Selected Stories

by Stefan Zweig

  STEFAN ZWEIG

  SELECTED STORIES

  Translated from the German by

  Anthea Bell

  and

  Eden and Cedar Paul

  PUSHKIN PRESS

  LONDON

  Table of Contents

  Title Page

  Fantastic Night

  Letter from an Unknown Woman

  The Fowler Snared

  The Invisible Collection

  Buchmendel

  Twenty-four Hours in the Life of a Woman

  Copyright

  SELECTED STORIES

  FANTASTIC NIGHT

  Translated from the German by Anthea Bell

  A SEALED PACKET containing the following pages was found in the desk of Baron Friedrich Michael von R … after he fell at the battle of Rawaruska in the autumn of 1914, fighting with a regiment of dragoons as a lieutenant in the Austrian reserve. His family, assuming from the title and a fleeting glance at the contents that this was merely a literary work by their relative, gave it to me to assess and entrusted me with its publication. I myself do not by any means regard these papers as fiction; instead, I believe them to be a record of the dead man’s own experience, faithful in every detail, and I therefore publish his psychological self-revelation without any alteration or addition, suppressing only his surname.

  This morning I suddenly conceived the notion of writing, for my own benefit, an account of my experiences on that fantastic night, in order to survey the entire incident in its natural order of occurrence. And ever since that abrupt moment of decision I have felt an inexplicable compulsion to set my adventure down in words, although I doubt whether I can describe its strange nature at all adequately. I have not a trace of what people call artistic talent, nor any literary experience, and apart from a few rather light-hearted squibs for the Theresianum I have never tried to write anything. I don’t even know, for instance, if there is some special technique to be learnt for arranging the sequence of outward events and their simultaneous inner reflection in order, and I wonder whether I am capable of always finding the right word for a certain meaning and the right meaning for a certain word, so as to achieve the equilibrium which I have always subconsciously felt in reading the work of every true storyteller. But I write these lines solely for my own satisfaction, and they are certainly not intended to make something that I can hardly explain even to myself intelligible to others. They are merely an attempt to confront an incident which constantly occupies my mind, keeping it in a state of painfully active fermentation, and to draw a line under it at last: to set it all down, place it before me, and cover it from every angle.

  I have not told any of my friends about the incident, first because I felt that I could not make them understand its essential aspects, and then out of a certain sense of shame at having been so shattered and agitated by something that happened quite by chance. For the whole thing is really just a small episode. But even as I write this, I begin to realise how difficult it is for an amateur to choose words of the right significance when he is writing, and what ambiguity, what possibilities of misunderstanding can attach to the simplest of terms. For if I describe the episode as small, of course I mean it only as relatively small, by comparison with those mighty dramatic events that sweep whole nations and human destinies along with them, and then again I mean it as small in terms of time, since the whole sequence of events occupied no more than a bare six hours. To me, however, that experience—which in the general sense was minor, insignificant, unimportant—meant so extraordinarily much that even today, four months after that fantastic night, I still burn with the memory of it, and must exert all my intellectual powers to keep it to myself. Daily, hourly, I go over all the details again, for in a way it has become the pivot on which my whole existence turns; everything I do and say is unconsciously determined by it, my thoughts are solely concerned with going over and over its sudden intrusion into my life, and thereby confirming that it really did happen to me. And now I suddenly know, too, what I certainly had not yet guessed ten minutes ago when I picked up my pen: that I am recording my experience only in order to have it securely and, so to speak, objectively fixed before me, to enjoy it again in my emotions while at the same time understanding it intellectually. It was quite wrong, quite untrue when I said just now that I wanted to draw a line under it by writing it down; on the contrary, I want to make what I lived through all too quickly even more alive, to have it warm and breathing beside me, so that I can clasp it to me again and again. Oh, I am not afraid of forgetting so much as a second of that sultry afternoon, that fantastic night, I need no markers or milestones to help me trace the path I took in those hours step by step in memory: like a sleepwalker I find myself back under its spell at any time, in the middle of the day or the middle of the night, seeing every detail with that clarity of vision that only the heart and not the feeble memory knows. I could draw the outline of every single leaf in that green spring landscape on this paper, even now in autumn I feel the mild air, the soft and pollen-laden wafts of chestnut blossom. So if I am about to describe those hours again, it is done not for fear of forgetting them but for the joy of bringing them to life again. And if I now describe the changes that took place that night, all exactly as they occurred, then I must control myself for the sake of an orderly account, for whenever I begin to think of the details of my experience ecstasy wells up from my emotions, a kind of intoxication overcomes me, and I have to hold back the images of memory to keep them from tumbling over one another in wild confusion, colourful and frenzied. With passionate ardour, I still relive what I experienced on that day, the 7th of June, 1913, when I took a cab at noon …

  But once more I feel I must pause, for yet again, and with some alarm, I become aware of the double-edged ambiguity of a single word. Only now that, for the first time, I am to tell a story in its full context do I understand the difficulty of expressing the ever-changing aspect of all that lives in concentrated form. I have just written “I”, and said that I took a cab at noon on the 7th of June, 1913. But the word itself is not really straightforward, for I am by no means still the “I” of that time, that 7th of June, although only four months have passed since that day, although I live in the apartment of that former “I” and write at his desk, with his pen, and with his own hand. I am quite distinct from the man I was then, because of this experience of mine, I see him now from the outside, looking coolly at a stranger, and I can describe him like a playmate, a comrade, a friend whom I know well and whose essential nature I also know, but I am not that man any longer. I could speak of him, blame or condemn him, without any sense that he was once a part of me.

  The man I was then differed very little, either outwardly or inwardly, from most of his social class, which we usually describe here in Vienna, without any particular pride but as something to be taken entirely for granted, as ‘fashionable society’. I was entering my thirty-sixth year, my parents had died prematurely just before I came of age, leaving me a fortune which proved large enough to make it entirely superfluous for me to think thereafter of earning a living or pursuing a career. I was thus unexpectedly spared a decision which weighed on my mind a great deal at the time. For I had just finished my university studies and was facing the choice of a future profession. Thanks to our family connections and my own early inclination for a contemplative existence proceeding at a tranquil pace, I would probably have opted for the civil service, when this parental fortune came to me as sole heir, suddenly assuring me of an independence sufficient to satisfy extensive and even luxurious wishes without working. Ambition had never troubled me, so I decided to begin by watching life at my leisure for a few years, waiting until I finally felt tempted to find some circle of influence for myself. However, I never got beyond thi
s watching and waiting, for as there was nothing in particular that I wanted, I could have anything within the narrow scope of my wishes: the mellow and sensuous city of Vienna, which excels like no other in bringing leisurely strolls, idle observation and the cultivation of elegance to a peak of positively artistic perfection, a purpose in life of itself, enabled me to forget entirely my intention of taking up some real activity. I had all the satisfactions an elegant, noble, well-to-do, good-looking young man without ambition could desire: the harmless excitement of gambling, hunting, the regular refreshment of travels and excursions, and soon I began cultivating this peaceful way of life more and more elaborately, with expertise and artistic inclination. I collected rare glasses, not so much from a true passion for them as for the pleasure of acquiring solid knowledge in the context of an undemanding hobby, I hung my apartment with a particular kind of Italian Baroque engravings and landscapes in the style of Canaletto—acquiring them from second-hand shops or bidding for them at auction provided the excitement of the chase without any dangers—I followed many other pursuits out of a liking for them and always with good taste, and I was seldom absent from performances of good music or the studios of our painters. I did not lack for success with women, and here too, with the secret collector’s urge which in a way indicates a lack of real involvement, I chalked up many memorable and precious hours of varied experience. In this field I gradually moved from being a mere sensualist to the status of a knowledgeable connoisseur. All things considered, I had enjoyed many experiences which occupied my days pleasantly and allowed me to feel that my life was a full one, and increasingly I began to relish the easygoing, pleasant atmosphere of a youthful existence that was lively but never agitated. I formed almost no new wishes, for quite small things could blossom into pleasures in the calm climate of my days. A well-chosen tie could make me almost merry; a good book, an excursion in a motor car or an hour with a woman left me fully satisfied. It particularly pleased me to ensure that this way of life, like a faultlessly correct suit of English tailoring, did not make me conspicuous in any way. I believe I was considered pleasant company, I was popular and welcome in society, and most who knew me called me a happy man.

  I cannot now say whether the man of that time, whom I am trying to conjure up here, thought himself as happy as those others did, for now that this experience of mine has made me expect a much fuller and more fulfilled significance in every emotion, I find it almost impossible to assess his happiness in retrospect. But I can say with certainty that I felt myself by no means unhappy at the time, for my wishes almost never went unsatisfied and nothing I required of life was withheld. But the very fact that I had become accustomed to getting all I asked from destiny, and demanded no more, led gradually to a certain absence of excitement, a lifelessness in life itself. Those yearnings that then stirred unconsciously in me at many moments of half-realisation were not really wishes, but only the wish for wishes, a craving for desires that would be stronger, wilder, more ambitious, less easily satisfied, a wish to live more and perhaps to suffer more as well. I had removed all obstacles from my life by a method that was only too reasonable, and my vitality was sapped by that absence of obstacles. I noticed that I wanted fewer things and did not want them so much, that a kind of paralysis had come over my feelings, so that—perhaps this is the best way to express it—so that I was suffering from emotional impotence, an inability to take passionate possession of life. I recognised this defect from small signs at first. I noticed that I was absent more and more often from the theatre and society on certain occasions of great note, that I ordered books which had been praised to me and then left them lying on my desk for weeks with their pages still uncut, that although I automatically continued to pursue my hobbies, buying glasses and antiques, I did not trouble to classify them once they were mine, nor did I feel any particular pleasure in unexpectedly acquiring a rare piece which it had taken me a long time to find.

  However, I became really aware of this lessening of my emotional vigour, slight but indicative of change, on a certain occasion which I still remember clearly. I had stayed in Vienna for the summer—again, as a result of that curious lethargy which left me feeling no lively attraction to anything new—when I suddenly received a letter written in a spa resort. It was from a woman with whom I had had an intimate relationship for three years, and I even truly thought I loved her. She wrote fourteen agitated pages to tell me that in her weeks at the spa she had met a man who meant a great deal to her, indeed everything, she was going to marry him in the autumn, and the relationship between us must now come to an end. She said that she thought of our time together without regret, indeed with happiness, the memory of me would accompany her into her marriage as the dearest of her past life, and she hoped I would forgive her for her sudden decision. After this factual information, her agitated missive surpassed itself in truly moving entreaties, begging me not to be angry with her, not to feel too much pain at her sudden termination of our relationship; I mustn’t try to get her back by force, or do anything foolish to myself. Her lines ran on, becoming more and more passionate: I must and would find comfort with someone better, I must write to her at once, for she was very anxious about my reception of her message. And as a postscript she had hastily scribbled, in pencil: “Don’t do anything stupid, understand me, forgive me!” I read this letter, surprised at first by her news, and then, when I had skimmed all through it, I read it a second time, now with a certain shame which, on making itself felt, soon became a sense of inner alarm. For none of the strong yet natural feelings which my lover supposed were to be taken for granted had even suggested themselves to me. I had not suffered on hearing her news, I had not been angry with her, and I had certainly not for a second contemplated any violence against either her or myself, and this coldness of my emotions was too strange not to alarm me. A woman was leaving me, a woman who had been my companion for years, whose warm and supple body had offered itself to me, whose breath had mingled with mine in long nights together, and nothing stirred in me, nothing protested, nothing sought to get her back, I had none of those feelings that this woman’s pure instinct assumed were natural in any human being. At that moment I was fully aware for the first time how far advanced the process of paralysis already was in me—it was as if I were moving through flowing, bright water without being halted or taking root anywhere, and I knew very well that this chill was something dead and corpse-like, not yet surrounded by the foul breath of decomposition but already numbed beyond recovery, a grimly cold lack of emotion. It was the moment that precedes real, physical death and outwardly visible decay.

  After that episode I began carefully observing myself and this curious paralysis of my feelings, as a sick man observes his sickness. When, shortly afterwards, a friend of mine died and I followed his coffin to the grave, I listened to myself to see if I did not feel grief, if some emotion did not move in me at the knowledge that this man, who had been close to me since our childhood, was now lost to me for ever. But nothing stirred, I felt as if I were made of glass, with the world outside shining straight through me and never lingering within, and hard as I attempted on this and many similar occasions to feel something, however much I tried, through reasonable argument, to make myself feel emotion, no response came from my rigid state of mind. People parted from me, women came and went, and I felt much like a man sitting in a room with rain beating on the window panes; there was a kind of sheet of glass between me and my immediate surroundings, and my will was not strong enough to break it.

  Although I felt this clearly, the realisation caused me no real uneasiness, for as I have said, I took even what affected myself with indifference. I no longer had feeling enough to suffer. It was enough for me that this internal flaw was hardly perceptible from the outside, in the same way as a man’s physical impotence becomes obvious only at the moment of intimacy, and in company I often put on a certain elaborate show, employing artificially passionate admiration and spontaneous exaggeration to hide the extent to w
hich I knew I was dead and unfeeling inside. Outwardly I continued my old comfortable, unconstrained way of life without any change of direction; weeks, months passed easily by and slowly, gathering darkly into years. One morning when I looked in the glass I saw a streak of grey at my temple, and felt that my youth was slowly departing. But what others call youth had long ago ended in me, so taking leave of it did not hurt very much, since I did not love even my own youth enough for that. My refractory emotions preserved their silence even to me.

  This inner rigidity made my days more and more similar, despite all the varied occupations and events that filled them, they ranged themselves side by side without emphasis, they grew and faded like the leaves of a tree. And the single day I am about to describe for my own benefit began in a perfectly ordinary way too, without anything odd to mark it, without any internal premonition. On that day, the 7th of June, 1913, I had got up later than usual because of a subconscious Sunday feeling, something that lingered from my childhood and schooldays. I had taken my bath, read the paper, dipped into some books, and then, lured out by the warm summer day that compassionately made its way into my room, I went for a walk. I crossed the Graben in my usual way, greeted friends and acquaintances and conducted brief conversations with some of them, and then I lunched with friends. I had avoided any engagement for the afternoon, since I particularly liked to have a few uninterrupted hours on Sunday which I could use just as my mood, my pleasure or some spontaneous decision dictated. As I left my friends and crossed the Ringstrasse, I felt the beauty of the sunny city doing me good, and enjoyed its early summer finery. All the people seemed cheerful, as if they were in love with the Sunday atmosphere of the lively street, and many details struck me, in particular the way the broad, bushy trees rose from the middle of the asphalt wearing their new green foliage. Although I went this way almost daily, I suddenly became aware of the Sunday crowd as if it were a miracle, and involuntarily I felt a longing for a great deal of greenery, brightness and colour. I thought with a certain interest of the Prater, where in late spring and early summer the great trees stand to right and left of the main avenue down which the carriages drive, motionless like huge green footmen as they hold up their white candles of blossom to the many well-groomed and elegant passers by. Used as I was to indulging the most fleeting whim at once, I hailed the first cab I saw, and when the cabby asked where I was going I told him the Prater. “Ah, to the races, Baron, am I right?” he replied obsequiously, as if that was to be taken for granted. Only then did I remember that there was a fashionable race meeting today, a preview of the local Derby, where Viennese high society foregathered. How strange, I thought as I got into the cab, only a few years ago how could I possibly have forgotten or failed to attend such a day? When I thought of my forgetfulness I once again felt all the rigidity of the indifference to which I had fallen victim, just as a sick man feels his injury when he moves.