upright position, blind and silent, and in time no one will remember you, and you will never be called. As strata of rock shift, your fingers elongate, and your teeth are distended sidewise in a great underground grimace indistinguishable from a strip of chalk. And the earth tumbles on, and the sun expires, and unaltering darkness reigns where once there were stars.

  Sweat broke out on his back. His mind seemed to rebound off of a solidness. Such extinction was not another threat, a graver sort of danger, a kind of pain; it was qualitatively different. It was not even a conception that could be voluntarily pictured; it entered you from outside. His protesting nerves swarmed on its surface like lichen on a meteor. The skin of his chest was soaked with the effort of rejection. At the same time that the fear was dense and internal, it was dense and all around him; a tide of clay had swept up to the stars; space was crushed into a mass. When he stood up, automatically hunching his shoulders to keep his head away from the spider webs, it was with a numb sense of being cramped between two huge volumes of rigidity. That he had even this small freedom to move surprised him. In the narrow shelter of that rank shack, adjusting his pants, he felt—his first spark of comfort—too small to be crushed.

  But in the open, as the beam of the flashlight skidded with frightened quickness across the remote surfaces of the barn wall and the grape arbor and the giant pine that stood by the path to the woods, the terror descended. He raced up through the clinging grass pursued not by one of the wild animals the woods might hold, or one of the goblins his superstitious grandmother had communicated to his childhood, but by specters out of science fiction, where gigantic cinder moons fill half the turquoise sky. As David ran, a gray planet rolled inches behind his neck. If he looked back, he would be buried. And in the momentum of his terror, hideous possibilities—the dilation of the sun, the triumph of the insects—wheeled out of the vacuum of make-believe and added their weight to his impending oblivion.

  He wrenched the door open; the lamps within the house flared. The wicks burning here and there seemed to mirror one another. His mother was washing the dishes in a little pan of heated pump water; Granmom fluttered near her elbow apprehensively. In the living room—the downstairs of the little square house was two long rooms—his father sat in front of the black fireplace restlessly folding and unfolding a newspaper.

  David took from the shelf, where he had placed it this afternoon, the great unabridged Webster’s Dictionary that his grandfather had owned. He turned the big thin pages, floppy as cloth, to the entry he wanted, and read:

  soul . . . 1. An entity conceived as the essence, substance, animating principle, or actuating cause of life, or of the individual life, esp. of life manifested in physical activities; the vehicle of individual existence, separate in nature from the body and usually held to be separable in existence.

  The definition went on, into Greek and Egyptian conceptions, but David stopped short on the treacherous edge of antiquity. He needed to read no farther. The careful overlapping words shingled a temporary shelter for him. “Usually held to be separable in existence”—what could be fairer, more judicious, surer?

  Upstairs, he seemed to be lifted above his fears. The sheets on his bed were clean. Granmom had ironed them with a pair of flatirons saved from the Olinger attic; she plucked them hot off the stove alternately, with a wooden handle called a goose. It was a wonder, to see how she managed. In the next room, his parents made comforting scratching noises as they carried a little lamp back and forth. Their door was open a crack, so he saw the light shift and swing. Surely there would be, in the last five minutes, in the last second, a crack of light, showing the door from the dark room to another, full of light. Thinking of it this vividly frightened him. His own dying, in a specific bed in a specific room, specific walls mottled with wallpaper, the dry whistle of his breathing, the murmuring doctors, the nervous relatives going in and out, but for him no way out but down into the funnel. Never touch a doorknob again. A whisper, and his parents’ light was blown out. David prayed to be reassured. Though the experiment frightened him, he lifted his hands high into the darkness above his face and begged Christ to touch them. Not hard or long; the faintest, quickest grip would be final for a lifetime. His hands waited in the air, itself a substance, which seemed to move through his fingers; or was it the pressure of his pulse? He returned his hands to beneath the covers uncertain if they had been touched or not. For would not Christ’s touch be infinitely gentle?

  Through all the eddies of its aftermath, David clung to this thought about his revelation of extinction: that there, in the outhouse, he had struck a solidness qualitatively different, a rock of horror firm enough to support any height of construction. All he needed was a little help; a word, a gesture, a nod of certainty and he would be sealed in, safe. The assurance from the dictionary had melted in the night. Today was Sunday, a hot fair day. Across a mile of clear air the church bells called, Celebrate, celebrate. Only Daddy went. He put on a coat over his rolled-up shirtsleeves and got into the little old black Plymouth parked by the barn and went off, with the same pained, hurried grimness of all his actions. His churning wheels, as he shifted too hastily into second, raised plumes of red dust on the dirt road. Mother walked to the far field, to see what bushes needed cutting. David, though he usually preferred to stay in the house, went with her. The puppy followed at a distance, whining as it picked its way through the stubble but floundering off timidly if one of them went back to pick it up and carry it. When they reached the crest of the far field, his mother asked, “David, what’s troubling you?”

  “Nothing. Why?”

  She looked at him sharply. The greening woods cross-hatched the space beyond her half-gray hair. Then she turned her profile, and gestured toward the house, which they had left a half mile behind them. “See how it sits in the land? They don’t know how to build with the land any more. Pop always said the foundations were set with the compass. We must try to get a compass and see. It’s supposed to face due south; but south feels a little more that way to me.” From the side
, as she said these things, she seemed handsome and young. The smooth sweep of her hair over her ear seemed white with a purity and calm that made her feel foreign to him. He had never regarded his parents as consolers of his troubles; from the beginning they had seemed to have more troubles than he. Their confusion had flattered him into an illusion of strength; so now on this high clear ridge he jealously guarded the menace all around them, blowing like a breeze on his fingertips, the possibility of all this wide scenery sinking into darkness. The strange fact that though she came to look at the brush she carried no clippers, for she had a fixed prejudice against working on Sundays, was the only consolation he allowed her to offer.

  As they walked back, the puppy whimpering after them, the rising dust behind a distant line of trees announced that Daddy was speeding home from church. When they reached the house he was there. He had brought back the Sunday paper and the vehement remark “Dobson’s too intelligent for these farmers. They just sit there with their mouths open and don’t hear a thing he’s saying.”

  David hid in the funny papers and sports section until one-thirty. At two, the catechetical class met at the Firetown church. He had transferred from the catechetical class of the Lutheran church in Olinger, a humiliating comedown. In Olinger they met on Wednesday nights, spiffy and spruce, in the atmosphere of a dance. Afterward, blessed by the brick-faced minister from whose lips the word “Christ” fell like a burning stone, the more daring of them went with their Bibles to a luncheonette and smoked. Here in Firetown, the girls were dull white cows and the boys narrow-faced brown goats in old men’s suits, herded on Sunday afternoons into a threadbare church basement that smelled of stale hay. Because his father had taken the car on one of his countless errands to Olinger, David walked, grateful for the open air and the silence. The catechetical class embarrassed him, but today he placed hope in it, as the source of the nod, the gesture, that was all he needed.