Complete Works of William Faulkner

by William Faulkner

  (rapid, harsh)

  We? I, I, the mother of the baby she murdered; not you, Gavin Stevens, the lawyer, but I, Mrs. Gowan Stevens, the mother. Can’t you get it through your head that I will do anything, anything?

  STEVENS

  Except one. Which is all. We’re not concerned with death. That’s nothing: any handful of petty facts and sworn documents can cope with that. That’s all finished now; we can forget it. What we are trying to deal with now is injustice. Only truth can cope with that. Or love.

  TEMPLE

  (harshly)

  Love. Oh, God. Love.

  STEVENS

  Call it pity then. Or courage. Or simple honour, honesty, or a simple desire for the right to sleep at night.

  TEMPLE

  You prate of sleep, to me, who learned six years ago how not even to realise any more that I didn’t mind not sleeping at night?

  STEVENS

  Yet you invented the coincidence.

  TEMPLE

  Will you for Christ’s sake stop? Will you . . . All right. Then if her dying is nothing, what do you want? What in God’s name do you want?

  STEVENS

  I told you. Truth.

  TEMPLE

  And I told you that what you keep on harping at as truth has nothing to do with this. When you go before the —— What do you call this next collection of trained lawyers? supreme court? — what you will need will be facts, papers, documents, sworn to, incontrovertible, that no other lawyer trained or untrained either can punch holes in, find any flaw in.

  STEVENS

  We’re not going to the supreme court.

  (she stares at him)

  That’s all finished. If that could have been done, would have sufficed, I would have thought of that, attended to that, four months ago. We’re going to the Governor. Tonight.

  TEMPLE

  The Governor?

  STEVENS

  Perhaps he won’t save her either. He probably won’t.

  TEMPLE

  Then why ask him? Why?

  STEVENS

  I’ve told you. Truth.

  TEMPLE

  (in quiet amazement)

  For no more than that. For no better reason than that. Just to get it told, breathed aloud, into words, sound. Just to be heard by, told to, someone, anyone, any stranger none of whose business it is, can possibly be, simply because he is capable of hearing, comprehending it. Why blink your own rhetoric? Why don’t you go on and tell me it’s for the good of my soul — if I have one?

  STEVENS

  I did. I said, so you can sleep at night.

  TEMPLE

  And I told you I forgot six years ago even what it was to miss the sleep.

  She stares at him. He doesn’t answer, looking at her. Still watching him, she reaches her hand to the table, toward the cigarette box, then stops, is motionless, her hand suspended, staring at him.

  There is something else, then. We’re even going to get the true one this time. All right. Shoot.

  He doesn’t answer, makes no sign, watching her. A moment, then she turns her head and looks toward the sofa and the sleeping child. Still looking at the child, she rises and crosses to the sofa and stands looking down at the child; her voice is quiet.

  So it was a plant, after all; I just didn’t seem to know for who.

  (she looks down at the child)

  I threw my remaining child at you. Now you threw him back.

  STEVENS

  But I didn’t wake him.

  TEMPLE

  Then I’ve got you, lawyer. What would be better for his peace and sleep than to hang his sister’s murderer?

  STEVENS

  No matter by what means, in what lie?

  TEMPLE

  Nor whose.

  STEVENS

  Yet you invented the coincidence.

  TEMPLE

  Mrs. Gowan Stevens did.

  STEVENS

  Temple Drake did. Mrs. Gowan Stevens is not even fighting in this class. This is Temple Drake’s.

  TEMPLE

  Temple Drake is dead.

  STEVENS

  The past is never dead. It’s not even past.

  She comes back to the table, takes a cigarette from the box, puts it in her mouth and reaches for the lighter. He leans as though to hand it to her, but she has already found it, snaps it on and lights the cigarette, talking through the smoke.

  TEMPLE

  Listen. How much do you know?

  STEVENS

  Nothing.

  TEMPLE

  Swear.

  STEVENS

  Would you believe me?

  TEMPLE

  No. But swear anyway.

  STEVENS

  All right. I swear.

  TEMPLE

  (crushes cigarette into tray)

  Then listen. Listen carefully.

  (she stands, tense, rigid, facing him, staring at him)

  Temple Drake is dead. Temple Drake will have been dead six years longer than Nancy Mannigoe will ever be. If all Nancy Mannigoe has to save her is Temple Drake, then God help Nancy Mannigoe. Now get out of here.

  She stares at him; another moment. Then he rises, still watching her; she stares steadily and implacably back. Then he moves.

  Good night.

  STEVENS

  Good night.

  He goes back to the chair, takes up his coat and hat, then goes on to the hall door, has put his hand on the knob.

  TEMPLE

  Gavin.

  (he pauses, his hand on the knob, and looks back at her)

  Maybe I’ll have the handkerchief, after all.

  (he looks at her a moment longer, then releases the knob, takes the handkerchief from his breast pocket as he crosses back toward her, extends it. She doesn’t take it)

  All right. What will I have to do? What do you suggest, then?

  STEVENS

  Everything.

  TEMPLE

  Which of course I won’t. I will not. You can understand that, can’t you? At least you can hear it. So let’s start over, shall we? How much will I have to tell?

  STEVENS

  Everything.

  TEMPLE

  Then I won’t need the handkerchief, after all. Good night. Close the front door when you go out, please. It’s getting cold again.

  He turns, crosses again to the door without stopping nor looking back, exits, closes the door behind him. She is not watching him either now. For a moment after the door has closed, she doesn’t move. Then she makes a gesture something like Gowan’s in Scene Two, except that she merely presses her palms for a moment hard against her face, her face calm, expressionless, cold, drops her hands, turns, picks up the crushed cigarette from beside the tray and puts it into the tray and takes up the tray and crosses to the fireplace, glancing down at the sleeping child as she passes the sofa, empties the tray into the fireplace and returns to the table and puts the tray on it and this time pauses at the sofa and stoops and tucks the blanket closer about the sleeping child and then goes on to the telephone and lifts the receiver.

  (into the phone)

  Three-two-nine, please.

  (while she stands waiting for the answer, there is a slight movement in the darkness beyond the open door at rear, just enough silent movement to show that something or someone is there or has moved there. Temple is unaware of it since her back is turned. Then she speaks into the phone)

  Maggie? Temple. . . . Yes, suddenly . . . Oh, I don’t know; perhaps we got bored with sunshine. . . . Of course, I may drop in tomorrow. I wanted to leave a message for Gavin . . . I know; he’s just left here. Something I forgot . . . If you’ll ask him to call me when he comes in. . . . Yes. . . . Wasn’t it. . . . Yes. . . . If you will . . . Thank you.

  (she puts the receiver down and starts to turn back into the room when the telephone rings. She turns back, takes up the receiver, speaks into it)

  Hello . . . Yes. Coincidence again; I had my hand on it; I had just called Maggie. . . .
Oh, the filling station. I didn’t think you had had time. I can be ready in thirty minutes. Your car, or ours? . . . All right. Listen. . . . Yes, I’m here. Gavin . . . How much will I have to tell?

  (hurriedly)

  Oh, I know: you’ve already told me eight or ten times. But maybe I didn’t hear it right. How much will I have to tell?

  (she listens a moment, quiet, frozen-faced, then slowly begins to lower the receiver toward the stand; she speaks quietly, without inflection)

  Oh, God. Oh, God.

  She puts the receiver down, crosses to the sofa, snaps off the table lamp and takes up the child and crosses to the door to the hall, snaps off the remaining room lights as she goes out, so that the only light in the room now enters from the hall. As soon as she has disappeared from sight, Gowan enters from the door at rear, dressed except for his coat, waistcoat and tie. He has obviously taken no sleeping pill. He goes to the phone and stands quietly beside it, facing the hall door and obviously listening until Temple is safely away. Now the hall light snaps off, and the stage is in complete darkness.

  GOWAN’S VOICE

  (quietly)

  Three-two-nine, please . . . Good evening, Aunt Maggie. Gowan . . . All right, thank you . . . Sure, some time tomorrow. As soon as Uncle Gavin comes in, will you have him call me? I’ll be right here. Thank you.

  Sound of the receiver as he puts it back.

  (CURTAIN)

  ACT TWO

  THE GOLDEN DOME (Beginning Was the Word)

  JACKSON. ALT. 294 ft. Pop. (a.d. 1950) 201,092.

  Located by an expedition of three Commissioners selected appointed and dispatched for that single purpose, on a high bluff above Pearl River at the approximate geographical centre of the State, to be not a market nor industrial town, nor even as a place for men to live, but to be a capital, the Capital of a Commonwealth;

  In the beginning was already decreed this rounded knob, this gilded pustule, already before and beyond the steamy chiaroscuro, untimed unseasoned winterless miasma not any one of water or earth or life yet all of each, inextricable and indivisible; that one seethe one spawn one mother-womb, one furious tumescence, father-mother-one, one vast incubant ejaculation already fissionating in one boiling moil of litter from the celestial experimental Work Bench; that one spawning crawl and creep printing with three-toed mastodonic tracks the steamy-green swaddling clothes of the coal and the oil, above which the pea-brained reptilian heads curved the heavy leather-flapped air;

  Then the ice, but still this knob, this pimple-dome, this buried half-ball hemisphere; the earth lurched, heaving darkward the long continental flank, dragging upward beneath the polar cap that furious equatorial womb, the shutter-lid of cold severing off into blank and heedless void one last sound, one cry, one puny myriad indictment already fading and then no more, the blind and tongueless earth spinning on, looping the long recordless astral orbit, frozen, tideless, yet still was there this tiny gleam, this spark, this gilded crumb of man’s eternal aspiration, this golden dome preordained and impregnable, this minuscule fœtus-glint tougher than ice and harder than freeze; the earth lurched again, sloughing; the ice with infinitesimal speed, scouring out the valleys, scoring the hills, and vanished; the earth tilted further to recede the sea rim by necklace-rim of crustacean husks in recessional contour lines like the concentric whorls within the sawn stump telling the tree’s age, bearing south by recessional south toward that mute and beckoning gleam the confluent continental swale, baring to light and air the broad blank mid-continental page for the first scratch of orderly recording — a laboratory-factory covering what would be twenty states, established and ordained for the purpose of manufacturing one: the ordered unhurried whirl of seasons, of rain and snow and freeze and thaw and sun and drouth to aerate and slack the soil, the conflux of a hundred rivers into one vast father of rivers carrying the rich dirt, the rich garnering, south and south, carving the bluffs to bear the long march of the river towns, flooding the Mississippi lowlands, spawning the rich alluvial dirt layer by vernal layer, raising inch by foot by year by century the surface of the earth which in time (not distant now, measured against that long signatureless chronicle) would tremble to the passing of trains like when the cat crosses the suspension bridge;

  The rich deep black alluvial soil which would grow cotton taller than the head of a man on a horse, already one jungle one brake one impassable density of brier and cane and vine interlocking the soar of gum and cypress and hickory and pinoak and ash, printed now by the tracks of unalien shapes — bear and deer and panthers and bison and wolves and alligators and the myriad smaller beasts, and unalien men to name them too perhaps — the (themselves) nameless though recorded predecessors who built the mounds to escape the spring floods and left their meagre artifacts: the obsolete and the dispossessed, dispossessed by those who were dispossessed in turn because they too were obsolete: the wild Algonquian, Chickasaw and Choctaw and Natchez and Pascagoula, peering in virgin astonishment down from the tall bluffs at a Chippeway canoe bearing three Frenchmen — and had barely time to whirl and look behind him at ten and then a hundred and then a thousand Spaniards come overland from the Atlantic Ocean: a tide, a wash, a thrice flux-and-ebb of motion so rapid and quick across the land’s slow alluvial chronicle as to resemble the limber flicking of the magician’s one hand before the other holding the deck of inconstant cards: the Frenchman for a moment, then the Spaniard for perhaps two, then the Frenchman for another two and then the Spaniard again for another and then the Frenchman for that one last second, half-breath; because then came the Anglo-Saxon, the pioneer, the tall man, roaring with Protestant scripture and boiled whiskey, Bible and jug in one hand and (like as not) a native tomahawk in the other, brawling, turbulent not through viciousness but simply because of his over-revved glands; uxorious and polygamous: a married invincible bachelor, dragging his gravid wife and most of the rest of his mother-in-law’s family behind him into the trackless infested forest, spawning that child as like as not behind the barricade of a rifle-crotched log mapless leagues from nowhere and then getting her with another one before reaching his final itch-footed destination, and at the same time scattering his ebullient seed in a hundred dusky bellies through a thousand miles of wilderness; innocent and gullible, without bowels for avarice or compassion or forethought either, changing the face of the earth: felling a tree which took two hundred years to grow, in order to extract from it a bear or a capful of wild honey;

  Obsolete too: still felling the two-hundred-year-old tree when the bear and the wild honey were gone and there was nothing in it any more but a raccoon or a possum whose hide was worth at the most two dollars, turning the earth into a howling waste from which he would be the first to vanish, not even on the heels but synchronous with the slightly darker wild men whom he had dispossessed, because, like them, only the wilderness could feed and nourish him; and so disappeared, strutted his roaring eupeptic hour, and was no more, leaving his ghost, pariah and proscribed, scriptureless now and armed only with the highwayman’s, the murderer’s, pistol, haunting the fringes of the wilderness which he himself had helped to destroy, because the river towns marched now recessional south by south along the processional bluffs: St. Louis, Paducah, Memphis, Helena, Vicksburg, Natchez, Baton Rouge, peopled by men with mouths full of law, in broadcloth and flowered waistcoats, who owned Negro slaves and Empire beds and buhl cabinets and ormolu clocks, who strolled and smoked their cigars along the bluffs beneath which in the shanty and flatboat purlieus he rioted out the last of his doomed evening, losing his worthless life again and again to the fierce knives of his drunken and worthless kind — this in the intervals of being pursued and harried in his vanishing avatars of Harpe and Hare and Mason and Murrel, either shot on sight or hoicked, dragged out of what remained of his secret wilderness haunts along the overland Natchez trace (one day someone brought a curious seed into the land and inserted it into the earth, and now vast fields of white not only covered the waste places which with his wanton a
nd heedless axe he had made, but were effacing, thrusting back the wilderness even faster than he had been able to, so that he barely had a screen for his back when, crouched in his thicket, he glared at his dispossessor in impotent and incredulous and uncomprehending rage) into the towns to his formal apotheosis in a courtroom and then a gallows or the limb of a tree;

  Because those days were gone, the old brave innocent tumultuous eupeptic tomorrowless days; the last broadhorn and keelboat (Mike Fink was a legend; soon even the grandfathers would no longer claim to remember him, and the river hero was now the steamboat gambler wading ashore in his draggled finery from the towhead where the captain had marooned him) had been sold piecemeal for firewood in Chartres and Toulouse and Dauphine Street, and Choctaw and Chickasaw braves, in short hair and overalls and armed with mule-whips in place of war-clubs and already packed up to move west to Oklahoma, watched steamboats furrowing even the shallowest and remotest wilderness streams where tumbled gently to the motion of the paddle-wheels, the gutted rock-weighted bones of Hare’s and Mason’s murderees; a new time, a new age, millennium’s beginning; one vast single net of commerce webbed and veined the mid-continent’s fluvial embracement; New Orleans, Pittsburgh, and Fort Bridger, Wyoming, were suburbs one to the other, inextricable in destiny; men’s mouths were full of law and order, all men’s mouths were round with the sound of money; one unanimous golden affirmation ululated the nation’s boundless immeasurable forenoon: profit plus regimen equals security: a nation of commonwealths; that crumb, that dome, that gilded pustule, that Idea risen now, suspended like a balloon or a portent or a thundercloud above what used to be wilderness, drawing, holding the eyes of all: Mississippi: a state, a commonwealth; triumvirate in legislative, judiciary, executive, but without a capital, functioning as though from a field headquarters, operating as though still en route toward that high inevitable place in the galaxy of commonwealths, so in 1820 from its field p.c. at Columbia the legislature selected appointed and dispatched the three Commissioners Hinds, Lattimore and Patton, not three politicians and less than any three political time-servers but soldiers engineers and patriots — soldier to cope with the reality, engineer to cope with the aspiration, patriot to hold fast to the dream — three white men in a Choctaw pirogue moving slowly up the empty reaches of a wilderness river as two centuries ago the three Frenchmen had drifted in their Northern birchbark down that vaster and emptier one;