From the Tree to the Labyrinth: Historical Studies on the Sign and Interpretation

by Umberto Eco

  Ebbesen, Sten, ed. 1995. Sprachtheorien in Spätantike und Mittelalter. Tübingen: Gunter Narr.

  Eco, Umberto. 1956. Il problema estetico in San Tommaso. Turin: Edizioni di “Filosofia” (2nd enlarged ed., Milan: Bompiani, 1970).

  ______. 1959. “Sviluppo dell’estetica medievale.” In Momenti and problemi di storia dell’estetica, vol. 1. Milan: Marzorati (new enlarged edition Eco 1987a).

  ______. 1961. “Storiografia medievale ed estetica teorica.” Filosofia 12: 505–524.

  ______. 1962a. La struttura assente. Milan: Bompiani.

  ______. 1962b. L’opera aperta. Milan: Bompiani.

  ______. 1971. “Semantica della metafora.” In Le forme del contenuto. Milan: Bompiani.

  ______. 1973. “Palinsesto su Beato.” In Beato di Liébana. Milan: Franco Maria Ricci.

  ______. 1975. Trattato di semiotica generale. Milan: Bompiani.

  ______. 1979a. Lector in fabula. Milan: Bompiani.

  ______. 1979b. A Theory of Semiotics. Bloomington, IN: Indiana University Press.

  ______. 1981. “Dall’albero al labirinto.” In A. Bonito Oliva, ed., Luoghi del silenzio imparziale. Milan: Feltrinelli.

  ______. 1983a. “Corna, zoccoli, scarpe.” In U. Eco and T. A. Sebeok, eds., Il segno dei tre. Milan: Bompiani (also in Eco 1990).

  ______. 1983b. “L’antiporfirio.” In G. Vattimo and A. Rovatti, eds., Il pensiero debole. Milan: Feltrinelli, 1983 (also in Eco 1985c).

  ______. 1983c. Sette anni di desiderio: Cronache 1977–1983. Milan: Bompiani.

  ______. 1984a. Semiotica and filosofia del linguaggio. Turin: Einaudi.

  ______. 1984b. Semiotics and the Philosophy of Language. Bloomington, IN: Indiana University Press.

  ______. 1984c. The Role of the Reader. Explorations in the Semiotics of Texts. Bloomington, IN: Indiana University Press.

  ______. 1985a. “L’antiporfirio.” In Eco 1985c.

  ______. 1985b. “L’Epistola XIII and l’allegorismo medievale.” In Eco 1985c.

  ______. 1985c. Sugli specchi. Milan: Bompiani.

  ______. 1986a. Art and Beauty in the Middle Ages, trans. Hugh Bredin. New Haven: Yale University Press.

  ______. 1986b. “La ligne et le labyrinthe: les structures de la pensée latine.” In G. Duby, ed., Civilisation latine. Paris: Orban.

  ______. 1987a. “Ars oblivionalis.” Kos 3: 40–53.

  ______. 1987b. Arte and bellezza nell’estetica medievale. Milan: Bompiani.

  ______. 1988. The Aesthetics of Thomas Aquinas, trans. Hugh Bredin. Cambridge, MA: Harvard University Press.

  ______. 1989. “La semiosi ermetica and il paradigma del velame.” In Pozzato, ed., 1989.

  ______. 1990a. I limiti dell’interpretazione. Milan: Bompiani.

  ______. 1990b. The Limits of Interpretation. Bloomington, IN: Indiana University Press.

  ______. 1991. “La lingua universale di Ramón Llull.” Cahiers Ferdinand de Saussure 45: 121–149.

  ______. 1992a. “Forma locutionis.” In Gianni Vattimo, ed., Filosofia 91. Bari: Laterza.

  ______. 1992b. Interpretation and Overinterpretation. Cambridge: Cambridge University Press.

  ______. 1992c. “Pourquoi Llulle n’était pas un kabbaliste.” Magie du Livre, Livres de Magie = Aries 15: 85–93.

  ______. 1993. La ricerca della lingua perfetta. Rome-Bari: Laterza.

  ______. 1995. The Search for the Perfect Language, trans. James Fentress. Oxford: Blackwell.

  ______. 1996a. The Island of the Day Before, trans. William Weaver. New York: Penguin Books.

  ______. 1996b. “Jerusalem and the Temple as Signs in Medieval Culture.” In Manetti, ed., 1996.

  ______. 1996c. “Ostrigotta, ora capesco.” Introduction to James Joyce, Anna Livia Plurabelle, ed. Rosa Maria Bosinelli. Turin: Einaudi.

  ______. 1997a. “I rapporti tra Revolutio Alphabetaria e Lullismo.” In G. C. Garfagnini, ed., Giovanni Pico della Mirandola: Convegno Internazionale di Studi nel Cinquecentesimo Anniversario della morte (1494–1994), Mirandola, 4–8 ottobre 1994. Florence: Olschki.

  ______. 1997b. Kant and l’ornitorinco. Milan: Bompiani.

  ______. 1998a. “Il silenzio di Kant sull’ornitorinco.” In F. Albano Leoni et al., eds., Ai limiti del linguaggio. Bari: Laterza.

  ______. 1998b. Serendipities: Language and Lunacy. New York: Columbia University Press.

  ______. 1998c. Tra menzogna e ironia. Milano: Bompiani.

  ______. 2000. Kant and the Platypus, trans. Alastair McEwen. New York: Harcourt Brace.

  ______. 2001. “Cinque sensi di ‘semantica.’ ” Versus 88–89: 21–35.

  ______. 2002. Sulla letteratura. Milan: Bompiani.

  ______. 2003. Dire quasi la stessa cosa. Milan: Bompiani.

  ______. 2004a. “L’esthétique médiévale d’Edgar de Bruyne.” In M. Storme et al., eds., Ethiek, Esthetieck en Cultuurfilosofie biy Edgar de Bruyne. Brussels: Koninlijke Vlaamse Academie van Belgie poor Wetenschappen en Kunsten.

  ______. 2004b. On Literature, trans. Martin McLaughlin. New York: Harcourt.

  ______. 2004c. “Fakes in Arts and Crafts.” In Roland Posner, Klaus Robering, and Thomas A. Sebeok, eds., Semiotik/Semiotics: Ein Handbuch zu den zeichentheoretischen Grundlagen von Natur und Kultur/A Handbook in the Sign-Theoretic Foundations of Nature and Culture, 4 vols. Berlin: Walter de Gruyter.

  ______. 2005. “La notion de limite.” Divinatio 21: 11–30.

  ______. 2007. “Weak Thought and the Limits of Interpretation,” trans. Antonio Calcagno. In Santiago Zabala, ed., Weakening Philosophy: Essays in Honour of Gianni Vattimo. Montréal: McGill University Press.

  Eco, Umberto, and Costantino Marmo. 2005. “La teoria aristotelica della metafora nel Medioevo.” In Lorusso, ed., 2005.

  ______, eds. 1989. On the Medieval Theory of Signs. Amsterdam: Benjamins.

  Eco, Umberto, and Thomas A. Sebeok, eds. 1983. The Sign of Three. Bloomington, IN: Indiana University Press.

  Eco, Umberto, Roberto Lambertini, Costantino Marmo, and Andrea Tabarroni. 1986. “‘Latratus canis’ or: the Dog’s Barking.” In John Deely, Brooke Williams, and Felicia E. Kruse, eds., Frontiers in Semiotics. Bloomington, IN: Indiana University Press.

  Eco, Umberto, and Patrizia Violi. 1987. “Instructional Semantics for Presuppositions.” In Semiotica 64, nos. 1–2.

  Eco, Umberto, and Marilyn Migiel. 1988. “An Ars Oblivionalis? Forget It.” PMLA, 103, 254–261.

  Eliot, Charles W., ed. 1909. Prefaces and Prologues to Famous Books. New York: P. F. Collier & Son, The Harvard Classics.

  Esposito, Elena 2001. La memoria sociale: Mezzi per comunicare and modi di dimenticare. Rome-Bari: Laterza.

  Evans, Robert J. W. 1973. Rudolf II and His World: A Study in Intellectual History, 1576–1612. Oxford: Clarendon.

  ______. 1985. The Making of Habsburg Monarchy, 1500–1700. Oxford: Oxford University Press.

  Fabbrichesi Leo, Rossella, 1981. “L’iconismo and l’interpretazione fenomenologica del concetto di somiglianza in C. S. Peirce.” In ACME, Annali della Facoltà di Lettere and Filosofia dell’Università degli Studi di Milano, XXXIV, iii. Enlarged ed. published as Sulle tracce del segno. Florence: Nuova Italia, 1986.

  Faral, Edmond. 1924. Les arts poétiques du XIIe et du XIIIe siècle: Recherches et documents sur la technique littéraire du Moyen Age. Paris: Champion.

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  Federici Vescovini, Graziella. 1965. Studi sulla prospettiva medievale. Turin: Giappichelli.

  Fernandez, Ramona. 2001. “Imagining Literacy: Rhythms of Knowledge.” In American Culture and Literature. Austin: University of Texas Press.

  Ferreiro Alemparte, J. 1983. “Hermann el Alemán, traductor del siglo XIII en Toledo.” In Hispania sacra: Revista de historia ecclesiástica de España 35.

  Feyerabend, Paul K. 1975. Against Method. London: NLB.

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  ______. 1977. “The Case for Case Reopened.” In P. Cole et al., eds., Syntax and Semantics: Grammatical Relations. New York: Academic Press.

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  ______. 1952. L’an mil. Paris: Colin.

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  Foucault, Michel. 1966. Les mots et les choses. Paris: Gallimard.

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  ______. 1966. Storia della filosofia italiana. Turin: Einaudi.

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  ______. 1972. Progetto di semiotica. Rome-Bari: Laterza.

  ______. 1977. Ricognizione della semiotica. Rome: Officina.

  ______. 1986. Senso and paradosso. Rome-Bari: Laterza.

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  Gilby, Thomas, trans. 2006. Summa Theologiae, Volume 1, Christian Theology. Cambridge: Cambridge University Press.

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  Gombrich, Ernst. 1982. The Image and the Eye: Further Studies in the Psychology of Pictorial Representation. Oxford: Phaidon.

  ______. 1985. L’immagine e l’occhio: Altri studi sulla psicologia della rappresentazione pittorica, trans. A. Cane. Turin: Einaudi.

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  ______. 1979. Sémiotique: Dictionnaire raisonné de la théorie du langage. Paris: Hachette.

  ______. 1982. Semiotics and Language: An Analytical Dictionary, trans. Larry Christ, Daniel Patte, James Lee, Edward McMahon II, Gary Phillips, and Michael Rengstorf. Bloomington, IN: Indiana University Press.

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  ______. 1988c. Studies in Ecstatic Kabbalah. Albany: State University of New York Press.

  ______. 1989. Language, Torah and Hermeneutics in Abraham Abulafia. Albany: State University of New York Press.

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  ______. 1993. Opus Postumum, trans. by Eckart Förster and Michael Rosen. Cambridge: Cambridge University Press.