Christmas Holiday

by W. Somerset Maugham

  Charley was born during the war, he was twenty-three now, and when Leslie had been demobbed and gone down to Godalming to stay with the head of the family, already a member of parliament, but then only a knight, Sir Wilfred had suggested that he should be put down for Eton. Leslie would not hear of it. It was not the financial sacrifice he minded, but he had too much good sense to send his boy to a school where he would get extravagant tastes and acquire ideas unfitted to the station in life he would ultimately occupy.

  “I went to Rugby myself and I don’t believe I can do better than send him there too.”

  “I think you’re making a mistake, Leslie. I’ve sent my boys to Eton. Thank God, I’m not a snob, but I’m not a fool either, and there’s no denying it, it’s a social asset.”

  “I daresay it is, but my position is very different from yours. You’re a very rich man, Wilfred, and if things go well, you ought to end up in the House of Lords. I think it’s quite right that you should give your sons the sort of start that’ll enable them to take their proper place in society, but though officially I’m secretary of the Mason Estate and that sounds very respectable, when you come down to brass tacks I’m only a house agent, and I don’t want to bring up my son to be a grand gentleman, I want him to be a house agent after me.”

  When Leslie spoke thus he was using an innocent diplomacy. By the terms of old Sibert’s will and the accidents that have been already narrated, Sir Wilfred now possessed three-eighths of the Mason Estate, and it brought him in an income which was already large, and which, with leases falling in, the increasing value of the property, and good management, would certainly grow much larger. He was a clever, energetic man, and his position and his wealth gave him an influence with the rest of the family which none of its members questioned, but which it did not displease him to have acknowledged.

  “You don’t mean to say you’d be satisfied to let your boy take on your job?”

  “It was good enough for me. Why shouldn’t it be good enough for him? One doesn’t know what the world’s coming to and it may be that when he’s grown up he’ll be damned glad to step into a cushy billet at a thousand a year. But of course you’re the boss.”

  Sir Wilfred made a gesture that seemed modestly to deprecate this description of himself.

  “I’m a shareholder like the rest of you, but as far as I’m concerned, if you want it, he shall have it. Of course it’s a long time ahead and I may be dead by then.”

  “We’re a long-lived family and you’ll live as long as old Sibert. Anyhow, there’ll be no harm in letting the rest of them know that it’s an understood thing that my boy should have my job when I’m through with it.”

  In order to enlarge their children’s minds the Leslie Masons spent the holidays abroad, in winter at places where they ski and in summer at seaside resorts in the South of France; and once or twice with the same praiseworthy intention they made excursions to Italy and Holland. When Charley left school his father decided that before going to Cambridge he should spend six months at Tours to learn French. But the result of his sojourn in that agreeable town was unexpected and might very well have been disastrous, for when he came back he announced that he did not want to go to Cambridge, but to Paris, and that he wished to be a painter. His parents were dumbfounded. They loved art, they often said it was the most important thing in their lives; indeed Leslie, not averse at times from philosophical reflection, was inclined to think that it was art only that redeemed human existence from meaninglessness, and he had the greatest respect for the persons who produced it; but he had never envisaged the possibility that any member of his family, let alone his own son, should adopt a career that was uncertain, to some extent irregular, and in most cases far from lucrative. Nor could Venetia forget the fate that had befallen her father. It would be unjust to say that the Leslie Masons were put out because their son had taken their preoccupation with art more seriously than they intended; their preoccupation couldn’t have been more serious, but it was from the patron’s point of view; though no two people could have been more bohemian, they did have the Mason Estate behind them, and that, as anyone could see, must make a difference. Their reaction to Charley’s declaration was quite definite, but they were aware that it would be difficult to put it in a way that wouldn’t make their attitude look a trifle insincere.

  “I can’t think what put the idea into his head,” said Leslie, talking it over with his wife.

  “Heredity, I suppose. After all, my father was an artist.”

  “A painter, darling. He was a great gentleman and a wonderful raconteur, but no one in his senses could call him an artist.”

  Venetia flushed and Leslie saw that he had hurt her feelings. He hastened to make up for it.

  “If he’s inherited a feeling for art it’s much more likely to be from my grandmother. I know old Sibert used to say you didn’t know what tripe and onions were until you tasted hers. When she gave up being a cook to become a wife of a market gardener a great artist was lost to the world.”

  Venetia chuckled and forgave him.

  They knew one another too well to have need to discuss their quandary. Their children loved them and looked up to them; they were agreed that it would be a thousand pities by a false step to shake Charley’s belief in his parents’ wisdom and integrity. The young are intolerant and when you talk common sense to them are only too apt to think you are an old humbug.

  “I don’t think it would be wise to put one’s foot down too decidedly,” said Venetia. “Opposition might only make him obstinate.”

  “The situation’s delicate. I don’t deny that for a moment.”

  What made it more awkward was that Charley had brought back several canvases from Tours and when he had shown them they had expressed themselves in terms which it was difficult now to withdraw. They had praised as fond parents rather than as connoisseurs.

  “You might take Charley up to the box-room one morning and let him have a look at your father’s pictures. Don’t make a point of it, you know, but let it seem accidental; and then when I get an opportunity I’ll have a talk with him.”

  The opportunity came. Leslie was in the sitting-room they had arranged for the children so that they might have a place of their own. The reproductions of Gauguin and Van Gogh that had been in their nursery adorned the walls. Charley was painting a bunch of mixed flowers in a green vase.

  “I think we’d better have those pictures you brought back from France framed and put up instead of these reproductions. Let’s have another look at them.”

  There was one of three apples on a blue-and-white plate.

  “I think it’s damned good,” said Leslie. “I’ve seen hundreds of pictures of three apples on a blue-and-white plate and it’s well up to the average.” He chuckled. “Poor old Cézanne, I wonder what he’d say if he knew how many thousands of times people had painted that picture of his.”

  There was another still life which represented a bottle of red wine, a packet of French tobacco in a blue wrapper, a pair of white gloves, a folded newspaper and a violin. These objects were resting on a table covered with a cloth in green and white squares.

  “Very good. Very promising.”

  “D’you really think so, daddy?”

  “I do indeed. It’s not very original, you know, it’s the sort of picture that every dealer has a dozen of in his store-room, but you’ve never had a lesson in your life and it’s a very creditable piece of work. You’ve evidently inherited some of your grandfather’s talent. You have seen his pictures, haven’t you?”

  “I hadn’t for years. Mummy wanted to find something in the box-room and she showed them to me. They’re awful.”

  “I suppose they are. But they weren’t thought so in his own day. They were highly praised and they were bought. Remember that a lot of stuff that we admire now will be thought just as awful in fifty years’ time. That’s the worst of art; there’s no room for the second-rate.”

  “One can’t tell what one’ll be
till one tries.”

  “Of course not, and if you want to take up painting professionally your mother and I are the last people who’d stand in your way. You know how much art means to us.”

  “There’s nothing I want to do in the world more than paint.”

  “With the share of the Mason Estate that’ll come to you eventually you’ll always have enough to live on in a modest way, and there’ve been several amateurs who’ve made quite a nice little reputation for themselves.”

  “Oh, but I don’t want to be an amateur.”

  “It’s not so easy to be anything else with a thousand to fifteen hundred a year behind you. I don’t mind telling you it’ll be a bit of a disappointment to me. I was keeping this job as secretary to the Estate warm for you, but I daresay some of the cousins will jump at it. I should have thought myself it was better to be a competent business man than a mediocre painter, but that’s neither here nor there. The great thing is that you should be happy and we can only hope that you’ll turn out a better artist than your grandfather.”

  There was a pause. Leslie looked at his son with kindly eyes.

  “There’s only one thing I’m going to ask you to do. My grandfather started life as a gardener and his wife was a cook. I only just remember him, but I have a notion that he was a pretty rough diamond. They say it takes three generations to make a gentleman, and at all events I don’t eat peas with a knife. You’re a member of the fourth. You may think it’s just snobbishness on my part, but I don’t much like the idea of you sinking in the social scale. I’d like you to go to Cambridge and take your degree, and after that if you want to go to Paris and study painting you shall go with my blessing.”

  That seemed a very generous offer to Charley and he accepted it with gratitude. He enjoyed himself very much at Cambridge. He did not find much opportunity to paint, but he got into a set interested in the drama and in his first year wrote a couple of one-act plays. They were acted at the A.D.C. and the Leslie Masons went to Cambridge to see them. Then he made the acquaintance of a don who was a distinguished musician. Charley played the piano better than most undergraduates, and he and the don played duets together. He studied harmony and counterpoint. After consideration he decided that he would rather be a musician than a painter. His father with great good humour consented to this, but when Charley had taken his degree, he carried him off to Norway for a fortnight’s fishing. Two or three days before they were due to return Venetia Mason received a telegram from Leslie containing the one word Eureka. Notwithstanding their culture neither of them knew what it meant, but its significance was perfectly clear to the recipient and that is the primary use of language. She gave a sigh of relief. In September Charley went for four months into the firm of accountants employed by the Mason Estate to learn something of book-keeping and at the New Year joined his father in Lincoln’s Inn Fields. It was to reward the application he had shown during his first year in business that his father was now sending him, with twenty-five pounds in his pocket, to have a lark in Paris. And a great lark Charley was determined to have.

  ii

  THEY WERE NEARLY THERE. The attendants were collecting the luggage and piling it up inside the door so that it could be conveniently handed down to the porters. Women put a last dab of lipstick on their mouths and were helped into their furs. Men struggled into their great-coats and put on their hats. The propinquity in which these persons had sat for a few hours, the pleasant warmth of the Pullman, had made a corporate unity of them, separated as occupants of a coach with its own number from the occupants of other coaches; but now they fell asunder, and each one, or each group of two or three, regained the discreet individuality which for a while had been merged in that of all the others. In the smoke-laden air, rank with stale tobacco, strong scent, the odour of human bodies and the frowst of steam-heating, they acquired on a sudden an air of mystery. Strangers once more, they looked at one another with preoccupied, unseeing eyes. Each one felt in himself a vague hostility to his neighbour. Some were already queuing up in the passage so that they might get out quickly. The heat of the Pullman had coated the windows with vapour and Charley wiped them a bit clean with his hand to look out. He could see nothing.

  The train ran into the station. Charley gave his bag to a porter and with long steps walked up the platform; he was expecting his friend Simon Fenimore to meet him. He was disappointed not to see him at once; but there was a great mob at the barrier and he supposed that he was waiting there. He scanned eagerly the eager faces; he passed through; persons struggled through the crowd to seize a new arrival’s hand; women kissed one another; he could not see his friend. He was so convinced he must be there that he lingered for a little, but he was intimidated by his porter’s obvious impatience and presently followed him out to the courtyard. He felt vaguely let down. The porter got him a taxi and Charley gave the driver the name of the hotel where Simon had taken a room for him. When the Leslie Masons went to Paris they always stayed at an hotel in the Rue St. Honoré. It was exclusively patronized by English and Americans, but after twenty years they still cherished the delusion that it was a discovery of their own, essentially French, and when they saw American luggage on a landing or went up in the lift with persons who could be nothing but English, they never ceased to be surprised.

  “I wonder how on earth they happen to be here,” they said.

  For their own part they had always been careful never to speak about it to their friends; when they had hit upon a little bit of old France they weren’t going to risk its being spoilt. Though the director and the porter talked English fluently they always spoke to them in their own halting French, convinced that this was the only language they knew. But the mere fact that he had so often been to this hotel with his family was a sufficient reason for Charley not to stay there when he was going to Paris by himself. He was bent on adventure, and a respectable family hotel, where, according to his parents, nobody went but the French provincial nobility, was hardly the right place for the glorious, wild and romantic experiences with which his imagination for the last month had been distracting his mind. So he had written to Simon asking him to get him a room somewhere in the Latin Quarter; he wasn’t particular about sanitary conveniences and didn’t mind how grubby it was so long as it had the right atmosphere; and Simon in due course had written back to tell him that he had engaged a room at a hotel near the Gare Montparnasse. It was in a quiet street just off the Rue de Rennes and conveniently near the Rue Campagne Première where he himself lived.

  Charley quickly got over his disappointment that Simon had not come to meet him, he was sure either to be at the hotel or to have telephoned to say that he would be round immediately, and driving through the crowded streets that lead from the Gare du Nord to the Seine his spirits rose. It was wonderful to arrive in Paris by night. A drizzling rain was falling and it gave the streets an exciting mystery. The shops were brightly lit. The pavements were multitudinous with umbrellas and the water dripping on them glistened dimly under the street lamps. Charley remembered one of Renoir’s pictures. Sometimes a gust of wind made women crouch under their umbrellas and their skirts swirled round their legs. His taxi drove furiously to his prudent English idea and he gasped whenever with a screeching of brakes it pulled up suddenly to avoid a collision. The red lights held them up at a crossing and in both directions a great stream of persons surged over like a panic-stricken mob flying before a police charge. To Charley’s excited gaze they seemed quite different from an English crowd, more alert, more eager; when by chance his eyes fell on a girl walking by herself, a sempstress or a typist going home after the day’s work, it delighted him to fancy that she was hurrying to meet her lover; and when he saw a pair walking arm in arm under an umbrella, a young man with a beard, in a broad-brimmed hat, and a girl with a fur round her neck, walking as though it were such bliss to be together they did not mind the rain and were unconscious of the jostling throng, he thrilled with a poignant and sympathetic joy. At one corner owing to a bloc
k his taxi was side by side with a handsome limousine. There sat in it a woman in a sable coat, with painted cheeks and painted lips, and a profile of incredible distinction. She might have been the Duchesse de Guermantes driving back after a tea party to her house in the Boulevard St. Germain. It was wonderful to be twenty-three and in Paris on one’s own.

  “By God, what a time I’m going to have.”

  The hotel was grander than he had expected. Its façade, with its architectural embellishments, suggested the flamboyant taste of the late Baron Haussmann. He found that a room had been engaged for him, but Simon had left neither letter nor message. He was taken upstairs not as he had anticipated by a slovenly boots in a dirty apron, with a sinister look on his ill-shaven face, but by an affable director who spoke perfect English and wore a morning coat. The room was furnished with hygienic severity, and there were two beds in it, but the director assured him that he would only charge him for the use of one. He showed Charley with pride the communicating bath-room. Left to himself Charley looked about him. He had expected a little room with heavy curtains of dull rep, a wooden bed with a huge eiderdown and an old mahogany wardrobe with a large mirror; he had expected to find used hairpins on the dressing-table and in the drawer of the table de nuit half a lipstick and a broken comb in which a few dyed hairs were still entangled. That was the idea his romantic fancy had formed of a student’s room in the Latin Quarter. A bath-room! That was the last thing he had bargained for. This room might have been a room in one of the cheaper hotels in Switzerland to which he had sometimes been with his parents. It was clean, threadbare and sordid. Not even Charley’s ardent imagination could invest it with mystery. He unpacked his bag disconsolately. He had a bath. He thought it rather casual of Simon, even if he could not be bothered to meet him, not to have left a message. If he made no sign of life he would have to dine by himself. His father and mother and Patsy would have got down to Godalming by now; there was going to be a jolly party, Sir Wilfred’s two sons and their wives and two nieces of Lady Terry-Mason’s. There would be music, games and dancing. He half wished now that he hadn’t jumped at his father’s offer to spend the holiday in Paris. It suddenly occurred to him that Simon had perhaps had to go off somewhere for his paper and in the hurry of an unexpected departure had forgotten to let him know. His heart sank.