by Norman Crane
of the new state of Xibalba. Neither Canada nor the United States opened diplomatic relations, but others did. I knew people who had pledged money, and when in January they disappeared on trips, I had no doubt to where. Infamy spread in the form of stories and urban legends. There's no need for details. People disappeared, and ethicists wrote about the ethical neutrality of murder, arguing that because we were all slated to die, leaving the Earth barren in a century, destruction was a human inevitability, and what is inevitable can never be bad, even when it comes earlier than expected—even when it comes by force. Because, as a species, we hadn't chosen destruction for ourselves, neither should any individual member of our species be able to choose now for himself. To the ethicists of what became known as the New Inevitability School, suicide was a greater evil than murder because it implied choice and inequality. If the ship was going down, no one should be allowed to get off. A second wave of suicides coincided with the debate, leading many governments to pass laws making suicide illegal. But how do you punish someone who already wants to die? In China: by keeping him alive and selling him to Xibalba, where he becomes the physical plaything of its citizens and visa-holders. The Chinese was the first embassy to open in Xibalban Paramaribo.
The men working on Kurt Schwaller's theory of everything continued working, steadily adding new variables to their equations, complicating their calculations in the hopes that someday the variable they added would be the final one and the equation would yield an answer. "It's pointless," Bakshi would comment after reading about one of the small breakthroughs they periodically announced. "Even if they do manage to predict something, anything, it won't amount to anything more than the painfully obvious. And after decades of adding and subtracting their beans, they'll come out of their Los Alamos datalabs like groundhogs into a world blanketed by storm clouds and conclude, finally and with plenty of self-congratulations, that it's about to fucking rain."
It rained a lot in February. It was one of the warmest Februaries in Toronto's history. Sometimes I went for walks along the waterfront, talking to my wife, listening to Billie Holiday and trying to recall as many female faces as I could. Ones from the distant past: my mother, my grandmothers. Ones from the recent past: the woman whose life my wife saved on the way to the hospital, the Armenian woman with the film magazine and the injured son, the Jamaican woman, Bakshi's wife. I focused on their faces, then zoomed out to see their bodies. I carried an umbrella but seldom opened it because the pounding of the raindrops against the material distorted my mental images. I saw people rush across the street holding newspapers above their heads while dogs roamed the alleyways wearing nothing at all. Of the two, it was dogs that had the shorter time left on Earth, and if they could let the rain soak their fur and drip off their bodies, I could surely let it run down my face. It was first my mother and later my wife who told me to always cover up in the rain, "because moisture causes colds," but I was alone now and I didn't want to be separated from the falling water by a sheet of glass anymore. I already was cold. I saw a man sit down on a bench, open his briefcase, pack rocks into it, then close it, tie it to his wrist, check his watch and start to walk into the polluted waters of Lake Ontario. Another man took out his phone and tapped his screen a few times. The man in the lake walked slowly, savouring each step. When the police arrived, sirens blaring, the water was up to his neck. I felt guilty for watching the three officers splash into the lake after him. I don't know what happened after that because I turned my back and walked away. I hope they didn't stop him. I hope he got to do what he wanted to do.
"Screw the police." Bakshi passed me a book. "You should read this," he said. It was by a professor of film and media studies at a small university in Texas. There was a stage on the cover, flanked by two red curtains. The photo had been taken from the actors' side, looking out at an audience that the stage lights made too dark to see. The title was Hiding Behind The Curtains. I flipped the book over. There was no photo of the author. "It's a theory," Bakshi said, "that undercuts what Abaroa and the Inevitabilists are saying. It's a little too poetic in parts but—listen, you ever read Atlas Shrugged?" I said I hadn't. "Well, anyway, what this guy says is that what if instead of our situation letting us do anything we want, it's actually the opposite, a test to see how we act when we only think that we're doomed. I mean what if the women who died in March, what if they're just—" "Hiding behind the curtains," I said. He bit his lower lip. "It sounds stupid when you say it like that but, as a metaphor, it has a kind of elegance, right?" I flipped through the book, reading a few sentences at random. It struck me as neo-Christian. "Isn't this a little too spiritual for you? I thought we were all locked into one path," I said. "I thought that, too, but lately I've been able to do things—things that I didn't really want to do." For a second I was concerned. "Nothing bad," he said. "I mean I've felt like I'm locked into doing one thing, say having a drink of water, but I resist and pour myself a glass of orange juice instead." I shook my head. "It's hard to explain," he said. That's how most theories ended, I thought: reason and evidence up to a crucial point, and then it gets so personal that it's hard to explain. You either make the jump or you don't. "Just read it," he said. "Please read it. You don't have to agree with it, I just want to get your opinion, an objective opinion."
I never did read the book, and Bakshi forgot about it, too, but that day he was excited and happy, and those were rare feelings. I was simultaneously glad for him and jealous. Afterwards, we went out onto the balcony and drank Czech beer until morning. When it got cool, we put on our coats. It started to drizzle so we wore blue plastic suits like the ones they used to give you on boat rides in Niagara Falls. When it was time to go home, I was so drunk I couldn't see straight. I almost got into a fight, the first one of my life, because I bumped into a man on the street and told him to get the fuck out of my way. I don't remember much more of my walk home. The only reason I remember Behind The Curtains at all is because when I woke up in the afternoon it was the first thing that my hung over brain recognized. It was lying on the floor beside the bed. Then I opened the blinds covering my bedroom window and, through my spread fingers that I'd meant to use as a shield from the first blast of daylight, I saw the pincers for the first time.
They'd appeared while I was asleep. I turned on the television and checked my phone. The media and the internet were feverish, but nobody knew what the thing was, just a massive, vaguely rectangular shape blotting out a strip of the sky. NASA stated that it had received no extraterrestrial messages to coincide with the appearance. Every government claimed ignorance. The panel discussions on television only worsened my headache. Bakshi emailed me links to photos from Mumbai, Cape Town, Sydney and Mexico City, all showing the same shape; or rather one of a pair of shapes, for there were two of them, one on each side of the Earth, and they'd trapped our planet between themselves like gargantuan fingers clutching an equally gargantuan ping-pong ball. That's why somebody came up with the term "the pincers". It stuck. Because I'd slept in last night's clothes I was already dressed, so I ran down the stairs and out of my apartment building to get a better look at them from the parking lot. You're not supposed to look at the sun, but I wasn't the only one breaking that rule. There were entire crowds with upturned faces in the streets. If the pincers, too, could see, they would perhaps be as baffled by us as we were of them: billions of tiny specks all over the surface of this ping-pong ball gathering in points on a grid, coagulating into large puddles that vanished overnight only to reassemble in the morning. In the following days, scientists scrambled to study the pincers and their potential effects on us, but they discovered nothing. The pincers did nothing. They emitted nothing, consumed nothing. They simply were. And they could not be measured or detected in any way other than by eyesight. When we shot rays at them, the rays continued on their paths unaffected, as if nothing was there. The pincers did, however, affect the sun's rays coming towards us. They cut up our days. The sun would rise, travel over the sky, hide behind a pincer—enveloping us
in a second night—before revealing itself again as a second day. But if the pincers' physical effect on us was limited to its blockage of light, their mental effects on us were astoundingly severe. For many, this was the sign they'd been waiting for. It brought hope. It brought gloom. It broke and confirmed ideas that were hard to explain. In their ambiguity, the pincers could be anything, but in their strangeness they at least reassured us of the reality of the strange times in which we were living. Men walked away from the theory of everything, citing the pincers as the ultimate variable that proved the futility of prognostication. Others took up the calculations because if the pincers could appear, what else was out there in our future? However, ambiguity can only last for a certain period. Information narrows possibilities. On April 1, 2026, every Twitter account in the world received the following message:
as you can see this message is longer than the allowed one hundred forty characters time and space are malleable you thought you
