Thomas Moore- Collected Poetical Works

by Thomas Moore

  “When I see in many of these letters the infirmities of age made a subject of mockery and ridicule; when I see the feelings of a son treated by Mr. Middleton as puerile and contemptible; when I see an order given by Mr. Hastings to harden that son’s heart, to choke the struggling nature in his bosom; when I see them pointing to the son’s name, and to his standard while marching to oppress the mother, as to a banner that gives dignity, that gives a holy sanction and a reverence to their enterprise; when I see and hear these things done — when I hear them brought into three deliberate Defences set up against the Charges of the Commons — my Lords, I own I grow puzzled and confounded, and almost begin to doubt whether, where such a defence can be offered, it may not be tolerated.

  “And yet, my Lords, how can I support the claim of filial love by argument — much less the affection of a son to a mother — where love loses its awe, and veneration is mixed with tenderness? What can I say upon such a subject, what can I do but repeat the ready truths which, with the quick impulse of the mind, must spring to the lips of every man on such a theme? Filial love! the morality of instinct, the sacrament of nature and duty — or rather let me say it is miscalled a duty, for it flows from the heart without effort, and is its delight, its indulgence, its enjoyment. It is guided, not by the slow dictates of reason; it awaits not encouragement from reflection or from thought; it asks no aid of memory; it is an innate, but active, consciousness of having been the object of a thousand tender solicitudes, a thousand waking watchful cares, of meek anxiety and patient sacrifices unremarked and unrequited by the object. It is a gratitude founded upon a conviction of obligations, not remembered, but the more binding because not remembered, — because conferred before the tender reason could acknowledge, or the infant memory record them — a gratitude and affection, which no circumstances should subdue, and which few can strengthen; a gratitude, in which even injury from the object, though it may blend regret, should never breed resentment; an affection which can be increased only by the decay of those to whom we owe it, and which is then most fervent when the tremulous voice of age, resistless in its feebleness, inquires for the natural protector of its cold decline.

  “If these are the general sentiments of man, what must be their depravity, what must be their degeneracy, who can blot out and erase from the bosom the virtue that is deepest rooted in the human heart, and twined within the cords of life itself — aliens from nature, apostates from humanity! And yet, if there is a crime more fell, more foul — if there is any thing worse than a wilful persecutor of his mother — it is to see a deliberate, reasoning instigator and abettor to the deed: — this it is that shocks, disgusts, and appals the mind more than the other — to view, not a wilful parricide, but a parricide by compulsion, a miserable wretch, not actuated by the stubborn evils of his own worthless heart, not driven by the fury of his own distracted brain, but lending his sacrilegious hand, without any malice of his own, to answer the abandoned purposes of the human fiends that have subdued his will! — To condemn crimes like these, we need not talk of laws or of human rules — their foulness, their deformity does not depend upon local constitutions, upon human institutes or religious creeds: — they are crimes — and the persons who perpetrate them are monsters who violate the primitive condition, upon which the earth was given to man — they are guilty by the general verdict of human kind.”

  In some of the sarcasms we are reminded of the quaint contrasts of his dramatic style. Thus: —

  “I must also do credit to them whenever I see any thing like lenity in Mr. Middleton or his agent: — they do seem to admit here, that it was not worth while to commit a massacre for the discount of a small note of hand, and to put two thousand women and children to death, in order to procure prompt payment.”

  Of the length to which the language of crimination was carried, as well by Mr. Sheridan as by Mr. Burke, one example, out of many, will suffice. It cannot fail, however, to be remarked that, while the denunciations and invectives of Burke are filled throughout with a passionate earnestness, which leaves no doubt as to the sincerity of the hate and anger professed by him, — in Sheridan, whose nature was of a much gentler cast, the vehemence is evidently more in the words than in the feeling, the tone of indignation is theatrical and assumed, and the brightness of the flash seems to be more considered than the destructiveness of the fire: —

  “It is this circumstance of deliberation and consciousness of his guilt — it is this that inflames the minds of those who watch his transactions, and roots out all pity for a person who could act under such an influence. We conceive of such tyrants as Caligula and Nero, bred up to tyranny and oppression, having had no equals to control them — no moment for reflection — we conceive that, if it could have been possible to seize the guilty profligates for a moment, you might bring conviction to their hearts and repentance to their minds. But when you see a cool, reasoning, deliberate tyrant — one who was not born and bred to arrogance, — who has been nursed in a mercantile line — who has been used to look round among his fellow-subjects — to transact business with his equals — to account for conduct to his master, and, by that wise system of the Company, to detail all his transactions — who never could fly one moment from himself, but must be obliged every night to sit down and hold up a glass to his own soul — who could never be blind to his deformity, and who must have brought his conscience not only to connive at but to approve of it — this it is that distinguishes it from the worst cruelties, the worst enormities of those, who, born to tyranny, and finding no superior, no adviser, have gone to the last presumption that there were none above to control them hereafter. This is a circumstance that aggravates the whole of the guilt of the unfortunate gentleman we are now arraigning at your bar.”

  We now come to the Peroration, in which, skilfully and without appearance of design, it is contrived that the same sort of appeal to the purity of British justice, with which the oration opened, should, like the repetition of a solemn strain of music, recur at its close, — leaving in the minds of the Judges a composed and concentrated feeling of the great public duty they had to perform, in deciding upon the arraignment of guilt brought before them. The Court of Directors, it appeared, had ordered an inquiry into the conduct of the Begums, with a view to the restitution of their property, if it should appear that the charges against them were unfounded; but to this proceeding Mr. Hastings objected, on the ground that the Begums themselves had not called for such interference in their favor, and that it was inconsistent with the “Majesty of Justice” to condescend to volunteer her services. The pompous and Jesuitical style in which this singular doctrine [Footnote: “If nothing (says Mr. Mill) remained to stain the reputation of Mr. Hastings but the principles avowed in this singular pleading, his character, among the friends of justice, would be sufficiently determined.”] is expressed, in a letter addressed by the Governor-general to Mr. Macpherson, is thus ingeniously turned to account by the orator, in winding up his masterly statement to a close: —

  ‘And now before I come to the last magnificent paragraph, let me call the attention of those who, possibly, think themselves capable of judging of the dignity and character of justice in this country; — let me call the attention of those who, arrogantly perhaps, presume that they understand what the features, what the duties of justice are here and in India; — let them learn a lesson from this great statesman, this enlarged, this liberal philosopher:— ‘I hope I shall not depart from the simplicity of official language, in saying that the Majesty of Justice ought to be approached with solicitation, not descend to provoke or invite it, much less to debase itself by the suggestion of wrongs and the promise of redress, with the denunciation of punishment before trial, and even before accusation.’ This is the exhortation which Mr. Hastings makes to his counsel. This is the character which he gives of British justice.

  * * * * *

  “But I will ask Your Lordships, do you approve this representation? Do you feel that this is the true image of Justice?
Is this the character of British justice? Are these her features? Is this her countenance? Is this her gait or her mien? No, I think even now I hear you calling upon me to turn from this vile libel, this base caricature, this Indian pagod, formed by the hand of guilty and knavish tyranny, to dupe the heart of ignorance, — to turn from this deformed idol to the true Majesty of Justice here. Here, indeed, I see a different form, enthroned by the sovereign hand of Freedom, — awful without severity — commanding without pride — vigilant and active without restlessness or suspicion — searching and inquisitive without meanness or debasement — not arrogantly scorning to stoop to the voice of afflicted innocence, and in its loveliest attitude when bending to uplift the suppliant at its feet.

  “It is by the majesty, by the form of that Justice, that I do conjure and implore Your Lordships to give your minds to this great business; that I exhort you to look, not so much to words, which may be denied or quibbled away, but to the plain facts, — to weigh and consider the testimony in your own minds: we know the result must be inevitable. Let the truth appear and our cause is gained. It is this, I conjure Your Lordships, for your own honor, for the honor of the nation, for the honor of human nature, now entrusted to your care, — it is this duty that the Commons of England, speaking through us, claims at your hands.

  “They exhort you to it by every thing that calls sublimely upon the heart of man, by the Majesty of that Justice which this bold man has libelled, by the wide fame of your own tribunal, by the sacred pledge by which you swear in the solemn hour of decision, knowing that that decision will then bring you the highest reward that ever blessed the heart of man, the consciousness of having done the greatest act of mercy for the world, that the earth has ever yet received from any hand but Heaven. — My Lords, I have done.”

  Though I have selected some of the most remarkable passages of this Speech, [Footnote: I had selected many more, but must confess that they appeared to me, when in print, so little worthy of the reputation of the Speech, that I thought it would be, on the whole, more prudent to omit them. Even of the passages, here cited, I speak rather from my imagination of what they must have been, than from my actual feeling of what they are. The character, given of such Reports, by Lord Loughborough, is, no doubt, but too just. On a motion made by Lord Stanhope, (April 29, 1794), that the short-hand writers, employed on Hastings’s trial, should be summoned to the bar of the House, to read their minutes, Lord Loughborough, in the course of his observations on the motion, said, “God forbid that ever their Lordships should call on the short-hand writers to publish their notes; for, of all people, short-hand writers were ever the farthest from correctness, and there were no man’s words they ever heard that they again returned. They were in general ignorant, as acting mechanically; and by not considering the antecedent, and catching the sound, and not the sense, they perverted the sense of the speaker, and made him appear as ignorant as themselves.”] it would be unfair to judge of it even from these specimens. A Report, verbatim, of any effective speech must always appear diffuse and ungraceful in the perusal. The very repetitions, the redundancy, the accumulation of epithets which gave force and momentum in the career of delivery, but weaken and encumber the march of the style, when read. There is, indeed, the same sort of difference between a faithful short-hand Report, and those abridged and polished records which Burke has left us of his speeches, as there is between a cast taken directly from the face, (where every line is accurately preserved, but all the blemishes and excrescences are in rigid preservation also,) and a model, over which the correcting hand has passed, and all that was minute or superfluous is generalized and softened away.

  Neither was it in such rhetorical passages as abound, perhaps, rather lavishly, in this Speech, that the chief strength of Mr. Sheridan’s talent lay. Good sense and wit were the great weapons of his oratory — shrewdness in detecting the weak points of an adversary, and infinite powers of raillery in exposing it. These were faculties which he possessed in a greater degree than any of his contemporaries; and so well did he himself know the stronghold of his powers, that it was but rarely, after this display in Westminster Hall, that he was tempted to leave it for the higher flights of oratory, or to wander after Sense into that region of metaphor, where too often, like Angelica in the enchanted palace of Atlante, she is sought for in vain. [Footnote: Curran used to say laughingly, “When I can’t talk sense, I talk metaphor.”] His attempts, indeed, at the florid or figurative style, whether in his speeches or his writings, were seldom very successful. That luxuriance of fancy, which in Burke was natural and indigenous, was in him rather a forced and exotic growth. It is a remarkable proof of this difference between them, that while, in the memorandums of speeches left behind by Burke, we find, that the points of argument and business were those which he prepared, trusting to the ever ready wardrobe of his fancy for their adornment, — in Mr. Sheridan’s notes it is chiefly the decorative passages, that are worked up beforehand to their full polish; while on the resources of his good sense, ingenuity, and temper, he seems to have relied for the management of his reasonings and facts. Hence naturally it arises that the images of Burke, being called up on the instant, like spirits, to perform the bidding of his argument, minister to it throughout, with an almost coordinate agency; while the figurative fancies of Sheridan, already prepared for the occasion, and brought forth to adorn, not assist, the business of the discourse, resemble rather those sprites which the magicians used to keep inclosed in phials, to be produced for a momentary enchantment, and then shut up again.

  In truth, the similes and illustrations of Burke form such an intimate, and often essential, part of his reasoning, that if the whole strength of the Samson does not lie in those luxuriant locks, it would at least be considerably diminished by their loss. Whereas, in the Speech of Mr. Sheridan, which we have just been considering, there is hardly one of the rhetorical ornaments that might not be detached, without, in any great degree, injuring the force of the general statement. Another consequence of this difference between them is observable in their respective modes of transition, from what may be called the business of a speech its more generalized and rhetorical parts. When Sheridan rises, his elevation is not sufficiently prepared; he starts abruptly and at once from the level of his statement, and sinks down into it again with the same suddenness. But Burke, whose imagination never allows even business to subside into mere prose, sustains a pitch throughout which accustoms the mind to wonder, and, while it prepares us to accompany him in his boldest flights, makes us, even when he walks, still feel that he has wings: —

  “Même quand l’oiseau marche, on sent qu’il a des ailes.”

  The sincerity of the praises bestowed by Burke on the Speech of his brother Manager has sometimes been questioned, but upon no sufficient grounds. His zeal for the success of the Impeachment, no doubt, had a considerable share in the enthusiasm, with which this great effort in its favor filled him. It may be granted, too, that, in admiring the apostrophes that variegate this speech, he was, in some degree, enamored of a reflection of himself;

  “Cunctaque miratur, quibus est mirabilis ipse.”

  He sees reflected there, in fainter light.

  All that combines to make himself so bright.

  But whatever mixture of other motives there may have been in the feeling, it is certain that his admiration of the Speech was real and unbounded. He is said to have exclaimed to Mr. Fox, during the delivery of some passages of it, “There, — that is the true style; — something between poetry and prose, and better than either.” The severer taste of Mr. Fox dissented, as might be expected, from this remark. He replied, that “he thought such a mixture was for the advantage of neither — as producing poetic prose, or, still worse, prosaic poetry.” It was, indeed, the opinion of Mr. Fox, that the impression made upon Burke by these somewhat too theatrical tirades is observable in the change that subsequently took place in his own style of writing; and that the florid and less chastened taste which some persons di
scover in his later productions, may all be traced to the example of this speech. However this may be, or whether there is really much difference, as to taste, between the youthful and sparkling vision of the Queen of France in 1792, and the interview between the Angel and Lord Bathurst in 1775, it is surely a most unjust disparagement of the eloquence of Burke, to apply to it, at any time of his life, the epithet “flowery,” — a designation only applicable to that ordinary ambition of style, whose chief display, by necessity, consists of ornament without thought, and pomp without substance. A succession of bright images, clothed in simple, transparent language, — even when, as in Burke, they “crowd upon the aching sense” too dazzlingly, — should never be confounded with that mere verbal opulence of style, which mistakes the glare of words for the glitter of ideas, and, like the Helen of the sculptor Lysippus, makes finery supply the place of beauty. The figurative definition of eloquence in the Book of Proverbs— “Apples of gold in a net-work of silver” — is peculiarly applicable to that enshrinement of rich, solid thoughts in clear and shining language, which is the triumph of the imaginative class of writers and orators, — while, perhaps, the net-work, without the gold inclosed, is a type equally significant of what is called “flowery” eloquence.

  It is also, I think, a mistake, however flattering to my country, to call the School of Oratory, to which Burke belongs, Irish. That Irishmen are naturally more gifted with those stores of fancy, from which the illumination of this high order of the art must be supplied, the names of Burke, Grattan, Sheridan, Curran, Canning, and Plunkett, abundantly testify. Yet had Lord Chatham, before any of these great speakers were heard, led the way, in the same animated and figured strain of oratory; [Footnote: His few noble sentences on the privilege of the poor man’s cottage are universally known. There is also his fanciful allusion to the confluence of the Saone and Rhone, the traditional reports of which vary, both as to the exact terms in which it was expressed, and the persons to whom he applied it. Even Lord Orford does not seem to have ascertained the latter point. To these may be added the following specimen:— “I don’t inquire from what quarter the wind cometh, but whither it goeth; and, if any measure that comes from the Right Honorable Gentleman tends to the public good, my bark is ready.” Of a different kind is that grand passage,— “America, they tell me, has resisted — I rejoice to hear it,” — which Mr. Grattan used to pronounce finer than anything in Demosthenes.] while another Englishman, Lord Bacon, by making Fancy the hand-maid of Philosophy, had long since set an example of that union of the imaginative and the solid, which, both in writing and in speaking, forms the characteristic distinction of this school.