Collected Stories

by William Faulkner

  The other looked at the Judge for a time. Then he said, “Why? Believe why?”

  The paper about the cigarette had come loose. The Judge twisted it carefully back, handling the cigarette carefully. “You see, I had a son. He was the last of my name and race. After my wife died we lived alone, two men in the house. It had been a good name, you see. I wanted him to be manly, worthy of it. He had a pony which he rode all the time. I have a photograph of them which I use as a bookmark. Often, looking at the picture or watching them unbeknownst as they passed the library window, I would think What hopes ride yonder; of the pony I would think What burden do you blindly bear, dumb brute. One day they telephoned me at my office. He had been found dragging from the stirrup. Whether the pony had kicked him or he had struck his head in falling, I never knew.”

  He laid the cigarette carefully on the bench beside him and opened the briefcase. He took out a book. “Voltaire’s Philosophical Dictionary,” he said. “I always carry a book with me. I am a great reader. It happens that my life is a solitary one, owing to the fact that I am the last of my family, and perhaps to the fact that I am a Republican officeholder in a Democratic stronghold. I am a Federal judge, from a Mississippi district. My wife’s father was a Republican.” He added quickly, “I believe the tenets of the Republican Party to be best for the country. You will not believe it, but for the last fifteen years my one intellectual companion has been a rabid atheist, almost an illiterate, who not only scorns all logic and science, but who has a distinct body odor as well. Sometimes I have thought, sitting with him in my office on a summer afternoon—a damp one—that if a restoration of faith could remove his prejudice against bathing, I should be justified in going to that length myself even.” He took a photograph from the book and extended it. “This was my son.”

  The other looked at the picture without moving, without offering to take it. From the brown and fading cardboard a boy of ten, erect upon the pony, looked back at them with a grave and tranquil hauteur. “He rode practically all the time. Even to church (I attended church regularly then. I still do, at times, even now). We had to take an extra groom along in the carriage to.…” He looked at the picture, musing. “After his mother died I never married again. My own mother was sickly, an invalid. I could cajole her. In the absence of my aunts I could browbeat her into letting me go barefoot in the garden, with two house servants on watch to signal the approach of my aunts. I would return to the house, my manhood triumphant, vindicated, until I entered the room where she waited for me. Then I would know that for every grain of dust which pleasured my feet, she would pay with a second of her life. And we would sit in the dusk like two children, she holding my hand and crying quietly, until my aunts entered with the lamp. ‘Now, Sophia. Crying again. What have you let him bulldoze you into doing this time?’ She died when I was fourteen; I was twenty-eight before I asserted myself and took the wife of my choice; I was thirty-seven when my son was born.” He looked at the photograph, his eyes pouched, netted by two delicate hammocks of myriad lines as fine as etching. “He rode all the time. Hence the picture of the two of them, since they were inseparable. I have used this picture as a bookmark in the printed volumes where his and my ancestry can be followed for ten generations in our American annals, so that as the pages progressed it would be as though with my own eyes I watched him ride in the flesh down the long road which his blood and bone had traveled before it became his.” He held the picture. With his other hand he took up the cigarette. The paper had come loose: he held it raised a little and then arrested so, as if he did not dare raise it farther. “And you can give me your word. I will believe.”

  “Go seek your son,” the other said. “Go seek him.”

  Now the Judge did not move at all. Holding the picture and the dissolving cigarette, he sat in a complete immobility. He seemed to sit in a kind of terrible and unbreathing suspension. “And find him? And find him?” The other did not answer. Then the Judge turned and looked at him, and then the cigarette dropped quietly into dissolution as the tobacco rained down upon his neat, gleaming shoe. “Is that your word? I will believe, I tell you.” The other sat, shapeless, gray, sedentary, almost nondescript, looking down. “Come. You cannot stop with that. You cannot.”

  Along the path before them people passed constantly. A woman passed, carrying a child and a basket, a young woman in a plain, worn, brushed cape. She turned upon the man who Mothershed had said was Ingersoll a plain, bright, pleasant face and spoke to him in a pleasant, tranquil voice. Then she looked at the Judge, pleasantly, a full look without boldness or diffidence, and went on. “Come. You cannot. You cannot.” Then his face went completely blank. In the midst of speaking his face emptied; he repeated “cannot. Cannot” in a tone of musing consternation. “Cannot,” he said. “You mean, you cannot give me any word? That you do not know? That you, yourself, do not know? You, Robert Ingersoll? Robert Ingersoll?” The other did not move. “Is Robert Ingersoll telling me that for twenty years I have leaned upon a reed no stronger than myself?”

  Still the other did not look up. “You saw that young woman who just passed, carrying a child. Follow her. Look into her face.”

  “A young woman. With a.…” The Judge looked at the other. “Ah. I see. Yes. I will look at the child and I shall see scars. Then I am to look into the woman’s face. Is that it?” The other didn’t answer. “That is your answer? your final word?” The other did not move. The Judge’s lip lifted. The movement pouched upward about his eyes as though despair, grief, had flared up for a final instant like a dying flame, leaving upon his face its ultimate and fading gleam in a faint grimace of dead teeth. He rose and put the photograph back into the briefcase. “And this is the man who says that he was once Robert Ingersoll.” Above his teeth his face mused in that expression which could have been smiling save for the eyes. “It is not proof that I sought. I, of all men, know that proof is but a fallacy invented by man to justify to himself and his fellows his own crass lust and folly. It was not proof that I sought.” With the stick and the briefcase clasped beneath his arm he rolled another slender cigarette. “I don’t know who you are, but I don’t believe you are Robert Ingersoll. Perhaps I could not know it even if you were. Anyway, there is a certain integral consistency which, whether it be right or wrong, a man must cherish because it alone will ever permit him to die. So what I have been, I am; what I am, I shall be until that instant comes when I am not. And then I shall have never been. How does it go? Non fui. Sum. Fui. Non sum.”

  With the unlighted cigarette in his fingers he thought at first that he would pass on. But instead he paused and looked down at the child. It sat in the path at the woman’s feet, surrounded by tiny leaden effigies of men, some erect and some prone. The overturned and now empty basket lay at one side. Then the Judge saw that the effigies were Roman soldiers in various stages of dismemberment—some headless, some armless and legless—scattered about, lying profoundly on their faces or staring up with martial and battered inscrutability from the mild and inscrutable dust. On the exact center of each of the child’s insteps was a small scar. There was a third scar in the palm of its exposed hand, and as the Judge looked down with quiet and quizzical bemusement, the child swept flat the few remaining figures and he saw the fourth scar. The child began to cry.

  “Shhhhhhhhh,” the woman said. She glanced up at the Judge, then she knelt and set the soldiers up. The child cried steadily, with a streaked and dirty face, strong, unhurried, passionless, without tears. “Look!” the woman said, “See? Here! Here’s Pilate too! Look!” The child ceased. Tearless, it sat in the dust, looking at the soldiers with an expression as inscrutable as theirs, suspended, aldermanic, and reserved. She swept the soldiers flat. “There!” she cried in a fond, bright voice, “see?” For a moment longer the child sat. Then it began to cry. She took it up and sat on the bench, rocking it back and forth, glancing up at the Judge. “Now, now,” she said. “Now, now.”

  “Is he sick?” the Judge said.

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sp; “Oh, no. He’s just tired of his toys, as children will get.” She rocked the child with an air fond and unconcerned. “Now, now. The gentleman is watching you.”

  The child cried steadily. “Hasn’t he other toys?” the Judge said.

  “Oh, yes. So many that I don’t dare walk about the house in the dark. But he likes his soldiers the best. An old gentleman who has lived here a long time, they say, and is quite wealthy, gave them to him. An old gentleman with a white mustache and that kind of popping eyes that old people have who eat too much; I tell him so. He has a footman to carry his umbrella and overcoat and steamer rug, and he sits here with us for more than an hour, sometimes, talking and breathing hard. He always has candy or something.” She looked down at the child, her face brooding and serene. It cried steadily. Quizzical, bemused, the Judge stood, looking quietly down at the child’s scarred, dirty feet. The woman glanced up and followed his look. “You are looking at his scars and wondering how he got them, aren’t you? The other children did it one day when they were playing. Of course they didn’t know they were going to hurt him. I imagine they were as surprised as he was. You know how children are when they get too quiet.”

  “Yes,” the Judge said. “I had a son too.”

  “You have? Why don’t you bring him here? I’m sure we would be glad to have him play with our soldiers too.”

  The Judge’s teeth glinted quietly. “I’m afraid he’s a little too big for toys.” He took the photograph from the briefcase. “This was my son.”

  The woman took the picture. The child cried steady and strong. “Why, it’s Howard. Why, we see him every day. He rides past here every day. Sometimes he stops and lets us ride too. I walk beside to hold him on,” she added, glancing up. She showed the picture to the child. “Look! See Howard on his pony? See?” Without ceasing to cry, the child contemplated the picture, its face streaked with tears and dirt, its expression detached, suspended, as though it were living two distinct and separate lives at one time. She returned the picture. “I suppose you are looking for him.”

  “Ah,” the Judge said behind his momentary teeth. He replaced the picture carefully in the briefcase, the unlighted cigarette in his fingers.

  The woman moved on the bench, gathering her skirts in with invitation. “Won’t you sit down? You will be sure to see him pass here.”

  “Ah,” the Judge said again. He looked at her, quizzical, with the blurred eyes of the old. “It’s like this, you see. He always rides the same pony, you say?”

  “Why, yes.” She looked at him with grave and tranquil surprise.

  “And how old would you say the pony is?”

  “Why, I.… It looks just the right size for him.”

  “A young pony, you would say then?”

  “Why … yes. Yes.” She watched him, her eyes wide.

  “Ah,” the Judge said again behind his faint still teeth. He closed the briefcase carefully. From his pocket he took a half dollar. “Perhaps he is tired of the soldiers too. Perhaps with this.…”

  “Thank you,” she said. She did not look again at the coin. “Your face is so sad. There: when you think you are smiling it is sadder than ever. Aren’t you well?” She glanced down at his extended hand. She did not offer to take the coin. “He’d just lose it, you see. And it’s so pretty and bright. When he is older, and can take care of small playthings.… He’s so little now, you see.”

  “I see,” the Judge said. He put the coin back into his pocket. “Well, I think I shall—”

  “You wait here with us. He always passes here. You’ll find him quicker that way.”

  “Ah,” the Judge said. “On the pony, the same pony. You see, by that token, the pony would have to be thirty years old. That pony died at eighteen, six years unridden, in my lot. That was twelve years ago. So I had better get on.”

  And again it was quite unpleasant. It should have been doubly so, what with the narrow entrance and the fact that, while the other time he was moving with the crowd, this time he must fight his way inch by inch against it. “But at least I know where I am going,” he thought, beneath his crushed hat, his stick and briefcase dragging at his arms; “which I did not seem to know before.” But he was free at last, and looking up at the clock on the courthouse, as he never failed to do on descending his office stairs, he saw that he had a full hour before supper would be ready, before the neighbors would be ready to mark his clocklike passing.

  “I shall have time to go the cemetery,” he thought, and looking down at the raw and recent excavation, he swore with fretful annoyance, for some of the savage clods had fallen or been thrown upon the marble slab beside it. “Damn that Pettigrew,” he said. “He should have seen to this. I told him I wanted the two of them as close as possible, but at least I thought that he.…” Kneeling, he tried to remove the earth which had fallen upon the slab. But it was beyond his strength to do more than clear away that which partially obscured the lettering: Howard Allison II. April 3, 1903. August 22, 1913, and the quietly cryptic Gothic lettering at the foot: Auf Wiedersehen, Little Boy. He continued to smooth, to stroke the letters after the earth was gone, his face bemused, quiet, as he spoke to the man who Mothershed had said was Ingersoll, “You see, if I could believe that I shall see and touch him again, I shall not have lost him. And if I have not lost him, I shall never have had a son. Because I am I through bereavement and because of it. I do not know what I was nor what I shall be. But because of death, I know that I am. And that is all the immortality of which intellect is capable and flesh should desire. Anything else is for peasants, clods, who could never have loved a son well enough to have lost him.” His face broke, myriad, quizzical, while his hand moved lightly upon the quiet lettering. “No. I do not require that. To lie beside him will be sufficient for me. There will be a wall of dust between us: that is true, and he is already dust these twenty years. But some day I shall be dust too. And—” he spoke now firmly, quietly, with a kind of triumph: “who is he who will affirm that there must be a web of flesh and bone to hold the shape of love?”

  Now it was late. “Probably they are setting their clocks back at this very moment,” he thought, pacing along the street toward his home. Already he should have been hearing the lawn mower, and then in the instant of exasperation at Jake, he remarked the line of motor cars before his gate and a sudden haste came upon him. But not so much but what, looking at the vehicle at the head of the line, he cursed again. “Damn that Pettigrew! I told him, in the presence of witnesses when I signed my will, that I would not be hauled feet first through Jefferson at forty miles an hour. That if he couldn’t find me a decent pair of horses.… I am a good mind to come back and haunt him, as Jake would have me do.”

  But the haste, the urgency, was upon him. He hurried round to the back door (he remarked that the lawn was freshly and neatly trimmed, as though done that day) and entered. Then he could smell the flowers faintly and hear the voice; he had just time to slip out of his overcoat and pajamas and leave them hanging neatly in the closet, and cross the hall into the odor of cut flowers and the drone of the voice, and slip into his clothes. They had been recently pressed, and his face had been shaved too. Nevertheless they were his own, and he fitted himself to the olden and familiar embrace which no iron could change, with the same lascivious eagerness with which he shaped his limbs to the bedclothes on a winter night.

  “Ah,” he said to the man who Mothershed had said was Ingersoll, “this is best, after all. An old man is never at home save in his own garments: his own old thinking and beliefs; old hands and feet, elbow, knee, shoulder which he knows will fit.”

  Now the light vanished with a mute, faint, decorous hollow sound which drove for a fading instant down upon him the dreadful, macabre smell of slain flowers; at the same time he became aware that the droning voice had ceased. “In my own house too,” he thought, waiting for the smell of the flowers to fade; “yet I did not once think to notice who was speaking, nor when he ceased.” Then he heard or felt the decorous scuffi
ng of feet about him, and he lay in the close dark, his hands folded upon his breast as he slept, as the old sleep, waiting for the moment. It came. He said quietly aloud, quizzical, humorous, peaceful, as he did each night in his bed in his lonely and peaceful room when a last full exhalation had emptied his body of waking and he seemed for less than an instant to look about him from the portal of sleep, “Gentlemen of the Jury, you may proceed.”

  Black Music

  THIS IS about Wilfred Midgleston, fortune’s favorite, chosen of the gods. For fifty-six years, a clotting of the old gutful compulsions and circumscriptions of clocks and bells, he met walking the walking image of a small, snuffy, nondescript man whom neither man nor woman had ever turned to look at twice, in the monotonous shopwindows of monotonous hard streets. Then his apotheosis soared glaring, and to him at least not brief, across the unfathomed sky above his lost earth like that of Elijah of old.

  I found him in Rincon, which is not large; less large even than one swaybacked tanker looming above the steel docks of the Universal Oil Company and longer than the palm- and abode-lined street paved with dust marked by splayed naked feet where the violent shade lies by day and the violent big stars by night.

  “He came from the States,” they told me. “Been here twenty-five years. He hasn’t changed at all since the day he arrived, except that the clothes he came in have wore out and he hasn’t learned more than ten words of Spanish.” That was the only way you could tell that he was an old man, that he was getting along: he hadn’t learned to speak hardly a word of the language of the people with whom he had lived twenty-five years and among whom it appeared that he intended to die and be buried. Appeared: he had no job: a mild, hopelessly mild man who looked like a book-keeper in a George Ade fable dressed as a tramp for a Presbyterian social charade in 1890, and quite happy.