Barbed Wire Kisses: The Jesus and Mary Chain Story
Page 32
Innes, Andrew ref1, ref2, ref3
‘Inside Me’ ref1
Interior, Lux ref1, ref2n
Interview (magazine) ref1, ref2, ref3
Island Studios (London) ref1
Israel ref1
Jackson, Alan ref1
Jackson, Clive ref1, ref2
Jaffe, Jerry
and ‘anti–showbiz’ nature of Mary Chain ref1
and ‘April Skies’ ref1
becomes Mary Chain’s manager ref1
and David Letterman Show ref1, ref2
and drum-machines ref1
and Jim’s court case ref1
and Lollapalooza ref1, ref2, ref3
mother meets Mary Chain ref1
and Ritz (New York) gig ref1
and Rollercoaster Tour ref1
and St Francis Xavier Hall gig ref1
and support bands ref1
Jah Wobble ref1, ref2
Jasmine Minks ref1, ref2, ref3, ref4
Jesus and Mary Chain, The
advertise for drummer ref1
ambition of ref1
‘anti-showbiz’ nature of ref1
artwork on record sleeves ref1
audition Dalglish ref1
audition Moore ref1
banned from venues ref1
and blasphemy ref1, ref2
and bodyguards ref1, ref2
bottled by audience ref1, ref2
‘business-oriented’ nature of ref1
buy Drugstore Studio ref1
and Coachella Festival ref1, ref2
current state of ref1
dropped by Blanco Y Negro ref1
drug references in lyrics ref1
and drum-machines ref1, ref2, ref3, ref4, ref5
drunken visit to Warner Music ref1
early recordings ref1
and festivals ref1, ref2, ref3, ref4, ref5, ref6
gigs
Ambulance Station ref1, ref2
Barrowland ref1, ref2
Benicassim ref1
Brighton Pavilion ref1
Brixton Academy ref1
California Theater ref1
Clouds ref1
Club Sucker ref1
Danceteria ref1
Dessel Graspop Festival ref1
Electric Ballroom ref1
‘final’ ref1
Gossip ref1
Hacienda ref1, ref2
Hammersmith Palais ref1
House of Blues ref1
ICA Rock Week ref1
Les Baines Douches ref1
Living Room ref1, ref2
Loft ref1
National Ballroom ref1
Night Moves ref1
North London Polytechnic ref1
Ritz (New York) ref1, ref2
Rock City ref1
Roxy ref1
RPM Club ref1
San Juan Capistrano ref1
Santa Monica Civic Center ref1
St Francis Xavier Hall ref1
The Fez ref1
Three Johns ref1, ref2
Troxy ref1
Venue ref1, ref2
infighting amongst members ref1
interviews
and accents of Reid brothers ref1
and band put-downs ref1
and drug references in lyrics ref1
and Joy Division comparisons ref1
post-gig (North London
Polytechnic) ref1
Smash Hits ref1
ZigZag ref1
see also under specific band members
Jaffe becomes manager of ref1
and KGB ref1
meet Jaffe’s mother ref1
and Meltdown festival ref1
Mercury Music Prize nomination ref1
move to London ref1
naming of ref1
negative reactions to ref1, ref2, ref3
new album rumours ref1
as ‘outsiders’ of pop world ref1
paranoia of ref1, ref2, ref3
and Peel Sessions ref1, ref2, ref3, ref4
photo shoots ref1
and pop ref1, ref2
and Pot Noodles ref1, ref2
recording sessions
Automatic ref1, ref2
Darklands ref1, ref2
demos ref1, ref2
Honey’s Dead ref1
Munki ref1, ref2
‘Never Understand’ ref1
Psychocandy ref1, ref2
‘Sidewalking’ ref1
‘Some Candy Talking’ ref1
Stoned & Dethroned ref1
‘Upside Down’ ref1
‘Vegetable Man’ ref1, ref2, ref3
and Reid brothers as sole recording members ref1, ref2, ref3
reputation of ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8
reunion of ref1, ref2, ref3
and ‘riots’ ref1, ref2, ref3, ref4
and ‘rock’n’roll’ lifestyle ref1
sack Hart ref1
sack McGee ref1
sack Morrison ref1
and Sanderson tribute show ref1
sign to Blanco Y Negro ref1
sign to Creation Records ref1, ref2
split up ref1
and Sugarcubes remix ref1
and support bands ref1
and Tallinn Summer Rock Festival ref1
tension within ref1, ref2, ref3, ref4, ref5, ref6, ref7
tours
Australia ref1
China ref1
Germany ref1, ref2, ref3, ref4, ref5
Israel ref1
Japan ref1
Lollapalooza ref1
New Zealand ref1, ref2
reunion shows ref1
Rollercoaster Tour ref1, ref2
Scandinavia ref1
USA ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13
TV appearances
Later . . . With Jools Holland ref1
The David Letterman Show ref1
The Old Grey Whistle Test ref1
The Roxy ref1
The Tube ref1
The Word ref1
Top of the Pops ref1
videos
‘April Skies’ ref1
‘Just Like Honey’ ref1
‘Never Understand’ ref1, ref2
‘Reverence’ ref1
‘You Trip Me Up’ ref1
‘Jesus Fuck’ ref1, ref2
Johansson, Scarlett ref1
Joy Division ref1, ref2
Julius Caesar (play) ref1
June Brides, The ref1
‘Just Like Honey’
cover art ref1
and Electric Ballroom gig ref1
and Hacienda gig ref1
and Israel tour ref1
and Liela Moss ref1
and Peel Sessions ref1
recording of ref1, ref2
release of ref1
and Scarlett Johansson ref1, ref2
video ref1
‘Just Out Of Reach’ ref1
Kennedy, John F ref1, ref2, ref3
KGB ref1
Kid Congo ref1
‘Kill Surf City’ ref1
Kimura, Mihoko ref1
King, Phil
auditions for Mary Chain ref1
and House of Blues gig ref1
and Jim’s solo shows ref1
joins Mary Chain ref1
and Lush ref1
and Mary Chain reunion ref1, ref2
and Meltdown festival ref1
and Moore rejoining Mary Chain ref1
and USA tours ref1, ref2, ref3
Later . . . With Jools Holland (TV show) ref1
Laughing Apple, The ref1
Lazycame ref1, ref2
‘Leader Of The Pack’ ref1
‘Leave Them All Behind’ ref1
Lee, Jeannette ref1, ref2, ref3
Lennon, John ref1
Les Baines Douches (Paris) ref1
Letterman, David ref1, ref2
Letts, Don ref1
Levene, Keith ref1, ref2
<
br /> Libertines, The ref1
Limelight Club (London) ref1
Little Pop Rock ref1
Living Room (London) ref1, ref2, ref3, ref4
Lloyd Cole and the Commotions ref1
Loder, John ref1, ref2, ref3
Loft (Berlin) ref1
Lollapalooza (festival) ref1, ref2
Lost in Translation (film) ref1
Loveless ref1
Lowe, Nick ref1, ref2
Lowe, Richard ref1
Lunch, Lydia ref1
Lurie, Ben
auditions for Mary Chain ref1
closeness with Jim ref1, ref2
and David Letterman Show ref1
and Dessel Graspop Festival ref1
and fake gun ref1
fight with William ref1
and Freeheat ref1, ref2
and House of Blues gig ref1
joins Mary Chain ref1
and Later . . . With Jools Holland ref1
as Jim’s lodger ref1
and Lollapalooza ref1
and Munki recording session ref1
and New Zealand tour ref1
and Sanderson’s drumming ref1
and Stoned & Dethroned recording session ref1
and tension within Mary Chain ref1
and USA tours ref1
Lush ref1, ref2, ref3, ref4
Lydon, John ref1, ref2
McCartney, Paul ref1
McDowall, Rose ref1, ref2
McGee, Alan appearance of ref1
and Bananarama ref1
and Blanco Y Negro deal ref1, ref2, ref3, ref4
and bodyguards ref1, ref2
and Daisy Chain ref1, ref2
and Dalglish quitting ref1
and Electric Ballroom gig ref1, ref2
emulation of Malcolm McLaren ref1, ref2
friendship with Jim ref1
and Germany tour ref1, ref2, ref3
‘Godlike Genius’ award ref1
and Gossip gig ref1
and ICA Rock Week gig ref1
interview with French journalist ref1
and ‘Jesus Fuck’ ref1
and Les Baines Douches gig ref1
and Living Room ref1, ref2, ref3
and management of Creation
Records ref1
meets Verfaillie ref1
‘miserable time’ managing Mary Chain ref1
and Moore’s ambition to join Mary Chain ref1, ref2
and music industry ref1
and ‘Never Understand’ recording session ref1
and New York shows ref1, ref2
and NME ref1, ref2, ref3
and North London Polytechnic gig ref1, ref2
and Oasis ref1, ref2
organises London gigs ref1
and Peel Sessions ref1, ref2
and photo shoot ref1
and press copies of ‘Upside Down’ ref1
and Psychocandy recording session ref1
and reputation of Mary Chain ref1, ref2, ref3
re-signs Mary Chain ref1
and ‘riots’ ref1, ref2, ref3
and Rock City gig ref1
sacked by Mary Chain ref1
sells Vox Phantom guitar to Jim ref1
signs Mary Chain ref1
and sound of Psychocandy ref1
and success of signed bands ref1
and tension within Mary Chain ref1
and The Drains ref1
and The Laughing Apple ref1
and Three Johns gig ref1
and UK tour ref1
and ‘Upside Down’ recording session ref1, ref2, ref3
and William’s dole ref1
and ZigZag interview ref1
McGowan, Shane ref1, ref2
McIntosh, Rona ref1, ref2, ref3
McLaren, Malcolm ref1
Maconie, Stuart ref1
Madame Jojo (London) ref1
Maida Vale Studios (London) ref1, ref2
Malkin, Nina ref1
‘Man On The Moon’ ref1, ref2
marijuana ref1, ref2
Marr, Johnny ref1, ref2
Mazzy Star ref1, ref2, ref3
Meaney, Dick ref1, ref2, ref3
Meat Whiplash ref1, ref2, ref3
Melody Maker (magazine) ref1, ref2, ref3, ref4
Meltdown festival (London) ref1, ref2
Membranes, The ref1, ref2
Mercer, Mick ref1
Mercury Music Prize ref1
Microdisney ref1, ref2
Modern Life Is Rubbish ref1
‘Moe Tucker’ ref1, ref2
Monkees, The ref1
Monti, Steve ref1, ref2, ref3, ref4
Moore, John
and accents of Reid brothers ref1
and ‘All Things Must Pass’ ref1
ambition to join Mary Chain ref1
appearance of ref1, ref2, ref3, ref4
and ‘April Skies’ ref1, ref2
auditions for Mary Chain ref1
and closeness of Reid family ref1
closeness with Jim ref1
father’s courier business ref1, ref2
leaves Mary Chain ref1, ref2
and Mary Chain reunion ref1, ref2
moves to guitar ref1
and Old Grey Whistle Test ref1
practises drumming ref1, ref2
and preparation for gigs ref1
and Reid brothers as sole recording members ref1, ref2
rejoins Mary Chain ref1
and Rock City gig ref1
and ‘rock’n’roll’ lifestyle ref1
and Sanderson tribute show ref1
solo projects ref1
and tension within Mary Chain ref1
and Top of the Pops appearance ref1
as ‘translator’ ref1
and USA tour ref1
and William’s move to LA ref1
Moose ref1
Mori, Romi ref1
Morrison, Chris
and Estonia trip ref1
and Jaffe ref1
and KGB ref1
and Rollercoaster Tour ref1
sacked by Mary Chain ref1
and St Francis Xavier Hall gig ref1
and USA tour ref1
and William’s worldview ref1
Morrison, Lindy ref1
Morrissey ref1, ref2
Moss, Liela ref1
Mott The Hoople ref1
Moulder, Alan ref1, ref2, ref3, ref4, ref5
MTV! ref1
‘Mull Of Kintyre’ ref1
Muller, Sophie ref1
Munki
and Creation Records ref1
naming of ref1
promotional tour ref1, ref2
recording of ref1, ref2
release of ref1
Murray, Bill ref1
My Bloody Valentine ref1, ref2, ref3, ref4, ref5, ref6
National Ballroom (London) ref1
‘Never Understand’
and Blanco Y Negro deal ref1
chart position ref1
demo version ref1, ref2
and Hammersmith Palais gig ref1
lyrics of ref1, ref2
and Peel Sessions ref1
poster for ref1
recording of ref1, ref2
release of ref1
video ref1, ref2
‘Never Understood’ ref1
Nevermind ref1
‘New Rose’ ref1
Night Moves (Glasgow) ref1
Nine Inch Nails ref1, ref2
‘Nine Million Rainy Days’ ref1, ref2
‘Nineteen666’ ref1
Nirvana ref1
NME (magazine)
and Automatic ref1
and Brixton Academy gig ref1
and Creation Records ref1
and Gillespie leaving Mary Chain ref1
and ‘Godlike Genius’ award for McGee ref1
and Honey’s Dead ref1
influence of ref1, ref2
and ‘Jesus Fuck’ ref1
and Living Room gig ref1
and N
orth London Polytechnic gig ref1
and Peel Sessions ref1
and reputation of Mary Chain ref1
and ‘Reverence’ ref1
and Three Johns gig ref1, ref2
and William’s arrest in New York ref1
and ‘You Trip Me Up’ ref1
‘Nobody’s Scared’ ref1
North London Polytechnic ref1
Oasis ref1, ref2, ref3, ref4, ref5
Oberlin, Kevin ref1
Ochre ref1, ref2
Old Grey Whistle Test (TV show) ref1
‘On The Wall’ ref1
Option (magazine) ref1
Orange Juice ref1, ref2
Orange Order ref1
Örn, Einar ref1
paint factory (East Kilbride) ref1, ref2
Pan’s People ref1
Paris, Christian ref1, ref2
Parker, Karen ref1, ref2, ref3, ref4
Parkin, Matthew ref1
Pastel, Stephen (McRobbie) ref1, ref2
Pastels, The ref1, ref2, ref3, ref4
Pearce, Kevin ref1
Pearl Jam ref1, ref2
Peel, John ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9
‘Penny Lane’ ref1
‘Perfume’ ref1
Pierce, Jeffrey Lee ref1
Pinker, James ref1
Pixies, The ref1
Police, The ref1
Polsky, Ruth ref1, ref2
pop ref1, ref2
Pop, Iggy ref1, ref2
Powell, Peter ref1
‘Pretty Vacant’ ref1
Price, Bill ref1
Primal Scream
development of ref1
and Dixie-Narco EP ref1
formation of ref1
and Mary Chain photo shoot ref1
and ‘rock’n’roll’ lifestyle ref1
and Screamadelica ref1, ref2
and Venue gig ref1, ref2
‘Primitive’ ref1
Psychocandy
chart position of ref1
comparisons with Darklands ref1
cost of production ref1
cover art ref1, ref2
drumming on ref1
and ‘Jesus Fuck’ ref1
mixing of ref1
recording of ref1, ref2
release of ref1
reviews of ref1, ref2
and ‘Some Candy Talking’ EP ref1
sound of ref1, ref2
success of ref1, ref2
Public Image Limited ref1, ref2, ref3, ref4
punk
and clothes ref1
and DIY culture ref1, ref2
as inspiration for disaffected ref1, ref2, ref3
and interview techniques ref1
London scene ref1
and ‘outsider’ status ref1
as platform for expression ref1
spirit of ref1, ref2, ref3
Q (magazine) ref1, ref2
Quantick, David ref1, ref2, ref3
Radio 1 (radio station) ref1, ref2
Raffles (Singapore) ref1
Ramones, The ref1
Raygun (magazine) ref1
Razzle ref1
Red Hot Chili Peppers ref1, ref2, ref3
Reid, Jim
accent of ref1
age of ref1, ref2, ref3
and alcohol ref1, ref2, ref3, ref4, ref5, ref6, ref7, ref8, ref9, ref10, ref11, ref12, ref13, ref14, ref15
ambition of ref1
and Ambulance Station gig ref1