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I'd Know You Anywhere

Page 31

by Laura Lippman


  “I feel sorry for all the families who pinned their hopes on Walter Bowman, thinking he was the answer to the questions that torment them. As a serial killer, he proved to be something of an underachiever, didn’t he?”

  She had hoped she could make a small joke, but all she did was set Barbara off again.

  “He wasn’t a serial killer in the classic sense. I really do believe he suffered from a kind of temporary insanity—”

  A less kindhearted person might have laughed at Barbara then. Eliza didn’t laugh, but she also couldn’t bear to let her keep talking. “I’m sorry, Barbara.”

  “For not doing the right thing?”

  “No, I’m sorry you lost someone you love.”

  “It wasn’t like that with us.” The more Barbara automatically denied any romantic attachment to Walter, the more Eliza believed it was so. But, as her own parents might have said, Barbara got to be the expert on Barbara.

  “I didn’t mean it that way. You cared about him. I think it’s nice that you cared about him.”

  “You certainly didn’t. You let him die. You let him die because he knew the truth about you—that you were cowardly, that you are a liar—and now that he’s dead, no one will ever know. That’s why you let him die. To bury your own shame.”

  Eliza was angry now and her instinct, upon anger, had always been to flee. Instead she took a second to gather her thoughts. Life isn’t a timed event, as Vonnie said. The clock’s not on you. Take your time. Barbara had no power over her. It turned out no one cared about Elizabeth Lerner after all these years, not really. She and Peter had told Iso about Walter, and they would tell Albie when he was older. Interestingly, the secret had made Iso feel important, in a good way, although she didn’t see any parallels between her secret life and her mother’s, could never be convinced that her string of covert PG-13 text messages was like a bread-crumb trail along the banks of the Sucker Branch, another girl wandering off the path and into something she couldn’t control. Iso was merely proud that her parents acknowledged she was more of a grown-up than Albie.

  “Well, Barbara, if you feel that way, you can always call Jared Garrett, send him the other letter that Walter dictated to you, release it to the world at large. Why haven’t you?”

  “It’s not what Walter wanted.” Said stiffly, grudgingly. “But I might, one day. I do what I think is right, not what’s easy or expedient.”

  “That’s a nice way to be,” Eliza said, meaning it.

  She began walking again. A few seconds later, Barbara’s car drove past, as round-shouldered and dejected as a car could be. Eliza wondered why principled Barbara, whose license plate exhorted others to save the bay, hadn’t chosen a hybrid. Everybody wants to rule the world—but only according to his or her own ideas about what mattered. There wasn’t a principled position that couldn’t be followed to an extreme where it then clashed with someone else’s equally fervent beliefs. Eliza studied the stars above her, wished she knew the constellations, as Peter did, that she could identify more than the Big Dipper and the North Star. To her, the stars were simply random points of light. Some bright, some dim. Some far, some relatively near. Some lucky, some unlucky.

  She let herself and Reba in through the kitchen door, listened to the cheerful beep-beep-beep of the security system, which signaled that a door had opened. They used the system religiously, but it wouldn’t be enough if anyone was determined to do them serious harm. There would never be enough alarms and walls and dogs and gates and spyware to protect one’s self and one’s family. Beep-beep-beep. It was like being guarded by the Road Runner.

  But then—the Road Runner was pretty resilient.

  “You know what I would like to do tonight?” she asked Peter, who had barely glanced up at the door’s chime, so intent was he on his laptop, the work he had brought home.

  “Find a Rita’s that serves this late in the season?”

  “No.” She laughed, thinking of Rita’s scarlet neon promise. ICE * CUSTARD * HAPPINESS. Could happiness really be that simple? Maybe it could be, if she only would let it. Certainly, if unhappiness came for her family again—when it did, because no one got a lifelong pass, no one, even Trudy Tackett would discover now that all life’s banal tragedies were waiting for her—there would be little solace in having been on guard all along, wary and pessimistic. She would just feel stupid for having missed so many custards.

  “No, I’m not hungry. Plus, I have my secret stash of biscuits if I need a treat.”

  “I thought Iso found them. Again.”

  “She did. And I hid them. Again.”

  “What, then?” Peter pulled her into his lap. “Name your heart’s desire and I’ll give it to you.”

  She did not feel the need to tell him she could do this for herself. And, in fact, she might need his assistance, given what paint and humidity could do to a house over the years. Did they have a straight razor? A paint scraper to use as a pry? Her mind inventoried the contents of various drawers, then spread to every corner of the house. Iso would be in her room, doing lord knows what, Reba at her feet, enthralled by Iso’s contempt for her. In the next room, Albie should be in bed, radio on, night-light off. Indifferent to baseball throughout the summer months, he had decided suddenly and arbitrarily that he was a fan of the Arizona Diamond-backs. He now listened to something called “hot stove baseball” as he fell asleep, then came to the breakfast table with breathless tales of pitchers and free-agent signings. From T. rex to A-Rod in the blink of an eye. Here was Peter, warm beneath her, capable of holding her weight without complaint. But she could hold his, too, if it came to that.

  “Tonight—tonight, I’d like to sleep with the windows open.”

  AUTHOR’S NOTE

  THIS BOOK, LIKE MANY I'VE written, was inspired by a true crime. But this time I’m not going to mention it. For one thing, the real case is unrecognizable, even to those who know it well, in this particular incarnation. And it involved the sexual abuse of a minor. There are many other key differences, but to enumerate them would be to make this a guessing game, which is not my intention. The bottom line is that there once was a man who raped and killed his victims, with one exception, and that man was put to death for his crimes. One day I got to thinking about the exception, the sole living victim. That’s all you need to know about the book’s origins.

  As always, many generous people helped me in my research. My old friend Kathryn Kase opened doors for me among defense attorneys who represent prisoners on death row. Virginia attorney Jon Sheldon, who saw two clients put to death in the final months of 2009, was incredibly helpful and generous with his time, providing me with details about the sights, sounds, and daily life at places I would never be allowed to visit—Sussex I, Virginia’s Death House and execution chamber. (The Mayberry comparison belongs to him.) He also helped me puzzle out how I could credibly keep a man on Virginia’s death row for two decades, as Virginia moves more swiftly than almost any other state in putting people to death. The commonwealth of Virginia has excellent online resources about its correctional facilities, with details about everything from corresponding to inmates to visiting hours. I have my own definite ideas about the death penalty, but this is a novel, not a polemic, and I did my best to make sure that every point of the triangle—for, against, confused—was represented by a character who is recognizably human.

  Thanks, always, to Vicky Bijur, Carrie Feron, and everyone at Morrow, including but not limited to Tessa Woodward, Liate Stehlik, Sharyn Rosenblum, and Nicole Chismar. Thanks to Alison Chaplin. Ethan Simon was an invaluable informant about public schools and their current policies. However, the version of North Bethesda Middle School used here is completely fictitious, although its rules and procedures are consistent with guidelines on the Montgomery County school’s website. And while I’ve stolen many, many friends’ anecdotes over the years, I feel that Lisa Groves deserves a special shout-out for the way I pilfered that Stuckey’s peanut log from her childhood.

  This boo
k is unusual for me in that most of the geography is fudged, although there is a Sucker Branch in Patapsco State Park. Roaring Springs will probably be mistaken for Oella, but it’s really another version of my beloved Dickeyville. The action is set in 2008 and is consistent with the calendar, although not necessarily the weather. But, mainly, I sat in front of my computer and made stuff up. That’s what novelists do. And I watched a lot of music videos, circa 1985, at MTV.com, which I believed at the time to be vital to the process. But maybe I’m just another person who likes to rationalize what I do.

  Baltimore, Maryland

  January 2010

  About the Author

  LAURA LIPPMAN grew up in Baltimore and returned to her hometown in 1989 to work as a journalist. After writing seven books while still a full-time reporter, she left the Baltimore Sun to focus on fiction. She is the author of ten Tess Monaghan novels, including Baltimore Blues, The Sugar House, and Another Thing to Fall; five stand-alone novels, including Every Secret Thing, To the Power of Three, What the Dead Know, and Life Sentences; and one short story collection, Hardly Knew Her. She is also the editor of another story collection, Baltimore Noir. Lippman has won numerous awards for her work, including the Edgar, Quill, Anthony, Nero Wolfe, Agatha, Gumshoe, Barry, and Macavity.

  Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins author.

  ALSO BY LAURA LIPPMAN

  Life Sentences

  Hardly Knew Her

  Another Thing to Fall

  What the Dead Know

  No Good Deeds

  To the Power of Three

  By a Spider’s Thread

  Every Secret Thing

  The Last Place

  In a Strange City

  The Sugar House

  In Big Trouble

  Butchers Hill

  Charm City

  Baltimore Blues

  Copyright

  This book is a work of fiction. References to real people, events, establishments, organizations, or locales are intended only to provide a sense of authenticity, and are used fictitiously. All other characters, and all incidents and dialogue, are drawn from the author’s imagination and are not to be construed as real.

  I’D KNOW YOU ANYWHERE. Copyright © 2010 by Laura Lippman. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

  FIRST EDITION

  Library of Congress Cataloging-in-Publication Data has been applied for.

  EPub Edition © July 2010 ISBN: 978-0-06-200823-7

  10 9 8 7 6 5 4 3 2 1

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