Selected Stories

by Stefan Zweig

  When I entered the gaming hall that evening, passed two crowded tables, reached a third, and was taking out a few coins, I was surprised to hear a very strange sound directly opposite me in the wordless, tense pause that seems to echo with silence and always sets in as the ball, moving sluggishly, hesitates between two numbers. It was a cracking, clicking sound like the snapping of joints. I looked across the table in amazement. And then I saw—I was truly startled!—I saw two hands such as I had never seen before, left and right clutching each other like doggedly determined animals, bracing and extending together and against one another with such heightened tension that the fingers’ joints cracked with a dry sound like a nut cracking open. They were hands of rare beauty, unusually long, unusually slender, yet taut and muscular—very white, the nails pale at their tips, gently curving and the colour of mother-of-pearl. I kept watching them all evening, indeed I kept marvelling at those extraordinary, those positively unique hands—but what surprised and alarmed me so much at first was the passion in them, their crazily impassioned expressiveness, the convulsive way they wrestled with and supported each other. I knew at once that I was seeing a human being overflowing with emotion, forcing his passion into his fingertips lest it tear him apart. And then—just as the ball, with a dry click, fell into place in the wheel and the croupier called out the number—at that very moment the two hands suddenly fell apart like a pair of animals struck by a single bullet. They dropped, both of them, truly dead and not just exhausted; they dropped with so graphic an expression of lethargy, disappointment, instant extinction, as if all was finally over, that I can find no words to describe it. For never before or since have I seen such speaking hands, hands in which every muscle was eloquent and passion broke almost tangibly from the pores of the skin. They lay on the green table for a moment like jellyfish cast up by the sea, flat and dead. Then one of them, the right hand, began laboriously raising itself again, beginning with the fingertips; it quivered, drew back, turned on itself, swayed, circled, and suddenly reached nervously for a jetton, rolling the token uncertainly like a little wheel between the tips of thumb and middle finger. And suddenly it arched, like a panther arching its back, and shot forwards, positively spitting the hundred-franc jetton out on the middle of the black space. At once, as if at a signal, the inactive, slumbering left hand was seized by excitement too; it rose, slunk, crawled over to its companion hand, which was trembling now as if exhausted by throwing down the jetton, and both hands lay there together trembling, the joints of their fingers working away soundlessly on the table, tapping slightly together like teeth chattering in a fever—no, I had never seen hands of such expressive eloquence, or such spasmodic agitation and tension. Everything else in this vaulted room, the hum from the other halls around it, the calls of the croupiers crying their wares like market traders, the movement of people and of the ball itself which now, dropped from above, was leaping like a thing possessed around the circular cage that was smooth as parquet flooring—all this diversity of whirling, swirling impressions flitting across the nerves suddenly seemed to me dead and dull compared to those two trembling, breathing, gasping, waiting, freezing, trembling hands, that extraordinary pair of hands which somehow held me spellbound.

  But finally I could no longer refrain; I had to see the human being, the face to which those magical hands belonged, and fearfully—yes, I do mean fearfully, for I was afraid of those hands!—my gaze slowly travelled up the gambler’s sleeves and narrow shoulders. And once again I had a shock, for his face spoke the same fantastically extravagant language of extremes as the hands, shared the same terrible grimness of expression and delicate, almost feminine beauty. I had never seen such a face before, a face so transported and utterly beside itself, and I had plenty of opportunity to observe it at leisure as if it were a mask, an unseeing sculpture: those possessed eyes did not turn to right or left for so much as a second, their pupils were fixed and black beneath the widely opened lids, dead glass balls reflecting that other mahogany-coloured ball rolling and leaping about the roulette wheel in such foolish high spirits. Never, I repeat, had I seen so intense or so fascinating a face. It belonged to a young man of perhaps twenty-four, it was fine-drawn, delicate, rather long and very expressive. Like the hands, it did not seem entirely masculine, but resembled the face of a boy passionately absorbed in a game—although I noticed none of that until later, for now the face was entirely veiled by an expression of greed and of madness breaking out. The thin mouth, thirsting and open, partly revealed the teeth: you could see them ten paces away, grinding feverishly while the parted lips remained rigid. A light-blond lock of hair clung damply to his forehead, tumbling forwards like the hair of a man falling, and a tic fluttered constantly around his nostrils as if little waves were invisibly rippling beneath the skin. The bowed head was moving instinctively further and further forwards; you felt it was being swept away with the whirling of the little ball, and now, for the first time, I understood the convulsive pressure of the hands. Only by the intense strain of pressing them together did the body, falling from its central axis, contrive tokeep itsbalance. I had never—Imustrepeat it yet again—I had never seen a face in which passion showed so openly, with such shamelessly naked animal feeling, and I stared at that face, as fascinated and spellbound by its obsession as was its own gaze by the leaping, twitching movement of the circling ball. From that moment on I noticed nothing else in the room, everything seemed to me dull, dim and blurred, dark by comparison with the flashing fire of that face, and disregarding everyone else present I spent perhaps an hour watching that one man and every movement he made: the bright light that sparkled in his eyes, the convulsive knot of his hands loosening as if blown apart by an explosion, the parting of the shaking fingers as the croupier pushed twenty gold coins towards their eager grasp. At that moment the face looked suddenly bright and very young, the lines in it smoothed out, the eyes began to gleam, the convulsively bowed body straightened lightly, easily—he suddenly sat there as relaxed as a horseman, borne up by the sense of triumph, fingers toying lovingly, idly with the round coins, clinking them together, making them dance and jingle playfully. Then he turned his head restlessly again, surveyed the green table as if with the flaring nostrils of a young hound seeking the right scent, and suddenly, with one quick movement, placed all the coins on one rectangular space. At once the watchfulness, the tension returned. Once more the little waves, rippling galvanically, spread out from his lips, once again his hands were clasped, the boyish face disappeared behind greedy expectation until the spasmodic tension exploded and fell apart in disappointment: the face that had just looked boyish turned faded, wan and old, light disappeared from the burnt-out eyes, and all this within the space of a second as the ball came to rest on the wrong number. He had lost; he stared at the ball for a few seconds almost like an idiot, as if he did not understand, but as the croupier began calling to whip up interest, his fingers took out a few coins again. But his certainty was gone; first he put the coins on one space, then, thinking better of it, on another, and when the ball had begun to roll his trembling hand, on a sudden impulse, quickly added two crumpled banknotes.

  This alternation of up and down, loss and gain, continued without a break for about an hour, and during that hour I did not, even for a moment, take my fascinated gaze from that ever-changing face and all the passions ebbing and flowing over it. I kept my eyes fixed on those magical hands, their every muscle graphically reflecting the whole range of the man’s feelings as they rose and fell like a fountain. I had never watched the face of an actor in the theatre as intently as I watched this one, seeing the constant, changing shades of emotion flitting over it like light and shade moving over a landscape. I had never immersed myself so wholeheartedly in a game as I did in the reflection of this stranger’s excitement. If someone had been observing me at that moment he would surely have taken my steely gaze for a state of hypnosis, and indeed my benumbed perception was something like that—I simply could not look away from the p
lay of those features, and everything else in the room, the lights, the laughter, the company and its glances, merely drifted vaguely around me, a yellow mist with that face in the middle of it, a flame among flames. I heard nothing, I felt nothing, I did not notice people coming forwards beside me, other hands suddenly reaching out like feelers, putting down money or picking it up; I did not see the ball or hear the croupier’s voice, yet I saw it all as if I were dreaming, exaggerated as in a concave mirror by the excitement and extravagance of those moving hands. For I did not have to look at the roulette wheel to know whether the ball had come to rest on red or black, whether it was still rolling or beginning to falter. Every stage of the game, loss and gain, hope and disappointment, was fierily reflected in the nerves and movements of that passionate face.

  But then came a terrible moment—something that I had been vaguely fearing all this time, something that had weighed like a gathering thunderstorm on my tense nerves, and now suddenly ripped through them. Yet again the ball had fallen back into the shallow depression with that dry little click, yet again came the tense moment when two hundred lips held their breath until the croupier’s voice announced the winning number—this time it was zero—while he zealously raked in the clinking coins and crackling notes from all sides. At that moment those two convulsively clasped hands made a particularly terrifying movement, leaping up as if to catch something that wasn’t there and then dropping to the table again exhausted, with no strength in them, only the force of gravity flooding back. Then, however, they suddenly came to life yet again, feverishly retreating from the table to the man’s own body, clambering up his torso like wild cats, up and down, left and right, nervously trying all his pockets to see if some forgotten coin might not have slipped into one of them. But they always came back empty, and the pointless, useless search began again ever more frantically, whiletheroulette wheel went on circling and others continued playing, while coins clinked, chairs were shifted on the floor, and all the small sounds, put together a hundredfold, filled the room with a humming note. I trembled, shaking with horror; I felt it all as clearly as if my own fingers were rummaging desperately for a coin in the pockets and folds of my creased garments. And suddenly, with a single abrupt movement, the man rose to his feet opposite me, like a man standing up when he suddenly feels unwell and must rise if he is not to suffocate. His chair crashed to the floor behind him. Without even noticing, without paying any attention to his surprised and abashed neighbours as they avoided his swaying figure, he stumbled away from the table.

  The sight petrified me. For I knew at once where the man was going: to his death. A man getting to his feet like that was not on his way back to an inn, a wine bar, a wife, a railway carriage, to any form of life at all, he was plunging straight into the abyss. Even the most hardened spectator in that hellish gaming hall could surely have seen that the man had nothing to fall back on, not at home or in a bank or with a family, but had been sitting here with the last of his money, staking his life, and was now staggering away somewhere else, anywhere, but undoubtedly out of that life. I had feared all along, I had sensed from the first moment, as if by magic, that more than loss or gain was staked on the game, yet now it struck me like a bolt of dark lightning to see the life suddenly go out of his eyes and death cast its pale shadow over his still living face. Instinctively—affected as I was by his own graphic gestures—I clutched at myself while the man tore himself away from his place and staggered out, for his own uncertain gait was now transferred to my own body just as his tension had entered my veins and nerves. Then I was positively wrenched away, I had to follow him; my feet moved without my own volition. It was entirely unconscious, I did not do it of my own accord, it was something happening to me when, taking no notice of anyone, feeling nothing myself, I went out into the corridor leading to the doors.

  He was standing at the cloakroom counter, and the attendant had brought him his coat. But his arms would no longer obey him, so the helpful attendant laboriously eased them into the sleeves, as if he were paralysed. I saw him automatically put his hand in his waistcoat pocket to give the man a tip, but his fingers emerged empty. Then he suddenly seemed to remember everything, awkwardly stammered something to the cloakroom attendant, and as before moved forwards abruptly and then stumbled like a drunk down the casino steps, where the attendant stood briefly watching him go, with a smile that was at first contemptuous and then understanding.

  His bearing shook me so much that I felt ashamed to have seen it. Involuntarily I turned aside, embarrassed to have watched a stranger’s despair as if I were in a theatre—but then that vague fear suddenly took me out of myself once again. Quickly, I retrieved my coat, and thinking nothing very definite, purely mechanically and compulsively I hurried out into the dark after the stranger.”

  Mrs C interrupted her story for a moment. She had been sitting calmly opposite me, speaking almost without a break with her characteristic tranquil objectivity, as only someone who had prepared and carefully organised the events of her tale in advance could speak. Now, for the first time, she stopped, hesitated, and then suddenly broke off and turned directly to me.

  “I promised you and myself,” she began, rather unevenly, “to tell you all the facts with perfect honesty. Now I must ask you to believe in my honesty, and not assume that my conduct had any ulterior motives. I might not be ashamed of them today, but in this case such suspicions would be entirely unfounded. And I must emphasise that, when I hurried after that ruined gambler in the street, I had certainly not fallen in love with him—I did not think of him as a man at all, and indeed I was over forty myself at the time and had never looked at another man since my husband’s death. All that part of my life was finally over; I tell you this explicitly, and I must, or you would not understand the full horror of what happened later. On the other hand, it’s true that I would find it difficult to give a clear name to the feeling that drew me so compulsively after the unfortunate man; there was curiosity in it, but above all a dreadful fear, or rather a fear of something dreadful, something I had felt invisibly enveloping the young man like a miasma from the first moment. But such feelings can’t be dissected and taken apart, if only because they come over one too compulsively, too fast, too spontaneously—very likely mine expressed nothing but the instinct to help with which one snatches back a child about to run into the road in front of a motor car. How else can we explain why non-swimmers will jump off a bridge to help a drowning man? They are simply impelled to do it as if by magic, some other will pushes them off the bridge before they have time to consider the pointless bravery of their conduct properly; and in just the same way, without thinking, without conscious reflection, I hurried after the unfortunate young man out of the gaming room, to the casino doors, out of the doors and on to the terrace.

  And I am sure that neither you nor any other feeling human being with his eyes open could have withstood that fearful curiosity, for a more disturbing sight can hardly be imagined than the way the gambler, who must have been twenty-four at the most but moved as laboriously as an old man and was swaying like a drunk, dragged himself shakily and disjointedly down the steps to the terrace beside the road. Once there, his body dropped on to a bench, limp as a sack. Again I shuddered as I sensed, from that movement, that the man had reached the end of his tether. Only a dead man or one with nothing left to keep him alive drops like that. His head, fallen to one side, leant back over the bench, his arms hung limp and shapeless to the ground, and in the dim illumination of the faintly flickering street lights any passer-by would have thought he had been shot. And it was like that—I can’t explain why the vision suddenly came into my mind, but all of a sudden it was there, real enough to touch, terrifying and terrible—it was like that, as a man who had been shot, that I saw him before me at that moment, and I knew for certain that he had a revolver in his pocket, and tomorrow he would be found lying lifeless and covered with blood on this or some other bench. For he had dropped like a stone falling into a deep chasm, never
to stop until it reaches the bottom: I never saw such a physical expression of exhaustion and despair.

  So now, consider my situation: I was standing twenty or thirty paces from the bench and the motionless, broken man on it, with no idea what to do, on the one hand wishing to help, on the other restrained by my innate and inbred reluctance to speak to a strange man in the street. The gaslights flickered dimly in the overcast sky, few figures hurried past, for it was nearly midnight and I was almost entirely alone in the park with this suicidal figure. Five or ten times I had already pulled myself together and approached him, but shame or perhaps that deeper premonitory instinct, the idea that falling men are likely to pull those who come to their aid down with them, made me withdraw—and in this midst of this indecision I was clearly aware of the pointless, ridiculous aspect of the situation. Nonetheless, I could neither speak nor turn away, I could not do anything but I could not leave him. And I hope you will believe me when I say that for perhaps an hour, an endless hour, I walked indecisively up and down that terrace, while time was divided up by thousands of little sounds from the breaking waves of the invisible sea—so shaken and transfixed was I by the idea of the annihilation of a human being.