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Foreign Bodies

Page 3

by Kimiko Hahn


  A metal bowl? Doily? Birch bark? Page torn from an old book?

  Ted and I decided to see her at the funeral home. To “view her” in the pine coffin. Before she was delivered to the crematorium. The undertaker commented on how “Orientals don’t show their age.” Sixty-eight, only a few years older than I am today. I looked. But I didn’t clip a wisp of hair as keepsake. I didn’t touch her clothes or her hand. It was enough to see what I would come to describe as the body that was Mother’s.

  Ice? Mother once told me not to put lips or tongue on ice because the delicate skin would stick fast.

  Was I afraid to kiss her on the lips, the lips that were my mother’s? Did sense even occur to me? Pumice? Bar of soap? Like both fastens and keeps at arm’s length.

  (Had she wanted to go?)

  •••

  charms iii.

  Trustfulness

  Never take from a father’s shelf

  Impressions of ancient reptile

  Or you’ll fossilize your heart

  And forever bleed out bile

  •••

  She Sells Seashells

  Considering the Life of Mary Anning

  When high tide withdraws

  a shell burrows down with its foot

  and should that muck harden,

  the razor, say, may petrify

  over millennia:

  such demise may be a little girl’s good fortune.

  Especially in 1811.

  •

  If only I believed in talismans

  especially in regard to my dragonfly

  possessed by stone for eons:

  to make ends meet

  Mary climbed a local cliff with tools

  to pry out spirals—snake stones—

  she’d sell to neighbors convinced

  of their charming powers.

  •

  Mary was named

  after her departed sister

  who’d tossed sawdust on the kitchen hearth,

  inspiring flames to her bib

  and burning her to bits. Me,

  I was instructed to so fear a match

  when the lesson came to strike one

  I twisted, shrieked, and wept. But

  the penniless Annings scraped by

  against the raw ocean air—

  •

  The verteberries, sea lilies, scuttle and thunderstones

  had lodged in strata for millennia

  above the English Channel and below

  the Annings’ dark dank cottage. By the Saw Mill River,

  my own parents stratified seeds in their garden

  though weeds disallowed them

  to seek the light of day ever.

  •

  Miss She-sells-seashells-on-the-seashore,

  after a furious storm, found a flying dragon

  in the Lyme Regis sediment.

  Often gone all day alone

  turbulence was her best companion

  revealing where to look for bones.

  I found an egg dyed yellow and green.

  I found my mother when she’d died—I mean,

  when she’d hide.

  •

  I did not find an Ammon’s horn.

  I did find a piece of matzo beneath a tablecloth.

  And I found my mother dead to which

  a cousin asked, “What does that mean,

  ‘to find someone dead’? Lackluster? Uncaring?

  Without a mirror for her little girl?”

  •

  Bleeding-tooth and pelican foot,

  Venus comb murex, keyhole limpet—

  a hobby for some, for the Annings

  bought bread, maybe mutton, maybe

  The Dissenters’ Theological Magazine.

  Still, I wish I could’ve chiseled out a Plesiosaurus—

  especially to query Genesis—to discover

  something as stupendous as extinction.

  •

  After a common storm Mr. Anning fell from a ledge,

  suffering till he died. Mary’s dog

  similarly perished just feet from where she stood.

  I wouldn’t want to pry into stone

  over the swirling coast that cost so much.

  Mary didn’t possess any such choice

  and faced rude currents to stay afloat:

  •

  They say Miss Anning attends Col. Birch

  These men of learning have sucked her brains

  Richard “Dinosaur” Owen rarely stooped to dirty his hands in the field

  Coprolite (fossilized feces) finely illustrated

  Mary untangled seaweed from the dead woman’s hair

  •

  To Darwin’s professor she wrote, [the find looks like] a skeleton with a head like a pair of scissors . . . analogous to nothing. Even so, the geologist paid no attention to her transitional creature.

  •

  Mary’s a very clever funny Creature

  said Dr. Featherstonhaugh as he purchased

  the spine of a sea beast she’d found. My aunt

  said that shells can be alive.

  Some are left-handed, some right. Most

  have a door and a foot. Very funny, I thought,

  determined next holiday to search low and high.

  •

  King Frederick visited the Anning’s Fossil Depot

  to purchase an ichthyosaur—

  the crocodile with flippers, the undulating fish lizard—

  was it Mary’s torso? brother Joseph’s skull?

  or was the skeleton complete?

  Strange how the body is so

  undependable except at the last moment.

  •

  Some baby shells swim about,

  others dig into mud flats

  or latch onto random stone and stem.

  When my own babies settled into silt

  I had to rake them out

  just as my mother’d coaxed with indulgences.

  Mary’s mother at first forbade her

  to clamber up those cliffs

  scolded by tide and sea mist, but,

  in the end, feared more the ubiquitous poorhouse.

  •

  Some shells have eyes. All have mouth and anus

  employed to move along. I’ve watched

  a sand dollar drag its pattern in the silt,

  a beautiful primal moment. In Mary’s time,

  marked by the reign of a Queen,

  even a twenty-foot fossil gave a woman no purchase.

  •

  Some shells leap out of water!

  Some leap off a boat’s deck

  back into a more kindred habitat!

  Mary bought her own house

  so she could properly dust and polish

  the so-called curiosities that evolved into

  patriarchal—I mean, paleontological import.

  •

  Not so odd that a soft fleshy creature

  builds a stony home

  —smooth, ribbed, warty, or spiny—

  from a fold excreting particles of lime.

  More strange is a creature of flesh

  who can’t protect herself thus

  regardless of cranium or cul-de-sac residence.

  •

  In her commonplace book, Mary transcribed

  ’Tis time this heart should be unmoved,

  Since others it hath ceased to move . . .

  and notes on physics and astronomy.

  On large sheets of paper, she sketched the creatures

  she could not present at London’s Geological Society

  in person. On my typewriter, I exhumed

  all sorts of impressions whether

  prehistoric or from my childhood bedroom.

  •

  Although the warty professors visited her seaside home,

  bartered then took credit for her finds

  when all was done and said again

  she who sold seashells
found fossils

  more stellar than a tongue twister,

  having had the Black Ven as taskmistress.

  •

  envoy:

  she-sells-seashells-on-the-seashore

  sold the so-called curios

  some have eyes

  some coprolite

  most have a door and a foot

  some baby shells swim about

  below the coastal cliff near her home

  near bleeding-tooth and pelican foot

  and their healing powers but

  no one wants to puzzle over

  an overhanging house or stony abode or

  a funny tongue-twister but

  with or without a charm

  a little girl can fashion a mirror of her own

  •••

  Likeness

  A Self-Portrait

  Like Professor Sara Lewis I view the meadow as theater

  for passion and yearning courtship duets

  competitions for affection

  cruel deception and gruesome death

  Like the Professor fluent in firefly I am fluent in

  on-the-fly and on-the-sly

  when circumstances are well well lit

  •

  Like a female firefly I am remarkably picky

  when checking out flashy males

  because long-lasting pulses

  mean a lot when it comes to say nuptial gifts

  —packages of protein injected with sperm—

  furthermore it’s crucial to pay attention

  yes I tell my daughters

  pay attention to attention

  •

  Unlike male fireflies

  who do not need to burn many extra calories

  to make flashes

  because only a tiny bit of energy is needed

  I do

  burn a lot of fuel in the service of being flashy:

  shimmying at Danceteria

  acting-out at the Nuyorican

  leafletting at Kentile

  to overthrow The Man

  •

  And what can I say?

  like the cannibal Photuris firefly that

  pounces bites then sucks the blood

  of the special other

  for ill-tasting chemicals

  which it utilizes for protection

  well, me, too—

  I take her in to ward her off

  •

  There is also trickery in the case of the Photuris firefly

  who at times sits on a blade of grass, responding

  to male fireflies with deceptive flashes

  mimic deceive devour

  like legend like fairy tale

  like office copy-room

  •

  Regrettably I’ve never sat in my backyard the night before

  heading off to Belize

  unlike Professor Sara Lewis

  who found herself

  —instead of mulling over coral reefs—

  espying firefly sexual selection and

  comparing the winks to Darwin’s thesis on

  male displays of antlers and feathers

  though it is true that at the book launch where Harold read Bestial

  I took note of his commanding backlist

  •

  Lastly also like fireflies what I cook up

  can present an unpleasant meal

  although mine does not glow

  although I wish I could produce glowy things

  —sestina, sukiyaki, manifesto—

  However, like firefly glow

  I turned on during courtship Harold said so and

  he himself is brilliant

  especially at nightfall

  —though not from enzymes in his tail—

  •••

  charms iv.

  Nip in the Bud

  Pull out a Queen Anne’s Lace

  By every gnarled tendril

  To hone your skill at tatting

  As well as thwart a rival

  •

  Reprisal

  If a sweetheart aims to stray

  For a neighbor’s tryst

  Find a way to shake a branch

  Of nettles on her sheets

  •••

  Foreign Body

  This is a poem on my other’s body,

  I mean, my mother’s body, I mean the one

  who saved her braid of blue-black hair

  in a drawer, I mean the one

  I could lean against—

  against as in insistence. Fuzzy-dress-of-wuzzy

  one. Red-lipstick one.

  Rubber-gloves one. Her one to me,

  bad-ger bad-ger

  or so I heard. The one body I write on—

  her sun-flecked body

  as she bathed in the afternoon.

  Was I five? It was Summer.

  Then Winter—where today

  I call the unlocked bathroom to mind:

  I cannot leave her body alone.

  Which is how I found Mother

  escaping the heat of a 1950s house,

  Father on a ladder with blowtorch

  to scrape the paint off the outside.

  •

  badger badger

  •

  The sun in those suburbs

  simmered the tar roof over our rooms

  in the town where the wasps lived

  inside paper cells beneath both eaves and roots.

  They sing—

  I mean—sting very much, the wasps.

  •

  Now I’m sixty. Sweet as dried papaya.

  My hair, a bit tarnished,

  my inmost, null.

  Memory is falling away

  as if an image shattered to shards then

  re-collected for a kaleidoscope:

  I click the pieces into sharp arrangement—

  bad bad girl girl

  In turn, a daughter turns sovereign.

  •••

  After Being Asked If I Write the Occasional Poem

  After leaving Raxruhá, after

  crossing Mexico with a coyote,

  after reaching at midnight

  that barren New Mexico border,

  a man and his daughter

  looked to Antelope Wells

  for asylum and were arrested. After

  forms read in Spanish

  to the Mayan-speaking father,

  after a cookie but no water, after

  the wait for the lone bus

  to return for their turn, after boarding,

  after the little girl’s temperature spiked,

  she suffered two heart attacks,

  vomited, and stopped breathing. After

  medics revived the seven-year-old

  at Lordsburg Station, after

  she was flown to El Paso where she died,

  the coroner examined

  the failed liver and swollen brain. Then,

  Jakelin’s chest and head were stitched up

  and she returned to Guatemala

  in a short white coffin

  to her mother, grandparents,

  and dozens of women preparing

  tamales and beans to feed the grieving.

  In Q’eqchi’, w-e means mouth.

  •••

  Alloy

  An Apostrophe for Isamu Noguchi

  Is stone the opposite of dust? And if so, are we then stone before dust? And before that, some kind of betwixt? The mush inside a translucent chrysalis turning cellophane-clear when, of a sudden,

  you can see the monarch throbbing and scratching its way into air—

  unlike a centipede that lays eggs, even curls around them with her hundred feet. You said that living in Japan

  our house was filled with centipedes. I became rather fond of them; I lost my fear. You know, when you kill one, the two halves just walk off.

  Surely they played in your mind all the way to your piece “Even the Centipede,”

&nb
sp; molded from Ibaraki clay—though you felt in a medium like clay anything can be done;

  and stated, I think that’s dangerous. It’s too fluid. Too facile.

  Under your instruction, I’ll find what’s too fluid for me and turn my scratching away from facile to fossil

  using hammer, chisel, and drill if lucky enough to come across the right quarry and ask nice enough or pay enough

  for a crew to blast out the marble—unless the material is residue from something else. Glacial pain?

  I mean, glacial moraine

  •

  from my home near the Sound where a glacier once aborted boulders onto these lean beaches.

  I pick up a rock rounded and chipped in the surf, then, back home, like those who set Jizo on boulevard altars in Kyoto,

  I tie a bib around its belly then place it on our mantel. Like those women, I, too, remember my baby unborn from betwixt and

  Japanese. Japanese like those on the land where dust storms blew farm families to smithereens, then, blew desert

  through rows of barracks surrounded by barbed wire and gunner watchtowers. Even orphan babies,

  with one drop of Jap blood, were seized from whatever charity to live in bowls of dust. And you, Noguchi-sensei,

  volunteered yourself into this incarceration limbo with the goal to build a baseball diamond, swimming pool, and cemetery;

  you entered Poston Internment, where you knew yourself a Nisei, that is, without the rights of a citizen: request, of course, denied.

  (Not for nothing, you were despised on both sides.) And as for centipedes

  I’m not so much afraid as squeamish, which is different, and I’ve never killed one by cutting it in half

  so I don’t know about the two alive sides. The split selves not seeing eye-to-eye, I know only too well.

 

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