Delphi Complete Works of Nathaniel Hawthorne (Illustrated)

by Hawthorne, Nathaniel

  There was a camera-obscure, very wretchedly indistinct. At the refreshment-room were ginger-beer and British wines.

  August 21st. — I was in the Crown Court on Saturday, sitting in the sheriff's seat. The judge was Baron — — — , an old gentleman of sixty, with very large, long features. His wig helped him to look like some strange kind of animal, — very queer, but yet with a sagacious, and, on the whole, beneficent aspect. During the session some mischievous young barrister occupied himself with sketching the judge in pencil; and, being handed about, it found its way to me. It was very like and very laughable, but hardly caricatured. The judicial wig is an exceedingly odd affair; and as it covers both ears, it would seem intended to prevent his Lordship, and justice in his person, from hearing any of the case on either side, that thereby he may decide the better. It is like the old idea of blindfolding the statue of Justice.

  It seems to me there is less formality, less distance between the judge, jury, witnesses, and bar, in the English courts than in our own. The judge takes a very active part in the trial, constantly asking a question of the witness on the stand, making remarks on the conduct of the trial, putting in his word on all occasions, and allowing his own sense of the matter in hand to be pretty plainly seen; so that, before the trial is over, and long before his own charge is delivered, he must have exercised a very powerful influence over the minds of the jury. All this is done, not without dignity, yet in a familiar kind of way. It is a sort of paternal supervision of the whole matter, quite unlike the cold awfulness of an American judge. But all this may be owing partly to the personal characteristics of Baron — — — . It appeared to me, however, that, from the closer relations of all parties, truth was likely to be arrived at and justice to be done. As an innocent man, I should not be afraid to be tried by Baron — — — .

  EATON HALL.

  August 24th. — I went to Eaton Hall yesterday with my wife and Mr. G. P. Bradford, via Chester. On our way, at the latter place, we visited St. John's Church. It is built of the same red freestone as the cathedral, and looked exceedingly antique, and venerable; this kind of stone, from its softness, and its liability to be acted upon by the weather, being liable to an early decay. Nevertheless, I believe the church was built above a thousand years ago, — some parts of it, at least, — and the surface of the tower and walls is worn away and hollowed in shallow sweeps by the hand of Time. There were broken niches in several places, where statues had formerly stood. All, except two or three, had fallen or crumbled away, and those which remained were much damaged. The face and details of the figure were almost obliterated. There were many gravestones round the church, but none of them of any antiquity. Probably, as the names become indistinguishable on the older stones, the graves are dug over again, and filled with new occupants and covered with new stones, or perhaps with the old ones newly inscribed.

  Closely connected with the church was the clergyman's house, a comfortable-looking residence; and likewise in the churchyard, with tombstones all about it, even almost at the threshold, so that the doorstep itself might have been a tombstone, was another house, of respectable size and aspect. We surmised that this might be the sexton's dwelling, but it proved not to be so; and a woman, answering our knock, directed us to the place where he might be found. So Mr. Bradford and I went in search of him, leaving S — — - seated on a tombstone. The sexton was a jolly-looking, ruddy-faced man, a mechanic of some sort, apparently, and he followed us to the churchyard with much alacrity. We found S — — - standing at a gateway, which opened into the most ancient, and now quite ruinous, part of the church, the present edifice covering much less ground than it did some centuries ago. We went through this gateway, and found ourselves in an enclosure of venerable walls, open to the sky, with old Norman arches standing about, beneath the loftiest of which the sexton told us the high altar used to stand. Of course, there were weeds and ivy growing in the crevices, but not so abundantly as I have seen them elsewhere. The sexton pointed out a piece of a statue that had once stood in one of the niches, and which he himself, I think, had dug up from several feet below the earth; also, in a niche of the walls, high above our heads, he showed us an ancient wooden coffin, hewn out of a solid log of oak, the hollow being made rudely in the shape of a human figure. This too had been dug up, and nobody knew how old it was. While we looked at all this solemn old trumpery, the curate, quite a young man, stood at the back door of his house, elevated considerably above the ruins, with his young wife (I presume) and a friend or two, chatting cheerfully among themselves. It was pleasant to see them there. After examining the ruins, we went inside of the church, and found it a dim and dusky old place, quite paved over with tombstones, not an inch of space being left in the aisles or near the altar, or in any nook or corner, uncovered by a tombstone. There were also mural monuments and escutcheons, and close against the wall lay the mutilated statue of a Crusader, with his legs crossed, in the style which one has so often read about. The old fellow seemed to have been represented in chain armor; but he had been more battered and bruised since death than even during his pugnacious life, and his nose was almost knocked away. This figure had been dug up many years ago, and nobody knows whom it was meant to commemorate.

  The nave of the church is supported by two rows of Saxon pillars, not very lofty, but six feet six inches (so the sexton says) in diameter. They are covered with plaster, which was laid on ages ago, and is now so hard and smooth that I took the pillars to be really composed of solid shafts of gray stone. But, at one end of the church, the plaster had been removed from two of the pillars, in order to discover whether they were still sound enough to support the building; and they prove to be made of blocks of red freestone, just as sound as when it came from the quarry; for though this stone soon crumbles in the open air, it is as good as indestructible when sheltered from the weather. It looked very strange to see the fresh hue of these two pillars amidst the dingy antiquity of the rest of the structure.

  The body of the church is covered with pews, the wooden enclosures of which seemed of antique fashion. There were also modern stoves; but the sexton said it was very cold there, in spite of the stoves. It had, I must say, a disagreeable odor pervading it, in which the dead people of long ago had doubtless some share, — a musty odor, by no means amounting to a stench, but unpleasant, and, I should think, unwholesome. Old wood-work, and old stones, and antiquity of all kinds, moral and physical, go to make up this smell. I observed it in the cathedral, and Chester generally has it, especially under the Rows. After all, the necessary damp and lack of sunshine, in such a shadowy old church as this, have probably more to do with it than the dead people have; although I did think the odor was particularly strong over some of the tombstones. Not having shillings to give the sexton, we were forced to give him half a crown.

  The Church of St. John is outside of the city walls. Entering the East gate, we walked awhile under the Rows, bought our tickets for Eaton Hall and its gardens, and likewise some playthings for the children; for this old city of Chester seems to me to possess an unusual number of toy-shops. Finally we took a cab, and drove to the Hall, about four miles distant, nearly the whole of the way lying through the wooded Park. There are many sorts of trees, making up a wilderness, which looked not unlike the woods of our own Concord, only less wild. The English oak is not a handsome tree, being short and sturdy, with a round, thick mass of foliage, lying all within its own bounds. It was a showery day. Had there been any sunshine, there might doubtless have been many beautiful effects of light and shadow in these woods. We saw one or two herds of deer, quietly feeding, a hundred yards or so distant. They appeared to be somewhat wilder than cattle, but, I think, not much wilder than sheep. Their ancestors have probably been in a half-domesticated state, receiving food at the hands of man, in winter, for centuries. There is a kind of poetry in this, quite as much as if they were really wild deer, such as their forefathers were, when Hugh Lupus used to hunt them.

  Our miserable cab drew up at
the steps of Eaton Hall, and, ascending under the portico, the door swung silently open, and we were received very civilly by two old men, — one, a tall footman in livery; the other, of higher grade, in plain clothes. The entrance-hall is very spacious, and the floor is tessellated or somehow inlaid with marble. There was statuary in marble on the floor, and in niches stood several figures in antique armor, of various dates; some with lances, and others with battle-axes and swords. There was a two-handed sword, as much as six feet long; but not nearly so ponderous as I have supposed this kind of weapon to be, from reading of it. I could easily have brandished it.

  I don't think I am a good sight-seer; at least, I soon get satisfied with looking at the sights, and wish to go on to the next.

  The plainly dressed old man now led us into a long corridor, which goes, I think, the whole length of the house, about five hundred feet, arched all the way, and lengthened interminably by a looking-glass at the end, in which I saw our own party approaching like a party of strangers. But I have so often seen this effect produced in dry-goods stores and elsewhere, that I was not much impressed. There were family portraits and other pictures, and likewise pieces of statuary, along this arched corridor; and it communicated with a chapel with a scriptural altar-piece, copied from Rubens, and a picture of St. Michael and the Dragon, and two, or perhaps three, richly painted windows. Everything here is entirely new and fresh, this part having been repaired, and never yet inhabited by the family. This brand-newness makes it much less effective than if it had been lived in; and I felt pretty much as if I were strolling through any other renewed house. After all, the utmost force of man can do positively very little towards making grand things or beautiful things. The imagination can do so much more, merely on shutting one's eyes, that the actual effect seems meagre; so that a new house, unassociated with the past, is exceedingly unsatisfactory, especially when you have heard that the wealth mud skill of man has here done its best. Besides, the rooms, as we saw them, did not look by any means their best, the carpets not being down, and the furniture being covered with protective envelopes. However, rooms cannot be seen to advantage by daylight; it being altogether essential to the effect, that they should be illuminated by artificial light, which takes them somewhat out of the region of bare reality. Nevertheless, there was undoubtedly great splendor, for the details of which I refer to the guide-book. Among the family portraits, there was one of a lady famous for her beautiful hand; and she was holding it up to notice in the funniest way, — and very beautiful it certainly was. The private apartments of the family were not shown us. I should think it impossible for the owner of this house to imbue it with his personality to such a degree as to feel it to be his home. It must be like a small lobster in a shell much too large for him.

  After seeing what was to be seen of the rooms, we visited the gardens, in which are noble conservatories and hot-houses, containing all manner of rare and beautiful flowers, and tropical fruits. I noticed some large pines, looking as if they were really made of gold. The gardener (under-gardener I suppose he was) who showed this part of the spectacle was very intelligent as well as kindly, and seemed to take an interest in his business. He gave S — — - a purple everlasting flower, which will endure a great many years, as a memento of our visit to Eaton Hall. Finally, we took a view of the front of the edifice, which is very fine, and much more satisfactory than the interior, — and returned to Chester.

  We strolled about under the unsavory Rows, sometimes scudding from side to side of the street, through the shower; took lunch in a confectioner's shop, and drove to the railway station in time for the three-o'clock train. It looked picturesque to see two little girls, hand in hand, racing along the ancient passages of the Rows; but Chester has a very evil smell.

  At the railroad station, S — — - saw a small edition of “Twice-Told Tales,” forming a volume of the Cottage Library; and, opening it, there was the queerest imaginable portrait of myself, — so very queer that we could not but buy it. The shilling edition of “The Scarlet Letter” and “Seven Gables” are at all the book-stalls and shop-windows; but so is “The Lamplighter,” and still more trashy books.

  August 26th. — All past affairs, all home conclusions, all people whom I have known in America and meet again here, are strangely compelled to undergo a new trial. It is not that they suffer by comparison with circumstances of English life and forms of English manhood or womanhood; but, being free from my old surroundings, and the inevitable prejudices of home, I decide upon them absolutely.

  I think I neglected to record that I saw Miss Martineau a few weeks since. She is a large, robust, elderly woman, and plainly dressed; but withal she has so kind, cheerful, and intelligent a face that she is pleasanter to look at than most beauties. Her hair is of a decided gray, and she does not shrink from calling herself old. She is the most continual talker I ever heard; it is really like the babbling of a brook, and very lively and sensible too; and all the while she talks, she moves the bowl of her ear-trumpet from one auditor to another, so that it becomes quite an organ of intelligence and sympathy between her and yourself. The ear-trumpet seems a sensible part of her, like the antennae of some insects. If you have any little remark to make, you drop it in; and she helps you to make remarks by this delicate little appeal of the trumpet, as she slightly directs it towards you; and if you have nothing to say, the appeal is not strong enough to embarrass you. All her talk was about herself and her affairs; but it did not seem like egotism, because it was so cheerful and free from morbidness. And this woman is an Atheist, and thinks that the principle of life will become extinct when her body is laid in the grave! I will not think so; were it only for her sake. What! only a few weeds to spring out of her mortality, instead of her intellect and sympathies flowering and fruiting forever!

  September 13th. — My family went to Rhyl last Thursday, and on Saturday I joined them there, in company with O'Sullivan, who arrived in the Behama from Lisbon that morning. We went by way of Chester, and found S — — - waiting for us at the Rhyl station. Rhyl is a most uninteresting place, — a collection of new lodging-houses and hotels, on a long sand-beach, which the tide leaves bare almost to the horizon. The sand is by no means a marble pavement, but sinks under the foot, and makes very heavy walking; but there is a promenade in front of the principal range of houses, looking on the sea, whereon we have rather better footing. Almost all the houses were full, and S — — - had taken a parlor and two bedrooms, and is living after the English fashion, providing her own table, lights, fuel, and everything. It is very awkward to our American notions; but there is an independence about it, which I think must make it agreeable on better acquaintance. But the place is certainly destitute of attraction, and life seems to pass very heavily. The English do not appear to have a turn for amusing themselves.

  Sunday was a bright and hot day, and in the forenoon I set out on a walk, not well knowing whither, over a very dusty road, with not a particle of shade along its dead level. The Welsh mountains were before me, at the distance of three or four miles, — long ridgy hills, descending pretty abruptly upon the plain; on either side of the road, here and there, an old whitewashed, thatched stone cottage, or a stone farm-house, with an aspect of some antiquity. I never suffered so much before, on this side of the water, from heat and dust, and should probably have turned back had I not espied the round towers and walls of an old castle at some distance before me. Having looked at a guide-book, previously to setting out, I knew that this must be Rhyddlan Castle, about three miles from Rhyl; so I plodded on, and by and by entered an antiquated village, on one side of which the castle stood. This Welsh village is very much like the English villages, with narrow streets and mean houses or cottages, built in blocks, and here and there a larger house standing alone; everything far more compact than in our rural villages, and with no grassy street-margin nor trees; aged and dirty also, with dirty children staring at the passenger, and an undue supply of mean inns; most, or many of the men in breeches, and some o
f the women, especially the elder ones, in black beaver hats. The streets were paved with round pebbles, and looked squalid and ugly.

  The children and grown people stared lazily at me as I passed, but showed no such alert and vivacious curiosity as a community of Yankees would have done. I turned up a street that led me to the castle, which looked very picturesque close at hand, — more so than at a distance, because the towers and walls have not a sufficiently broken outline against the sky. There are several round towers at the angles of the wall very large in their circles, built of gray stone, crumbling, ivy-grown, everything that one thinks of in an old ruin. I could not get into the inner space of the castle without climbing over a fence, or clambering down into the moat; so I contented myself with walking round it, and viewing it from the outside. Through the gateway I saw a cow feeding on the green grass in the inner court of the castle. In one of the walls there was a large triangular gap, where perhaps the assailants had made a breach. Of course there were weeds on the ruinous top of the towers, and along the summit of the wall. This was the first castle built by Edward I. in Wales, and he resided here during the erection of Conway Castle, and here Queen Eleanor gave birth to a princess. Some few years since a meeting of Welsh bards was held within it.

  After viewing it awhile, and listening to the babble of some children who lay on the grass near by, I resumed my walk, and, meeting a Welshman in the village street, I asked him my nearest way back to Rhyl. “Dim Sassenach,” said he, after a pause. How odd that an hour or two on the railway should have brought me amongst a people who speak no English! Just below the castle, there is an arched stone bridge over the river Clwyd, and the best view of the edifice is from hence. It stands on a gentle eminence, commanding the passage of the river, and two twin round towers rise close beside one another, whence, I suppose, archers have often drawn their bows against the wild Welshmen, on the river-banks. Behind was the line of mountains; and this was the point of defence between the hill country and the lowlands. On the bridge stood a good many idle Welshmen, leaning over the parapet, and looking at some small vessels that had come up the river from the sea. There was the frame of a new vessel on the stocks near by.