The Conan Compendium

by Robert E. Howard

  They were rumors from the desert that lies east of Stygia, far south of the Kothian hills. A new prophet had risen among the nomads. Men spoke of tribal war, of a gathering of vultures in the southeast, and a terrible leader who led his swiftly increasing hordes to victory. The Stygians, ever a menace to the northern nations, were apparently not connected with this movement; for they were massing armies on their eastern borders and their priests were making magic to fight that of the desert sorcerer, whom men called Natohk, the Veiled One; for his features were always masked.

  But the tide swept northwestward, and the blue-bearded kings died before the altars of their pot-bellied gods, and their squat-walled cities were drenched in blood. Men said that the uplands of the Hyborians were the goal of Natohk and his chanting votaries.

  Raids from the desert were not uncommon, but this latest movement seemed to promise more than a raid. Rumor said Natohk had welded thirty nomadic tribes and fifteen cities into his following, and that a rebellious Stygian prince had joined him. This latter lent the affair an aspect of real war.

  Characteristically, most of the Hyborian nations were prone to ignore the growing menace. But in Khoraja, carved out of Shemite lands by the swords of Kothic adventurers, heed was given. Lying southeast of Koth, it would bear the brunt of the invasion. And its young king was captive to the treacherous king of Ophir, who hesitated between restoring him for a huge ransom, or handing him over to his enemy, the penurious king of Koth, who offered no gold, but an advantageous treaty. Meanwhile, the rule of the struggling kingdom was in the white hands of young princess Yasmela, the king's sister.

  Minstrels sang her beauty throughout the western world, and the pride of a kingly dynasty was hers. But on that night her pride was dropped from her like a cloak. In her chamber whose ceiling was a lapis lazuli dome, whose marble floor was littered with rare furs, and whose walls were lavish with golden friezework, ten girls, daughters of nobles, their slender limbs weighted with gem-crusted armlets and anklets, slumbered on velvet couches about the royal bed with its golden dais and silken canopy. But princess Yasmela lolled not on that silken bed. She lay naked on her supple belly upon the bare marble like the most abased suppliant, her dark hair streaming over her white shoulders, her slender fingers intertwined. She lay and writhed in pure horror that froze the blood in her lithe limbs and dilated her beautiful eyes, that pricked the roots of her dark hair and made goose-flesh rise along her supple spine.

  Above her, in the darkest corner of the marble chamber, lurked a vast shapeless shadow. It was no living thing of form or flesh and blood. It was a clot of darkness, a blur in the sight, a monstrous night-born incubus that might have been deemed a figment of a sleep-drugged brain, but for the points of blazing yellow fire that glimmered like two eyes from the blackness.

  Moreover, a voice issued from it - a low subtle inhuman sibilance that was more like the soft abominable hissing of a serpent than anything else, and that apparently could not emanate from anything with human lips. Its sound as well as its import filled Yasmela with a shuddering horror so intolerable that she writhed and twisted her slender body as if beneath a lash, as though to rid her mind of its insinuating vileness by physical contortion.

  `You are marked for mine, princess,' came the gloating whisper. `Before I wakened from the long sleep I had marked you, and yearned for you, but I was held fast by the ancient spell by which I escaped mine enemies. I am the soul of Natohk, the Veiled One! Look well upon me, princess! Soon you shall behold me in my bodily guise, and shall love me!'

  The ghostly hissing dwindled off in lustful titterings, and Yasmela moaned and beat the marble tiles with her small fists in her ecstasy of terror.

  `I sleep in the palace chamber of Akbatana,' the sibilances continued. `There my body lies in its frame of bones and flesh. But it is but an empty shell from which the spirit has flown for a brief space. Could you gaze from that palace casement you would realize the futility of resistance. The desert is a rose garden beneath the moon, where blossom the fires of a hundred thousand warriors. As an avalanche sweeps onward, gathering bulk and momentum, I will sweep into the lands of mine ancient enemies. Their kings shall furnish me skulls for goblets, their women and children shall be slaves of my slaves' slaves. I have grown strong in the long years of dreaming . . .

  `But thou shalt be my queen, oh princess! I will teach thee the ancient forgotten ways of pleasure. We-' Before the stream of cosmic obscenity which poured from the shadowy colossus, Yasmela cringed and writhed as if from a whip that flayed her dainty bare flesh.

  `Remember!' whispered the horror. `The days will not be many before I come to claim mine own!'

  Yasmela, pressing her face against the tiles and stopping her pink ears with her dainty fingers, yet seemed to hear a strange sweeping noise, like the beat of bat wings. Then, looking fearfully up, she saw only the moon that shone through the window with a beam that rested like a silver sword across the spot where the phantom had lurked. Trembling in every limb, she rose and staggered to a satin couch, where she threw herself down, weeping hysterically. The girls slept on, but one, who roused, yawned, stretched her slender figure and blinked about. Instantly she was on her knees beside the couch, her arms about Yasmela's supple waist.

  `Was it - was it-?' Her dark eyes were wide with fright. Yasmela caught her in a convulsive grasp.

  `Oh, Vateesa. It came again! I saw It - heard It speak! It spoke Its name - Natohk! It is Natohk! It is not a nightmare -it towered over me while the girls slept like drugged ones. What oh, what shall I do?'

  Vateesa twisted a golden bracelet about her rounded arm in meditation.

  `Oh, princess,' she said, `it is evident that no mortal power can deal with It, and the charm is useless that the priests of Ishtar gave you. Therefore seek you the forgotten oracle of Mitra.'

  In spite of her recent fright, Yasmela shuddered. The gods of yesterday become the devils of tomorrow. The Kothians had long since abandoned the worship of Mitra, forgetting the attributes of the universal Hyborian god. Yasmela had a vague idea that, being very ancient, it followed that the deity was very terrible. Ishtar was much to be feared, and all the gods of Koth. Kothian culture and religion had suffered from a subtle admix ture of Shemite and Stygian strains. The simple ways of the Hyborians had become modified to a large extent by the sensual, luxurious, yet despotic habits of the East.

  `Will Mitra aid me?' Yasmela caught Vateesa's wrist in her eagerness. `We have worshipped Ishtar so long-'

  `To be sure he will!' Vateesa was the daughter of an Ophirean priest who had brought his customs with him when he fled from political enemies to Khoraja. `Seek the shrine! I will go with you.'

  `I will!' Yasmela rose, but objected when Vateesa prepared to dress her. `It is not fitting that I come before the shrine clad in silk. I will go naked, on my knees, as befits a suppliant, lest Mitra deem I lack humility.'

  `Nonsense!' Vateesa had scant respect for the ways of what she deemed a false cult. `Mitra would have folks stand upright before him - not crawling on their bellies like worms, or spilling blood of animals all over his altars.'

  Thus objurgated, Yasmela allowed the girl to garb her in the light sleeveless silk shirt, over which was slipped a silken tunic, bound at the waist by a wide velvet girdle. Satin slippers were put upon her slender feet, and a few deft touches of Vateesa's pink fingers arranged her dark wavy tresses. Then the princess followed the girl, who drew aside a heavy gilt-worked tapestry and threw the golden bolt of the door it concealed. This let into a narrow winding corridor, and down this the two girls went swiftly, through another door and into a broad hallway. Here stood a guardsman in crested gilt helmet, silvered cuirass and gold-chased greaves, with a long-shafted battle-ax in his hands.

  A motion from Yasmela checked his exclamation and, saluting, he took his stand again beside the doorway, motionless as a brazen image. The girls traversed the hallway, which seemed immense and eery in the light of the cressets along the lofty walls, and went down a
stairway where Yasmela shivered at the blots of shadows which hung in the angles of the walls. Three levels down they halted at last in a narrow corridor whose arched ceiling was crusted with jewels, whose floor was set with blocks of crystal, and whose walls were decorated with golden friezework. Down this shining way they stole, holding each other's hands, to a wide portal of gilt.

  Vateesa thrust open the door, revealing a shrine long forgotten except by a faithful few, and royal visitors to Khoraja's court, mainly for whose benefit the fane was maintained. Yasmela had never entered it before, though she was born in the palace. Plain and unadorned in comparison to the lavish display of Ishtar's shrines, there was about it a simplicity of dignity and beauty characteristic of the Mitran religion.

  The ceiling was lofty, but it was not domed, and was of plain white marble, as were the walls and floor, the former with a narrow gold frieze running about them. Behind an altar of clear green jade, unstained with sacrifice, stood the pedestal whereon sat the material manifestation of the deity. Yasmela looked in awe at the sweep of the magnificent shoulders, the clear-cut features - the wide straight eyes, the patriarchal beard, the thick curls of the hair, confined by a simple band about the temples. This, though she did not know it, was art in its highest form the free, uncramped artistic expression of a highly esthetic race, unhampered by conventional symbolism.

  She fell on her knees and thence prostrate, regardless of Vateesa's admonition, and Vateesa, to be on the safe side, followed her example; for after all, she was only a girl, and it was very awesome in Mitra's shrine. But even so she could not refrain from whispering in Yasmela's ear.

  `This is but the emblem of the god. None pretends to know what Mitra looks like. This but represents him in idealized human form, as near perfection as the human mind can conceive. He does not inhabit this cold stone, as your priests tell you Ishtar does. He is everywhere - above us, and about us, and he dreams betimes in the high places among the stars. But here his being focusses. Therefore call upon him.'

  `What shall I say?' whispered Yasmela in stammering terror.

  `Before you can speak, Mitra knows the contents of your mind-' began Vateesa. Then both girls started violently as a voice began in the air above them. The deep, calm, bell-like tones emanated no more from the image than from anywhere else in the chamber. Again Yasmela trembled before a bodiless voice speaking to her, but this time it was not from horror or repulsion.

  `Speak not, my daughter, for I know your need,' came the intonations like deep musical waves beating rhythmically along a golden beach. `In one manner may you save your kingdom, and saving it, save all the world from the fangs of the serpent which has crawled up out of the darkness of the ages. Go forth upon the streets alone, and place your kingdom in the hands of the first man you meet there.'

  The unechoing tones ceased, and the girls stared at each other. Then, rising, they stole forth, nor did they speak until they stood once more in Yasmela's chamber. The princess stared out of the gold-barred windows. The moon had set. It was long past midnight. Sounds of revelry had died away in the gardens and on the roofs of the city. Khoraja slumbered beneath the stars, which seemed to be reflected in the cressets that twinkled among the gardens and along the streets and on the flat roofs of houses where folk slept.

  `What will you do?' whispered Vateesa, all a-tremble.

  `Give me my cloak,' answered Yasmela, setting her teeth.

  `But alone, in the streets, at this hour!' expostulated Vateesa.

  `Mitra has spoken,' replied the princess. `It might have been the voice of the god, or a trick of a priest. No matter. I will go!'

  Wrapping a voluminous silken cloak about her lithe figure and donning a velvet cap from which depended a filmy veil, she passed hurriedly through the corridors and approached a bronze door where a dozen spearmen gaped at her as she passed through. This was in a wing of the palace which let directly onto the street; on all other sides it was surrounded by broad gardens, bordered by a high wall. She emerged into the street, lighted by cressets placed at regular intervals.

  She hesitated; then, before her resolution could falter, she closed the door behind her. A slight shudder shook her as she glanced up and down the street, which lay silent and bare. This daughter of aristocrats had never before ventured unattended outside her ancestral palace. Then, steeling herself, she went swiftly up the street. Her satin-slippered feet fell lightly on the pave, but their soft sound brought her heart into her throat. She imagined their fall echoing thunderously through the cavernous city, rousing ragged rat-eyed figures in hidden lairs among the sewers. Every shadow seemed to hide a lurking assassin, every blank doorway to mask the slinking hounds of darkness.

  Then she started violently. Ahead of her a figure appeared on the eery street. She drew quickly into a clump of shadows, which now seemed like a haven of refuge, her pulse pounding. The approaching figure went not furtively, like a thief, or timidly, like a fearful traveller. He strode down the nighted street as one who has no need or desire to walk softly. An unconscious swagger was in his stride, and his footfalls resounded on the pave. As he passed near a cresset she saw him plainly - a tall man, in the chain-mail hauberk of a mercenary. She braced herself, then darted from the shadow, holding her cloak close about her.

  `Sa-ha!' his sword flashed half out of his sheath. It halted when he saw it was only a woman that stood before him, but his quick glance went over her head, seeking the shadows for possible confederates.

  He stood facing her, his hand on the long hilt that jutted forward from beneath the scarlet cloak which flowed carelessly from his mailed shoulders. The torchlight glinted dully on the polished blue steel of his greaves and basinet. A more baleful fire glittered bluely in his eyes. At first glance she saw he was no Kothian; when he spoke she knew he was no Hyborian. He was clad like a captain of the mercenaries, and in that desperate command there were men of many lands, barbarians as well as civilized foreigners. There was a wolfishness about this warrior that marked the barbarian. The eyes of no civilized man, however wild or criminal, ever blazed with such a fire. Wine scented his breath, but he neither staggered nor stammered.

  `Have they shut you into the street?' he asked in barbarous Kothic, reaching for her. His fingers closed lightly about her rounded wrist, but she felt that he could splinter its bones without effort. `I've but come from the last wine-shop open Ishtar's curse on these white-livered reformers who close the grog-houses! "Let men sleep rather than guzzle," they say - aye, so they can work and fight better for their masters! Soft-gutted eunuchs, I call them. When I served with the mercenaries of Corinthia we swilled and wenched all night and fought all day aye, blood ran down the channels of our swords. But what of you, my girl? Take off that cursed mask-'

  She avoided his clutch with a lithe twist of her body, trying not to appear to repulse him. She realized her danger, alone with a drunken barbarian. If she revealed her identity, he might laugh at her, or take himself off. She was not sure he would not cut her throat. Barbaric men did strange inexplicable things. She fought a rising fear.

  `Not here,' she laughed. `Come with me-'

  `Where?' His wild blood was up, but he was wary as a wolf. `Are you taking me to some den of robbers?'

  `No, no, I swear it!' She was hard put to avoid the hand which was again fumbling at her veil.

  `Devil bite you, hussy!' he growled disgustedly. `You're as bad as a Hyrkanian woman, with your damnable veil. Here - let me look at your figure, anyway.'

  Before she could prevent it, he wrenched the cloak from her, and she heard his breath hiss between his teeth. He stood holding the cloak, eyeing her as if the sight of her rich garments had somewhat sobered him. She saw suspicion flicker sullenly in his eyes.

  `Who the devil are you?' he muttered. `You're no street-waif - unless your leman robbed the king's seraglio for your clothes.'

  `Never mind.' She dared to lay her white hand on his massive iron-clad arm. `Come with me off the street.'

  He hesitated, th
en shrugged his mighty shoulders. She saw that he half believed her to be some noble lady, who, weary of polite lovers, was taking this means of amusing herself. He allowed her to don the cloak again, and followed her. From the corner of her eye she watched him as they went down the street together. His mail could not conceal his hard lines of tigerish strength. Everything about him was tigerish, elemental, untamed. He was alien as the jungle to her in his difference from the debonair courtiers to whom she was accustomed. She feared him, told herself she loathed his raw brute strength and unashamed barbarism, yet something breathless and perilous inside her leaned toward him; the hidden primitive chord that lurks in every woman's soul was sounded and responded. She had felt his hardened hand on her arm, and something deep in her tingled to the memory of that contact. Many men had knelt before Yasmela. Here was one she felt had never knelt before any one. Her sensations were those of one leading an unchained tiger; she was frightened, and fascinated by her fright.

  She halted at the palace door and thrust lightly against it. Furtively watching her companion, she saw no suspicion in his eyes.

  `Palace, eh?' he rumbled. `So you're a maid-in-waiting?'

  She found herself wondering, with a strange jealousy, if any of her maids had ever led this war-eagle into her palace. The guards made no sign as she led him between them, but he eyed them as a fierce dog might eye a strange pack. She led him through a curtained doorway into an inner chamber, where he stood, naively scanning the tapestries, until he saw a crystal jar of wine on an ebony table. This he took up with a gratified sigh, tilting it toward his lips. Vateesa ran from an inner room, crying breathlessly, `Oh my princess-'

  `Princess!'

  The wine-jar crashed to the floor. With a motion too quick for sight to follow, the mercenary snatched off Yasmela's veil, glaring. He recoiled with a curse, his sword leaping into his hand with a broad shimmer of blue steel. His eyes blazed like a trapped tiger's. The air was supercharged with tension that was like the pause before the bursting of a storm. Vateesa sank to the floor, speechless with terror, but Yasmela faced the infuriated barbarian without flinching. She realized her very life hung in the balance: maddened with suspicion and unreasoning panic, he was ready to deal death at the slightest provocation. But she experienced a certain breathless exhilaration in the crisis.