The Bell

by Iris Murdoch

  On Margaret’s departure, Mark Strafford had taken over the cooking. Dora soon ousted him, however, and made up in zeal for what she lacked in talent. Her efforts were appreciated and she obviously enjoyed what she was doing. But the halcyon days for Dora came after the others had all gone, when she reigned undisputed over Imber. She took especial pleasure in Michael’s domestic helplessness, and told him that she was delighted to cook for a man who didn’t think he could cook better than she could. She kept the house reasonably clean and the office orderly and searched the gardens to find, in forgotten and uncultivated corners, autumn flowers that had been left there growing wild, and filled the hall and common-room with great bunches of dewy michaelmas daisies and aromatic chrysanthemums which brought back to Michael memories of childhood holidays spent at Imber.

  Gradually the place was stripped. The market-garden was sold as it stood to a neighbouring farmer, and a good deal of the produce was lifted and removed at once. Bit by bit the furniture disappeared from the house, some of it returned by removal van to people who had lent it, some of it trundled vigorously away by Sister Ursula on a handcart to be taken into the Abbey. The causeway had been mended. The new bell had been lifted by crane out of the lake and unceremoniously bundled into the enclosure. It had by now been erected in the old tower, and announced its elevation in clear tones which reached Michael and Dora one morning as they were sitting at breakfast.

  A curious dream-like peace descended on Imber. The distinction of days was unclear. Meals were served at odd times and often sat over lengthily. When the sun shone the doors were opened and the heavy table pulled out onto the gravel. The mornings were hazy, the afternoons damp and mellow, and the garden, with its dark lines of upturned earth, was oppressively silent. At night it was cold and the sky was clear and wintry with premonitions of frost. The owls hooted closer to the house. The sedge warblers were gone. And returning late from the chapel Michael would see the light blazing on the balcony and hear across the water the music of Mozart, played upon the gramophone by Dora who was showing a sudden new enthusiasm for classical music.

  During this time a curious relationship grew up between Michael and Dora, something undefined and wistful which had for Michael a certain ease and douceur. Perhaps this was possible only because they both knew that the time was short. Amid many subjects of reflection Michael managed to wonder about Dora’s future; and after a little time had passed he raised with her the subject of whether she oughtn’t to go back to London.

  Dora, when questioned, showed herself but too eager to discuss the whole matter with him, and so they discussed it. She told him that she had decided that there was no point in her returning to Paul, at any rate at present. She would only run away again. It was inevitable that Paul should bully her and that she should vacillate between submitting through fear and resisting through resentment. She was plain that things were mostly her fault and that she should never have married Paul at all. As things were, she felt that she would never manage to live with Paul until she could treat with him, in some sense, as an equal; and she had no taste for trying to improve her status by becoming precipitately and in her present state of mind the mother of his children. She felt intensely the need and somehow now the capacity to live and work on her own and become, what she had never been, an independent grown-up person. These views she uttered to Michael rather anxiously and apologetically, clearly expecting him to tell her that she ought to go back to her husband.

  Occupying his mind as best he could with the problem of Dora, Michael felt no inclination to recall her sharply to her duties as a wife. He realized that his present views were perhaps heterodox, his vision distorted and his powers of judgement diseased. But he reflected again, and the picture seemed the same. When Dora said to him, her voice shaking with emotion, that ‘everything to do with Paul was just the kiss of death’, Michael saw with a dreary clarity what things would be like if she did return. Paul was much to be pitied, but he was a violent and bullying man, and although it was true that Dora ought never to have married him it was equally true that he ought never to have married Dora. Michael confined himself to pointing out to Dora that she did, after all, in some sense love Paul, and that her being married to him was a very important fact. It was also important that Paul loved her and needed her. Whatever plans she made for the immediate future she should keep alive the hope that she might return to Paul later if he should still wish it. Running away was worthless unless she could find herself a way of life which had dignity and independence, and in which she could win the strength needed to make her able to treat with Paul equally and stop being afraid of him.

  What that way of life could be they discussed in the most practical terms. Dora had told Michael in a half amused way about her mystical experience in the National Gallery. Michael suggested that she should return to her painting; and Dora agreed, while insisting, as Michael indeed suspected, that she had a very meagre talent. Perhaps she could find a teaching job which would leave her time to go to an art school? Perhaps she could get back the scholarship which she had relinquished when she married Paul. The problem of where and how she could live arose too. Michael advised her to leave London. Dora at first declared that life out of London was impossible, but later saw the point of the idea and even found it rather exciting. When the discussion had reached this stage a providential letter arrived from Dora’s friend Sally, to say that Sally had got a good job as an art teacher at a school in Bath, and had got her hands on quite a decent flat, and did Dora know anyone in Bath who might help her to find someone to share the flat? It then became obvious that Dora must go to Bath, and Michael conducted some correspondence for her to see if she could get a grant to help her to complete her studies in that city. A very small grant was forthcoming, together with some suggestions about primary school-teaching. This suited Dora excellently and ecstatic telephone calls passed between her and Sally.

  Michael, reflecting later, was surprised at the efficiency with which he had helped Dora to organize her unorthodox future, considering how little thought he really gave to the matter. Perhaps his complete detachment from Dora, and a curious broken freedom brought about by his own state of mind, enabled him to act in a situation in which he would normally have hesitated or acted differently. He wondered if his counsels were wise; perhaps not even time would show. But he believed that he now knew Dora a little. She had talked a great deal about herself, and Michael glimpsed, in the stories which she told without bitterness of her unwanted childhood, some of the roots of her present being. No one had inspired her to place the least value on herself; she still felt herself to be a socially unacceptable waif, and what made her unpretentious also made her irresponsible and unreliable. Paul, with his absolute demands and his annihilating contempts and angers, was the worst partner she could have chosen. Dora was not altogether without hope of returning to Paul, and Michael hoped with her, although he was well aware that James had been right in calling her a bitch and that it was unlikely that her career of crime was at an end.

  Dora of her own accord suggested that she might now have some talks with Mother Clare. She saw Mother Clare three times, and seemed pleased to have done so, though she was reticent about what had been said. They talked, of course, about their adventure in the lake, since which Dora had conceived a great admiration for the intrepid and amphibious nun; but they spoke too, Michael gathered, about Dora’s future. He was glad to be able to conclude that the Abbey was putting no spanners in the wheel of his own plans for Dora, and had evidently not told her bluntly to return at once to her husband. He felt, in the case of Dora too, that there was little point in forcing her willy-nilly into a machine of sin and repentance which was alien to her nature. Perhaps Dora would repent after her own fashion; perhaps she would be saved after her own fashion.

  It was after they had been alone together for a while that Michael began to guess that Dora was a little in love with him. Something in her looks, her questioning, her manner of serving him, suggest
ed this. Michael was touched, a little irritated, but in no way alarmed or repelled. He was grateful to Dora because he felt that she was a person to whom he could do no harm. There was something subdued and hopeless about her love which was perhaps new to her. Michael observed it, almost with tenderness, and did nothing to reduce the distance between them. He made her talk about herself, and quietly circumvented her clumsy efforts to make him talk about himself. Her unsuspicious and unsophisticated mind harboured of course no conception of his being a homosexual; and although Michael guessed Dora to be one of those women who regard homosexuals with interested sympathy he had no intention of instructing her. A little later he began to realize that she imagined him to be in love with Catherine. This was more upsetting. Michael was annoyed and distressed by Dora’s continual probing references to Catherine, and her assumption that he was yearning to be summoned to Catherine’s bedside. But again, he thought it better to leave her with that illusion. So they continued side by side, Michael knowing that he was causing Dora some unhappiness, but feeling that it was, for her, perhaps a novel and certainly a harmless variety.

  For all that, perhaps partly because of it, Dora grew and flourished remarkably during those days. Michael felt this especially in the later time when there was a little less to do in the office, and he often found her out beside the lake, using as easel the old music stand from the Long Room, making water-colour sketches of the Court, of which she must have done, before she left, some three or four dozen. The weather was colder now, and though still cloudy yet often bright. Skies of dappled dove grey, streaky lemon yellow, menacing purple and limpid green appeared in Dora’s pictures behind the silvery pediment of the Court. How wonderfully, Michael thought, Dora had survived. She had fed like a glutton upon the catastrophes at Imber and they had increased her substance. Because of all the dreadful things that had passed there was more of her. Michael looked with a slightly contemptuous envy upon this simple and robust nature until he remembered the last morning when he had been about to visit Nick and how well he too had thriven upon disaster up to the moment when he was vitally hurt.

  One day a letter arrived from Toby. He was by now well installed at Oxford. Michael read his letter with relief. In awkward terms, Toby apologized for his hasty departure, and for his indiscretions, which he hoped had not caused too much trouble. He thanked Michael for his kindness, said how much it had meant to him being at Imber, said he was sorry to see from the papers that they were all moving, but hoped it would be just as good somewhere else. What mainly emerged, however, from the letter, and set Michael’s mind at rest, was that for Toby the whole business was closed indeed. There was no sign of tormented guilt, no anxious brooding, no speculation about Michael’s state of mind. The full significance of the happenings at Imber had happily escaped Toby, and he had no retrospective curiosity about them now. He was in a new and wonderful world, and already Imber had become a story. He had a marvellous old panelled room in Corpus, he told Michael. He had decorated it with pictures of the medieval bell taken from the ‘Illustrated London News’. His tutor was terribly impressed when he told him how he had discovered the bell! Murphy was very well, by the way, and settling down splendidly with his parents. He wasn’t fretting any more. Hadn’t it been a good idea of Peter’s that he should take over Murphy? How terribly sad and shocking about Nick, he could hardly believe even now that it was true. Michael must come and see him at Corpus if ever he was going through Oxford and take a glass of sherry. Michael smiled a little over the letter and was glad of it. Perhaps he would go one day to see Toby, and to give Toby the pleasure of patronizing him a little, and of telling his friends afterwards that that was the odd chap he had told them of who once made a pass at him down at that place where he found the bell.

  All these thoughts of Dora and Toby fluttered intermittently at the surface of Michael’s mind. More deeply and continually he was concerned with other matters. The pain he had felt when he knew that Nick was dead was so extreme that he had thought at first that he could not survive it. During the first days he had been consoled only by the knowledge that he could still kill himself. Such pain did not have to continue. He could occupy himself only in things which concerned Nick, could only speak of Nick when he spoke at all. He searched the Lodge from end to end several times, searching for something, a letter, a diary, which he could construe as a message to himself. He could not believe that Nick had gone without leaving him a word. But there was nothing to be found. The stove contained charred paper, the remains perhaps of a final holocaust of Nick’s correspondence, but it had all been thoroughly burnt and was beyond salvage. The house revealed nothing to Michael as, desperately and blinded by the tears which now started intermittently and without warning to his eyes, he ransacked Nick’s cupboard and suitcases and went through the pockets of his coats.

  During this time his love for Nick seemed to grow, in an almost devilish way, to the most colossal dimensions. At moments this love felt to Michael like a great tree that was growing out of him, and he was tormented by strange dreams of cancerous growths. He had the image of Nick continually now before his eyes, seeing him often as he was when a boy, seeing him in flight across a tennis court, agile and strong and swift, conscious of Michael’s glance; and sometimes it seemed to him as if Nick had died in childhood. With these visions there came too an agony of physical desire, to be succeeded by a longing, so complete that it seemed to come from all the levels of his being, to hold Nick again in his arms.

  Michael went to see the Abbess several times. Now, when it was too late, he told her everything. But there was nothing, at present, which she could do for him, and they both knew it. Michael felt himself responsible for Nick’s death, as much as if he had deliberately run him over with the lorry. The Abbess did not try to take this responsibility from him; but she could not, either, help him to live with it. He went away, bent double with the pains of remorse and regret and the inward biting of a love which had now no means of expression. He remembered now when it was useless how the Abbess had told him that the way was always forward. Nick had needed love, and he ought to have given him what he had to offer, without fears about its imperfection. If he had had more faith he would have done so, not calculating either Nick’s faults or his own. Michael recalled too how, with Toby; he had acted with more daring, and had probably acted wrong. Yet no serious harm had come to Toby; besides he had not loved Toby as he loved Nick, was not responsible for Toby as he had been for Nick. So great a love must have contained some grain of good, something at least which might have attached Nick to this world, given him some glimpse of hope. Wretchedly Michael forced himself to remember the occasions on which Nick had appealed to him since he came to Imber, and how on every occasion Michael had denied him. Michael had concerned himself with keeping his own hands clean, his own future secure, when instead he should have opened his heart: should impetuously and devotedly and beyond all reason have broken the alabaster cruse of very costly ointment.

  As time went on Michael tried too to think of Catherine: poor Catherine, lying there drugged in London, with a terrible awakening ahead of her. He thought of her with great pity but could not purge from his mind the aversion which the idea of her still inspired. He dreaded the arrival of the letter which should summon him to see her. Perhaps he had found her existence, from the start, something of a scandal. Perhaps when Nick had first spoken of her he had felt jealous. He tried to remember. He found himself suddenly full of violent thoughts, wishing that it was Catherine that was dead instead of Nick, and strangely imaging that in some way she had destroyed her brother. Yet he pitied her, and knew in a cold sad way that till the end of his life he would be concerned with her and responsible for her welfare. Nick was gone; and to perfect his suffering Catherine remained.

  The first agony passed and Michael found himself still living and thinking. Having at first feared to suffer too much, he later feared to suffer too little, or not in the right way. With strong magnetic force the human heart is d
rawn to consolation; and even grieving becomes consolation in the end. Michael told himself that he did not want to survive, he did not want to feed upon Nick’s death. He wanted to die too. But death is not easy, and life can win by simulating it. He cast about in his mind for a way of thinking about what had happened which left him finally without refuge or relief. He did not want for a single moment to forget what had happened. He wanted to use his intelligence about it. He remembered the souls in Dante who deliberately remained within the purifying fire. Repentance: to think about sin without making the thought into a consolation.

  After Nick’s death he was for a long time quite unable to pray. He felt indeed as if his belief in God had been broken at a single blow, or as if he had discovered that he had never believed. He absorbed himself so utterly, so desperately, in the thought of Nick that even to think about God seemed an intrusion, an absurdity. Gradually he became more detached but there was no sense of his faith being renewed. He thought of religion as something far away, something into which he had never really penetrated at all. He vaguely remembered that he had had emotions, experiences, hopes; but real faith in God was something utterly remote from all that. He understood that at last, and felt, almost coldly, the remoteness. The pattern which he had seen in his life had existed only in his own romantic imagination. At the human level there was no pattern. ‘For as the heavens are higher than the earth, so are my ways higher than your ways, and my thoughts than your thoughts.’ And as he felt, bitterly, the grimness of these words, he put it to himself: there is a God, but I do not believe in Him.