Who Killed Ruby?

by Camilla Way

  He was exactly the sort of man, in fact, that she had trained herself to avoid. ‘Your problem is, you go for lame ducks,’ Samar told her once. ‘It’s your saviour complex. You must get it from your mother.’ It was unfortunate that Shaun was so very good looking.

  He had just finished telling her about how he and his school friends had stolen a milk float when suddenly he’d disarmed her by saying, ‘You’re one of those women who don’t know how fit they are, aren’t you?’

  And it was so clichéd, such an obvious line, yet even as she’d rolled her eyes she’d felt a reluctant thrill. Probably because she’d recently turned forty and no one (apart from Walton) had said anything even vaguely complimentary to her for quite some time. And she hated herself for it, saw by the flash in his eyes that he’d seen his words had hit their mark, and if she’d drunk a little less wine, or been a little less giddy at finding herself childfree for the first time in months, she might have put him firmly in his place.

  Instead she’d laughed, ‘Oh do me a favour,’ and he’d grinned back at her, the air altering between them, both of them knowing now what the score was. She’d poured herself another drink, enjoying the back and forth of flirtation, telling herself it would only go so far: she would finish her wine then go upstairs to bed, alone. But, of course, it didn’t happen quite like that.

  And when she’d woken up the next morning in his bed she’d been full of self-loathing and regret. Sleeping with Stella’s guests was about as stupid as it got, and her mother would be furious if she found out. She’d slipped from the bed, silently scooping up her clothes and escaping to Stella’s room – where she was supposed to have slept that night. Knowing that her mum was due back later that afternoon, she’d fled for home as soon as she could, before Shaun even had time to surface.

  She’d managed to avoid him for a while after that and life had gone on, though she’d shuddered whenever she thought of him. She’d only just begun to forgive herself, to hope she’d got away with it when, unexpectedly, he’d called her.

  She’d answered her mobile as she was rushing to fetch Cleo from a party.

  ‘All right, Viv. How’s tricks?’

  ‘How did you get my number?’ she asked, before remembering with a sinking heart that it was pinned to the corkboard in her mother’s kitchen, the ‘in case of emergencies’ contact for when Stella was out.

  ‘Well, that’s not very friendly, is it?’

  ‘Sorry. I …’

  ‘Wanted to know if you fancied a drink.’

  ‘Um, I’m not sure that’s a good idea,’ she’d replied slowly.

  ‘Oh, right, like that is it?’ His voice was instantly hard, the fragile ego she’d sensed lurking there revealed in a heartbeat.

  ‘No, of course not,’ she’d said hastily. ‘I’m just not … I’m sorry, but I don’t want to get into anything, we probably shouldn’t have …’

  He’d given a belligerent laugh. ‘Think you’re too good for me, is that it? Should have been grateful, saggy old bitch.’ His sudden aggression had stunned her. He’d cut her off, leaving her to stare down at her phone, her heart pumping with shock and anger.

  That had been two weeks ago. She’d not seen him since, had managed to avoid coming to her mother’s house until today. But as she and Cleo finally get to the door, Shaun appears at the top of the stairs. He stops, looking her up and down insultingly, and she feels a flash of cold dislike.

  ‘Going so soon?’ he says, sauntering down towards her.

  She puts her hand on Cleo’s shoulder and steers her towards the door. ‘Yep, gotta run. Bye.’ She and Cleo go out into the night, and she closes the door firmly behind her, a shiver of disgust prickling her skin.

  Their house is a twenty-minute walk from Stella’s, on the other side of the Rye, and Vivienne pushes Shaun from her thoughts as she links her arm through her daughter’s. ‘How was school today, love?’ she asks.

  For a while they chat about a history project Cleo’s been working on and how she thinks her team will do in an upcoming football match, and Viv smiles down at her, her happy, popular child, always tumbling from one enthusiasm to the next. She’d been twenty-six when she’d become pregnant, a result of a brief and unhappy fling with one of the suppliers for her café, a handsome but feckless Irishman named Mike who was a few years younger than herself. He’d run a mile at the news of her pregnancy and had kept only sporadic contact with his daughter since. It had always been the two of them after that, and as a result they’d always been close – as close as Viv was to her own mother, in fact.

  As they draw nearer to their street Vivienne shivers in the cold November night and murmurs, ‘Thank God it’s Friday. I can’t wait to get home. We’ll have spaghetti for tea, shall we?’

  They pass beneath a street lamp just as Cleo looks up at her and smiles, and there is, again, something in the angle of her face, in the expression in her eyes, that takes Viv’s breath away. Her daughter looks in that split-second so exactly like Ruby that her sister is brought back to life with sudden, shocking force.

  It’s a new thing, Cleo’s random expressions triggering this heart-jolting reaction in her. Out of the blue a memory will turn up, glinting and sharp, to stop Viv in her tracks. Tonight she’s transported back to the little house in Essex where she and Ruby spent their childhood, a white, ramshackle cottage on the edge of a stretch of fields. In this memory Ruby is sixteen and heavily pregnant, dressed in a blue cotton dress and standing by the window that’s crisscrossed with iron latticing, the light falling on her red-gold hair, her hand resting on her swollen belly.

  Viv, aged eight, had gone to her sister and pressed her cheek upon her tummy, gazing up at her as she listened intently. And then it happened: as Ruby smiled down at her with the exact same expression that she’ll see mirrored in her own daughter’s face thirty-two years later, Vivienne felt something move beneath her cheek and squealed in excitement. ‘Did you feel that?’ she asked. ‘I felt him! I felt the baby kick!’

  And Ruby grinned and said, ‘Yes, I felt it too. Not long to go, Vivi. Two weeks and you’ll be an auntie.’ An auntie at eight years old! How important and grown-up and wonderful that felt. She would love this baby with all her heart; she did already.

  But she never got to meet her sister’s child, never had a chance to call him by the name Ruby had so carefully chosen. Noah. Her nephew would have been called Noah. Because almost two weeks later, a few days before her due date, Ruby would be dead, and Noah with her.

  Now, walking along the dark street with her own child, a passing motorbike rouses her from her thoughts. Seeing that they’ve nearly reached their gate she swallows back the shards of pain that have risen to her throat. ‘Come on,’ she says to Cleo, opening the door. ‘Go and get changed and I’ll make dinner, then we’ll watch something on Netflix, shall we?’

  Alone in the kitchen, she puts the radio on and pours herself a glass of wine. She hates it when this mood descends upon her. It’s the anniversary of Ruby’s death on Monday and it always upsets her, no matter how prepared for it she is. Noah would have turned thirty-two this year, and as she has done every single year since it happened, she imagines the person he might have become – from toddler, to schoolboy, to teenager and young man – a sadness gathering inside her that’s hard to shake off. ‘Come on, Viv, get a grip,’ she tells herself and, tuning the radio to a music station, she turns the volume up, then starts to put together the ingredients for spaghetti bolognese.

  3

  There’s so much of that day that she doesn’t remember. She knows that she was the only other person in the house when Ruby was killed. That it was she who found her sister’s body, hugely pregnant, splayed out across her bedroom floor. She knows that it was her evidence that helped put Ruby’s murderer away. But though Viv knows what she said she saw, she cannot link those words to any clear, concrete images, as though the details are locked inside a box she has no access to. She’s been told that this is common; the mind’s way of p
rotecting her from the trauma of that day, but still those buried memories won’t let her be, tapping and scratching at the box’s lid, as though willing her to relent and let them back out.

  Even the time before the murder is hazy, her life in that little white cottage only returning to her in flashes. They were very poor, she remembers that. Viv and Ruby, eight years between them, each had different fathers; men who were bad and made their mother sad and who they learned never to ask about because they were gone and that was all. The house was down a narrow lane with four other cottages. She sees the patio tiles outside it, dandelions poking through the cracks, an old, abandoned swing set on the patchy lawn, the fields stretching out beyond. Inside, the rooms were sparsely furnished, the panes loose in the casement windows, the wind whistling through the gaps. In her bedroom under the eaves a pattern of pink and red roses crept across the walls. Her sister’s identical one was across a narrow corridor, a quilt on the bed of orange and turquoise and green.

  And what does she remember of Ruby, before it happened? She knows that she loved her sister more than anyone or anything, that Ruby would take Viv into her bed to comfort her at night when she was sad or frightened. She remembers Ruby’s collection of china pigs lined up on her dressing table, the posters of handsome pop stars on her walls, the sweet floral perfume she used to wear, how she’d throw her head back and laugh wholeheartedly, her green eyes dancing. All those things he took from her; all her spirit and love and smell and warmth and kindness, Jack Delaney took them all.

  Everything changed when Jack came into their lives. Overnight, Ruby seemed to become someone else; someone else’s. From the moment she met him her sister glowed, her eyes dreamy and lit with something Viv couldn’t guess at, her thoughts seemingly always filled with him. Ruby would wait for Jack at the window, ignoring Viv, staring eagerly down the lane for his car to appear, or else sit next to the phone, willing it to ring. Ruby told her that they’d met at the pub where she worked on Saturdays collecting and washing glasses. Jack had been sitting at the bar with the three other Delaney brothers, and Viv would picture him with his cigarette and his black hair and his thin-lipped smile and his stupid car parked outside, and feel a hard knot of dislike grow ever tighter in her belly.

  Until then Vivienne’s experience of men had been confined to the ghostly, forbidden spectres of her and Ruby’s unmentionable fathers, her teacher Mr Kendal, or the kindly dads of her friends, or even Morris Dryden, the butcher’s grown-up son whom everyone said was soft in the head but whom Viv liked best of all. But Jack was different. Even at eighteen he oozed a complicated, threatening thing that was linked somehow to that new light in Ruby’s eyes, and the time Viv caught them kissing, Jack’s hands up her jumper as though rummaging for change. Slowly, however, Ruby began to alter, her usual glow and happiness seeming to ebb away until bit by bit it had disappeared completely.

  Their mother hated Jack, she remembers that too; how she’d hear her and Ruby argue, Stella saying he was a thief and a troublemaker and that everyone in the village knew what he was like, what he and his brothers got up to, fighting and stealing and causing trouble. And Viv would think that her mother didn’t know the half of it, that when she went out to work Jack’s oily smile and fake politeness vanished and the real him would appear, like worms slithering from under rocks. She would see how he would change, a black mood creeping over him like the sun had gone in, how Ruby’s voice would turn pleading and tearful at his meanness and his temper. He was always cross with her about something: about how she’d looked at one of his friends or spoken in a way he didn’t like. And yet Ruby loved him, wanted to make him happy, her voice appeasing, cajoling, desperate to the end.

  When Ruby got pregnant their mum said Jack Delaney was never to set foot in her house again, but as soon as Stella went off to the care home she worked at, there he’d be, Vivienne sworn to secrecy. He seemed to get worse, the bigger Ruby’s belly got. Viv would sit in the living room in front of the black-and-white TV and listen to their arguing; his rough, bullying voice, her sister’s tearful apologies, and her little hands would ball into fists, willing it to stop.

  And what does she remember of that day, the day of Ruby’s murder? She remembers her sister waiting for Jack upstairs at her bedroom window as usual, running down to answer his knock and calling, ‘Don’t tell Mum, Vivi, OK? Don’t tell Mum that Jack was here.’ How she’d heard the disappointment in Ruby’s voice when she discovered it was only sweet, daft Morris Dryden, come to drop off some chops for their mum. A few minutes later, after Morris had left, she heard the second knock at the door, Jack’s voice this time, Ruby’s high, anxious one after she’d returned downstairs to let him in.

  Viv had stayed in the living room, keeping out of his way, but still she heard when they’d begun to argue, heard Ruby’s desperate tears, Jack’s relentless, mocking cruelty. That day there’d been something different about their fight though, something terrible and out of control that made Viv’s heart hammer, made her chew her lip until it nearly bled. And then a scream, a heavy thud, followed by the worst, deepest silence she’d ever known. She’d waited, scarcely breathing, until she heard his tread on the stairs then the front door swinging shut behind him and as soon as she’d dared, she’d crept from the room and tiptoed up to Ruby’s. She’d known she was dead, felt it deep inside of herself, a scream of horror trapped in her throat as she stood at the door, gazing down at her sister’s lifeless body, her poor, bleeding head where she’d hit it as she fell, her green, sightless eyes.

  It was the police who found Vivienne eventually; navy blue arms plucking her from the safe darkness of Stella’s wardrobe where she’d gone to hide, clothes brushing against her cheek as she was pulled into the cold brightness where the rooms were full of police and the air full of her mother’s sobs at what she’d found when she’d returned home from work.

  Later, Vivienne would be told that she’d said nothing when they found her, that she’d continued to say nothing except for the one word she repeated over and over: ‘Jack.’

  Over the following days and weeks, a kind and patient lady with thick round glasses, a turquoise jumper and a gentle voice had, while Stella held her hand, coaxed from her the evidence they’d needed to put Jack Delaney away for good. She’d told how she’d heard him in the house that morning, had heard him shouting at her sister, then Ruby’s terrible cry, the thump as her body hit the floor. Of course Jack had killed Ruby; who else could it have been? There was Morris Dryden’s account too; the butcher’s son telling how he’d passed Jack in the lane after he’d dropped off his delivery. And Declan Fairbanks, their neighbour, who’d seen Jack running from the house ten minutes later, and all the other locals who’d witnessed his bullying behaviour towards his pregnant girlfriend in the months leading up to her death.

  Jack Delaney was responsible. There could be no mistake.

  After the trial, Stella would sit immobile at the kitchen table for hour after hour, week after week, steeped in grief. It seemed to Vivienne as though all the darkness in Jack had poured into her mother: when Viv looked into her eyes she saw the same dull fury that had once burned in his.

  The letters began to arrive soon after. Folded pieces of paper deposited like petrol bombs through the letter box during the night. At first she would bring them to Stella, who would turn away without looking at them, so Vivienne would go to Ruby’s room, where the row of china pigs still stood on the dressing table, where the handsome pop stars still grinned their 100-watt smiles, and she would sit on the bed and wrap the orange and turquoise quilt around herself and begin to read.

  They were all from the Delaney family, from Jack’s mother or uncle or brothers. Those from his mother were pleading, desperate. You’ve made a mistake. Please please tell the truth. He’s only 18. He never did it. You know he never did it. He’d never kill no one, please, please make them see. But the ones from his brothers and his uncles were angry, threatening; written in thick black capitals that all but tore through
the page: Your daughter’s a lying little bitch. Make her tell the truth. And, You and your brat are fucking liars. Watch your back. She would read them with terror rising inside her. At night she’d lie in her bed and tremble, listening for the letter box to rattle. But Viv hadn’t lied. She had heard him that day. She had told the police she did, so it must have been true.

  In a matter of months, the life Viv had always known would be gone forever, though she didn’t know then the changes that were to come. Meanwhile, neighbours and kindly villagers helped take care of her. They looked at her with misty-eyed pity, picking her up from the village primary and taking her home with their own kids; to warm, busy, noisy houses with Danger Mouse on the telly and fish fingers in the oven. Your mum just needs a bit of time, they’d say. She’ll be all right, you’ll see. Later, Viv would be taken back home, to where the temperature seemed to drop twenty degrees and the silence pressed against the walls, to where Stella hadn’t seemed to move from her position at the kitchen table in weeks.

  Stella never went back to her job at the care home. The letters from the letting agency piled up on the doormat amongst brown ones with ‘Final Demand’ stamped upon them. When bailiffs pounded on their door Stella behaved as though she couldn’t hear them and Viv was too afraid to let them in herself. Similarly, she learned not to pick up the phone when, relentlessly, it rang, and neither of them noticed when the line was finally cut off.

  Only one day stands out from the grinding darkness of those weeks. On an April morning five months after Ruby’s death, Vivienne came downstairs in her uniform ready for school to find a surprising sight. Her mother, up and dressed and ready to go out. ‘Put your coat on, Vivienne,’ she said without looking at her.