The Eagle Has Landed

by Neil Clarke

  There have been the predictable protests about using uplifted animals, but because of a corporate law loophole along with legal precedents set in prior years for uplifted dogs and cats (and one gecko), Pierre would not be the first ape in space, but he would be the first uplifted ape to walk on the moon. Other such chimpanzees see this as quite a boon to their quest for equality.

  That Pierre volunteered for the flight has been lost on some of the more vocal and otherwise well-intentioned anti-upli—.

  ::SKIP AD SURVEY? CONTINUE TO REMAINDER OF ARTICLE?::

  6: FLY ME TO THE MOON

  “Now that we are up here, I am farther removed from being a political football and poster child for a handful of advocacy groups,” said Pierre. He swiveled his chair after he deleted a dozen invitations to speak from organizations.

  “An interesting idiom,” replied a section of the wall. Tsuki had slaved herself to the orbiter’s computer system. The Clockwork Corp. lunar-bot had all-terrain capacity like her forebears, but the TLRV possessed additional mimetic qualities beta-tested in Earth’s most inhospitable climates. Her maiden voyage was at hand with this mining mission. Even if something happened to the main computer, she could manage the rest. Designed for versatility, she was a good tool to have on board. “At least you are not configured into the hull’s interior.”

  “But, Tsuki, you’re saving space,” said Pierre. “So very ergonomic. Efficient.”

  The pilot chuckled. “Never thought I’d be flying to the moon with a chimp and a robot, much less myself. Or hearing unintended puns.”

  “It was intended,” said Pierre.

  “Might I suggest some practice? It’s a long enough ride.”

  “So, the UN and the North American Directorate finally opened up some lunar territory for mining,” said the pilot. “And I get to ferry a robot and a sapient ape.”

  “More accurately, exploratory missions,” said Tsuki.

  “And furthering the accuracy, uplifted,” said Pierre.

  “Touch.”

  “Indeed,” said Tsuki.

  7: MARE SERENITATIS

  Almost three full months into the rotation, and Pierre could taste his vacation amid the mapping and spectrography. He had to admit that the stillness and the gliding and jumping freedom of a low-gravity environment excited him, and farther out on their digs, he imagined Tsuki did her fair share of indulging his ooh-ooh-ooh’s ofjoy. If he played golf, he would’ve driven plenty of golf balls as far across the Sea of Serenity as possible.

  But all such thoughts faded fast as he stared at a lunar lander.

  “Tsuki, I need you at my location,” said Pierre.

  Her voice, tinny through his helmet’s speakers, replied, “Are you all right, Pierre?”

  “Yes. No. I’ve found something—ooh-ooh—somethings, to be precise.”

  “ETA in seven minutes.”

  “Roger that.”

  He hop-drifted several more meters, and his concern grew.

  Ooh-ooh-ooh.

  Nearby lay an older model emergency habitat.

  Pierre stared down from the ridge upon the swath of Mare Serenitatis, but closer were two bodies in spacesuits. He bounded down to them; they lay facing each other. Their desiccated faces grinned and yawned at each other from across the decades, and Pierre knew enough of history to realize that today’s mining spectrometer experiments were rendered moot.

  “Pierre?”

  Tsuki had retracted her trundles into her back and skittered down to him on her hex-legs.

  “We’ve found a fifty-years-dead pair of astronauts, Tsuki.”

  “Company protocol dictates immediate contact and securing of the site,” said the ‘bot.

  “Already done that. Col. William Cato and Dr. Angela Phelps, it looks as if you two are finally going home,” said Pierre.

  All these years and frozen in such a tableau.

  “We should follow our exact path in back out, Pierre, so as not to disturb further the site.”

  “You know they’ll want to examine every millimeter and—Get a look.”

  He pointed at words written in the soil near Tsuki’s legs.

  “. . . let baser things devise / To die in dust, . . .” Tsuki said. “Interesting final words.”

  Pierre figured there would be some closure for the descendants and the few aging members from that bygone era.

  He had no inkling Tsuki possessed among a multitude of photos the one that would be voted Photo of the Year. It was here, now, etched in the linotype of his uplifted mind: Pierre’s crouching at the quote with one of Col. Cato’s hands at the words in the lunar soil and another hand stretched back toward Dr. Phelps.

  In his mind, only the curious tableau of a pair of bodies facing each other and space-gloved hands in a fifty-year clutch would remain.

  8: INTERSTITIUM

  Robot and Uplifted Chimp Discover Lost Apollo 20 Astronauts

  —AP—A fifty-year mystery unfolded on the moon recently when a pair of Clockwork Corp. employees on a routine mining mission on the Sea of Serenity stumbled upon the remains of Col. Cato and Dr. Phelps. The families have prepared for a host of press conferences . . .

  9: FROM CLOCKwORK CORP.

  Pierre

  Admin

  RE: Recovery/Phelps-Cato

  Cc: Tsuki

  Pierre,

  We have attached the link for the coffins’ schematics. The Board decided to aid both the current space administration and the Phelps and Cato families. It is a powerful reminder of the human cost of lunar exploration—of space travel itself.

  Once you have fabricated their coffins, transfer the bodies for transport to Camelot Base for pickup. Know that you and Tsuki have played a fundamental role in helping a pair of families find their lost loved ones.

  Thank you for your professionalism in helping us handle the matter and for being a credit to the corporation.

  With much appreciation,

  The Board

  10: LITTLE CUPIDS

  “What do you extrapolate given the writing we found?” said Tsuki.

  “The allusion sounds familiar,” said Pierre.

  She sent him the full text. He pored over it while the 3D printer whirred through its matrix.

  “Based on biographical and scholarly cross-referencing, including its inclusion in the Amoretti sequence, it may be less a note to us than simply a coda for themselves.”

  “A testament.”

  “Or testimony, if you will.”

  Whoever had considered Cato and Phelps being more than colleagues were, most of them, lost to time.

  Pierre said, “I have to finish the coffins.”

  “Do you wish to be left alone, Pierre?”

  “Yes. No. Sorry, Tsuki. I’m indecisive. Surely you have other tasks that would better suit you this evening.”

  The ‘bot offered a wave of a four-fingered hand and trundled away. As the automatic door slid shut with a hiss, she looked at Pierre, who didn’t notice her for his busyness.

  Pierre’s mind toiled while his hands engaged the mundanity of work. For a moment he looked at his hands as though they belonged to someone else, and his head became balloon-drifty as if he were in the midst of an out-ofbody experience. He felt a pang for the trees and the games. Her. All of the Shes. A twinge of regret—no—loss insinuated itself through Pierre’s heart like a tree viper.

  Finishing the coffins was lonely work, he thought, glancing periodically at the door.

  11: LXXV

  After helping send the bodies back to Earth, Pierre couldn’t bring himself to sleep it off, so he wandered the lonely halls of Camelot Base. He passed only a handful of humans—mere platitudes they offered each other—and a few ‘bots and droids and found himself wanting to ping Tsuki for her company, but she had plenty of spectrography to analyze. And would she really need to indulge Pierre his melancholy at sending the corpses of Cato and Phelps on their way?

  He entered the biosphere with its crisp temperate zone. Pierre i
nhaled the green and earthiness and moistness but resented the underlying counterfeit to it all. In his mind he was a mere hop, skip, and jump away from the awful steel and stone and polymer playrooms at the research facility. At just over a decade old, the trees could have stood more than limited growth, but at least it was a stand of trees, and trees he could enjoy. He fought the urge to snap off an armload of limbs and go ahead and nest for the night.

  Sitting under one of the dwarf pines, Pierre queued up a reading list on his tablet. The screen cast its glow on Pierre’s face as his eyelids drooped. Words tunneled through his mind, then tried to string themselves along entangled metrical feet—looping in his alpha-state brain:

  SONNET LXXV.

  One day I wrote her name vpon the strand,

  but came the waues and washèd it away:

  agayne I wrote it with a second hand,

  but came the tyde, and made my paynes his pray.

  Vayne man, sayd she, that doest in vaine assay,

  a mortall thing so to immortalize.

  for I my selue shall lyke to this decay,

  and eek my name bee wyped out lykewize.

  Not so, (quod I) let baser things deuize,

  to dy in dust, but you shall liue by fame:

  my verse your vertues rare shall eternize,

  and in the heuens wryte your glorious name.

  Where whenas death shall all the world subdew,

  our loue shall liue, and later life renew.

  As he slept that night, Pierre cooed and reached up for elusive dreamlimbs. When his arm tired and plopped down, his hand twitched, index finger dancing just above the floor and inscribing ghost words on the patterned tiles.

  12: BANTER

  Pierre woke and startled himself: arm outstretched and clutching the air and the dream receding fast. He jumped at the whirr-buzz-shush of Tsuki’s servos and hissing actuators as she trundled into the room.

  “You sounded . . . distressed.”

  He zipped into his worksuit and stifled a yawn. “Just talking in my sleep.”

  “More accurately, intoning with grunts and hoots,” she said.

  He put on his boots. “Ooh.”

  “Would you like to be left alone?”

  “Not really. Please join me while I eat?”

  “Yes. We could play holo-chess.”

  “That would be nice.”

  A short trip down the hall brought them into the mess. A few humans ambled around—as always, congenial yet aloof. Everyone was here to do a job, and no one seemed interested in befriending a knuckle-walking novelty like Pierre.

  He ate but didn’t care. It was welcome stimulation to play chess and took his mind off work and dead astronauts.

  “Based on our current timeline,” said Tsuki, “we may return Earthside in a week. A day early, in fact.”

  “Has it already been so long?”

  “Eleven weeks, approximately. The apropos idiom is, I believe, ‘give or take.’”

  “You’re learning.”

  “Cross-referencing and extrapolating linguistic scenarios.”

  Conversing, isuki.

  “Pierre?”

  “Yes?”

  “Checkmate.”

  “Well—ooh—shit. “

  The ‘bot said, “A crude if somewhat apropos remark.”

  “It fits. Come on. Let’s go to work.”

  “I have been working while you slept.”

  “Infer, please.”

  “Ah. Your use of first-person plural indicates an implied continuance of company.”

  “Exactly, Tsuki. So long as it’s not another game of chess.”

  Pierre could’ve sworn he heard hollow laughter from the ‘bot. A most endearing trait on her part.

  13: DEPARTURE

  They went through their departure checklist and reached the Camelot Base launchpad. A sleek Clockwork Corp. courier hunkered on the pad. The pilot waved at them from behind his window, held up a wrist, and tapped it impatiently.

  Pierre shook his head and glide-hopped ahead of Tsuki. They each kicked up plumes of lunar dust.

  It was about time!

  A goferit ‘bot already waited on Pierre with his gear. He was so glad he’d pre-processed out.

  “Well, Tsuki, it was good working with you.”

  “The sentiment is mutual, Pierre.”

  He sent the goferit ‘bot aboard the ship.

  “Don’t work too hard.”

  “I have plenty of missions and data to continue analyzing.”

  “Stay in touch.”

  “Of course.”

  Pierre left Tsuki behind on the moon and shrinking amid Camelot Base in the wake of the courier’s blast off. Out of his window, he thought he saw the ‘bot waving good-bye.

  After a while Pierre allowed himself the luxury of relaxing. Poring over spectrum analyses had left him fUzzy-headed and drained on top of the endemic mundanity and tedium.

  Plus, Cato and Phelps.

  Existing somewhere between a robot and a human left him even more drained—a murky middle state. The courier sped through the long emptiness between the moon and Earth. Pierre had his first dreamless sleep in a long time. He had no headache, especially when he received the ping from headquarters.

  RE: LEAVE APPROVAL

  noreply.confirmation

  CLICK RECEIPT ACKNOWLEDGEMENT LINK.

  INSERT CODE TH@SGR8 FOR FINALIZATION

  14: CODA: PAN TROGOLODYTES OF GUINEA

  Waves broke and hush-shushed ashore. Pierre listened to the waves’ lulling susurration and found himself mesmerized even as the waves spoke louder for the incoming tide. Far behind him the jungle unspooled its teeming glossolalia of birdcalls and growls, grunts and hoots. Creatures dying. Mating. Hunger. Nature wanted propagation—its children’s perpetuation.

  Pierre wrote his name and another in the sand.

  The moon crept out and blued the world as the tide reached Pierre, and he didn’t begrudge its work upon the names in the sand. He massaged his neck and skull, then wished to have another hand to clutch.

  Far down the beach a lioness and two cubs ventured out, and Pierre watched them with a twofold sense of flighty self-preservation and bemusement—the potential threat not lost on his old self nor the new one once the lioness probed the air and yawed her head in his direction. After a moment she and the cubs retreated to the luxuriant green treeline.

  He needed to move, so he set his tablet to BUSY and shed his clothes, those faulty constructs that indulged society yet shamed Pierre himself.

  He approached the shadow-swathed jungle.

  With his toes he kneaded the loam. He sprang up to catch hold of and swing upon the nearest limb. As he clambered higher, thoughts of Tsuki and Cato and Phelps accompanied him—the need for troop and family and consortships.

  Swinging, bounding, clambering now.

  It had been too long since he had experienced the thrill of tempting Earth’s gravity and cheating its constancy with each grab of a limb. Dark shapes bounded through the trees and brush, and Pierre kept both pace and distance. There was shame at his own scent they would no doubt catch if not already—too much blend of civilization and cleansing and humanity.

  Paths opened before him. Night drew on while the moon cast her dapple-down light through the canopy. This was another kind of freefall, another kind of release. Before long, he was spent, so Pierre busied himself, snapping off branches and weaving them for his night’s nesting, and his hands seemed for a moment—just a moment—to belong to some other chimpanzee.

  Back on the beach the tide had long since taken the names even as night and exhaustion claimed Pierre and engrafted him among its humid folds. The sea shushed and grated its rhythms through the jungle.

  He hugged himself amid a tangle of dreams and sought her name and whispered it as his arm lolled and hand twitched. Pierre clutched only the tropical night while the drift of moonlight played against his open palm and weaved itself through his fingers.

 
“Ooh-ooh-ooh.”

  2017

  Indrapramit Das (aka Indra Das) is a writer and editor from Kolkata, India. He is a Lambda Literary Award-winner for his debut novel The Devourers(Penguin India/Del Rey), and has been a finalist for the Crawford, Tiptree, and Shirley Jackson awards. His short fiction has appeared in publications including Tor.com, Clarkesworld, and Asimov’s, and has been widely anthologized. He is an Octavia E. Butler Scholar and a grateful graduate of Clarion West 2012. He has lived in India, the United States, and Canada, where he completed his MFA at the University of British Columbia.

  THE MOON IS NOT A BATTLEFIELD

  Indrapramit Das

  We’re recording

  I was born in the sky, for war. This is what we were told.

  I think when people hear this, they think of ancient Earth stories. Of angels and superheroes and gods, leaving destruction between the stars. But I’m no superhero, no Kalel of America-Bygone with the flag of his dead planet flying behind him. I’m no angel Gabreel striking down Satan in the void or blowing the trumpet to end worlds. I’m no devi Durga bristling with arms and weapons, chasing down demons through the cosmos and vanquishing them, no Kali with a string of heads hanging over her breasts black as deep space, making even the other gods shake with terror at her righteous rampage.

  I was born in the sky, for war. What does it mean?

  I was actually born on Earth, not far above sea level, in the Greater Kolkata Megapolis. My parents gave me away to the Government of India when I was still a small child, in exchange for enough money for them to live off frugally for a year—an unimaginable amount of wealth for two Dalit street-dwellers who scraped shit out of sewers for a living, and scavenged garbage for recycling—sewers sagging with centuries worth of shit, garbage heaps like mountains. There was another child I played with the most in our slum. The government took her as well. Of the few memories I have left of those early days on Earth, the ones of us playing are clearest, more than the ones of my parents, because they weren’t around much. But she was always there. She’d bring me hot jalebis snatched from the hands of hapless pedestrians, her hands covered in syrup, and we’d share them. We used to climb and run along the huge sea-wall that holds back the rising Bay of Bengal, and spit in the churning sea. I haven’t seen the sea since, except from space—that roiling mass of water feels like a dream. So do those days, with the child who would become the soldier most often by my side. The government told our parents that they would cleanse us of our names, our untouchability, give us a chance to lead noble lives as astral defenders of the Republic of India. Of course they gave us away. I don’t blame them. Aditi never blamed hers, either. That was the name my friend was given by the Army. You’ve met her. We were told our new names before training even began. Single-names, always. Usually from the Mahabharata or Ramayana, we realized later. I don’t remember the name my parents gave me. I never asked Aditi if she remembered hers.