Leaf by Niggle

by J. R. R. Tolkien

  Leaf by Niggle

  J. R. R. Tolkien

  The five tales are written with the same skill, quality and charm that made The Hobbit a classic. Largely overlooked because of their short lengths, they are finally together in a volume which reaffirms Tolkien's place as a master storyteller for readers young and old.

  Roverandom is a toy dog who, enchanted by a sand sorcerer, gets to explore the world and encounter strange and fabulous creatures.

  Farmer Giles of Ham is fat and unheroic, but - having unwittingly managed to scare off a short-sighted giant - is called upon to do battle when a dragon comes to town;

  The Adventures of Tom Bombadil tells in verse of Tom's many adventures with hobbits, princesses, dwarves and trolls;

  Leaf by Niggle recounts the strange adventures of the painter Niggle who sets out to paint the perfect tree;

  Smith of Wootton Major journeys to the Land of Faery thanks to the magical ingredients of the Great Cake of the Feast of Good Children.

  This new collection is fully illustrated throughout by Oscar-winning artist, Alan Lee, who provides a wealth of pencil drawings to bring the stories to life as he did so memorably for The Hobbit and The Children of Húrin. Alan also provides an Afterword, in which he opens the door into illustrating Tolkien's world.

  Taken together, this rich collection of new and unknown work from the author of The Children of Húrin will provide the reader with a fascinating journey into lands as wild and strange as Middle-earth.

  LEAF BY NIGGLE

  There was once a little man called Niggle, who had a long journey to make. He did not want to go, indeed the whole idea was distasteful to him; but he could not get out of it. He knew he would have to start some time, but he did not hurry with his preparations.

  Niggle was a painter. Not a very successful one, partly because he had many other things to do. Most of these things he thought were a nuisance; but he did them fairly well, when he could not get out of them: which (in his opinion) was far too often. The laws in his country were rather strict. There were other hindrances, too. For one thing, he was sometimes just idle, and did nothing at all. For another, he was kind-hearted, in a way. You know the sort of kind heart: it made him uncomfortable more often than it made him do anything; and even when he did anything, it did not prevent him from grumbling, losing his temper, and swearing (mostly to himself). All the same, it did land him in a good many odd jobs for his neighbour, Mr. Parish, a man with a lame leg. Occasionally he even helped other people from further off, if they came and asked him to. Also, now and again, he remembered his journey, and began to pack a few things in an ineffectual way: at such times he did not paint very much.

  He had a number of pictures on hand; most of them were too large and ambitious for his skill. He was the sort of painter who can paint leaves better than trees. He used to spend a long time on a single leaf, trying to catch its shape, and its sheen, and the glistening of dewdrops on its edges. Yet he wanted to paint a whole tree, with all of its leaves in the same style, and all of them different.

  There was one picture in particular which bothered him. It had begun with a leaf caught in the wind, and it became a tree; and the tree grew, sending out innumerable branches, and thrusting out the most fantastic roots. Strange birds came and settled on the twigs and had to be attended to. Then all round the Tree, and behind it, through the gaps in the leaves and boughs, a country began to open out; and there were glimpses of a forest marching over the land, and of mountains tipped with snow. Niggle lost interest in his other pictures; or else he took them and tacked them on to the edges of his great picture. Soon the canvas became so large that he had to get a ladder; and he ran up and down it, putting in a touch here, and rubbing out a patch there. When people came to call, he seemed polite enough, though he fiddled a little with the pencils on his desk. He listened to what they said, but underneath he was thinking all the time about his big canvas, in the tall shed that had been built for it out in his garden (on a plot where once he had grown potatoes).

  He could not get rid of his kind heart. "I wish I was more strong-minded!" he sometimes said to himself, meaning that he wished other people's troubles did not make him feel uncomfortable. But for a long time he was not seriously perturbed. "At any rate, I shall get this one picture done, my real picture, before I have to go on that wretched journey," he used to say. Yet he was beginning to see that he could not put off his start indefinitely. The picture would have to stop just growing and get finished.

  One day, Niggle stood a little way off from his picture and considered it with unusual attention and detachment. He could not make up his mind what he thought about it, and wished he had some friend who would tell him what to think. Actually it seemed to him wholly unsatisfactory, and yet very lovely, the only really beautiful picture in the world. What he would have liked at that moment would have been to see himself walk in, and slap him on the back, and say (with obvious sincerity): "Absolutely magnificent! I see exactly what you are getting at. Do get on with it, and don't bother about anything else! We will arrange for a public pension, so that you need not."

  However, there was no public pension. And one thing he could see: it would need some concentration, some work, hard uninterrupted work, to finish the picture, even at its present size. He rolled up his sleeves, and began to concentrate. He tried for several days not to bother about other things. But there came a tremendous crop of interruptions. Things went wrong in his house; he had to go and serve on a jury in the town; a distant friend fell ill; Mr. Parish was laid up with lumbago; and visitors kept on coming. It was springtime, and they wanted a free tea in the country: Niggle lived in a pleasant little house, miles away from the town. He cursed them in his heart, but he could not deny that he had invited them himself, away back in the winter, when he had not thought it an "interruption" to visit the shops and have tea with acquaintances in the town. He tried to harden his heart; but it was not a success. There were many things that he had not the face to say no to, whether he thought them duties or not; and there were some things he was compelled to do, whatever he thought. Some of his visitors hinted that his garden was rather neglected, and that he might get a visit from an Inspector. Very few of them knew about his picture, of course; but if they had known, it would not have made much difference. I doubt if they would have thought that it mattered much. I dare say it was not really a very good picture, though it may have had some good passages. The Tree, at any rate, was curious. Quite unique in its way. So was Niggle; though he was also a very ordinary and rather silly little man.

  At length Niggle's time became really precious. His acquaintances in the distant town began to remember that the little man had got to make a troublesome journey, and some began to calculate how long at the latest he could put off starting. They wondered who would take his house, and if the garden would be better kept.

  The autumn came, very wet and windy. The little painter was in his shed. He was up on the ladder, trying to catch the gleam of the westering sun on the peak of a snow-mountain, which he had glimpsed just to the left of the leafy tip of one of the Tree's branches. He knew that he would have to be leaving soon: perhaps early next year. He could only just get the picture finished, and only so so, at that: there were some comers where he would not have time now to do more than hint at what he wanted.

  There was a knock on the door. "Come in!" he said sharply, and climbed down the ladder. He stood on the floor twiddling his brush. It was his neighbour, Parish: his only real neighbour, all other folk lived a long way off. Still, he did not like the man very much: partly because he was so often in trouble and in need of help; and also because he did not care about painting, but was very critical about gardening. When Parish looked at Niggle's garden (which was often) he saw most
ly weeds; and when he looked at Niggle's pictures (which was seldom) he saw only green and grey patches and black lines, which seemed to him nonsensical. He did not mind mentioning the weeds (a neighbourly duty), but he refrained from giving any opinion of the pictures. He thought this was very kind, and he did not realize that, even if it was kind, it was not kind enough. Help with the weeds (and perhaps praise for the pictures) would have been better.

  "Well, Parish, what is it?" said Niggle.

  "I oughtn't to interrupt you, I know," said Parish (without a glance at the picture). "You are very busy, I'm sure."

  Niggle had meant to say something like that himself, but he had missed his chance. All he said was: "Yes."

  "But I have no one else to turn to," said Parish.

  "Quite so," said Niggle with a sigh: one of those sighs that are a private comment, but which are not made quite inaudible. "What can I do for you?"

  "My wife has been ill for some days, and I am getting worried," said Parish. "And the wind has blown half the tiles on my roof, and water is pouring into the bedroom. I think I ought to get the doctor. And the builders, too, only they take so long to come. I was wondering if you had any wood and canvas you could spare, just to patch me up and see me through for a day or two." Now he did look at the picture.

  "Dear, dear!" said Niggle. "You are unlucky. I hope it is no more than a cold that your wife has got. I'll come round presently, and help you move the patient downstairs."

  "Thank you very much," said Parish, rather coolly. "But it is not a cold, it is a fever. I should not have bothered you for a cold. And my wife is in bed downstairs already. I can't get up and down with trays, not with my leg. But I see you are busy. Sorry to have troubled you. I had rather hoped you might have been able to spare the time to go for the doctor, seeing how I'm placed: and the builder too, if you really have no canvas you can spare."

  "Of course," said Niggle; though other words were in his heart, which at the moment was merely soft without feeling at all kind. "I could go. I'll go, if you are really worried."

  "I am worried, very worried. I wish I was not lame," said Parish.

  So Niggle went. You see, it was awkward. Parish was his neighbour, and everyone else a long way off. Niggle had a bicycle, and Parish had not, and could not ride one. Parish had a lame leg, a genuine lame leg which gave him a good deal of pain: that had to be remembered, as well as his sour expression and whining voice. Of course, Niggle had a picture and barely time to finish it. But it seemed that this was a thing that Parish had to reckon with and not Niggle. Parish, however, did not reckon with pictures; and Niggle could not alter that. "Curse it!" he said to him self, as he got out his bicycle.

  It was wet and windy, and daylight was waning. "No more work for me today!" thought Niggle, and all the time that he was riding, he was either swearing to himself, or imagining the strokes of his brush on the mountain, and on the spray of leaves beside it, that he had first imagined in the spring. His fingers twitched on the handlebars. Now he was out of the shed, he saw exactly the way in which to treat that shining spray which framed the distant vision of the mountain. But he had a sinking feeling in his heart, a sort of fear that he would never now get a chance to try it out.

  Niggle found the doctor, and he left a note at the builder's. The office was shut, and the builder had gone home to his fireside. Niggle got soaked to the skin, and caught a chill himself. The doctor did not set out as promptly as Niggle had done. He arrived next day, which was quite convenient for him, as by that time there were two patients to deal with, in neighbouring houses. Niggle was in bed, with a high temperature, and marvellous patterns of leaves and involved branches forming in his head and on the ceiling. It did not comfort him to learn that Mrs. Parish had only had a cold, and was getting up. He turned his face to the wall and buried himself in leaves.

  He remained in bed some time. The wind went on blowing. It took away a good many more of Parish's tiles, and some of Niggle's as well: his own roof began to leak. The builder did not come. Niggle did not care; not for a day or two. Then he crawled out to look for some food (Niggle had no wife). Parish did not come round: the rain had got into his leg and made it ache; and his wife was busy mopping up water, and wondering if "that Mr. Niggle" had forgotten to call at the builder's. Had she seen any chance of borrowing anything useful, she would have sent Parish round, leg or no leg; but she did not, so Niggle was left to himself.

  At the end of a week or so Niggle tottered out to his shed again. He tried to climb the ladder, but it made his head giddy. He sat and looked at the picture, but there were no patterns of leaves or visions of mountains in his mind that day. He could have painted a far-off view of a sandy desert, but he had not the energy.

  Next day he felt a good deal better. He climbed the ladder, and began to paint. He had just begun to get into it again, when there came a knock on the door.

  "Damn!" said Niggle. But he might just as well have said "Come in!" politely, for the door opened all the same. This time a very tall man came in, a total stranger.

  "This is a private studio," said Niggle. "I am busy. Go away!"

  "I am an Inspector of Houses," said the man, holding up his appointment-card, so that Niggle on his ladder could see it. "Oh!" he said.

  "Your neighbour's house is not satisfactory at all," said the Inspector.

  "I know," said Niggle. "I took a note to the builders a long time ago, but they have never come. Then I have been ill."

  "I see," said the Inspector. "But you are not ill now."

  "But I'm not a builder. Parish ought to make a complaint to the Town Council, and get help from the Emergency Service."

  "They are busy with worse damage than any up here," said the Inspector. "There has been a flood in the valley, and many families are homeless. You should have helped your neighbour to make temporary repairs and prevent the damage from getting more costly to mend than necessary. That is the law. There is plenty of material here: canvas, wood, waterproof paint."

  "Where?" asked Niggle indignantly.

  "There!" said the Inspector, pointing to the picture.

  "My picture!" exclaimed Niggle.

  "I dare say it is," said the Inspector. "But houses come first. That is the law."

  "But I can't..." Niggle said no more, for at that moment another man came in. Very much like the Inspector he was, almost his double: tall, dressed all in black.

  "Come along!" he said. "I am the Driver."

  Niggle stumbled down from the ladder. His fever seemed to have come on again, and his head was swimming; he felt cold all over.

  "Driver? Driver?" he chattered. "Driver of what?"

  "You, and your carriage," said the man. "The carriage was ordered long ago. It has come at last. It's waiting. You start today on your journey, you know."

  "There now!" said the Inspector. "You'll have to go; but it's a bad way to start on your journey, leaving your jobs undone. Still, we can at least make some use of this canvas now."

  "Oh, dear!" said poor Niggle, beginning to weep. "And it's not, not even finished!"

  "Not finished?" said the Driver. "Well, it's finished with, as far as you're concerned, at any rate. Come along!"

  Niggle went, quite quietly. The Driver gave him no time to pack, saying that he ought to have done that before, and they would miss the train; so all Niggle could do was to grab a little bag in the hall. He found that it contained only a paint-box and a small book of his own sketches: neither food nor clothes. They caught the train all right. Niggle was feeling very tired and sleepy; he was hardly aware of what was going on when they bundled him into his compartment. He did not care much: he had forgotten where he was supposed to be going, or what he was going for. The train ran almost at once into a dark tunnel.

  Niggle woke up in a very large, dim railway station. A Porter went along the platform shouting, but he was not shouting the name of the place; he was shouting Niggle!

  Niggle got out in a hurry, and found that he had left his little bag
behind. He turned back, but the train had gone away.

  "Ah, there you are!" said the Porter. "This way! What! No luggage? You will have to go to the Workhouse."

  Niggle felt very ill, and fainted on the platform. They put him in an ambulance and took him to the Workhouse Infirmary.

  He did not like the treatment at all. The medicine they gave him was bitter. The officials and attendants were unfriendly, silent, and strict; and he never saw anyone else, except a very severe doctor, who visited him occasionally. It was more like being in a prison than in a hospital. He had to work hard, at stated hours: at digging, carpentry, and painting bare boards all one plain colour. He was never allowed outside, and the windows all looked inwards. They kept him in the dark for hours at a stretch, "to do some thinking," they said. He lost count of time. He did not even begin to feel better, not if that could be judged by whether he felt any pleasure in doing anything. He did not, not even in getting into bed.

  At first, during the first century or so (I am merely giving his impressions), he used to worry aimlessly about the past. One thing he kept on repeating to himself, as he lay in the dark: "I wish I had called on Parish the first morning after the high winds began. I meant to. The first loose tiles would have been easy to fix. Then Mrs. Parish might never have caught cold. Then I should not have caught cold either. Then I should have had a week longer." But in time he forgot what it was that he had wanted a week longer for. If he worried at all after that, it was about his jobs in the hospital. He planned them out, thinking how quickly he could stop that board creaking, or rehang that door, or mend that table-leg. Probably he really became rather useful, though no one ever told him so. But that, of course, cannot have been the reason why they kept the poor little man so long. They may have been waiting for him to get better, and judging "better" by some odd medical standard of their own.

  At any rate, poor Niggle got no pleasure out of life, not what he had been used to call pleasure. He was certainly not amused. But it could not be denied that he began to have a feeling of – well, satisfaction: bread rather than jam. He could take up a task the moment one bell rang, and lay it aside promptly the moment the next one went, all tidy and ready to be continued at the right time. He got through quite a lot in a day, now; he finished small things off neatly. He had no "time of his own" (except alone in his bed-cell), and yet he was becoming master of his time; he began to know just what he could do with it. There was no sense of rush. He was quieter inside now, and at resting-time he could really rest.