The Christmas Kid: And Other Brooklyn Stories

by Pete Hamill

  “I become president,” Rojo said, “I get your wife, too? She’s pretty, man. I dig her. I—”

  Shank slammed into him, crashing him against the window, reaching desperately for his hands. He locked a hand on Rojo’s left wrist. The knife was in the other hand. And then Rojo was whirling, squirming, a high-pitched animal whine coming from inside him, and Shank heard shouts and a scream, all the while smashing at Rojo, tumbling, using every move he’d ever learned. And then he heard the shots. Pap-pap, two of them, pap-pap-pap, three more. And Rojo stopped moving. Shank rolled off him and started to get up, and couldn’t, and then saw the blood, all over his hands and his stomach. And his wife’s forlorn face. And Little Willie John, crying, and whispering:

  “It’s okay, it’s okay, brother, it’s okay. You gonna live, man, you gonna live. It’s okay.”

  “Yeah,” Shank said, a high ringing in his ears, the world turning white, faces bleaching out, and heard Maria saying: “Goddamn you, baby, goddamn all of you.”

  A Hero of the War

  BILLY FITZGERALD IDOLIZED HIS father and nobody in the neighborhood could blame him. Paulie Fitzgerald was, after all, a hero of the war. In the bars, in the veterans’ clubs, they all knew the story well: how Paulie had gone to Korea in that first brutal winter of the war, when the ground froze to iron, and how his outfit was cut off in the night and the flanks were overrun, and how Paulie fought off the Communists all by himself, killing eleven of them, until help arrived in the morning. Billy knew the story as well as anyone, although his father was a modest man and didn’t talk about it much, except when he was drinking.

  “Let’s just say it was terrible,” his father would say. “War is hell, kid. War is hell.”

  But there were medals and ribbons in the top drawer of the bureau in his parents’ bedroom and, in their way, they were enough. Sometimes when nobody was home, when Billy was a boy, he would take them out and examine them. The Bronze Star. The Distinguished Service Medal. The Purple Heart. They thrilled Billy and, handling them, he would imagine his father, young and tough, with a machine gun in his hands, marching across barren hills, and then fighting hard through fear and blood to save his buddies. Sometimes, Billy would wear the medals, pinning them to his chest, as his father did on Memorial Day, when he marched with the other veterans. In some important way, the medals made Billy feel directly connected to that larger, braver world that seemed to exist only in movies.

  “I don’t talk about it,” his father said one night, after coming in late from Rattigan’s Bar and Grill, across the street. “But I must have fired three hundred rounds. Cohen got it, and Lloyd, and Charlie Ramirez, and I kept shootin’ and the Commies kept comin’ and I thought the night would never end.”

  In 1971, when Billy was eighteen, he felt it was his duty to volunteer for the army. His mother cried and protested, and his younger brothers told him not to do it, but Billy insisted that as the oldest son he had no choice. In his time, his father had done his duty; now it was Billy’s turn.

  At night in basic training, he was tormented by fear, afraid that in a crisis he would never be as brave or as tough as his father. He would falter. He would cry. He would break and run. But in the end, none of that happened. Billy was assigned to Germany, not Vietnam, and his father remained secure as the only hero in the family.

  “You’re better off,” his father said. “That goddamned war’s just not worth fightin’.”

  This was on a night in Rattigan’s, as Paulie stood with friends at the bar, while a ball game droned away on TV. His son was in uniform, leaving in the morning.

  “What outfit were you with anyway, Dad?” the son said.

  “First Cav,” he said. “But it doesn’t matter anymore. That was long ago and far away.”

  Then there was basketball excitement on TV, the others shouted, the conversation shifted. In the morning, Billy left for Germany. He came back almost two years later with a German wife, tall and blond and placid, and announced that they were moving straight to California. He took a job at McDonnell Douglas in Long Beach, went to night school on the GI Bill, learned drafting. Once a year, he came back to New York with his wife, and then with his kids, and each time his father was fatter. Chins multiplied; blue veins blossomed on his nose; his belly made him look as if he’d swallowed a safe. Billy had to explain to his children that under the layers of flesh there was a man who had once been young and tough and a hero.

  “Always remember that about your grandfather,” he said. “He was really something once.”

  One afternoon at McDonnell Douglas, the foreman called him to a phone. It was Billy’s wife. She told him in her precise English that his mother had just called with terrible news. His father was dead. Just like that. A heart attack. Billy began to sob, and the foreman put his arm on Billy’s shoulder and told him he’d better go home.

  “He was only fifty-something years old.” Billy protested. “I loved him. He wasn’t just my father. He was a hero in Korea. A real-life hero.”

  “Then bury him like he was a hero,” the foreman said. “He deserves it.”

  All the way across the country, with his wife beside him in the plane, and the two boys in the row in front of them, Billy kept thinking about one thing: Arlington. He must bury his father in Arlington. There would be a flag on the coffin and a bugler playing taps and Paulie Fitzgerald would join the endless rows of white crosses that marked the presence of men who had fought and sometimes died for their country. Some of them might even have been with him that terrible night in Korea.

  “It’s the right thing to do,” he told his mother, who just wanted her husband buried in St. John’s cemetery, close to home. “He’d want it that way, Mom.”

  The undertaker told Billy what he had to do to get Paulie buried at Arlington. There was a number to call in Washington and he’d need discharge papers and his father’s service number and the name of the outfit in which he served. For a full day, Billy rummaged through his father’s papers and drawers, but could find nothing. Nothing, that is, except the ribbons and medals.

  Finally, he called the number in Washington again, got a young clerk who called him sir, explained his problem, gave his father’s name and years of service and the part about the First Cavalry. The clerk said he would call back, and Billy returned to the business of the wake, the loss and grief of his mother and brothers, the sad admiration of his father’s friends. On the morning of the third day, the clerk called from Washington.

  “I’m sorry, sir,” the clerk said. “Our records show that nobody by that name served with the First Cav during the Korean conflict, sir.”

  Billy insisted that there must be some mistake, and repeated his father’s name. He was told that a man by that name from Brooklyn, New York, had served in 1951 and 1952 on Guam, not in Korea. He gave Billy an address in Brooklyn; Billy’s heart split and flew away and then reassembled itself. The clerk had given his father’s old address, the house he’d shown him so many times on trips to the old neighborhood. Quietly, Billy thanked the young clerk and hung up.

  “The poor man,” Billy said to himself. And then he slowly rose and went out to walk alone through the chilly afternoon. Everywhere he walked, he saw his father. He was throwing a football in Prospect Park in the fall, or hitting grounders to kids at Park Circle in the spring. He was standing outside Rattigan’s on a summer afternoon, talking with the other men, quiet and proud. He was marching with the veterans in the parade along the park side of the street, the medals like patches of color on his chest.

  And in a grove deep in the park, Billy began to cry again. To cry for his father and the lifelong trap of the lie. He had no idea how the lie had started, and now, of course, it was too late to find out. But he cried for his father’s silence, his isolation, his inability ever to be plain Paulie Fitzgerald. And when he stopped crying, Billy thought that it had been a tough, hard life for his father, after he had shouldered the role, assumed it, and played it out for a lifetime, living every hour of
his day with the knowledge that, at any moment, he could be found out. And in that moment, deep in the empty park, Billy Fitzgerald loved his father more than ever.

  The next day, there was a Funeral Mass for Paulie Fitzgerald. The coffin was draped with an American flag and there was an honor guard from the American Legion. The organist played “America the Beautiful,” and Billy’s mother was comforted by her son’s decision to take the body to St. John’s after all. At the end of the Requiem Mass, Billy Fitzgerald, the bearer now and forever of his father’s terrible secret, placed his hands on the shoulders of his sons.

  “Remember,” he said to them as the Mass ended. “Your grandfather was a hero of the war. A real American hero. Remember that. Don’t ever forget it.”

  The Final Score

  THE LITTLE GRAY-HAIRED MAN walked into Rattigan’s a few minutes before closing time and went straight to the bar. He was wearing a navy peacoat and faded jeans, and bounced when he walked. He was carrying a Pan Am flight bag. Jabbo Collins knew him right away.

  “Harry Willis,” Jabbo whispered, reaching across the bar with both hands to grip the little man’s shoulders. “I don’t believe it.”

  “I’ve been lookin’ for ya for weeks,” Harry Willis said. “You ain’t easy to find, Jabbo. Nobody in the old neighborhood knew where you was. Except Father Conners. He knew.”

  “He knows everything,” Jabbo said, and smiled. He glanced at his customers: Fitzie was asleep, with his head on his forearms, and Old Margaret was humming the words to “Mona Lisa.” Jabbo whispered: “When did you get out?”

  “Three weeks ago,” Harry said, laughing in that high-pitched way that always sounded to Jabbo like the sound of a bird. Jabbo shook his head, ran a hand through his thinning hair, and began to close for the night. He put a shot glass and a bottle of Dewar’s in front of Harry Willis, wiped off the bar, woke up Fitzie and led him to the door, then waited while Old Margaret threw down her nightcap, gathered her coat, purse, and dignity, and walked into the night. Jabbo locked the door and turned to embrace Harry Willis.

  “Eight years,” Jabbo said, his old swimmer’s body swelling with a deep breath as he stepped back. “I thought three years was bad. But eight…I don’t know how the hell you didn’t go crazy, Harry.”

  “Maybe I did,” Harry said, and threw down a shot. Jabbo turned off all the lights except the night-light over the register; he stashed the night’s receipts under the floorboards; he removed his apron and poured himself a shot and a beer. All through this, Harry was talking. He talked about the people they knew when they were young, and the good times they all had. He talked most about the summers, when Jabbo was the greatest swimmer in the history of Coney Island, and of the Sunset Park pool and Red Hook, too. Jabbo laughed at that, and talked about the women they once knew, remembering all their names and who they married, and which ones were divorced, and the few that were already dead. And Harry talked about the first job he and Jabbo pulled, at the Aladdin Carpet Company one Saturday night, carrying away four rugs, selling them for the price of a couple of pairs of pegged pants.

  “Dumb kids,” Jabbo said.

  “I don’t know,” Harry said. “We did time. That’s as dumb as you can get.”

  There was a long, silent moment. Then Harry said: “Let me ask you something, Jabbo. Would you—”

  “Forget it, Harry. Don’t even ask. I’m through with alla that. I been clean for five years and I’m gonna die that way, Harry. I don’t make much more here, but it’s mine. I’m single. I got only my own mouth to feed. I got a nice little apartment. I’m never goin’ back to the can.”

  “You never let me ask the question.”

  Jabbo sighed and said: “You don’t have to, Harry. I know you. I see what’s in your face, Harry. It’s a scheme, Harry. And schemes are trouble, Harry, and I don’t want trouble anymore.”

  Harry took a pack of Pall Malls from his pocket and lit one with a book match. He inhaled, sipped the whiskey. Then he said, “You remember the last job?”

  “Yours, Harry?” Jabbo said. “Or mine?”

  “The one I did.”

  “I never got to talk to you about it, Harry. Remember? You pulled the job and they grabbed you the next day.”

  “Yeah,” Harry said. “But they never got the swag. Remember that part? Remember how the papers said it was worth fifty grand? I mean, fifty thousand dollars’ worth of jewelry. Remember that part?”

  Jabbo squinted and reached for Harry’s Pall Malls.

  “Well,” Harry said. “I know where the stuff is.”

  Jabbo said, “You’re kidding me.”

  “You got a car?”

  “I do,” Jabbo said. “A piece of junk, but it runs.”

  “Let’s go for a ride.”

  They drove through the empty Brooklyn streets, heading down off the Slope toward the waterfront. Harry gave directions and talked all the way. He talked about the old days, and the fun they had in the Cube Steak on 9th Street, and the night Jabbo flattened Danny Mac in Bickford’s and the night Cacciatore the Cop and his partner, Bill Whalen, locked them up for burglarizing the RKO Prospect. Harry talked about Ocean Tide, too, out at the end of Coney Island, and how terrible he felt because he couldn’t swim, and how proud he was of Jabbo the day he raced Vinnie McAleer out past the third barrel, and thought Jabbo wouldn’t stop swimming until he reached Europe.

  “That was all a long time ago,” Jabbo said. And then he slowed the car and looked ahead at the Columbia Street dock.

  “It’s out there,” Harry said.

  “In the bay?”

  “In a metal box, nailed to a piling under the pier.”

  Jabbo laughed and stopped the car. “You’re out of your mind, Harry,” he said. “It couldn’t be there after eight years. The tide woulda ripped it away. Kids woulda found it.”

  “I think it’s there,” Harry said. “Charlie Barrett put it there for me. Remember him? Big guy, good swimmer. Got killed in a stickup right after. Down in Florida. He told me an atom bomb might take it away, nothin’ else.”

  “If he knew where it was, he’d’a taken it himself, Harry,” Jabbo said.

  “I put him on the Greyhound that night, Jabbo. He got killed in Lauderdale two days later. When’d he have time?”

  Jabbo thought about this, and then stepped out of the car. Harry did, too, carrying the flight bag. They could smell the sea, and hear the ding-dinging of buoys, and see the skyline to the right and the lights of Staten Island and Jersey beyond. They walked to the end of the pier. The water was black and glossy. There was no moon.

  “I’ve been seeing Mary Larkin,” Harry said, counting pilings at the end of the pier. “She’d divorced, you know. Kids grown up. We get this score, Jabbo, me and her are gonna go south. Orlando, St. Pete. I’ll have a grubstake, maybe buy a car, a 7-Eleven, something like that. Hell, fifty grand then must be worth three hundred Gs today.” He stopped at the seventh piling. “This is the one.”

  “And?”

  “All you gotta do is go down and get it.”

  Jabbo shook his head, smiling thinly, as he looked down at the swirling black water, fifteen feet below the pier.

  “I’m forty-nine years old, Harry,” he said. “I’m not what I was. How do I get back up? And what do I use to pry the box off the piling? Presuming the box is even there…It’s nuts, Harry. Let’s go get eggs.”

  Harry opened the flight bag and removed a coil of heavy rope, a claw hammer, a face mask.

  “I’ll give you half,” he said.

  Jabbo looked at the rope and tools, walked to the edge of the pier, gazed off at the black harbor. Then he started unbuttoning his coat. “What the hell,” he said. He tied one end of the rope around a piling. Five minutes later, barefoot, masked, the hammer in hand, Jabbo stood at the edge of the pier. “See ya,” he said, and went over.

  Harry stared at the roiled water, held his breath as if in sympathy, then saw Jabbo’s head come up, gasping for breath. Jabbo gulped, his legs shimmer
ing and pale in the blackness, then bent over and dived again. When he came up again for air, he was fifteen feet away from the pier. A tide was running. He bent and dove, and this time was under a long time. Harry banged his hands together, tense and cold. There was no sign of Jabbo. Impossible. He couldn’t be under this long.

  And then he saw him, maybe forty feet out, shouting something Harry couldn’t understand, just his head bobbing in the water, receding, going out. The tide was ripping along now. And then above Jabbo’s head, he saw the box. Jabbo waved it once. Then he was gone.

  “Jabbo!” Harry shouted. And then screamed: “Jabbo!” He heard nothing but the dinging of the buoys and the tide slapping against the pilings, and the distant moaning of a foghorn. And he thought: I’ve got to get out of here. I’ve got to go to the palm trees and the sun. He looked one last time at the harbor, which was as flat and black and final as death, and then he began to run.

  Gone

  WHETHER HE WAS AWAKE or asleep, the New York craziness never left Hirsch alone. Sometimes he tried to tell his wife, Margaret, about his dreams—the dark roaring tunnels, the gleaming yellow eyes of the leopard perched in the backyard tree, the baby with the metal tongue who never stopped screaming. She would always cut him off. “Hirsch,” she would say. “Calm down. You’re letting it get to you, Hirsch. You’re sounding paranoid, Hirsch.”

  “Yes,” Hirsch would say. “But I do have enemies.”

  Waking, a mask of calm pasted to his face, Hirsch would leave for the advertising agency promptly each morning at nine. He no longer took the subway from Brooklyn Heights. Junkies waited in the doorways near the station, he thought, and the subway was itself a brutal morning assault, an iron purgatory jammed with knife artists, hammer swingers, lobotomized crazies. They, too, inhabited his dreams, spraying paint down his throat, ramming switchblades into his heart, slicing him with smiles on their faces. Them. He was afraid of Them. Blacks and whites, people speaking mysterious languages, young men with eyes full of ancient evil: Them. Now Hirsch drove a car. A dark blue Oldsmobile. In a car, he wouldn’t have to deal with Them.