Christmas Day was an occasion of special festivity at this boarding-house, and that of 1855 was unusually distinguished in its annals by the presence of Hawthorne and the legend of the merry-making about him which his friend Bright put into his clever rhymes of the “Song of Consul Hawthorne.” Whether in his office, or at the boarding-house, or going about the docks at Liverpool, “Consul Hawthorne” was evidently a very typical New Englander abroad, and popular with his own people. He had laid the author off, and was as purely a practical man of nautical affairs as would be found in any shipping office in the city; and it needed no close observer to see that the native element in him was of a very obstinate and unmalleable nature.
It has been suggested that Hawthorne was afraid of liking English people better than an American ought, as he says he suspects Grace Greenwood did: —
“She speaks rapturously of the English hospitality and warmth of heart. I likewise have already experienced something of this, and apparently have a good deal more of it at my option. I wonder how far it is genuine, and in what degree it is better than the superficial good feeling with which Yankees receive foreigners, — a feeling not calculated for endurance, but a good deal like a brushwood fire. We shall see!”
He had abundant opportunity to see, for he was very kindly received by the society which it was natural for him to mingle with, and several of his hosts were untiring in their efforts to please him and render him comfortable. He was by no means incapable of social intercourse, notwithstanding his retired habits; the capacity had never been developed by early breeding or by later necessity, and though on his return home, the change in him was noticeable, even under the influence of his foreign travels he remained a silent, difficult, and evasive person in society. When he was among his own old and familiar friends, such as Bridge or Pierce, or with new companions whom he accepted into his circle, such as Fields, he was open enough and took his share genially and sometimes jovially, as well as when he was with the American sea captains or his old associates in Salem; but the touch of social formality, the presence of a stranger, the ways and habits of conventionality shut him up in impenetrable reserve and made him temporarily miserable. In England, however, he was compelled to meet and be met in the ordinary intercourse of men and women, and he fared much better than might have been anticipated. Very greatly to the surprise of his friends he proved an excellent after-dinner speaker, not only on the public occasions where the sense of his official station as a representative of his country would have spurred him to acquit himself well, but also at private parties and in purely personal relations. Like many silent men he was a good listener, and his sensitiveness and mental alertness gave the impression of more sympathy than perhaps he felt. He made himself agreeable, at all events, and he submitted to an amount of human fellowship that was astonishing to himself. The novelty of the society he entered, doubtless, attracted him, and fed his curiosity, as it certainly was an excitement to his wife. They had lived all their lives in a community so much simpler in all the furnishings of refined living, so much less characterized by the material luxuries of wealth, than this in which they now found themselves, that the mere sight of the houses, dinners, and liveries was a new experience, and they observed them like country cousins. The manners of this society, also, arrested their attention. It was inevitable that Hawthorne should maintain an aloofness from all this, nevertheless, with the natural democratic questioning of the reality of the courtesy, the propriety of the system, the kind and quality of the social results. He felt the appeal that this life made, he perceived its fitness to the soil, he saw it as a growth that belonged in its place; but he was thoroughly glad that there was nothing like it in his own country. There is not the slightest hint in any word of his that he regarded himself as an ambassador of friendship in a foreign country or thought that it was any part of his duty to cultivate international good feeling: he felt himself politically, socially, fundamentally, an alien in England, and he preferred to be so; what first struck him were those obvious differences that distinguish the two peoples, and these remained most prominently in his mind. He was a stranger when he landed at Liverpool, and he never suffered the least tincture of naturalization while he was in the country.
This attitude determines the point of view in his notes and reminiscences. He was an observer, close and accurate and interested; but he had not that sympathy which seeks to understand, to interpret, to justify what one sees, and to put one's self in accord with it. He had his standards already well fixed, and his limitations which he was not sufficiently aware of to desire to escape. He had, too, the critical spirit which is a New England trait, and with this went its natural attendant, the habit of speaking his mind. In writing down his impressions of English manners and institutions and people, he behaved exactly as he had done in his records of similar things at home; there was no difference in his method or in the character of what he said; he was telling what he saw with that indifference to how it would strike other people which comes near to being unconsciousness. He was a good deal surprised when he discovered that the English did not relish what he said; he protested that he had done them more than justice, that they were too easily hurt, and as for hating them, he adds, “I would as soon hate my own people.” There is no ill-nature in “Our Old Home;” there is only the clearly expressed, bare, unsympathetic statement of what he had seen, touched here and there with that irony and humor which were apt to mix with his view of men and things. So the people at Salem had thought he did them injustice in his sketch of his native home, and he in turn had told them that he had treated them very considerately, without enmity or ill feeling of any kind, and in fact what he had written “could not have been done in a better or kindlier spirit nor with a livelier effect of truth.” He had written of England in precisely the same way, with that remorseless adherence to his own impression which was second nature to him, and with that willingness to see the wrong side of things that he disliked, to minimize human nature when it bored him, and to get a grim humor out of his victims, which was also a part of his endowment. In all this, as in some other parts of Hawthorne's personality, there is a reminder of Carlyle. The hard judgment he wrote down of Margaret Fuller, for example, and the humorous extravagance of his visit to Martin Tupper, are not to be paralleled except in Carlyle's reminiscences; there was the same unflinching rigor, the same cold obtuseness, the same half-wearied contempt for what excited their humor in both men. In his vexation of spirit Hawthorne is especially suggestive of some discomfortable cousinship between them; and he was often vexed in spirit. He was, it would seem, especially burdened by the material comfort of England, in which he found a grossness but little consonant with his own taste and spirit, and he made of this the type of things English, as it is easy to do: —
“The best thing a man born in this island can do is to eat his beef and mutton and drink his porter, and take things as they are; and think thoughts that shall be so beefish, muttonish, portish, and porterish, that they shall be matters rather material than intellectual. In this way an Englishman is natural, wholesome, and good; a being fit for the present time and circumstances, and entitled to let the future alone!”
The ascetic and intellectual element, which was large in his ideal past, was revolted by these things, just as the democratic instincts of his nature were shocked by the aristocratic system of society with its social results. He was, too, always in a certain sense homesick; not that he was anxious to go home or looked forward to his return with great pleasure, but he was a man out of place, and had lost the natural harmonies between the outer and the inner life. He had taken a house at Rock Park, a suburb of Liverpool, but he could not make a home out of it, and his account of his residence there gives the whole interior atmosphere of his English stay.
“I remember to this day the dreary feeling with which I sat by our first English fireside and watched the chill and rainy twilight of an autumn day darkening down upon the garden, while the preceding occupant of the house (evid
ently a most unamiable personage in his lifetime) scowled inhospitably from above the mantelpiece, as if indignant that an American should try to make himself at home there. Possibly it may appease his sulky shade to know that I quitted his abode as much a stranger as I entered it.”
It is plain to see that he rather endured than enjoyed English life, notwithstanding the true pleasures he found and the kind friends he made. He was a stranger, taking a stranger's view and with much suspicion of his surroundings, anticipating something hostile in them and forestalling it with his own defenses not too friendly in aspect; in a word he was a foreigner, and he never lost the sense of being in a country not his own, to which he felt superior in all essential matters.
Some regret has been expressed that he did not come into closer contact with English literary life, and especially with the more famous writers of the day. He did not even make the acquaintance of Dickens, Thackeray, Tennyson, Carlyle, George Eliot, to name the most important, nor was he really introduced to the best intellectual life of England at all. He met several second-rate writers, and he knew the Brownings more particularly in Italy. It is not likely, however, that much was lost by this failure to get into touch with the great masters of his own art or with English thinkers and poets in general. Hawthorne had never cared for such society in his own country, and it was probably by his own choice that he missed the literary sets in London. The distaste that he felt for society seems to have taken an aggravated form where his own craft was concerned, whether through self-consciousness, or the memory of his years of obscurity, or for whatever reason; perhaps he had known authors enough at Concord and had no spirit of adventure left in that direction. His own genius was solitary, and in his friendships literary sympathy had no share, for he neither received nor gave it; in fact, if he became familiar with an author, such as Thoreau or Ellery Channing or Herman Melville, it was with the man, not the author. The terms on which he stood with Longfellow and Emerson are those on which, at the happiest, he might have met Thackeray, Tennyson, or Carlyle; but, though speculation must be vain, it is far more probable that he would have found little congeniality with any one of the three. Lord Houghton appears to have made an effort to take him about, but with so little success that he thought Hawthorne had taken a dislike to him. As it was, Hawthorne saw quite enough, and more than he desired, of literary England; it was mostly weariness to him.
It must be acknowledged that the manners and institutions of the country, and its people for the most part, were little to Hawthorne's taste, and he showed this in his book about them; but, for all that, he found the country interesting and often lovely in its picturesque antiquity and softnesses of light and color, and he appreciated to the full the literary and historical sentiment that most appeals to Americans of like education and breeding. He made many excursions in different parts of England, and visited Scotland and the Isle of Man, and he lingered in many towns and villages and was disposed to haunt old places with a pilgrim devotion. He loved the face of the country, too, and notwithstanding its misted and dreary skies, especially over Liverpool, he found some good words for its weather, its seasons, its long days, and all its out-door look. He went about with the mind and senses of a tourist, satiating his instincts for minute and detailed observation and writing it all down; in a spirit, too, of enjoyment and discovery; and out of this satisfaction of his inveterate habits of observing and noting and walking about with no other end in view, just as if he were taking an autumn stroll in Salem, came the felicity of the English notes, which after all deductions is very great in its own field of delicate sentiment and realistic grasp and the atmosphere of a mind. Hawthorne was thoroughly happy in indulging his wandering propensity in such voyages of discovery; especially in London he found a city that satisfied his idea of it, and he seems to have busied himself there for days and weeks in merely going about from point to point and seeing the spectacle of its vast and varied life. Hawthorne's English experiences will, perhaps, be best realized, if he is thought of apart from literature, as a man much identified with the shipping interests and commercial society of Liverpool, and attending to this business rather doggedly and wearily, not especially liking the place or the people, whose ways and notions he was instinctively against, being himself a settled New Englander of a strong race type; and yet, besides this, a man who managed in his four years' residence to see a great deal of the length and breadth of England, as a summer tourist might visit its shrines on pilgrimage. This describes his life, nevertheless, only from the outside; as soon as one opens his note-books, his personality changes the impression, and pervades even his least sympathetic pages with a human quality that wins on the reader in spite of all reservations, and one sees how in the face of his prejudices and limitations England was saved to him by his literary faculty, the interests, susceptibilities, and powers that were his as a man of letters. One finds in his experience, too, besides the consul and the man of letters, a kindly and simple manhood of a more primitive element, the human heart in its own original right, as in the well-known incident of the workhouse child who was so strangely drawn to him. Of the humane actions, however, of which any record remains, none is so honorable as his considerateness, generosity, and conscientiousness in his correspondence with Delia Bacon, whom he endured and befriended with infinite patience and delicacy; the letters which he wrote to her show his character in a very noble light, and bring out one side of his life which has little illustration, his habitual thoughtfulness for the weak. One recalls his care for his Brook Farm friend Farley at Concord, for example; and all his relations with what one may call the wayside acquaintance of life were to his honor.
One other incident must also find a place here, which completes an earlier story and rounds out his own conception of integrity. On coming to Liverpool he had incurred heavy expenses, but six months of his more fortunate days had not gone by before he sent to Hillard the money which his friends had given to him in his sore need at Salem while he was writing “The Scarlet Letter.” His own words best express the feelings which led him to make this restitution: —
Liverpool, December 9, 1853.
Dear Hillard, — I herewith send you a draft on Ticknor for the sum (with interest included) which was so kindly given me by unknown friends, through you, about four years ago.
I have always hoped and intended to do this, from the first moment when I made up my mind to accept the money. It would not have been right to speak of this purpose before it was in my power to accomplish it; but it has never been out of my mind for a single day, nor hardly, I think, for a single working hour. I am most happy that this loan (as I may fairly call it, at this moment) can now be repaid without the risk on my part of leaving my wife and children utterly destitute. I should have done it sooner; but I felt that it would be selfish to purchase the great satisfaction for myself, at any fresh risk to them. We are not rich, nor are we ever likely to be; but the miserable pinch is over.
The friends who were so generous to me must not suppose that I have not felt deeply grateful, nor that my delight at relieving myself from this pecuniary obligation is of any ungracious kind. I have been grateful all along, and am more so now than ever. This act of kindness did me an unspeakable amount of good; for it came when I most needed to be assured that anybody thought it worth while to keep me from sinking. And it did me even greater good than this, in making me sensible of the need of sterner efforts than my former ones, in order to establish a right for myself to live and be comfortable. For it is my creed (and was so even at that wretched time) that a man has no claim upon his fellow-creatures, beyond bread and water and a grave, unless he can win it by his own strength or skill. But so much the kinder were those unknown friends whom I thank again with all my heart.
* * * * *
This money must have been the first he had saved, and he could now spare it from his income. In the four years that he held the consulate he had held to his main purpose of laying by a competency, and when he resigned, on August 31, 1857,
his mind was at ease with regard to the future for himself and his family. His gratitude for this late won independence, humble as it was, must have been deeply felt, as is apparent from his letters at the time; a great weight had been lifted from his spirit, and his happiness was such as only a man with his ideas of personal independence could realize. He proposed now to linger in Europe for some time longer; and when he was relieved from his duties in the fall he went with the family through France to Italy, hoping that the southern winter would be of benefit to Mrs. Hawthorne's still uncertain health.
Life in Italy proved far more agreeable than it had been in England, and there were periods in it when Hawthorne enjoyed as great happiness in the placid course of the days as he ever experienced. For the first time in his life he was free from the necessity of labor, and he had recently escaped from that practical business of affairs and daily duties which was always irksome to him. The change, too, from the dark skies of England and its grimy Liverpool materialism to an atmosphere of sun and warmth and artistic beauty was itself enough to reanimate his spirit; and he found at once some congenial society, and not a few who seemed to him like old friends. He appears for the first time in his life really to live with other people, not as an occasional visitant coming out of his hermitage, but as one of themselves. He sought out Story, who was an old neighbor at Salem, though he had known him only slightly, and under his guidance he mixed with the American artists then in Rome, — Miss Hosmer, Thompson, Kopes, and Miss Lander, — as well as with others of the foreigners resident there, Miss Bremer, Mrs. Jameson, and Bryant among the rest; and he became good friends with Motley and his family, whose companionship he enjoyed in a very natural, frank way. The picturesque ruins of Home, its gardens and fountains and the sky and air appealed to him, as if to new senses or at least to senses newly awakened and developed; and he was sensibly attracted by the artistic works on every hand. He was not wholly uncultivated in art, though his aesthetic sense had been rather a hope than a reality all through his life. He had written to his wife before marriage, nearly twenty years ago, “I never owned a picture in my life; yet pictures have been among the earthly possessions (and they are spiritual ones too) which I most coveted;” and in his tales there is a recurring reference to pictures as a part of his imaginative world. The influence of his wife's artistic tastes in his home life had also been a kind of preparation for appreciation of the masterpieces, many of which had long been familiar to his eyes and thoughts in reproductions. In his Boston days he use to visit such collections of pictures as were accessible to him, and he knew sculpture somewhat through casts. Such cultivation, however, was at best a very limited and incomplete preparation, and did not preserve him from the tourist's weariness of galleries. He had wished in London that the Elgin marbles had all been reduced to lime. There was something pictorial in his genius, but painting was slower to give up its secrets to him than sculpture, which, being a more abstract art and simpler in intention, as well as nearer to the living form, made the easier appeal to him. He did not respond to Italian painting very perfectly at the best, and his education hardly proceeded farther than an appreciation of the softer and brighter works of Guido and Raphael, nor did he ever free himself from the intellectual prepossessions of his mind. He did not become even an amateur in art, and he probably knew it; he had begun too late to enter that world; and he contented himself with a moral sympathy, an apprehension of idea and feeling, rather than the seeing eye and understanding heart by which one takes possession of the artistic world as a free citizen there. It was not an important matter, however; his comments on art have only a personal interest, lighting up his own nature; but, within his limits, he enjoyed a new and great experience, one that illumined and softened his mind, in his wanderings about the galleries and churches and his sittings in artists' studios. The contemporary and native world of Italy he attended to but very little, noting its picturesque aspects somewhat, but taking the slightest interest in its people; if he had felt a barrier between himself and the English, here was a gulf of difference that it was hopeless to attempt to pass over, and he left the Italians in the inaccessible foreignness in which he found them.
Delphi Complete Works of Nathaniel Hawthorne (Illustrated) Page 713
