Lipstick Traces
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Heartfield, John, 107, 215, 216
Hegel, G. W. F., 92, 160, 178, 255
Heidegger, Martin, 238, 281
Heikal, Mohamed, 97
Helms, Jesse, 282
“Henker, Der” (Ball), 183
Henley, Elmer, Jr., 246–247
Hennings, Emmy, 146, 179–180, 183, 188–189, 191, 193, 199–200, 203, 220, 226
Henzell, Perry, 246
heretics, 19, 170, 177, 220, 357. See also Anabaptists; Brethren of the Free Spirit; Cathars
“Heroin” (Velvet Underground), 61
Herzfelde, Wieland, 215, 216
Hilberg, Raul, 114
Hindley, Myra, 26, 64, 67
Hine, Lewis, 112
Hitler, Adolf, 15, 202, 219, 220, 267, 269, 294, 312, 410
Hjortsberg, William, 193
Hobbes, Thomas, 82
Höch, Hannah, 207, 208, 215
Ho Chi Minh, 48
Hoffman, Stanley, 167
“Holidays in the Sun” (Sex Pistols), 9, 10, 12, 15, 19, 20, 70, 109, 115, 214, 404, 405, 410
Hollister (California), motorcyclist invasion of, 244
Horkheimer, Max, 158
Horney, Karen, 222
Huelsenbeck, Richard, 25, 148, 182, 184, 187, 203–204, 214, 224, 226, 285, 291, 389, 404, 408; Ball and, 194–196, 204–206; in Berlin dada group, 215–217, 219, 225; in Cabaret Voltaire, 179, 180, 188, 189, 191–194, 205–206, 387; dada manifestos of, 190, 296; on dada as protest, 184, 197–198; Danzig lecture of, 210–211, 213; Gestapo pursuit of, 220; as psychiatrist, 188, 193, 204, 210, 413; on Sparticist rising, 105–108, 170
Hughes, Robert, 288
Hughes Aircraft Corporation, 380
Hugo, Victor, 231
Hulbeck, Charles R. See Huelsenbeck, Richard
“Human Being” (New York Dolls), 61
Humanité, L’, 262, 371
Hurlements en faveur de Sade (Debord), 306–313, 314, 315, 319, 320, 391
Husserl, Edmund, 238
Iacocca, Lee, 103
“I Am a Cliché” (X-ray Spex), 405
Ice Age, The (Drabble), 40
“Ideal for Living, An” (Joy Division), 5
“I Don’t Like Mondays” (Boomtown Rats), 7–8
“I Hate the Rich” (Dils), 28
Indiana Jones and the Temple of Doom (Spielberg), 286
Industrial Revolution, 40, 46, 177
In girum imus nocte et consumimur igni (Debord), 149, 163, 326, 327, 329, 333, 335–338
Inkspots, 241
In Spite of Blasphemy (Malgré le blasphème) (Mourre), 264–265, 267, 283
Institute of Contemporary Arts (London), 205, 308
“Institutionalized” (Suicidal Tendencies), 89, 90
Internationale lettriste (I.L.), 332, 334, 339, 354, 363
Internationale situationniste (I.S.), 29, 47, 133, 159, 164, 165, 166, 167, 167, 223–224, 298, 319, 321, 328, 349, 355, 359, 365, 377, 379, 380–381, 389, 390, 400, 406, 407
In the Country of Last Things (Auster), 335
“In the Still of the Nite” (Five Satins), 90
Introduction à la critique de la vie quotidienne (Lefebvre), 135
Introduction à une nouvelle poésie at une nouvelle musique (Isou), 231
Ion, 257, 301, 302, 303, 306, 307, 311, 312, 351
Irish Republican Army (IRA), 66
Irving, John, 43
Isou, Isidore, 229–236, 232, 238–239, 248–258, 299, 308, 313, 319, 338–339; arrival in Paris of, 232, 233; Debord’s break with, 315, 317–318; films of, 228–229, 300–301; in Hurlements, 309–311; Lettrist International denunciation of, 325–326, 332; Mourre and, 282, 283, 286; self-promotion of, 233–235, 238; youth movement of, 250–252, 254–255, 333, 338
it falleth like the gentle rain from heaven (Mekons), 403
“It’s Too Soon to Know” (Orioles), 192, 240, 249
“I Wish I Was a Mole in the Ground” (traditional ballad, Lunsford), 14
“J’accuse” (Zola), 268
Jack the Ripper, 75, 310, 406
Jackson, Michael, ix, 90–92, 98, 99–105, 124, 138, 286, 331
Jackson 5, 90
Jailhouse Rock (Thorpe), 229
Janco, Jules, 189
Janco, Marcel, 179, 180, 188–192, 193, 202, 207, 208, 211, 225, 227, 394
Jarry, Alfred, 191, 309
Jaspers, Karl, 238
Jehovah’s Witnesses, 100
Jerusalem Post, 189–190
Jerzimy, 56
Jesuits, 281
Joannès, Gérard, 133
Joel, Billy, 90
John XXIII, Pope, 260
John of the Cross, 274
John of Leyden, 85–88, 104, 118, 290, 410
“Johnny B. Goode” (Berry/Sex Pistols), 55–57, 60
John Paul II, Pope, 260
Johnson, Robert, 19
John Wesley Harding (Dylan), 38
Jonah Who Will Be 25 in the Year 2000 (Tanner), 224
Jones, LaDonna, 103, 124, 331
Jones, Steve, 30, 31, 70, 79
Jordan Motor Car Company, 40
Jorn, Asger, 150, 153, 156, 342, 344, 362, 385
Journal du dimanche, 380
Joyce, James, 230
Joy Division, 5, 6
Jules and Jim (Truffaut), 181
“Jumpin’ Jack Flash” (Rolling Stones), 54
Jung, Carl, 220–222
Jung, Franz, 215, 292
Kael, Pauline, 8
Kandinsky, Wassily, 183, 191
Kant, Immanuel, 178
Karp, Walter, ix, 127, 128
Keeler, Christine, 167
Kennedy, John F., 330
Kennedy, Robert F., 251
“Kerb Crawler” (Au Pairs), 5
Khayati, Mustapha, 387–88, 390
King Mob, 405–406
King Mob Echo (journal), 109, 406
King Records, 124
Kingston Daily Gleaner, 246, 248
Kinks, 77
Kleenex, 5
Kleinschmidt, Hans J., 217
Klinmahon, 175
Konsumterror, 101
Kotányi, Attila, 117
Kraus, Karl, 214
Kropotkin, Peter, 183
Kuroń, Jacek, 388
Kwakiutl, 364, 368
Lacenaire, Pierre François, 111, 336, 337
Ladd, Alan, 247
Ladurie, Emmanuel Le Roy, 373
Lagny killing, 244, 245, 247, 249
Laing, R. D., 359
Lamennais, Felicité de, 264
Lanzmann, Claude, 114
Lapassade, Georges, 330
La Rochefoucauld, François de, 249
Lautréamont, Comte de, 171, 178, 224
Lawrence, D. H., 366
Leary, Timothy, 359
Leaving the 20th Century (Gray), 27–28, 160, 161, 171, 385, 406, 407
Le Corbusier, 18, 344–346; Voisin Plan, 344
Led Zeppelin, 44, 61
Lefebvre, Henri, ix, 134–137, 177–179, 249, 395; and dada, 21, 173, 178–179, 181, 184, 189, 207, 226, 227; and situationists, 132, 134, 136–137, 385
Lejare, Françoise, 339
Lemaitre, Maurice, 250, 256, 258, 317, 325
Lenin, V. I., 107, 118, 202, 325, 359, 391, 398
Leninism, 330, 388
Lennon, John, 38, 185, 352
Lerner, Robert E., 278, 285
Let It Bleed (Rolling Stones), 38
Lettrist International (LI), ix, 110, 158, 160–163, 231, 265, 297, 320–321, 331–340, 352, 374, 399, 404, 408–410; Bernstein in, 348–350; Chaplin attacked by, 316–319; emergence of Situationist International from, 328–331, 385, 407; exclusion of members of, 325–326, 342, 346, 355–356; fathers of, 170; formation of, 16, 111, 153–154, 315–316; graffiti of, 171, 320, 406; manifestos of, 321, 339, 350; potlatch metaphor of, 368–369; practice of, 323–328, 333–338, 356–358, 361–362;and Strasbourg students, 384, 386, 391; Trocchi in, 358; utopianism of, 322, 345–346; as youth movement, 332–333. S
ee also Internationale Lettriste; Potlatch
lettrists, ix, 19, 21, 231–239, 249–250, 301–307; Cannes action of, 300–301; Debord and Wolman break with, 315–18, 326; and Hurlements, 307–309, 311–313, 315; in Notre-Dame invasion, 258–261; program of, 254–255; sound poetry of, 255–258. See also Lettrist International
Lèvres nues, Les (review), 20
Lewis, Jerry Lee, 26, 37, 55, 59, 205
Liaisons dangereuses, Les (Choderlos de Laclos), 392–393
Libération, 348
Liebknecht, Karl, 107, 108, 141
Liebling, A. J., 71
Liliput, 5, 89
Limelight (Chaplin), 315, 316
Lincoln, Abraham, 127
Lissitzky, El, 176, 177
Little Big Horn, Battle of, 336
Little Book of Eternal Wisdom, The (Suso), 275
Little Book of Truth, The (Suso), 275, 280
Little Richard, 37, 38, 87–88, 264–265
“Little Village” (Williamson), 55
Little Yes and a Big No, A (Grosz), 106
Live Aid, 125
Locked Room, The (Auster), 161
Logic, Lora, 6, 65, 187
Lollards, 11, 373, 410
“Longest Time, The” (Joel), 90
London Central News Agency, 406
London Picture Post, 352
Londons Outrage (punk fanzine), 112
London Sunday Telegraph, 387
Louis XVI, King of France, 310
Louis-Napoleon, Emperor of France, 116–117
Love on the Left Bank (van der Elsken), 350
Lowry, Ray, 1
Lucas, Henry Lee, 247
Ludwig II, King of Bavaria, 336
Lunsford, Bascom Lamar, 14, 15
Lurkers, 71
Luxembourg, Rosa, 107, 108, 109, 141, 406
Lycurgus, 325
Lydon, John. See Rotten, Johnny
Lymon, Frankie, 90
“Maggie Mae” (Stewart), 44, 54, 61
Malgré le blasphème. See In Spite of Blasphemy
Mallarmé, Stéphane, 191, 231
“Manifeste du cinema discrépant” (Isou), 228
Mankiewicz, Joseph L., 301
“Manners for Muggings” (Thompson), 84
Maoism, 334, 388
Mao Tse-tung, 329, 330
Marbaix, Ghislain de, 261, 287, 301
Marc, O (Marc-Gilbert Guillaumin), 254, 260, 301, 313
Marcuse, Herbert, 67, 250
Marie-Claire, 380
Marinetti, Filippo, 184, 200, 201, 202, 220
Marsh, Dave, 61
Martin, Ivanhoe “Rhyging,” 244, 246, 248
Martin, J. V., 167
Marx, Karl, 47, 107, 118, 128, 129, 136, 165, 170, 174, 178, 253, 319, 360, 369, 387; on alienation, 255; on commodity fetishism, 99–100; criticism of religion as prerequisite of all criticism for, 289–290; revolutionary impulse defined by, 92; word-magic of, 305
Marxists, 21, 28, 95, 134, 178, 265, 270, 329, 391, 398
Matérialisme dialectique, Le (Lefebvre), 136, 227
Matlock, Glen, 30–31
Matthys, Jan, 85, 86
Mauriac, François, 234
Maurras, Charles, 264, 268–269
Mauss, Marcel, 357, 366–368
May ’68, 118, 126, 132, 224, 255, 265, 337, 346, 384, 397–398, 412; Atelier populaire posters from, 28, 30, 31, 187; McLaren and, 26, 406, 407; situationists and, 16–17, 28–29, 139, 223, 327, 394–395, 398–400, 404
McCartney, Paul, 369
McKenzie, Scott, 83
McLaren, Malcolm, 8, 16, 26–28, 30, 53, 54, 56, 65, 123, 284, 404; commercial exploitation of punk by, 16, 77; New York Dolls managed by, 45; Sex boutique of, 2, 11, 12, 26, 31; situationist influence on, 171, 284, 405–408
McPhatter, Clyde, 37
“Meaning of the Commune, The” (Lefebvre), 136
Mechanics of Women, The (Isou), 235
Mehring, Walter, 3–4, 107, 215
Meinhof, Ulrike, 101
Mekons, 5, 403–404
Méliès, Georges, 310
Melville, Herman, 19
“Memphis Blues Again” (Dylan), 15
Mémoires (Debord), 153, 154, 155, 156, 157, 163, 169, 172, 173–174, 314, 333, 335, 350, 391, 404
Memoirs of a Dada Drummer (Huelsenbeck), 191
Mension, Jean-Michel, ix, 320, 323, 324, 326, 332, 338, 339, 349, 351, 352, 404
Merlin (review), 358
Metal Box (PiL), 68
“Methods of Détournement” (Debord and Wolman), 372
Micoud, Robert, 263–264
“Milkcow Blues Boogie” (Presley), 34, 35
Mills Brothers, 241
Milosz, Czeslaw, 95, 377
Minima Moralia (Adorno), 64, 67, 68
Mirouer des simples ames, La (Porete), 277
Mit Witz, Licht und Grütze (Huelsenbeck), 191
Modern Lovers, 37, 58
Mods, 110
Modzelewski, Karol, 388
Moles, Abraham, 386
Monde, Le, 380, 397
Monde libertaire, Le (journal), 250
Monkees, 56
Monotones, 38
Montaillou (Ladurie), 373
Monty Python’s Flying Circus, 381
Moore, Scotty, 55
Moors Murders, 26
Moreau, Jeanne, 181, 393
Morgenstern, Christian, 191
Morin, Edgar, 395, 397
Moses and Monotheism (Freud), 80–81
Mosley, Oswald, 109
Motown Records, 38, 90
Mott the Hoople, 77
Mourre, Michel, 259–260, 261, 262–274, 278, 280–290, 296, 382, 404, 408, 409
Müntzer, Thomas, 183, 290
Musée de l’Homme (Paris), 306, 308, 309
Mussolini, Benito, 202, 375
My Present Age (Vanderhaeghe), 328
“Mystery Train” (Presley), 15
“Naked City, The” (Debord), 363
Nathan, Syd, 124
National Front, 109–110, 270
National Renewal, 127, 128
Nazis, 15, 82, 110, 126, 220–222, 239, 283, 348, 383, 397; execution of Russian partisans by, 112–113; extermination camps of, 13, 43, 109, 113, 221; French collaboration with, 235, 269, 270, 281; Paris occupied by, 266, 267; refugees from, 67, 232, 233
“Nebraska” (Springsteen), 246
neo-Nazis, 66, 270
Neuss, Wolfgang, 168
“Never Been in a Riot” (Mekons), 5, 403
Never Mind the Bollocks, Here’s the Sex Pistols (Sex Pistols), 285
Newman, Charles, 119
New Order, 6
New York Dolls, 37, 45, 61, 77
New York Times, 89, 260, 262
Nicholson-Smith, Donald, 394
Nietzsche, Friedrich, 82–83, 178, 179, 211, 230, 238, 270–271, 277, 298, 302, 409
Nieuwenhuys, Constant, 342, 359
Night of the Living Dead (Romero), 373
nihilism, 14, 110, 111, 244, 246–248, 265, 291, 350, 358, 388; of dada, 181, 195, 220, 225, 291; of Lettrist International, 326, 339; Rozanov’s definition of, 62; Sex Pistols and, 8–10, 16; of Teddy Boys, 351
Nisker, Scoop, 384
Nixon, Richard, 315, 322–323
“No Feelings” (Sex Pistols), 12, 13, 83
“No Fun” (Stooges/Sex Pistols), 61, 77, 83, 115
“Notion of Expenditure, The” (Bataille), 366
Notre-Dame, 286, 381; invasion of, 258–264, 266, 284, 287–289, 299, 300, 310, 313, 319, 328, 338, 356, 404, 407
Nuit, La (Bernstein), 327, 333, 369, 393
Nuremburg trials, 269
“Oh Bondage Up Yours!” (X-ray Spex), 5, 75, 187
Olympia Press, 358
“On the Commune” (Debord, Kotányi, and Vaneigem), 117, 136, 139
“Once upon a time in a living room” (Slits), 5
“One Chord Wonders” (Adverts), 62, 75, 405
“One Step Back” (Debord), 327
One Way Str
eet (Benjamin), 65
On the Passage of a Few People Through a Rather Brief Moment in Time (Debord), 150, 163, 327, 356, 400
On the Poverty of Student Life (Khayati), 384, 387–390, 395
“Open the Door Richard” (Count Basie/Three Flames), 242
“Open Letter to the Polish Communist Party” (Kuroń and Madzelwewski), 388
“Organized Guilt and Universal Responsibility” (Arendt), 126
“Organt” (Saint-Just), 289
Orioles, 192, 240–244, 243, 249 Osmond, Marie, 175
“Ozymandias” (Shelley), 132, 138
Painting of Modern Life, The (Clark), 116, 139
Palmolive, 35
Papai, Eliane, 323, 325, 339
“Parole in libertà” (Marinetti), 200, 201
Parijs! (van der Elsken), 349
Paris, University of, 277, 395
Paris Commune, 116–119, 129–132, 134, 136–137, 170, 266, 289, 344
Paris-Presse, 371
Parker, Graham, 34
Pasionaria, La (Dolores Ibarruri), 266, 267, 270
Pater, Walter, 343
Paulhan, Jean, 233, 238
Pauline, Mark, 89
Peacock Records, 124
Pearson, Donald, 69
Peel, John, 38, 76, 412
Penguins, 41, 88, 90
Péret, Benjamin, 262, 288–289
Perkins, Carl, 37
Phillips, Sam, 45, 55, 124
Philosophies (review), 178–179
Picabia, Francis, 180
Pickett, Wilson, 34
Pico della Mirandola, Giovanni, 284–285
PiL (Public Image Ltd.), 68
Pinot-Gallizio, Guiseppe, 342
Pius XII, Pope, 260
Plastic Ono Band, 38
Poe, Edgar Allan, 13
Police Academy movies, 185, 186, 200
Polish August, The (Ascheson), 96
Pol Pot, 325
Pomerand, Gabriel, 233–236, 237, 238, 256, 260, 302–305, 317, 325
Pop. 1280 (Thompson), 193
Pop from the Beginning (Cohn), 87
Popular Front, 266, 267
Porete, Marguerite, 277, 285
Port Huron Statement, 166
Postman Always Rings Twice, The (Cain), 193
Potlatch (LI bulletin), 18–20, 321–322, 326, 331–335, 339, 342, 343, 350, 355, 356, 362–364, 370–372, 374–375, 376, 381–383, 390
Powlis, Lavon (Billie Jean Jackson), 100
Presley, Elvis, 15, 37, 38, 55, 68, 101–103, 138, 192, 233, 301; on Ed Sullivan Show, 177; movies of, 228–229; Sun studios recordings of, 34
“Pretty Vacant” (Sex Pistols), 11, 12, 56, 109
Prévert, Jacques, 262
Prince Buster, 35
Project Sigma, 359
Protest in Paris (Brown), 29
Proudhon, Pierre-Joseph, 178
Pruitt-Igoe housing complex (St. Louis), 346