Complete Works of William Faulkner
Page 217
“It was your grandfather to whose office Judith came that afternoon five years later, and he could not remember when he had seen her in Jefferson before — the woman of forty now, in the same shapeless calico and faded sunbonnet, who would not even sit down, who despite the impenetrable mask which she used for face emanated a terrible urgency, who insisted that they walk on toward the courthouse while she talked, toward the crowded room where the justice’s court sat, the crowded room which they entered and where your grandfather saw him, the boy (only a man now) handcuffed to an officer, his other arm in a sling and his head bandaged since they had taken him to the doctor first, your grandfather gradually learning what had happened or as much of it as he could since the Court itself couldn’t get very much out of the witnesses, the ones who had fled and sent for the sheriff, the ones (excepting that one whom he had injured too badly to be present) with whom he had fought. It had happened at a negro ball held in a cabin a few miles from Sutpen’s Hundred and he there, present and your grandfather never to know how often he had done this before, whether he had gone there to engage in the dancing or for the dice game in progress in the kitchen where the trouble started, trouble which he and not the negroes started according to the witnesses and for no reason, for no accusation of cheating, nothing. And he made no denial, saying nothing, refusing to speak at all, sitting there in court sullen, pale and silent: so that at this point all truth, evidence vanished into a moiling clump of negro backs and heads and black arms and hands clutching sticks of stove wood and cooking implements and razors, the white man the focal point of it and using a knife which he had produced from somewhere, clumsily, with obvious lack of skill and practice, yet with deadly earnestness and a strength which his slight build denied, a strength composed of sheer desperate will and imperviousness to the punishment, the blows and slashes which he took in return and did not even seem to feel. There had been no cause, no reason for it; none to ever know exactly what happened, what curses and ejaculations which might have indicated what it was that drove him, and there was only your grandfather to fumble, grope, grasp the presence of that furious protest, that indictment of heaven’s ordering, that gage flung into the face of what is with a furious and indomitable desperation which the demon himself might have shown, as if the child and then the youth had acquired it from the walls in which the demon had lived, the air which he had once walked in and breathed until that moment when his own fate which he had dared in his turn struck back at him; only your grandfather to sense that protest, because the justice and the others present did not recognize him, did not recognize this slight man with his bandaged head and arm, his sullen impassive (and now bloodless) olive face, who refused to answer any questions, make any statement: so that the justice (Jim Hamblett it was) was already making his speech of indictment when your grandfather entered, utilizing opportunity and audience to orate, his eyes already glazed with that cessation of vision of people who like to hear themselves talk in public: ‘At this time, while our country is struggling to rise from beneath the iron heel of a tyrant oppressor, when the very future of the South as a place bearable for our women and children to live in depends on the labor of our own hands, when the tools which we have to use, to depend on, are the pride and integrity and forbearance of black men and the pride and integrity and forbearance of white; that you, I say, a white man, a white — —’ and your grandfather trying to reach him, stop him, trying to push through the crowd, saying ‘Jim. Jim. Jim!’ and it already too late, as if Hamblett’s own voice had waked him at last or as if someone had snapped his fingers under his nose and waked him, he looking at the prisoner now but saying ‘white’ again even while his voice died away as if the order to stop the voice had been shocked into short circuit, and every face in the room turned toward the prisoner as Hamblett cried, ‘What are you? Who and where did you come from?’
“Your grandfather got him out, quashed the indictment and paid the fine and brought him back to his office and talked to him while Judith waited in the anteroom. ‘You are Charles Bon’s son,’ he said. ‘I dont know,’ the other answered, harsh and sullen. ‘You dont remember?’ your grandfather said. The other did not answer. Then your grandfather told him he must go away, disappear, giving him money to go on: ‘What ever you are, once you are among strangers, people who dont know you, you can be whatever you will. I will make it all right; I will talk to — to —— What do you call her?’ And he had gone too far now, but it was too late to stop; he sat there and looked at that still face which had no more expression than Judith’s, nothing of hope nor pain: just sullen and inscrutable and looking down at the calloused womanish hands with their cracked nails which held the money while your grandfather thought how he could not say ‘Miss Judith,’ since that would postulate the blood more than ever. Then he thought I dont even know whether he wants to hide it or not. So he said Miss Sutpen. ‘I will tell Miss Sutpen, not where you are going of course, because I wont know that myself. But just that you are gone and that I knew you were going and that you will be all right.’
“So he departed, and your grandfather rode out to tell Judith, and Clytie came to the door and looked full and steadily at his face and said nothing and went to call Judith, and your grandfather waited in that dim shrouded parlor and knew that he would not have to tell either of them. He did not have to. Judith came presently and stood and looked at him and said, ‘I suppose you wont tell me.’— ‘Not wont, cant,’ your grandfather said. ‘But not now because of any promise I made him. But he has money; he will be — —’ and stopped, with that forlorn little boy invisible between them who had come there eight years ago with the overall jumper over what remained of his silk and broadcloth, who had become the youth in the uniform — the tattered hat and the overalls — of his ancient curse, who had become the young man with a young man’s potence, yet was still that lonely child in his parchment-and-denim hairshirt, and your grandfather speaking the lame vain words, the specious and empty fallacies which we call comfort, thinking Better that he were dead, better that he had never lived: then thinking what vain and empty recapitulation that would be to her if he were to say it, who doubtless had already said it, thought it, changing only the person and the number. He returned to town. And now, next time, he was not sent for; he learned it as the town learned it: by that country grapevine whose source is among negroes, and he, Charles Etienne Saint-Valery Bon, already returned (not home again; returned) before your grandfather learned how he had come back, appeared, with a coal-black and ape-like woman and an authentic wedding license, brought back by the woman since he had been so severely beaten and mauled recently that he could not even hold himself on the spavined and saddleless mule on which he rode while his wife walked beside it to keep him from falling off; rode up to the house and apparently flung the wedding license in Judith’s face with something of that invincible despair with which he had attacked the negroes in the dice game. And none ever to know what incredible tale lay behind that year’s absence which he never referred to and which the woman, who, even a year later and after their son was born, still existed in that aghast and automaton-like state in which she had arrived, did not, possibly could not, recount but which she seemed to exude gradually and by a process of terrific and incredulous excretion like the sweat of fear or anguish: how he had found her, dragged her out of whatever two dimensional backwater (the very name of which, town or village, she either had never known or the shock of her exodus from it had driven the name forever from her mind and memory) her mentality had been capable of coercing food and shelter from, and married her, held her very hand doubtless while she made the laborious cross on the register before she even knew his name or knew that he was not a white man (and this last none knew even now if she knew for certain, even after the son was born in one of the dilapidated slave cabins which he rebuilt after renting his parcel of land from Judith); how there followed something like a year composed of a succession of periods of utter immobility like a broken cinema film, which the whit
e-colored man who had married her spent on his back recovering from the last mauling he had received, in frowzy stinking rooms in places — towns and cities — which likewise had no names to her, broken by other periods, intervals, of furious and incomprehensible and apparently reasonless moving, progression — a maelstrom of faces and bodies through which the man thrust, dragging her behind him, toward or from what, driven by what fury which would not let him rest, she did not know, each one to end, finish, as the one before it had so that it was almost a ritual. The man apparently hunting out situations in order to flaunt and fling the ape-like body of his charcoal companion in the faces of all and any who would retaliate: the negro stevedores and deckhands on steamboats or in city honky-tonks who thought he was a white man and believed it only the more strongly when he denied it; the white men who, when he said he was a negro, believed that he lied in order to save his skin, or worse: from sheer besotment of sexual perversion; in either case the result the same: the man with body and limbs almost as light and delicate as a girl’s giving the first blow, usually unarmed and heedless of the numbers opposed to him, with that same fury and implacability and physical imperviousness to pain and punishment, neither cursing nor panting, but laughing.
“So he showed Judith the license and took his wife, already far gone with the child, to the ruined cabin which he had chosen to repair and installed her, kenneled her with a gesture perhaps, and returned to the house. And there was nobody to know what transpired that evening between him and Judith, in whatever carpetless room furnished with whatever chairs and such which they had not had to chop up and burn to cook food or for warmth or maybe to heat water for illness from time to time — between the woman who had been widowed before she had been a bride, and the son of the man who had bereaved her and a hereditary negro concubine, who had not resented his black blood so much as he had denied the white, and this with a curious and outrageous exaggeration in which was inherent its own irrevocability, almost exactly as the demon himself might have done it.
“(Because there was love Mr Compson said There was that letter she brought and gave to your grandmother to keep. He (Quentin) could see it, as plainly as he saw the one open upon the open text book on the table before him, white in his father’s dark hand against his linen leg in the September twilight where the cigar-smell, the wistaria-smell, the fireflies drifted, thinking Yes. I have heard too much, I have been told too much; I have had to listen to too much, too long thinking Yes, Shreve sounds almost exactly like father: that letter. And who to know what moral restoration she might have contemplated in the privacy of that house, that room, that night, what hurdling of iron old traditions since she had seen almost everything else she had learned to call stable vanish like straws in a gale — she sitting there beside the lamp in a straight chair, erect, in the same calico save that the sunbonnet would be missing now, the head bare now, the once coal-black hair streaked with gray now while he faced her, standing. He would not have sat; perhaps she would not even have asked him to, and the cold level voice would not be much louder than the sound of the lamp’s flame: ‘I was wrong. I admit it. I believed that there were things which still mattered just because they had mattered once. But I was wrong. Nothing matters but breath, breathing, to know and to be alive. And the child, the license, the paper. What about it? That paper is between you and one who is inescapably negro; it can be put aside, no one will anymore dare bring it up than any other prank of a young man in his wild youth. And as for the child, all right. Didn’t my own father beget one? and he none the worse for it? We will even keep the woman and the child if you wish; they can stay here and Clytie will . . .’ watching him, staring at him yet not moving, immobile, erect, her hands folded motionless on her lap, hardly breathing as if he were some wild bird or beast which might take flight at the expansion and contraction of her nostrils or the movement of her breast: ‘No: I. I will. I will raise it, see that it . . . It does not need to have any name; you will neither have to see it again nor to worry. We will have General Compson sell some of the land; he will do it, and you can go. Into the North, the cities, where it will not matter even if —— But they will not. They will not dare. I will tell them that you are Henry’s son and who could or would dare to dispute — —’ and he standing there, looking at her or not looking at her she cannot tell since his face would be lowered — the still expressionless thin face, she watching him, not daring to move, her voice murmuring, clear enough and full enough yet hardly reaching him: ‘Charles’: and he: ‘No, Miss Sutpen’: and she again, still without moving, not stirring so much as a muscle, as if she stood on the outside of the thicket into which she had cajoled the animal which she knew was watching her though she could not see it, not quite cringing, not in any terror or even alarm but in that restive light incorrigibility of the free which would leave not even a print on the earth which lightly bore it and she not daring to put out the hand with which she could have actually touched it but instead just speaking to it, her voice soft and swooning, filled with that seduction, that celestial promise which is the female’s weapon: ‘Call me Aunt Judith, Charles’) Yes, who to know if he said anything or nothing, turning, going out, she still sitting there, not moving, not stirring, watching him, still seeing him, penetrating walls and darkness too to watch him walk back down the weedy lane between the deserted collapsed cabins toward that one where his wife waited, treading the thorny and flint-paved path toward the Gethsemane which he had decreed and created for himself, where he had crucified himself and come down from his cross for a moment and now returned to it.
“Not your grandfather. He knew only what the town, the county, knew: that the strange little boy whom Clytie had used to watch and had taught to farm, who had sat, a grown man, in the justice’s court that day with his head bandaged and one arm in a sling and the other in a handcuff, who had vanished and then returned with an authentic wife resembling something in a zoo, now farmed on shares a portion of the Sutpen plantation, farmed it pretty well, with solitary and steady husbandry within his physical limitations, the body and limbs which still looked too light for the task which he had set himself, who lived like a hermit in the cabin which he rebuilt and where his son was presently born, who consorted with neither white nor black (Clytie did not watch him now; she did not need to) and who was not seen in Jefferson but three times during the next four years and then to appear, be reported by the negroes who seemed to fear either him or Clytie or Judith, as being either blind or violently drunk in the negro store district on Depot Street, where your grandfather would come and take him away (or if he were too drunk, had become violent, the town officers) and keep him until his wife, the black gargoyle, could hitch the team back into the wagon and come, with nothing alive about her but her eyes and hands, and load him into it and take him home. So they did not even miss him from town at first; it was the County Medical Officer who told your grandfather that he had yellow fever and, that Judith had had him moved into the big house and was nursing him and now Judith had the disease too, and your grandfather told him to notify Miss Coldfield and he (your grandfather) rode out there one day. He did not dismount; he sat his horse and called until Clytie looked down at him from one of the upper windows and told him ‘they didn’t need nothing.’ Within the week your grandfather learned that Clytie had been right, or was right, now anyway, though it was Judith who died first.”
“Oh,” Quentin said — Yes he thought Too much, too long remembering how he had looked at the fifth grave and thought how whoever had buried Judith must have been afraid that the other dead would contract the disease from her, since her grave was at the opposite side of the enclosure, as far from the other four as the enclosure would permit, thinking Father wont have to say ‘think’ this time because he knew who had ordered and bought that headstone before he read the inscription on it, thinking about, imagining what careful printed directions Judith must have roused herself (from delirium possibly) to write down for Clytie when she knew that she was going to die; and how C
lytie must have lived during the next twelve years while she raised the child which had been born in the old slave cabin and scrimped and saved the money to finish paying out for the stone on which Judith had paid his grandfather the hundred dollars twenty-four years ago and which, when his grandfather tried to refuse it, she (Clytie) set the rusty can full of nickels and dimes and frayed paper money on the desk and walked out of the office without a word. He had to brush the clinging cedar needles from this one also to read it, watching these letters also emerge beneath his hand, wondering quietly how they could have clung there, not have been blistered to ashes at the instant of contact with the harsh and unforgiving threat: Judith Coldfield Sutpen. Daughter of Ellen Coldfield. Born October 3, 1841. Suffered the Indignities and Travails of this World for 42 Years, 4 Months, 9 Days, and went to Rest at Last February 12, 1884. Pause, Mortal; Remember Vanity and Folly and Beware thinking (Quentin) Yes. I didn’t need to ask who invented that, put that one up thinking Yes, too much, too long. I didn’t need to listen then but I had to hear it and now I am having to hear it all over again because he sounds just like father: Beautiful lives women live — women do. In very breathing they draw meat and drink from some beautiful attenuation of unreality in which the shades and shapes of facts — of birth and bereavement, of suffering and bewilderment and despair — move with the substanceless decorum of lawn party charades, perfect in gesture and without significance or any ability to hurt. Miss Rosa ordered that one. She decreed that headstone of Judge Benbow. He had been the executor of her father’s estate, appointed by no will since Mr Coldfield left neither will nor estate except the house and the rifled shell of the store. So he appointed himself, elected himself probably out of some conclave of neighbors and citizens who came together to discuss her affairs and what to do with her after they realized that nothing under the sun, certainly no man nor committee of men, would ever persuade her to go back to her niece and brother-in-law — the same citizens and neighbors who left baskets of food on her doorstep at night, the dishes (the plate containing the food, the napkins which covered it) from which she never washed but returned soiled to the empty basket and set the basket back on the same step where she had found it as if to carry completely out the illusion that it had never existed or at least that she had never touched, emptied, it, had not come out and taken the basket up with that air which had nothing whatever of furtiveness in it nor even defiance, who doubtless tasted the food, criticized its quality or cooking, chewed and swallowed it and felt it digest yet still clung to that delusion, that calm incorrigible insistence that that which all incontrovertible evidence tells her is so does not exist, as women can — that same self deluding which declined to admit that the liquidation of the store had left her something, that she had been left anything but a complete pauper, she would not accept the actual money from the sale of the store from Judge Benbow yet would accept the money’s value (and after a few years, over-value) in a dozen ways: would use casual negro boys who happened to pass the house, stopping them and commanding them to rake her yard and they doubtless as aware as the town was that there would be no mention of pay from her, that they would not even see her again though they knew she was watching them from behind the curtains of a window, but that Judge Benbow would pay them. She would enter the stores and command objects from the shelves and showcases exactly as she commanded that two hundred dollar headstone from Judge Benbow, and walk out of the store with them — and with the same aberrant cunning which would not wash the dishes and napkins from the baskets she declined to have any discussion of her affairs with Benbow since she must have known that the sums which she had received from him must have years ago overbalanced (he, Benbow, had in his office a portfolio, a fat one, with Estate of Goodhue Coldfield. Private written across it in indelible ink. After the Judge died his son Percy opened it. It was filed with racing forms and cancelled betting tickets on horses whose very bones were no man knew where now, which had won and lost races on the Memphis track forty years ago, and a ledger, a careful tabulation in the Judge’s hand, each entry indicating the date and the horse’s name and his wager and whether he won or lost; and another one showing how for forty years he had put each winning and an amount equal to each loss, to that mythical account) whatever the store had brought.