Delphi Complete Works of Pausanias

by Pausanias

  [20.9] But Telesilla mounted on the wall all the slaves and such as were incapable of bearing arms through youth or old age, and she herself, collecting the arms in the sanctuaries and those that were left in the houses, armed the women of vigorous age, and then posted them where she knew the enemy would attack. When the Lacedaemonians came on, the women were not dismayed at their battle-cry, but stood their ground and fought valiantly. Then the Lacedaemonians, realizing that to destroy the women would be an invidious success while defeat would mean a shameful disaster, gave way before the women.

  [10] πρότερον δὲ ἔτι τὸν ἀγῶνα τοῦτον προεσήμηνεν ἡ Πυθία, καὶ τὸ λόγιον εἴτε ἄλλως εἴτε καὶ ὡς συνεὶς ἐδήλωσεν Ἡρόδοτος: “ἀλλ᾽ ὅταν ἡ θήλεια τὸν ἄρρενα νικήσασα

  ἐξελάσῃ καὶ κῦδος ἐν Ἀργείοισιν ἄρηται,

  πολλὰς Ἀργείων ἀμφιδρυφέας τότε θήσει.

  “Hdt 6.77

  τὰ μὲν ἐς τὸ ἔργον τῶν γυναικῶν ἔχοντα τοῦ χρησμοῦ ταῦτα ἦν:

  [20.10] This fight had been foretold by the Pythian priestess in the oracle quoted by Herodotus, who perhaps understood to what it referred and perhaps did not:–

  But when the time shall come that the female conquers in battle,

  Driving away the male, and wins great glory in Argos,

  Many an Argive woman will tear both cheeks in her sorrow. Hdt. 6.77

  Such are the words of the oracle referring to the exploit of the women.

  21. κατελθοῦσι δὲ ἐντεῦθεν καὶ τραπεῖσιν αὖθις ἐπὶ τὴν ἀγοράν, ἔστι μὲν Κερδοῦς Φορωνέως γυναικὸς μνῆμα, ἔστι δὲ ναὸς Ἀσκληπιοῦ. τὸ δὲ τῆς Ἀρτέμιδος ἱερὸν ἐπίκλησιν Πειθοῦς, Ὑπερμήστρα καὶ τοῦτο ἀνέθηκε νικήσασα τῇ δίκῃ τὸν πατέρα ἣν τοῦ Λυγκέως ἕνεκα ἔφυγε. καὶ Αἰνείου ἐνταῦθα χαλκοῦς ἀνδριάς ἐστι καὶ χωρίον καλούμενον Δέλτα: ἐφ᾽ ὅτῳ δέ — οὐ γάρ μοι τὰ λεγόμενα ἤρεσκεν — , ἑκὼν παρίημι.

  [21.1] XXI. Having descended thence, and having turned again to the market-place, we come to the tomb of Cerdo, the wife of Phoroneus, and to a temple of Asclepius. The sanctuary of Artemis, surnamed Persuasion, is another offering of Hypermnestra after winning the trial to which she was brought by her father because of Lynceus. Here there is also a bronze statue of Aeneas, and a place called Delta. I intentionally do not discuss the origin of the name, because I could not accept the traditional accounts.

  [2] πρὸ δὲ αὐτοῦ πεποίηται Διὸς Φυξίου βωμὸς καὶ πλησίον Ὑπερμήστρας μνῆμα Ἀμφιαράου μητρός, τὸ δὲ ἕτερον Ὑπερμήστρας τῆς Λαναοῦ: σὺν δὲ αὐτῇ καὶ Λυγκεὺς τέθαπται. τούτων δὲ ἀπαντικρὺ Ταλαοῦ τοῦ Βίαντός ἐστι τάφος: τὰ δὲ ἐς Βίαντα καὶ ἀπογόνους τοῦ Βίαντος ἤδη λέλεκταί μοι.

  [21.2] In front of it stands an altar of Zeus Phyxius (God of Fight), and near is the tomb of Hypermnestra, the mother of Amphiaraus, the other tomb being that of Hypermnestra, the daughter of Danaus, with whom is also buried Lynceus. Opposite these is the grave of Talaus, the son of Bias; the history of Bias and his descendants I have already given.

  [3] Ἀθηνᾶς δὲ ἱδρύσασθαι Σάλπιγγος ἱερόν φασιν Ἡγέλεων. Τυρσηνοῦ δὲ τοῦτον τὸν Ἡγέλεων, τὸν δὲ Ἡρακλέους εἶναι καὶ γυναικὸς λέγουσι τῆς Λυδῆς, Τυρσηνὸν δὲ σάλπιγγα εὑρεῖν πρῶτον, Ἡγέλεων δὲ τὸν Τυρσηνοῦ διδάξαι τοὺς σὺν Τημένῳ Δωριέας τοῦ ὀργάνου τὸν ψόφον καὶ δι᾽ αὐτὸ Ἀθηνᾶν ἐπονομάσαι Σάλπιγγα. πρὸ δὲ τοῦ ναοῦ τῆς Ἀθηνᾶς Ἐπιμενίδου λέγουσιν εἶναι τάφον: Λακεδαιμονίους γὰρ πολεμήσαντας πρὸς Κνωσσίους ἑλεῖν ζῶντα Ἐπιμενίδην, λαβόντας δὲ ἀποκτεῖναι, διότι σφίσιν οὐκ αἴσια ἐμαντεύετο, αὐτοὶ δὲ ἀνελόμενοι θάψαι ταύτῃ φασί.

  [21.3] A sanctuary of Athena Trumpet they say was founded by Hegeleos. This Hegeleos, according to the story, was the son of Tyrsenus, and Tyrsenus was the son of Heracles and the Lydian woman; Tyrsenus invented the trumpet, and Hegeleos, the son of Tyrsenus, taught the Dorians with Temenus how to play the instrument, and for this reason gave Athena the surname Trumpet. Before the temple of Athena is, they say, the grave of Epimenides. The Argive story is that the Lacedaemonians made war upon the Cnossians and took Epimenides alive; they then put him to death for not prophesying good luck to them, and the Argives taking his body buried it here.

  [4] τὸ δὲ οἰκοδόμημα λευκοῦ λίθου κατὰ μέσον μάλιστα τῆς ἀγορᾶς οὐ τρόπαιον ἐπὶ Πύρρῳ τῷ Ἠπειρώτῃ, καθὰ λέγουσιν οἱ Ἀργεῖοι, καυθέντος δὲ ἐνταῦθα τοῦ νεκροῦ μνῆμα καὶ τοῦτο ἂν εὕροι τις, ἐν ᾧ τά τε ἄλλα ὅσοις ὁ Πύρρος ἐχρῆτο ἐς τὰς μάχας καὶ οἱ ἐλέφαντές εἰσιν ἐπειργασμένοι. τοῦτο μὲν δὴ κατὰ τὴν πυρὰν τὸ οἰκοδόμημα ἐγένετο: αὐτὰ δὲ κεῖται τοῦ Πύρρου τὰ ὀστᾶ ἐν τῷ ἱερῷ τῆς Δήμητρος, παρ᾽ ᾧ συμβῆναί οἱ καὶ τὴν τελευτὴν ἐδήλωσα ἐν τῇ Ἀτθίδι συγγραφῇ. τοῦ δὲ τῆς Δήμητρος ἱεροῦ τούτου κατὰ τὴν ἔσοδον ἀσπίδα ἰδεῖν Πύρρου χαλκῆν ἔστιν ὑπὲρ τῶν θυρῶν ἀνακειμένην.

  [21.4] The building of white marble in just about the middle of the marketplace is not, as the Argives declare, a trophy in honor of a victory over Pyrrhus of Epeirus, but it can be shown that his body was burnt here, and that this is his monument, on which are carved in relief the elephants and his other instruments of warfare. This building then was set up where the pyre stood, but the bones of Pyrrhus lie in the sanctuary of Demeter, beside which, as I have shown in my account of Attica, his death occurred. At the entrance to this sanctuary of Demeter you can see a bronze shield of Pyrrhus hanging dedicated over the door.

  [5] τοῦ δὲ ἐν τῇ ἀγορᾷ τῶν Ἀργείων οἰκοδομήματος οὐ μακρὰν χῶμα γῆς ἐστιν: ἐν δὲ αὐτῷ κεῖσθαι τὴν Μεδούσης λέγουσι τῆς Γοργόνος κεφαλήν. ἀπόντος δὲ τοῦ μύθου τάδε ἄλλα ἐς αὐτήν ἐστιν εἰρημένα: Φόρκου μὲν θυγατέρα εἶναι, τελευτήσαντος δέ οἱ τοῦ πατρὸς βασιλεύειν τῶν περὶ τὴν λίμνην τὴν Τριτωνίδα οἰκούντων καὶ ἐπὶ θήραν τε ἐξιέναι καὶ ἐς τὰς μάχας ἡγεῖσθαι τοῖς Λίβυσι καὶ δὴ καὶ τότε ἀντικαθημένην στρατῷ πρὸς τὴν Περσέως δύναμιν — ἕπεσθαι γὰρ καὶ τῷ Περσεῖ λογάδας ἐκ Πελοποννήσου — δολοφονηθῆναι νύκτωρ, καὶ τὸν Περσέα τὸ κάλλος ἔτι καὶ ἐπὶ νεκρῷ θαυμάζοντα οὕτω τὴν κεφαλὴν ἀποτεμόντα αὐτῆς ἄγειν τοῖς Ἕλλησιν ἐς ἐπίδειξιν.

  [21.5] Not far from the building in the market-place of Argos is a mound of earth, in which they say lies the head of the Gorgon Medusa. I omit the miraculous,
but give the rational parts of the story about her. After the death of her father, Phorcus, she reigned over those living around Lake Tritonis, going out hunting and leading the Libyans to battle. On one such occasion, when she was encamped with an army over against the forces of Perseus, who was followed by picked troops from the Peloponnesus, she was assassinated by night. Perseus, admiring her beauty even in death, cut off her head and carried it to show the Greeks.

  [6] Καρχηδονίῳ δὲ ἀνδρὶ Προκλεῖ τῷ Εὐκράτους ἕτερος λόγος ὅδε ἐφαίνετο εἶναι τοῦ προτέρου πιθανώτερος. Λιβύης ἡ ἔρημος καὶ ἄλλα παρέχεται θηρία ἀκούσασιν οὐ πιστὰ καὶ ἄνδρες ἐνταῦθα ἄγριοι καὶ ἄγριαι γίνονται γυναῖκες: ἔλεγέ τε ὁ Προκλῆς ἀπ᾽ αὐτῶν ἄνδρα ἰδεῖν κομισθέντα ἐς Ῥώμην. εἴκαζεν οὖν πλανηθεῖσαν γυναῖκα ἐκ τούτων καὶ ἀφικομένην ἐπὶ τὴν λίμνην τὴν Τριτωνίδα λυμαίνεσθαι τοὺς προσοίκους, ἐς ὃ Περσεὺς ἀπέκτεινεν αὐτήν: Ἀθηνᾶν δέ οἱ συνεπιλαβέσθαι δοκεῖν τοῦ ἔργου, ὅτι οἱ περὶ τὴν λίμνην τὴν Τριτωνίδα ἄνθρωποι ταύτης εἰσὶν ἱεροί.

  [21.6] But Procles, the son of Eucrates, a Carthaginian, thought a different account more plausible than the preceding. It is as follows. Among the incredible monsters to be found in the Libyan desert are wild men and wild women. Procles affirmed that he had seen a man from them who had been brought to Rome. So he guessed that a woman wandered from them, reached Lake Tritonis, and harried the neighbours until Perseus killed her; Athena was supposed to have helped him in this exploit, because the people who live around Lake Tritonis are sacred to her.

  [7] ἐν δὲ Ἄργει παρὰ τοῦτο δὴ τὸ μνῆμα τῆς Γοργόνος Γοργοφόνης τάφος ἐστὶ τῆς Περσέως. καὶ ἐφ᾽ ὅτῳ μὲν αὐτῇ τὸ ὄνομα ἐτέθη, δῆλον εὐθὺς ἀκούσαντι: γυναικῶν δὲ πρώτην αὐτήν φασι τελευτήσαντος τοῦ ἀνδρὸς Περιήρους τοῦ Αἰόλου — τούτῳ γὰρ παρθένος συνῴκησε — , τὴν δὲ αὖθις Οἰβάλῳ γήμασθαι: πρότερον δὲ καθεστήκει ταῖς γυναιξὶν ἐπὶ ἀνδρὶ ἀποθανόντι χηρεύειν.

  [21.7] In Argos, by the side of this monument of the Gorgon, is the grave of Gorgophone (Gorgon-kilIer), the daughter of Perseus. As soon as you hear the name you can understand the reason why it was given her. On the death of her husband, Perieres, the son of Aeolus, whom she married when a virgin, she married Oebalus, being the first woman, they say, to marry a second time; for before this wives were wont, on the death of their husbands, to live as widows.

  [8] τοῦ τάφου δὲ ἔμπροσθεν τρόπαιον λίθου πεποίηται κατὰ ἀνδρὸς Ἀργείου Λαφάους: τοῦτον γὰρ — γράφω δὲ ὁπόσα λέγουσιν αὐτοὶ περὶ σφῶν Ἀργεῖοι — τυραννοῦντα ἐξέβαλεν ἐπαναστὰς ὁ δῆμος, φυγόντα δὲ ἐς Σπάρτην Λακεδαιμόνιοι κατάγειν ἐπειρῶντο ἐπὶ τυραννίδι, νικήσαντες δὲ οἱ Ἀργεῖοι τῇ μάχῃ Λαφάην τε καὶ τῶν Λακεδαιμονίων τοὺς πολλοὺς ἀπέκτειναν.

  τὸ δὲ ἱερὸν τῆς Λητοῦς ἔστι μὲν οὐ μακρὰν τοῦ τροπαίου, τέχνη δὲ τὸ ἄγαλμα Πραξιτέλους.

  [21.8] In front of the grave is a trophy of stone made to commemorate a victory over an Argive Laphaes. When this man was tyrant I write what the Argives themselves say concerning themselves – the people rose up against him and cast him out. He fled to Sparta, and the Lacedaemonians tried to restore him to power, but were defeated by the Argives, who killed the greater part of them and Laphaes as well. Not far from the trophy is the sanctuary of Leto; the image is a work of Praxiteles.

  [9] τὴν δὲ εἰκόνα παρὰ τῇ θεῷ τῆς παρθένου Χλῶριν ὀνομάζουσι, Νιόβης μὲν θυγατέρα εἶναι λέγοντες, Μελίβοιαν δὲ καλεῖσθαι τὸ ἐξ ἀρχῆς: ἀπολλυμένων δὲ ὑπὸ Ἀρτέμιδος καὶ Ἀπόλλωνος τῶν Ἀμφίονος παίδων περιγενέσθαι μόνην τῶν ἀδελφῶν ταύτην καὶ Ἀμύκλαν, περιγενέσθαι δὲ εὐξαμένους τῇ Λητοῖ. Μελίβοιαν δὲ οὕτω δή τι παραυτίκα τε χλωρὰν τὸ δεῖμα ἐποίησε καὶ ἐς τὸ λοιπὸν τοῦ βίου παρέμεινεν ὡς καὶ τὸ ὄνομα ἐπὶ τῷ συμβάντι ἀντὶ Μελιβοίας αὐτῇ γενέσθαι Χλῶριν.

  [21.9] The statue of the maiden beside the goddess they call Chloris (Pale), saying that she was a daughter of Niobe, and that she was called Meliboea at the first. When the children of Amphion were destroyed by Apollo and Arternis, she alone of her sisters, along with Amyclas, escaped; their escape was due to their prayers to Leto. Meliboea was struck so pale by her fright, not only at the time but also for the rest of her life, that even her name was accordingly changed from Meliboea to Chloris.

  [10] τούτους δή φασιν Ἀργεῖοι τὸ ἐξ ἀρχῆς οἰκοδομῆσαι τῇ Λητοῖ τὸν ναόν: ἐγὼ δὲ — πρόσκειμαι γὰρ πλέον τι ἢ οἱ λοιποὶ τῇ Ὁμήρου ποιήσει — δοκῶ τῇ Νιόβῃ τῶν παίδων μηδένα ὑπόλοιπον γενέσθαι. μαρτυρεῖ δέ μοι τὸ ἔπος”τὼ δ᾽ ἄρα καὶ δοιώ περ ἐόντ᾽ ἀπὸ πάντας ὄλεσσαν.

  “Hom. Il 24.609

  οὗτος μὲν δὴ τὸν οἶκον τὸν Ἀμφίονος ἐκ βάθρων ἀνατραπέντα οἶδε:

  [21.10] Now the Argives say that these two built originally the temple to Leto, but I think that none of Niobe’s children survived, for I place more reliance than others on the poetry of Homer, one of whose verses bears out my view:–

  Though they were only two, yet they gave all to destruction. Hom. Il. 24.609

  So Homer knows that the house of Amphion was utterly overthrown.

  22. τῆς δὲ Ἥρας ὁ ναὸς τῆς Ἀνθείας ἐστὶ τοῦ ἱεροῦ τῆς Λητοῦς ἐν δεξιᾷ καὶ πρὸ αὐτοῦ γυναικῶν τάφος. ἀπέθανον δὲ αἱ γυναῖκες ἐν μάχῃ πρὸς Ἀργείους τε καὶ Περσέα, ἀπὸ νήσων τῶν ἐν Αἰγαίῳ Διονύσῳ συνεστρατευμέναι: καὶ διὰ τοῦτο Ἁλίας αὐτὰς ἐπονομάζουσιν. ἀντικρὺ δὲ τοῦ μνήματος τῶν γυναικῶν Δήμητρός ἐστιν ἱερὸν ἐπίκλησιν Πελασγίδος ἀπὸ τοῦ ἱδρυσαμένου Πελασγοῦ τοῦ Τριόπα, καὶ οὐ πόρρω τοῦ ἱεροῦ τάφος Πελασγοῦ.

  [22.1] XXII. The temple of Hera Anthea (Flowery) is on the right of the sanctuary of Leto, and before it is a grave of women. They were killed in a battle against the Argives under Perseus, having come from the Aegean Islands to help Dionysus in war; for which reason they are surnamed Haliae (Women of the Sea). Facing the tomb of the women is a sanctuary of Demeter, surnamed Pelasgian from Pelasgus, son of Triopas, its founder, and not far from the sanctuary is the grave of Pelasgus.

  [2] πέραν δὲ τοῦ τάφου χαλκεῖόν ἐστιν οὐ μέγα, ἀνέχει δὲ αὐτὸ ἀγάλματα ἀρχαῖα Ἀρτέμιδος καὶ Διὸς καὶ Ἀθηνᾶς. Λυκέας μὲν οὖν ἐν τοῖς ἔπεσιν ἐποίησε Μηχανέως τὸ ἄγαλμα εἶναι Διός, καὶ Ἀρ�
�είων ἔφη τοὺς ἐπὶ Ἴλιον στρατεύσαντας ἐνταῦθα ὀμόσαι παραμενεῖν πολεμοῦντας, ἔστ᾽ ἂν ἢ τὸ Ἴλιον ἕλωσιν ἢ μαχομένους τελευτὴ σφᾶς ἐπιλάβῃ: ἑτέροις δέ ἐστιν εἰρημένον ὀστᾶ ἐν τῷ χαλκείῳ κεῖσθαι Ταντάλου.

  [22.2] Opposite the grave is a small bronze vessel supporting ancient images of Artemis, Zeus, and Athena. Now Lyceas in his poem says that the image is of Zeus Mechaneus (Contriver), and that here the Argives who set out against Troy swore to hold out in the war until they either took Troy or met their end fighting. Others have said that in the bronze vessel lie the bones of Tantalus.

  [3] τὸν μὲν δὴ Θυέστου παῖδα ἢ Βροτέου — λέγεται γὰρ ἀμφότερα — , ὃς Κλυταιμνήστρᾳ πρότερον ἢ Ἀγαμέμνων συνῴκησε, τοῦτον μὲν τὸν Τάνταλον οὐ διοίσομαι ταφῆναι ταύτῃ: τοῦ δὲ λεγομένου Διός τε εἶναι καὶ Πλουτοῦς ἰδὼν οἶδα ἐν Σιπύλῳ τάφον θέας ἄξιον. πρὸς δὲ οὐδὲ ἀνάγκη συνέπεσεν ἐκ τῆς Σιπύλου φυγεῖν αὐτόν, ὡς Πέλοπα ἐπέλαβεν ὕστερον ἐλαύνοντος Ἴλου τοῦ Φρυγὸς ἐπ᾽ αὐτὸν στρατείᾳ.

  τάδε μὲν ἐς τοσοῦτον ἐξητάσθω: τὰ δὲ ἐς τὸν βόθρον τὸν πλησίον δρώμενα Νικόστρατον ἄνδρα ἐπιχώριον καταστήσασθαι λέγουσιν. ἀφιᾶσι δὲ καὶ νῦν ἔτι ἐς τὸν βόθρον καιομένας λαμπάδας Κόρῃ τῇ Δήμητρος.