Arsène Lupin versus Herlock Sholmes

by Maurice Leblanc

  Throughout the afternoon both men were morose. They did not speak a word to each other. At five o’clock they visited the rue Clapeyron, but were careful to keep at a safe distance from the houses. However, three young men who were passing through the street, arm in arm, singing, ran against Sholmes and Wilson and refused to let them pass. Sholmes, who was in an ill humor, contested the right of way with them. After a brief struggle, Sholmes resorted to his fists. He struck one of the men a hard blow on the chest, another a blow in the face, and thus subdued two of his adversaries. Thereupon the three of them took to their heels and disappeared.

  “Ah!” exclaimed Sholmes, “that does me good. I needed a little exercise.”

  But Wilson was leaning against the wall. Sholmes said:

  “What’s the matter, old chap? You’re quite pale.”

  Wilson pointed to his left arm, which hung inert, and stammered:

  “I don’t know what it is. My arm pains me.”

  “Very much? … Is it serious?”

  “Yes, I am afraid so.”

  He tried to raise his arm, but it was helpless. Sholmes felt it, gently at first, then in a rougher way, “to see how badly it was hurt,” he said. He concluded that Wilson was really hurt, so he led him to a neighboring pharmacy, where a closer examination revealed the fact that the arm was broken and that Wilson was a candidate for the hospital. In the meantime they bared his arm and applied some remedies to ease his suffering.

  “Come, come, old chap, cheer up!” said Sholmes, who was holding Wilson’s arm, “in five or six weeks you will be all right again. But I will pay them back … the rascals! Especially Lupin, for this is his work … no doubt of that. I swear to you if ever—”

  He stopped suddenly, dropped the arm—which caused Wilson such an access of pain that he almost fainted—and, striking his forehead, Sholmes said:

  “Wilson, I have an idea. You know, I have one occasionally.”

  He stood for a moment, silent, with staring eyes, and then muttered, in short, sharp phrases:

  “Yes, that’s it … that will explain all … right at my feet … and I didn’t see it … ah, parbleu! I should have thought of it before … Wilson, I shall have good news for you.”

  Abruptly leaving his old friend, Sholmes ran into the street and went directly to the house known as number 25. On one of the stones, to the right of the door, he read this inscription: “Destange, architect, 1875.”

  There was a similar inscription on the house numbered 23.

  Of course, there was nothing unusual in that. But what might be read on the houses in the avenue Henri-Martin?

  A carriage was passing. He engaged it and directed the driver to take him to No. 134 avenue Henri-Martin. He was roused to a high pitch of excitement. He stood up in the carriage and urged the horse to greater speed. He offered extra pourboires to the driver. Quicker! Quicker!

  How great was his anxiety as they turned from the rue de la Pompe! Had he caught a glimpse of the truth at last?

  On one of the stones of the late Baron’s house he read the words: “Destange, architect, 1874.” And a similar inscription appeared on the two adjoining houses.

  The reaction was such that he settled down in the seat of the carriage, trembling from joy. At last, a tiny ray of light had penetrated the dark shadows which encompassed these mysterious crimes! In the vast sombre forest wherein a thousand pathways crossed and re-crossed, he had discovered the first clue to the track followed by the enemy!

  He entered a branch post office and obtained telephonic connection with the Château de Crozon. The Countess answered the telephone call.

  “Hello? … Is that you, madame?”

  “Monsieur Sholmes, isn’t it? Everything going all right?”

  “Quite well, but I wish to ask you one question … Hello?”

  “Yes, I hear you.”

  “Tell me, when was the Château de Crozon built?”

  “It was destroyed by fire and rebuilt about thirty years ago.”

  “Who built it, and in what year?”

  “There is an inscription on the front of the house which reads: ‘Lucien Destange, architect, 1877.’“

  “Thank you, madame, that is all. Good-bye.”

  He went away, murmuring: “Destange … Lucien Destange … that name has a familiar sound.”

  He noticed a public reading-room, entered, consulted a dictionary of modern biography, and copied the following information: “Lucien Destange, born 1840, Grand-Prix de Rome, officer of the Legion of Honor, author of several valuable books on architecture, etc. … ”

  Then he returned to the pharmacy and found that Wilson had been taken to the hospital. There Sholmes found him with his arm in splints, and shivering with fever.

  “Victory! Victory!” cried Sholmes. “I hold one end of the thread.”

  “Of what thread?”

  “The one that leads to victory. I shall now be walking on solid ground, where there will be footprints, clues … ”

  “Cigarette ashes?” asked Wilson, whose curiosity had overcome his pain.

  “And many other things! Just think, Wilson, I have found the mysterious link which unites the different adventures in which the Blonde Lady played a part. Why did Lupin select those three houses for the scenes of his exploits?”

  “Yes, why?”

  “Because those three houses were built by the same architect. That was an easy problem, eh? Of course … but who would have thought of it?”

  “No one but you.”

  “And who, except I, knows that the same architect, by the use of analogous plans, has rendered it possible for a person to execute three distinct acts which, though miraculous in appearance, are, in reality, quite simple and easy?”

  “That was a stroke of good luck.”

  “And it was time, dear boy, as I was becoming very impatient. You know, this is our fourth day.”

  “Out of ten.”

  “Oh! After this—”

  Sholmes was excited, delighted, and gayer than usual.

  “And when I think that these rascals might have attacked me in the street and broken my arm just as they did yours! Isn’t that so, Wilson?”

  Wilson simply shivered at the horrible thought. Sholmes continued:

  “We must profit by the lesson. I can see, Wilson, that we were wrong to try and fight Lupin in the open, and leave ourselves exposed to his attacks.”

  “I can see it, and feel it, too, in my broken arm,” said Wilson.

  “You have one consolation, Wilson; that is, that I escaped. Now, I must be doubly cautious. In an open fight he will defeat me; but if I can work in the dark, unseen by him, I have the advantage, no matter how strong his forces may be.”

  “Ganimard might be of some assistance.”

  “Never! On the day that I can truly say: Arsène Lupin is there; I show you the quarry, and how to catch it; I shall go and see Ganimard at one of the two addresses that he gave me—his residence in the rue Pergolese, or at the Suisse tavern in the Place du Châtelet. But, until that time, I shall work alone.”

  He approached the bed, placed his hand on Wilson’s shoulder—on the sore one, of course—and said to him:

  “Take care of yourself, old fellow. Henceforth your rôle will be to keep two or three of Arsène Lupin’s men busy watching here in vain for my return to enquire about your health. It is a secret mission for you, eh!”

  “Yes, and I shall do my best to fulfil it conscientiously. Then you do not expect to come here anymore?”

  “What for?” asked Sholmes.

  “I don’t know … of course … I am getting on as well as possible. But, Herlock, do me a last service: give me a drink.”

  “A drink?”

  “Yes, I am dying of thirst; and with my fever—”

  “To be sure—directly—”

  He made a pretense of getting some water, perceived a package of tobacco, lighted his pipe, and then, as if he had not heard his friend’s request, he went away, whilst W
ilson uttered a mute prayer for the inaccessible water.

  “Monsieur Destange!”

  The servant eyed from head to foot the person to whom he had opened the door of the house—the magnificent house that stood at the corner of the Place Malesherbes and the rue Montchanin—and at the sight of the man with gray hairs, badly shaved, dressed in a shabby black coat, with a body as ill-formed and ungracious as his face, he replied with the disdain which he thought the occasion warranted:

  “Monsieur Destange may or may not be at home. That depends. Has monsieur a card?”

  Monsieur did not have a card, but he had a letter of introduction and, after the servant had taken the letter to Mon. Destange, he was conducted into the presence of that gentleman who was sitting in a large circular room or rotunda which occupied one of the wings of the house. It was a library, and contained a profusion of books and architectural drawings. When the stranger entered, the architect said to him:

  “You are Monsieur Stickmann?”

  “Yes, monsieur.”

  “My secretary tells me that he is ill, and has sent you to continue the general catalogue of the books which he commenced under my direction, and, more particularly, the catalogue of German books. Are you familiar with that kind of work?”

  “Yes, monsieur, quite so,” he replied, with a strong German accent.

  Under those circumstances the bargain was soon concluded, and Mon. Destange commenced work with his new secretary.

  Herlock Sholmes had gained access to the house.

  In order to escape the vigilance of Arsène Lupin and gain admittance to the house occupied by Lucien Destange and his daughter Clotilde, the famous detective had been compelled to resort to a number of stratagems, and, under a variety of names, to ingratiate himself into the good graces and confidence of a number of persons—in short, to live, during forty-eight hours, a most complicated life. During that time he had acquired the following information: Mon. Destange, having retired from active business on account of his failing health, now lived amongst the many books he had accumulated on the subject of architecture. He derived infinite pleasure in viewing and handling those dusty old volumes.

  His daughter Clotilde was considered eccentric. She passed her time in another part of the house, and never went out.

  “Of course,” Sholmes said to himself, as he wrote in a register the titles of the books which Mon. Destange dictated to him, “all that is vague and incomplete, but it is quite a long step in advance. I shall surely solve one of these absorbing problems: Is Mon. Destange associated with Arsène Lupin? Does he continue to see him? Are the papers relating to the construction of the three houses still in existence? Will those papers not furnish me with the location of other houses of similar construction which Arsène Lupin and his associates will plunder in the future?

  “Monsieur Destange, an accomplice of Arsène Lupin! That venerable man, an officer of the Legion of Honor, working in league with a burglar—such an idea was absurd! Besides, if we concede that such a complicity exists, how could Mon. Destange, thirty years ago, have possibly foreseen the thefts of Arsène Lupin, who was then an infant?”

  No matter! The Englishman was implacable. With his marvellous scent, and that instinct which never fails him, he felt that he was in the heart of some strange mystery. Ever since he first entered the house, he had been under the influence of that impression, and yet he could not define the grounds on which he based his suspicions.

  Up to the morning of the second day he had not made any significant discovery. At two o’clock of that day he saw Clotilde Destange for the first time; she came to the library in search of a book. She was about thirty years of age, a brunette, slow and silent in her movements, with features imbued with that expression of indifference which is characteristic of people who live a secluded life. She exchanged a few words with her father, and then retired, without even looking at Sholmes.

  The afternoon dragged along monotonously. At five o’clock Mon. Destange announced his intention to go out. Sholmes was alone on the circular gallery that was constructed about ten feet above the floor of the rotunda. It was almost dark. He was on the point of going out, when he heard a slight sound and, at the same time, experienced the feeling that there was someone in the room. Several minutes passed before he saw or heard anything more. Then he shuddered; a shadowy form emerged from the gloom, quite close to him, upon the balcony. It seemed incredible. How long had this mysterious visitor been there? Whence did he come?

  The strange man descended the steps and went directly to a large oaken cupboard. Sholmes was a keen observer of the man’s movements. He watched him searching amongst the papers with which the cupboard was filled. What was he looking for?

  Then the door opened and Mlle. Destange entered, speaking to someone who was following her:

  “So you have decided not to go out, father? … Then I will make a light … One second … Do not move. … ”

  The strange man closed the cupboard and hid in the embrasure of a large window, drawing the curtains together. Did Mlle. Destange not see him? Did she not hear him? Calmly she turned on the electric lights; she and her father sat down close to each other. She opened a book she had brought with her, and commenced to read. After the lapse of a few minutes she said:

  “Your secretary has gone.”

  “Yes, I don’t see him.”

  “Do you like him as well as you did at first?” she asked, as if she were not aware of the illness of the real secretary and his replacement by Stickmann.

  “Oh! Yes.”

  Monsieur Destange’s head bobbed from one side to the other. He was asleep. The girl resumed her reading. A moment later one of the window curtains was pushed back, and the strange man emerged and glided along the wall toward the door, which obliged him to pass behind Mon. Destange but in front of Clotilde, and brought him into the light so that Herlock Sholmes obtained a good view of the man’s face. It was Arsène Lupin.

  The Englishman was delighted. His forecast was verified; he had penetrated to the very heart of the mystery, and found Arsène Lupin to be the moving spirit in it.

  Clotilde had not yet displayed any knowledge of his presence, although it was quite improbable that any movement of the intruder had escaped her notice. Lupin had almost reached the door and, in fact, his hand was already seeking the door-knob, when his coat brushed against a small table and knocked something to the floor. Monsieur Destange awoke with a start. Arsène Lupin was already standing in front of him, hat in hand, smiling.

  “Maxime Bermond,” exclaimed Mon. Destange, joyfully. “My dear Maxime, what lucky chance brings you here?”

  “The wish to see you and Mademoiselle Destange.”

  “When did you return from your journey?”

  “Yesterday.”

  “You must stay to dinner.”

  “No, thank you, I am sorry, but I have an appointment to dine with some friends at a restaurant.”

  “Come, to-morrow, then, Clotilde, you must urge him to come to-morrow. Ah! My dear Maxime … I thought of you many times during your absence.”

  “Really?”

  “Yes, I went through all my old papers in that cupboard, and found our last statement of account.”

  “What account?”

  “Relating to the avenue Henri-Martin.”

  “Ah! Do you keep such papers? What for?”

  Then the three of them left the room, and continued their conversation in a small parlor which adjoined the library.

  “Is it Lupin?” Sholmes asked himself, in a sudden access of doubt. Certainly, from all appearances, it was he; and yet it was also someone else who resembled Arsène Lupin in certain respects, and who still maintained his own individuality, features, and color of hair. Sholmes could hear Lupin’s voice in the adjoining room. He was relating some stories at which Mon. Destange laughed heartily, and which even brought a smile to the lips of the melancholy Clotilde. And each of those smiles appeared to be the reward which Arsène Lupin was see
king, and which he was delighted to have secured. His success caused him to redouble his efforts and, insensibly, at the sound of that clear and happy voice, Clotilde’s face brightened and lost that cold and listless expression which usually pervaded it.

  “They love each other,” thought Sholmes, “but what the deuce can there be in common between Clotilde Destange and Maxime Bermond? Does she know that Maxime is none other than Arsène Lupin?”

  Until seven o’clock Sholmes was an anxious listener, seeking to profit by the conversation. Then, with infinite precaution, he descended from the gallery, crept along the side of the room to the door in such a manner that the people in the adjoining room did not see him.

  When he reached the street Sholmes satisfied himself that there was neither an automobile nor a cab waiting there; then he slowly limped along the boulevard Malesherbes. He turned into an adjacent street, donned the overcoat which he had carried on his arm, altered the shape of his hat, assumed an upright carriage, and, thus transformed, returned to a place whence he could watch the door of Mon. Destange’s house.

  In a few minutes Arsène Lupin came out, and proceeded to walk toward the centre of Paris by way of the rues de Constantinople and London. Herlock Sholmes followed at a distance of a hundred paces.

  Exciting moments for the Englishman! He sniffed the air, eagerly, like a hound following a fresh scent. It seemed to him a delightful thing thus to follow his adversary. It was no longer Herlock Sholmes who was being watched, but Arsène Lupin, the invisible Arsène Lupin. He held him, so to speak, within the grasp of his eye, by an imperceptible bond that nothing could break. And he was pleased to think that the quarry belonged to him.

  But he soon observed a suspicious circumstance. In the intervening space between him and Arsène Lupin he noticed several people travelling in the same direction, particularly two husky fellows in slouch hats on the left side of the street, and two others on the right wearing caps and smoking cigarettes. Of course, their presence in that vicinity may have been the result of chance, but Sholmes was more astonished when he observed that the four men stopped when Lupin entered a tobacco shop; and still more surprised when the four men started again after Lupin emerged from the shop, each keeping to his own side of the street.