Dead Astronauts

by Jeff VanderMeer

  Felt the dissolve, fought it, came back into focus.

  Chen, between grunts, tried to tear off Chen’s left ear with his teeth. So he let his ear fall off, spin across the empty ground, pick itself up, and lurch out of harm’s way.

  Grayson’s Chen knew the panic, understood it: that this Chen could not conceive of the truth but knew another truth. The Company could make people if it wanted, and the thrashing, terrible intensity of attack, the visceral nature of it, meant that Chen, seeing Chen, understood this, too.

  All the memories of Chen—of family continents away, of work history, of hobbies, of relationships—that this was a sham and a shame and that the only way to keep some sense of personhood was to destroy the invader. In some Cities, some Chens might fold under that weight, but most of the time it made the Chens fight long and hard and dirty.

  Except Chen didn’t care if he was a made thing or not—Moss had cured him of that neurosis—and he had the advantage of having fought Chen before. He knew all of his moves, knew all the ways to end it, including how he had learned to adapt his flesh from Moss, that he could detach his hand and turn it into a dangerous flaming star flying through the sky.

  Yet still Chen muttered at Chen as they struggled, pleading with this other self to submit, to give in, that they could work together if only Chen had a chance to explain. Trying again.

  “Submit and join us. Two are better than one. What do you owe the Company?”

  “Submit and the Company will welcome us back in. Submit and we can both have the life you had before.”

  “A dead life?”

  “Something to hold on to.”

  But had Chen said that or had Moss’s Chen thought it? Who was lying to whom?

  As Chen fought back and refused to submit, Grayson’s Chen grew weary. Not of the fight, for he had learned to love fighting because at least it ended in a vanquishing that denoted a kind of progress. But as he traded blows with himself—rabbit punches, kicks to the groin—Chen felt something sanded down finally and forever. As his fist struck Chen’s jaw and Chen’s fist struck him in the stomach. As they stumbled in the grapple, neither quite going to the ground, Chen realized he was weary of killing himself. He was tired.

  This was the fourth time.

  With a great spasm and twist of self-loathing, Chen moved to the side and locked his arm around Chen’s throat in a choke hold, clambered onto his back, and clasped Chen’s torso tight with his legs. Chen fell with Chen on top of him, bucking, trying to get at Chen with elbows, then trying to dislodge Chen’s legs.

  Chen managed to twist enough to get his fingers under Chen’s choke hold and flip so that they were face-to-face on the uneven floor, in the dust and dirt next to the swimming pool. Now each had hands around the other’s throat, those bull-like necks, so close they could have kissed or spat or done anything.

  Moss had altered Chen’s oxygen capacity, or taught him to do so. He never remembered what was augmentation and what was just training. So Chen was content to choke Chen, until Chen passed out and there was a moment when Chen had always, would forever, continue to apply pressure to the throat and Chen would die.

  But this Chen, too, must have altered oxygen capacity, or was working from a different equation, and did not tire and did not pass out or die, but only squeezed harder on Chen’s neck, too. Which alarmed Chen, and then all the solidarity with his own flesh that he had built up over time … gave way.

  Grayson’s Chen burst at the seams. Became a mound of writhing green salamanders, in a sigh, a deliquescence. Slipping from Chen’s grasp as he gasped and stepped back. In surprise or disgust? For salamander-Chen still formed a rough composite of Chen’s form. Slouched over on the ground, the salamanders fierce-eyed, determined to pledge allegiance to an equation made obsolete.

  Stared up disoriented at Chen through the array of a thousand eyes and, with a shudder, misdiagnosing, thinking he was back at the wall of globes in the Company building, he screamed. Chen shrieked. The salamanders wailed with him in an uncanny chorus. Even as locked together they clung, embraced, their feet like hooks, a community of flesh desperate not to succumb to a more nomadic impulse. How lonely that would be. For everyone.

  Then Grayson was there, enveloping Chen and keeping Chen whole, putting him back together, subsiding the frenzy of the salamanders.

  Then Moss was there, subduing the other Chen. Muffling the Chen in waves of green particles, come a little undone herself to undo Chen.

  Who, stunned, stumbled now as if through a dream or nightmare. Grappled with this nothing dissipating through the air and made despairing sounds. Subsided, rendered frozen by the pinpricks of Moss’s transference of her defensive blood. Moss recoiling at the feel of Chen’s blood in contact with her particles.

  Grayson found rope in Chen’s pack and bound Chen’s hands and feet.

  “I have you, Chen.”

  “I have you, Moss.”

  “Another time, Chen. Another time. But not now.”

  Chen outside was Chen again. Could not describe the feeling of being so distributed: to have so many bodies at once and so many eyes, and so many beating hearts and breathing lungs. A legion of tiny lives that could not be reduced to equations, that existed in every moment, each unique, nothing about math or structure. He needed music. He needed a huge meal. He would get neither, just the relief of his own labored breathing. Singular.

  Charlie X had altered Chen to fail because he was disposable. Moss had made him fail in a way that allowed him to live, that gave some comfort, that was not really failure. That allowed Chen to atone, that manifested in his flesh.

  Grayson and Moss looked down at Chen. They could see the imprint of salamander bodies like a fading tattoo. They could see it, so Chen could too. Feel also their concern.

  “Should you do it or should I do it?” Grayson asked Chen.

  Kill the other Chen.

  Chen said, “No! Keep him alive. He might have value.”

  Chen had never had value because Chen never knew as much as Grayson’s Chen. Chen had never suggested saving Chen. It was too dangerous.

  Moss put a hand on Chen’s shoulder.

  “You said the duck is on our side,” Chen wheezed out through the retreat of salamanders in his throat. “We can afford to.” Just to say something. Just to be normal. Which was impossible.

  “The duck was at our side,” Moss observed.

  True: The duck had appeared next to the swimming pool, watching them. Had it been there the moment before?

  Then it was gone again.

  The duck had seen Chen explode into salamanders. It had seen Moss help reconstitute Chen.

  What else had it seen?

  ix.

  a creator who no longer

  remembered the creation

  How to explain the weight of the duck with the broken wing? In truth of flesh and blood and light, though it could not fly. The wing deliberate, part of Charlie X’s plan, that the duck might always be cast out from the Company. That the duck might register as prey. As low and cast out and as prey.

  To the three when they encountered the duck, it was as heavy as if made of brass or steel or gold. The duck’s gaze was impervious to the years, pinned them down with that weight. Always when they arrived: that urgent, nagging question. Is the duck with us or against us? Does the duck recognize us?

  The duck represented a paradox. It roamed where it would, and wherever it patrolled for the Company it also negated anywhere within its shadow the Company’s surveillance. The duck could do that, to lesser and greater degrees, across all of the Cities.

  “Schrödinger’s duck.”

  “Heidegger’s duck.”

  “Swedenborg’s duck.”

  “Seneca’s duck.”

  Charlie X’s duck.

  The worst versions of the duck: Carnivorous, enflamed, the cruel lizardous eye. Oozing a thin crust of blood that dried on the mottled white. Oracular stigmata, appraising. Price of seeing too much of the future. Most o
ften observed replicating the murders of birds of prey—bill sharp, serrated in microscopic detail. Buried in a limp rat-thing, tearing out the guts. Gulping them down like a ghoulish stork. Gnawing on what was left in an artistic way, the delicacy in how long the duck could leave the recipient of its attentions alive.

  It would look up from feasting with a mechanical grace and hunger, as if lusting for meat in a way that festered. Fostered the impression screams were more important than hunger.

  Once, twice, the three witnessed the duck eviscerating a fox it had pinned to the sand, from back legs to snout, with the spurs on its scaly feet. And then the duck did bring down its head like a hammer that became an ice pick that split the fox’s head in a crack and splatter of blood and brain matter. A sound that carried over the sands.

  But the duck ate no part of either fox. Perhaps wary of a trap. That the foxes might come free from the inside out, might somehow conquer it postmortem. That the foxes still spoke to one another when dead, voices floating in the air, seemed a desecration by the duck, but Moss could not be sure. All that seemed sure is that Charlie X hated the foxes. Or had once hated one fox.

  Of the broken wing, the best that could be said is that the wing left a smile upon many a neck and torso. But never on a face. For the creature could in a motion reminiscent of some awkward bat unfold and unfurl and extend.

  The wing by will locked in place. The edge knife-sharp and serrated. It with willful industry and psychotic intent vivisected and hacked apart scavengers as large as men and larger. With a zigzagging approach once taught perhaps but now as automatic as a stitched pattern.

  Then came the sliding in a wet and separated slump to the dust, the dirt, the scavenger forever caught in a bloodstained, anguished look of confusion at the method of its own ending. Until the sun and smaller scavengers still did their work and turned the anguish into a smile. Because dead things felt only love for the universe.

  Sometimes, the duck would distract with the voice of your beloved dead, plucked from your mind, and then dig into your brain like a worm or grub, and try to live in there for a while, eating out your thoughts until you were a husk that twitched and slobbered and spasmed in the sand. At which point, reduced to harmlessness, the duck would stab you with its beak wherever best to place a spigot. Bleed you out while eating you alive.

  There came then, Moss knew, in some victims, the heights of ecstatic experience. A lightness that carried the mind off into the clouds to look down on the twisting and shaking mess of carcass without worry or care. Despite the pain that had arrived before that moment.

  Oh happy memory for Charlie X, who had no memories anymore. Oh, happy days of youth evoked by the duck. The one he’d nursed back to health. The one he’d been given as a gift. The one he’d rescued from a zoo. The one he’d kidnapped at a park. Depending on Charlie X’s mood, the story changed, on a sliding scale of the sentimental that Chen could map to the cruel.

  The one he’d told Chen about even as he created the demonic version, no space between the molecules of air that shouted Lie! and those that flowed from his mouth to tell what he thought was the truth, in that moment.

  Who knew what was truth and what was story?

  * * *

  The logical next question, more remote because the answer was usually the same: Where is Charlie X now? Nowhere. Nowhere. Dead. Forgotten. Rags buried in sand, buried in the past. Just the duck left behind.

  But that was not the case in this City.

  Charlie X, a ghost given flesh, rising up impossible to meet them across the years. Yet they could not meet him. Must not risk that in his disturbed mind might still exist a memory of Chen, of Moss and the wall of globes inside the Company. And, so, seeing Charlie X from afar as they had headed for the Balcony Cliffs, by the polluted river … the three let him pass unhindered. Did not call out. Did not admit to the past. Hardly discussed it after.

  They’d never turned him to their cause, either too broken or not broken enough. But here, and most places now, he had already long past been abandoned or been kicked out by the Company. Unable to use the micro-tears created by the portals that allowed Moss a way to come through. Burdened by the bat-like hardening of features that the Company had imposed on him. That never truly fit. That proclaimed mask or helmet or cage. And how he breathed uneven through it, rasping, and how the mice living in his throat bulged there, clung to soft tissue with their sanitized toes. How long it had taken Charlie X not to claw at his throat, for all that lived inside it? Knew, somewhere deep inside, that he always went mad, went bad, could not be trusted, lived in a place where the landscape had been stripped bare.

  Yet still, sometimes, in some scenarios, Chen would pause in the shadow of some version of a ruined building as some version of Charlie X stumbled by. As some version of Charlie X cowered in an empty cistern. Or lay quiet under a trapdoor to catch his prey. Or sat in the dust and wept in a self-pity that Moss found intolerable.

  “Should we end him?”

  A pause.

  “No.” This from Grayson. Always.

  It would be for themselves, not for him. He could do no harm now that he had not already achieved. In the grand scheme, to the three he had truly become a ghost. What could they say but words over his grave as he walked away from them, mumbling to himself.

  Besides, Grayson argued, there was the risk: They did not know what Charlie X’s death might mean to the duck.

  Dark bird. Dark secret. They knew not what it hid, what was artifice and what was content. Peel away that layer, find a deeper monster still.

  * * *

  What did Charlie X scrawl in the sand with a stick? A design, a half-remembered purpose that they recognized because it was still, in part, their own. And, looking back when well south of him, through the binoculars, the wistful way the duck with the broken wing had halted in shadowing the three.

  Out there on the broken plain, they could not encounter one another. Either the Company or Charlie X, in his last days before being cast out, had intervened, that neither should hurt the other nor acknowledge the other. Nor see the other. And if it should look like their paths might intersect, one or the other would step to the side and not know why, but continue on then, fellow ghosts ghosting straight through to the other side.

  A creator who no longer remembered the creation: Wasn’t that one definition of a god?

  For each circling lunge, the duck had an answer and soon enough Charlie X had whipped up a cloud of dust in his exertions and his foul cursing, and when the dust settled, the duck had disappeared once more.

  Escaped to shadow the three, made up ground in an uncanny way, as if when they looked back to chart its progress, the duck occurred in the City via time-lapse photography, so that it always resided several yards in advance of where it should have been.

  Moss was a heretic. Moss sometimes thought that Charlie X had, in a way, brought them together. That somehow, with the duck as the fulcrum, Charlie X had unwittingly orchestrated their resistance prior to crumbling before the onslaught of his own trauma.

  Yet perhaps Moss had the right to think this way. For Charlie X had created her.

  x.

  a shadow

  of a vastness

  That night, while Grayson slept and Chen recovered, Moss dimmed her thoughts from them, crept through their defenses, snuck out of the Balcony Cliffs. Chen and Grayson never really slept. Perhaps because they were too connected or just couldn’t pretend anymore. But she hoped they slept in some sense, that what she did now was muted to them.

  Chen had kept arguing that he should be the one for this mission, that he could convince the fish to help them. But Moss had decided she couldn’t let him. Wasn’t as suited for it, taxed and tested by the other Chen, and having only his blunt, Company ways to complete the mission; just wanted to spare her being hurt.

  Still, Grayson would never understand. Not the risk. Not the trade Moss might have to make. The decision she had come to.

  So she followed the
ravine, the trace of water down the center. In a trance. In a kind of ebb and flow as she abandoned human form. A carpet of moss roiling across the dirt, sand, and rocks. A screed that rewrote whatever it encountered, so the dirt had new properties and the sand burgeoned with new life and the rocks began processes that might not germinate for centuries.

  An onslaught, a hidden invasion. Runneling like an unseen, weightless, slow-motion avalanche, her advance guard become her rearguard. Spreading out to the sides and then in again. Folding over and over.

  Lingering in the roots of shattered trees and the neural networks of fungi. All of it battered, not at capacity but alive still. A shadow of a vastness. And she existed there, splayed out across those axes in a special kind of ecstasy. Remembered the other ways. Thought, perhaps, to close down human-type thoughts, to stay. To exist just in that moment and the next. To not go back or go forward.

  Exhausting. It exhausted to be so close to Grayson, to Chen. Ecstatic. Amazing, that intimacy. To lie down upon a bed with two others enfolded there, not cheek to cheek but the same cheek as one. Yes, ecstatic, but exhausting, exhausting, exhausting. Never alone, and Moss herself so many Mosses and thus never alone in herself either.

  Moss kept the human form for certain advantages, to live with Grayson and Chen. Because it helped Chen hold his body together. She did it for other people.

  Become nothing or everything. Nothing that could be other than nothing. Nothing that could feel what Moss had felt at the hands of Charlie X.

  To be something again in the end—something that would mean everything to Grayson. That was the price, the price, the price. And at the very end, to come back into the consciousness that human recognized as human, that she might parlay with the fish on their behalf.

  At the bottom of the ravine, the blue fox waited, as she had known he would. And by that sign Moss knew she hadn’t slipped into another place, another time. For this would never happen again and had never happened before.

  “Are you ready?” the blue fox asked.