The Letters of Cole Porter

by Cole Porter

  Dreyfus, Max, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

  Du Barry Was a Lady, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv)

  Du Bois, Raoul Pène, (i)

  Duke, Vernon, (i), (ii)

  Durante, Jimmy, (i), (ii), (iii), (iv), (v), (vi), (vii)

  ‘Easy to Love’, (i), (ii), (iii)

  Eddy, Nelson, (i), (ii), (iii), (iv)

  Eells, George, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv)

  Egan, Margaret (Tully), (i), (ii), (iii), (iv), (v), (vi)

  Egypt, (i), (ii), (iii), (iv)

  ‘Experiment’, (i)

  Fairbanks, Douglas Jr., (i), (ii), (iii), (iv), (v), (vi)

  Fairbanks, Mary Lee, (i), (ii)

  ‘Farming’, (i), (ii), (iii)

  Feldman, Charlie, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

  Feldman, Jean see Jean Howard

  Fetter, Ted, (i)

  Feuer, Cy, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi), (xxxii)

  ‘Fi, Fi, Fifi’, (i)

  Fields, Dorothy, (i), (ii), (iii), (iv)

  Fields, Herbert, (i), (ii), (iii), (iv)

  Fields, Joseph, (i)

  Fields, Lew, (i)

  Fifty Million Frenchmen, (i), (ii), (iii), (iv)

  Fisher, Eddie, (i)

  Fontanne, Lynn, (i), (ii), (iii), (iv)

  Franconia, (i), (ii)

  Freedley, Vinton, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

  ‘Friendship’, (i), (ii), (iii)

  ‘From This Moment On’, (i)

  Gabin, Jean, (i)

  Gable, Clark, (i), (ii), (iii), (iv), (v)

  Gabor, Jolie, (i)

  Gainsborough, Thomas, (i)

  Garbo, Greta, (i), (ii), (iii)

  Gardiner, Reginald, (i)

  Gardner, Isabella, (i)

  Garland, Judy, (i), (ii), (iii), (iv), (v)

  Gaxton, William, (i), (ii)

  Gay Divorce, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv)

  Gaynor, Mitzi, (i)

  Gear, Luella, (i), (ii)

  Gershwin, George, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii)

  Gershwin, Ira, (i), (ii)

  Gibbs, Wolcott, (i), (ii), (iii)

  Gilbert and Sullivan, (i), (ii), (iii)

  Goetz, E. Ray, (i)

  Goetz, Edie, (i), (ii), (iii), (iv)

  Goetz, Harry, (i), (ii)

  Goetz, William, (i), (ii), (iii)

  Goldwyn, Frances, (i)

  Goldwyn, Sam, (i), (ii), (iii), (iv)

  Gone With the Wind, (i)

  ‘Goodbye, Little Dream, Goodbye’, (i), (ii)

  Gordon, Max, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

  Grable, Betty, (i), (ii), (iii)

  Grant, Cary, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii)

  Gray, Dolores, (i)

  Greece, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi)

  Green, Adolph, (i), (ii), (iii), (iv), (v), (vi)

  Green, Johnny, (i), (ii), (iii), (iv)

  Guys and Dolls, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

  Haines, Bill, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx)

  Hammerstein, Oscar II, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix)

  Hanna, Leonard, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

  Hans Christian Andersen, (i)

  Harburg, E. Y., (i), (ii), (iii)

  Harms, T. B., (i), (ii), (iii), (iv), (v), (vi)

  Hart, Kitty Carlisle, (i), (ii)

  Hart, Lorenz, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

  Hart, Moss, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii)

  Harvard, (i), (ii), (iii), (iv), (v), (vi)

  Hays Code, (i), (ii)

  Hearst, Millicent, (i), (ii), (iii), (iv)

  Hearst, William Randolph, (i), (ii), (iii)

  Hepburn, Audrey, (i)

  Hepburn, Katharine, (i), (ii), (iii), (iv), (v)

  Herbert, F. Hugh, (i), (ii), (iii)

  High Society, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix)

  Hitchcock, Alfred, (i)

  Hitchcock, Raymond, (i), (ii)

  Hitchy-Koo of 1919, (i), (ii)

  Hitchy-Koo of 1922, (i)

  Holm, Hanya, (i), (ii), (iii)

  Holman, Libby, (i)

  Hoover, Herbert, (i), (ii)

  Hope, Bob, (i), (ii), (iii), (iv), (v)

  Hopper, Hedda, (i), (ii), (iii), (iv), (v)

  Hot Mikado, The, (i)

  Howard [Feldman], Jean, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi), (xxxii), (xxxiii), (xxxiv), (xxxv), (xxxvi), (xxxvii), (xxxviii), (xxxix), (xl), (xli), (xlii), (xliii), (xliv), (xlv), (xlvi), (xlvii), (xlviii), (xlix), (l), (li), (lii), (liii), (liv), (lv), (lvi), (lvii), (lviii), (lix), (lx), (lxi), (lxii)

  Hubler, Richard, (i), (ii), (iii), (iv), (v)

  Hughes, Herbert, (i)

  Hull, Helen, (i), (ii), (iii), (iv), (v), (vi)

  Hull, Lytle, (i), (ii), (iii), (iv)

  Hutton, Barbara, (i)

  Hutton, Betty, (i), (ii), (iii), (iv), (v)

  ‘I Concentrate on You’, (i)

  ‘I Get a Kick out of You’, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

  ‘I Love Paris’, (i), (ii), (iii)

  ‘I Love You’, (i)

  ‘I Love You, Samantha’, (i), (ii), (iii), (iv)

  ‘In the Still of the Night’, (i), (ii)

  ‘It’s All Right With Me’, (i), (ii)

  ‘It Was Great Fun the First Time’, (i), (ii)

  ‘I’ve Got You Under My Skin’, (i), (ii), (iii), (iv), (v), (vi)

  Jamaica, (i)

  Jenks, Almet, (i)

  Jennings, Oliver, (i), (ii), (iii), (iv), (v)

  Jolson, Al, (i), (ii), (iii)

  ‘Josephine’, (i), (ii), (iii)

  Jubilee, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix)

  ‘Just One of Those Things’, (i), (ii), (iii), (iv)

  Kanin, Garson, (i)

  Kaufman, George S., (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi)

  Kaye, Danny, (i), (ii), (iii), (iv), (v)

  Kaye, Sylvia Fine, (i), (ii)

  Kelly, Gene, (i), (ii), (iii), (iv), (v), (vi), (vii)

  Kelly, George, (i)

  Kelly, Grace, (i), (ii), (iii), (iv), (v)

  Kelly, Orry, (i), (ii)

  Kelly, Ray, (i), (ii)

  Kern, Betty, (i)

  Kern, Eva, (i)

  Kern, Jerome, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

  Kesler, Lew, (i), (ii), (iii), (iv), (v)

  Kidd, Michael, (i)

  Kilgallen, Dorothy, (i), (ii)

  Kimball, Robert, (i), (ii), (iii)

  King and I, The, (i), (ii), (iii)

  Kirk, Lisa, (i), (ii), (iii)

  Kirsten, Dorothy, (i)

  Kiss Me, Kate

  film version, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi)

  stage versions, (i), (ii),
(iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi), (xxxii), (xxxiii), (xxxiv), (xxxv)

  television versions, (i), (ii)

  Knight, June, (i), (ii)

  Knopf, Alfred, (i), (ii), (iii)

  Kochno, Boris, (i), (ii), (iii), (iv)

  Koechlin, Charles, (i)

  Korda, Alexander, (i), (ii)

  Lahr, Bert, (i), (ii), (iii), (iv), (v), (vi), (vii)

  Lamarr, Hedy, (i), (ii), (iii)

  Lane, Burton, (i), (ii), (iii)

  Lang, Harold, (i), (ii)

  Langford, Frances, (i), (ii), (iii), (iv), (v), (vi), (vii)

  Lawrence, Gertrude, (i), (ii), (iii)

  Lazar, Irving, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix)

  Leave it to Me!, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x)

  Leigh, Vivien, (i)

  Lerner, Alan Jay, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

  Les Girls, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

  ‘Let’s Do It’, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii)

  Let’s Face It!, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi)

  Lewine, Richard, (i), (ii), (iii), (iv)

  Liberty Music Shop, (i)

  Lieberson, Goddard, (i), (ii), (iii), (iv), (v)

  Liebman, Max, (i)

  Lifar, Serge, (i), (ii), (iii)

  Lillie, Beatrice, (i), (ii), (iii), (iv), (v), (vi)

  Lilo, (i)

  Lindsay, Howard, (i), (ii), (iii), (iv), (v), (vi), (vii)

  ‘Live and Let Live’, (i)

  Loesser, Frank, (i), (ii), (iii), (iv), (v), (vi)

  Loewe, Frederick, (i), (ii), (iii)

  Logan, Joshua, (i)

  Loos, Anita, (i), (ii)

  Loring, Eugene, (i)

  ‘Love For Sale’, (i), (ii), (iii)

  ‘Love of My Life’, (i), (ii)

  Lubitsch, Ernst, (i)

  Luce, Claire, (i),

  Luce, Clare Boothe, (i), (ii), (iii)

  Lunt, Alfred, (i), (ii), (iii), (iv), (v)

  Lyons, Arthur, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi)

  MacGrath, Leueen, (i), (ii), (iii), (iv), (v), (vi), (vii)

  Madden, Richard, (i), (ii), (iii), (iv), (v), (vi)

  Mainbocher, (i), (ii), (iii), (iv)

  ‘Make It Another Old–Fashioned Please’, (i)

  Marbury, Elizabeth, (i)

  Markova, Alicia, (i)

  Martin, Ernest, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv)

  Martin, John, (i)

  Martin, Mary, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii)

  Maxwell, Elsa, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii)

  Mayer, Louis B., (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

  Mayfair and Montmartre, (i)

  McCarthy, Joseph, (i)

  Mendl, Sir Charles, (i), (ii), (iii)

  Mercer, Johnny, (i), (ii), (iii), (iv), (v), (vi)

  Mercer, Mabel, (i)

  Merman, Ethel, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii)

  Mexican Hayride, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi)

  MGM, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi), (xxxii), (xxxiii), (xxxiv), (xxxv), (xxxvi), (xxxvii), (xxxviii), (xxxix), (xl), (xli), (xlii), (xliii), (xliv), (xlv), (xlvi), (xlvii), (xlviii), (xlix), (l), (li), (lii), (liii), (liv), (lv), (lvi), (lvii), (lviii), (lix), (lx), (lxi), (lxii)

  Mielziner, Jo, (i), (ii)

  Milan, (i), (ii), (iii)

  Milhaud, Darius, (i), (ii)

  Miller, Gilbert, (i), (ii), (iii), (iv), (v)

  Miller, Kitty, (i), (ii), (iii), (iv)

  Miller, Marilyn, (i)

  Mississippi Belle, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi)

  ‘Miss Otis Regrets’, (i), (ii)

  ‘Mister and Missus Fitch’, (i), (ii)

  Molnar, Ferenc, (i), (ii)

  Monroe, Marilyn, (i)

  Montgomery, Robert, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi)

  Moore, Grace, (i), (ii)

  Moore, Margaret, (i), (ii), (iii), (iv), (v), (vi), (vii)

  Moore, Victor, (i), (ii)

  Morison, Patricia, (i), (ii), (iii), (iv), (v), (vi), (vii)

  Moses, Grandma, (i), (ii), (iii), (iv), (v)

  Mountbatten, Philip (Duke of Edinburgh), (i)

  Murphy, Gerald, (i), (ii), (iii), (iv), (v)

  Musgrove, Stanley, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi)

  My Fair Lady, (i), (ii), (iii), (iv), (v), (vi), (vii)

  ‘My Heart Belongs to Daddy’, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii)

  Nathan, George Jean, (i), (ii)

  Neff, Hildegard, (i)

  Niarchos, Stavros, (i), (ii), (iii), (iv), (v), (vi), (vii)

  Nichols, Lewis, (i)

  ‘Night and Day’ (song), (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x)

  Night and Day (film), (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi), (xxxii), (xxxiii), (xxxiv), (xxxv), (xxxvi)

  Ninotchka, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

  Novotna, Jarmila, (i)

  ‘Now You Has Jazz,’ (i), (ii), (iii), (iv), (v)

  Nymph Errant, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv)

  Oberon, Merle, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

  Obolensky, Prince Sergei, (i), (ii)

  Oelrichs, Dorothy, (i), (ii), (iii), (iv)

  Oelrichs, Herman, (i), (ii)

  Oklahoma!, (i), (ii), (iii), (iv), (v), (vi), (vii)

  One Touch of Venus, (i), (ii), (iii)

  opera, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx)

  Out of This World, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii)

  Paley [Wilson], Natalia [Natasha], (i), (ii), (iii), (iv), (v), (vi)

  Paley, William S., (i), (ii), (iii)

  Panama Hattie, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv)

  Paris, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi), (xxxii), (xxxiii), (xxxiv), (xxxv), (xxxvi), (xxxvii), (xxxviii), (xxxix), (xl), (xli), (xlii), (xliii), (xliv), (xlv), (xlvi), (xlvii)

  Paris (musical), (i), (ii), (iii), (iv)

  Parsons, Humphrey, (i)

  Parsons, Louella, (i), (ii), (iii), (iv), (v), (vi)

  Pearman, Michael, (i), (ii), (iii), (iv), (v)

  Perelman, S. J., (i), (ii), (iii), (iv), (v)
<
br />   Peru (Indiana), (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi)

  Pirate, The, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

  Pons, Lily, (i)

  Porter, Cole

  and advertising, (i), (ii), (iii), (iv)

  aptitude for music and music lessons, (i), (ii), (iii), (iv), (v)

  and art, (i), (ii), (iii), (iv), (v), (vi)

  casting singers/actors, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii)

  and censorship, (i), (ii), (iii), (iv)

  and charity, (i), (ii), (iii), (iv), (v)

  compositional process/working methods/text revision, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii)

  exploitation of songs, (i), (ii), (iii), (iv), (v)

  finances, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii)

  health, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix)

  ideas about/conception of musical comedy, (i), (ii), (iii), (iv)

  interviews/writings (other than letters), (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

  performance practice, (i), (ii), (iii), (iv), (v)

  politics, (i)

  residence in Paris (13, rue Monsieur), (i), (ii), (iii)

  travels (outside USA and Europe), (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x)

  war-time activities, (i), (ii)

  Porter, Kate (mother), (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii)

  Porter, Linda (wife), (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii), (xiv), (xv), (xvi), (xvii), (xviii), (xix), (xx), (xxi), (xxii), (xxiii), (xxiv), (xxv), (xxvi), (xxvii), (xxviii), (xxix), (xxx), (xxxi), (xxxii), (xxxiii), (xxxiv), (xxxv), (xxxvi), (xxxvii), (xxxviii), (xxxix), (xl), (xli), (xlii), (xliii), (xliv), (xlv), (xlvi), (xlvii), (xlviii), (xlix), (l), (li), (lii), (liii), (liv), (lv), (lvi), (lvii), (lviii), (lix), (lx), (lxi), (lxii), (lxiii), (lxiv), (lxv), (lxvi), (lxvii), (lxviii), (lxix), (lxx), (lxxi), (lxxii), (lxxiii), (lxxiv), (lxxv), (lxxvi), (lxxvii), (lxxviii), (lxxix), (lxxx), (lxxxi), (lxxxii), (lxxxiii), (lxxxiv), (lxxxv), (lxxxvi), (lxxxvii), (lxxxviii)

  Porter, Samuel (father), (i), (ii)

  Pot of Gold, The, (i)