Delphi Complete Works of Pausanias

by Pausanias

[9.37.7] The earth opened and swallowed up Trophonius at the point in the grove at Lebadeia where is what is called the pit of Agamedes, with a slab beside it. The kingdom of Orchomenus was taken by Ascalaphus and Ialmenus, said to be sons of Ares, while their mother was Astyoche, daughter of Actor, son of Azeus, son of Clymenus. Under the leadership of these the Minyans marched against Troy.

  [9.37.8] Orchomenians also joined with the sons of Codrus in the expedition to Ionia. When expelled from their city by the Thebans they were restored again to Orchomenus by Philip the son of Amyntas. But Providence was to drag them ever lower and lower into decay.

  ORCHOMENUS

  [9.38.1] XXXVIII. At Orchomenus is a sanctuary of Dionysus, but the oldest is one of the Graces. They worship the stones most, and say that they fell for Eteocles out of heaven. The artistic images were dedicated in my time, and they too are of stone.

  [9.38.2] They have also a fountain worth seeing, and go down to it to fetch water. The treasury of Minyas, a wonder second to none either in Greece itself or elsewhere, has been built in the following way. It is made of stone; its shape is round, rising to a rather blunt apex; they say that the highest stone is the keystone of the whole building.

  [9.38.3] There are graves of Minyas and Hesiod. They say that they thus recovered the bones of Hesiod. A pestilence fell on men and beasts, so that they sent envoys to the god. To these, it is said, the Pythian priestess made answer that to bring the bones of Hesiod from the land of Naupactus to the land of Orchomenus was their one and only remedy. Whereupon the envoys asked a further question, where in the land of Naupactus they would find the bones; to which the Pythian priestess answered again that a crow would indicate to them the place.

  [9.38.4] So when the envoys landed, they saw, it is said, a rock not far from the road, with the bird upon the rock; the bones of Hesiod they found in a cleft of the rock. Elegiac verses are inscribed on the tomb:–

  Ascra rich in corn was his native land, but when Hesiod died,

  The land of the horse-striking Minyans holds his bones,

  Whose fame will rise very high in Greece

  When men are judged by the touchstone of artistry.

  [9.38.5] About Actaeon the Orchomenians had the following story. A ghost, they say, carrying a rock was ravaging the land. When they inquired at Delphi, the god bade them discover the remains of Actaeon and bury them in the earth. He also bade them make a bronze likeness of the ghost and fasten it to a rock with iron. I have myself seen this image thus fastened. They also sacrifice every year to Actaeon as to a hero.

  NEAR ORCHOMENUS

  [9.38.6] Seven stades from Orchomenus is a temple of Heracles with a small image. Here is the source of the river Melas (black), one of the streams running into the Cephisian Lake. The lake at all times covers the greater part of the Orchomenian territory, but in the winter season, after the south-west wind has generally prevailed, the water spreads over a yet greater extent of the territory.

  [9.38.7] The Thebans declare that the river Cephisus was diverted into the Orchomenian plain by Heracles, and that for a time it passed under the mountain and entered the sea, until Heracles blocked up the chasm through the mountain. Now Homer too knows that the Cephisian Lake was a lake of itself, and not made by Heracles. Wherefore Homer says:–

  Sloping towards the Cephisian Lake. Hom. Il. 5.709

  [9.38.8] It is not likely either that the Orchomenians would not have discovered the chasm, and, breaking down the work put up by Heracles, have given back to the Gephisus its ancient passage, since right down to the Trojan war they were a wealthy people. There is evidence in my favour in the passage of Homer where Achilles replies to the envoys from Agamemnon:–

  Not even the wealth that comes to Orchomenus, Hom. Il. 9.381

  a line that clearly shows that even then the revenues coming to Orchomenus were large.

  ASPLEDON

  [9.38.9] They say that Aspledon was left by the inhabitants because of a shortage of water. They say also that the city got its name from Aspledon, who was a son of the nymph Mideia and Poseidon. Their view is confirmed by some verses composed by Chersias, a man of Orchomenus:–

  To Poseidon and glorious Mideia was born Aspledon in the spacious city. Chersias of Orchomenus, unknown location.

  [10] The poem of Chersias was no longer extant in my day, but these verses are quoted by Callippus in the same history of Orchomenus. The Orchomenians have a tradition that this Chersias wrote also the inscription on the grave of Hesiod.

  LEBADEIA & THE ORACLE OF TROPHONIUS

  [9.39.1] XXXIX. On the side towards the mountains the boundary of Orchomenus is Phocis, but on the plain it is Lebadeia. Originally this city stood on high ground, and was called Mideia after the mother of Aspledon. But when Lebadus came to it from Athens, the inhabitants went down to the low ground, and the city was named Lebadeia after him. Who was the father of Lebadus, and why he came, they do not know; they know only that the wife of Lebadus was Laonice.

  [9.39.2] The city is no less adorned than the most prosperous of the Greek cities, and it is separated from the grove of Trophonius by the river Hercyna. They say that here Hercyna, when playing with the Maid, the daughter of Demeter, held a goose which against her will she let loose. The bird flew into a hollow cave and hid under a stone; the Maid entered and took the bird as it lay under the stone. The water flowed, they say, from the place where the Maid took up the stone, and hence the river received the name of Hercyna.

  [9.39.3] On the bank of the river there is a temple of Hercyna, in which is a maiden holding a goose in her arms. In the cave are the sources of the river and images standing, and serpents are coiled around their scepters. One might conjecture the images to be of Asclepius and Health, but they might be Trophonius and Hercyna, because they think that serpents are just as much sacred to Trophonius as to Asclepius. By the side of the river is the tomb of Arcesilaus, whose bones, they say, were carried back from Troy by Leitus.

  [9.39.4] The most famous things in the grove are a temple and image of Trophonius; the image, made by Praxiteles, is after the likeness of Asclepius. There is also a sanctuary of Demeter surnamed Europa, and a Zeus Rain-god in the open. If you go up to the oracle, and thence onwards up the mountain, you come to what is called the Maid’s Hunting and a temple of King Zeus. This temple they have left half finished, either because of its size or because of the long succession of the wars. In a second temple are images of Cronus, Hera and Zeus. There is also a sanctuary of Apollo.

  [9.39.5] What happens at the oracle is as follows. When a man has made up his mind to descend to the oracle of Trophonius, he first lodges in a certain building for an appointed number of days, this being sacred to the good Spirit and to good Fortune. While he lodges there, among other regulations for purity he abstains from hot baths, bathing only in the river Hercyna. Meat he has in plenty from the sacrifices, for he who descends sacrifices to Trophonius himself and to the children of Trophonius, to Apollo also and Cronus, to Zeus surnamed King, to Hera Charioteer, and to Demeter whom they surname Europa and say was the nurse of Trophonius.

  [9.39.6] At each sacrifice a diviner is present, who looks into the entrails of the victim, and after an inspection prophesies to the person descending whether Trophonius will give him a kind and gracious reception. The entrails of the other victims do not declare the mind of Trophonius so much as a ram, which each inquirer sacrifices over a pit on the night he descends, calling upon Agamedes. Even though the previous sacrifices have appeared propitious, no account is taken of them unless the entrails of this ram indicate the same; but if they agree, then the inquirer descends in good hope. The procedure of the descent is this.

  [9.39.7] First, during the night he is taken to the river Hercyna by two boys of the citizens about thirteen years old, named Hermae, who after taking him there anoint him with oil and wash him. It is these who wash the descender, and do all the other necessary services as his attendant boys. After this he is taken by the priests, not at once to the oracl
e, but to fountains of water very near to each other.

  [9.39.8] Here he must drink water called the water of Forgetfulness, that he may forget all that he has been thinking of hitherto, and afterwards he drinks of another water, the water of Memory, which causes him to remember what he sees after his descent. After looking at the image which they say was made by Daedalus (it is not shown by the priests save to such as are going to visit Trophonius), having seen it, worshipped it and prayed, he proceeds to the oracle, dressed in a linen tunic, with ribbons girding it, and wearing the boots of the country.

  [9.39.9] The oracle is on the mountain, beyond the grove. Round it is a circular basement of white marble, the circumference of which is about that of the smallest threshing floor, while its height is just short of two cubits. On the basement stand spikes, which, like the cross-bars holding them together, are of bronze, while through them has been made a double door. Within the enclosure is a chasm in the earth, not natural, but artificially constructed after the most accurate masonry.

  [9.39.10] The shape of this structure is like that of a bread-oven. Its breadth across the middle one might conjecture to be about four cubits, and its depth also could not be estimated to extend to more than eight cubits. They have made no way of descent to the bottom, but when a man comes to Trophonius, they bring him a narrow, light ladder. After going down he finds a hole between the floor and the structure. Its breadth appeared to be two spans, and its height one span.

  [9.39.11] The descender lies with his back on the ground, holding barley-cakes kneaded with honey, thrusts his feet into the hole and himself follows, trying hard to get his knees into the hole. After his knees the rest of his body is at once swiftly drawn in, just as the largest and most rapid river will catch a man in its eddy and carry him under. After this those who have entered the shrine learn the future, not in one and the same way in all cases, but by sight sometimes and at other times by hearing. The return upwards is by the same mouth, the feet darting out first.

  [9.39.12] They say that no one who has made the descent has been killed, save only one of the bodyguard of Demetrius. But they declare that he performed none of the usual rites in the sanctuary, and that he descended, not to consult the god but in the hope of stealing gold and silver from the shrine. It is said that the body of this man appeared in a different place, and was not cast out at the sacred mouth. Other tales are told about the fellow, but I have given the one most worthy of consideration.

  [9.39.13] After his ascent from Trophonius the inquirer is again taken in hand by the priests, who set him upon a chair called the chair of Memory, which stands not far from the shrine, and they ask of him, when seated there, all he has seen or learned. After gaining this information they then entrust him to his relatives. These lift him, paralyzed with terror and unconscious both of himself and of his surroundings, and carry him to the building where he lodged before with Good Fortune and the Good Spirit. Afterwards, however, he will recover all his faculties, and the power to laugh will return to him.

  [9.39.14] What I write is not hearsay; I have myself inquired of Trophonius and seen other inquirers. Those who have descended into the shrine of Trophonius are obliged to dedicate a tablet on which is written all that each has heard or seen. The shield also of Aristomenes is still preserved here. Its story I have already given in a former part of my work.

  [9.40.1] XL. This oracle was once unknown to the Boeotians, but they learned of it in the following way. As there had been no rain for a year and more, they sent to Delphi envoys from each city. These asked for a cure for the drought, and were bidden by the Pythian priestess to go to Trophonius at Lebadeia and to discover the remedy from him.

  [9.40.2] Coming to Lebadeia they could not find the oracle. Thereupon Saon, one of the envoys from the city Acraephnium and the oldest of all the envoys, saw a swarm of bees. It occurred to him to follow himself wheresoever the bees turned. At once he saw the bees flying into the ground here, and he went with them into the oracle. It is said that Trophonius taught this Saon the customary ritual, and all the observances kept at the oracle.

  ART WORKS ATTRIBUTED TO DAEDALUS

  [9.40.3] Of the works of Daedalus there are these two in Boeotia, a Heracles in Thebes and the Trophonius at Lebadeia. There are also two wooden images in Crete, a Britomartis at Olus and an Athena at Cnossus, at which latter place is also Ariadne’s Dance, mentioned by Homer in the Iliad, carved in relief on white marble. At Delos, too, there is a small wooden image of Aphrodite, its right hand defaced by time, and with a square base instead of feet.

  [9.40.4] I am of opinion that Ariadne got this image from Daedalus, and when she followed Theseus, took it with her from home. Bereft of Ariadne, say the Delians, Theseus dedicated the wooden image of the goddess to the Delian Apollo, lest by taking it home he should be dragged into remembering Ariadne, and so find the grief for his love ever renewed. I know of no other works of Daedalus still in existence. For the images dedicated by the Argives in the Heraeum and those brought from Omphace to Gela in Sicily have disappeared in course of time.

  CHAERONEIA

  [9.40.5] Next to Lebadeia comes Chaeroneia. Its name of old was Arne, said to have been a daughter of Aeolus, who gave her name also to a city in Thessaly. The present name of Chaeroneia, they say, is derived from Chaeron, reputed to be a son of Apollo by Thero, a daughter of Phylas. This is confirmed also by the writer of the epic poem, the Great Eoeae:–

  [9.40.6]

  Phylas wedded a daughter of famous Iolais,

  Leipephilene, like in form to the Olympian goddesses;

  She bore him in the halls a son Hippotes,

  And lovely Thero, like to the moonbeams.

  Thero, falling into the embrace of Apollo,

  Bore mighty Chaeron, tamer of horses. The Great Eoeae, unknown location.

  Homer, I think, though he knew that Chaeroneia and Lebadeia were already so called, yet uses their ancient names, just as he speaks of the river Aegyptus, not the Nile.

  [9.40.7] In the territory of Chaeroneia are two trophies, which the Romans under Sulla set up to commemorate their victory over the army of Mithridates under Taxilus. But Philip, son of Amyntas, set up no trophy, neither here nor for any other success, whether won over Greeks or non-Greeks, as the Macedonians were not accustomed to raise trophies.

  [9.40.8] The Macedonians say that Caranus, king of Macedonia, overcame in battle Cisseus, a chieftain in a bordering country. For his victory Caranus set up a trophy after the Argive fashion, but it is said to have been upset by a lion from Olympus, which then vanished.

  [9.40.9] Caranus, they assert, realized that it was a mistaken policy to incur the undying hatred of the non-Greeks dwelling around, and so, they say, the rule was adopted that no king of Macedonia, neither Caranus himself nor any of his successors, should set up trophies, if they were ever to gain the good-will of their neighbors. This story is confirmed by the fact that Alexander set up no trophies, neither for his victory over Dareius nor for those he won in India.

  [9.40.10] As you approach the city you see a common grave of the Thebans who were killed in the struggle against Philip. It has no inscription, but is surmounted by a lion, probably a reference to the spirit of the men. That there is no inscription is, in my opinion, because their courage was not favoured by appropriate good fortune.

  [9.40.11] Of the gods, the people of Chaeroneia honor most the scepter which Homer says Hephaestus made for Zeus, Hermes received from Zeus and gave to Pelops, Pelops left to Atreus, Atreus to Thyestes, and Agamemnon had from Thyestes. This scepter, then, they worship, calling it Spear. That there is something peculiarly divine about this scepter is most clearly shown by the fame it brings to the Chaeroneans.

  [9.40.12] They say that it was discovered on the border of their own country and of Panopeus in Phocis, that with it the Phocians discovered gold, and that they were glad themselves to get the scepter instead of the gold. I am of opinion that it was brought to Phocis by Agamemnon’s daughter Electra. It has no p
ublic temple made for it, but its priest keeps the scepter for one year in a house. Sacrifices are offered to it every day, and by its side stands a table full of meats and cakes of all sorts.

  ART WORKS ATTRIBUTED TO HEPHAESTUS

  [9.41.1] XLI. Poets have sung, and the tradition of men has followed them, that Hephaestus made many works of art, but none is authentic except only the scepter of Agamemnon. However, the Lycians in Patara show a bronze bowl in their temple of Apollo, saying that Telephus dedicated it and Hephaestus made it, apparently in ignorance of the fact that the first to melt bronze were the Samians Theodorus and Rhoecus.

  [9.41.2] The Achaeans of Patrae assert indeed that Hephaestus made the chest brought by Eurypylus from Troy, but they do not actually exhibit it to view. In Cyprus is a city Amathus, in which is an old sanctuary of Adonis and Aphrodite. Here they say is dedicated a necklace given originally to Harmonia, but called the necklace of Eriphyle, because it was the bribe she took to betray her husband. It was dedicated at Delphi by the sons of Phegeus (how they got it I have already related in my history of Arcadia), but it was carried off by the tyrants of Phocis.

  [9.41.3] However, I do not think that it is in the sanctuary of Adonis at Amathus. For the necklace at Amathus is composed of green stones held together by gold, but the necklace given to Eriphyle was made entirely of gold, according to Homer, who says in the Odyssey:–

  Who received precious gold, the price of her own husband. Hom. Od. 11.327

  Not that Homer was unaware of necklaces made of various materials.

  [9.41.4] For example, in the speech of Eumaeus to Odysseus before Telemachus reaches the court from Pylus, he says:–

  There came a cunning man to the home of my father,

  With a necklace of gold strung with amber in between. Hom. Od. 15.459

  [9.41.5] Again, in the passage called the gifts of Penelope, for he represents the wooers, Eurymachus among them, offering her gifts, he says:–

  And Eurymachus straightway brought a necklace of varied materials,