UnBound

by Neal Shusterman

  It starts that way with them. Being an AWOL breaks kids’ spirits—makes them distrustful of the world. But since they can’t see the trickery in listening to a guitar, or how Wil’s music breaks through barriers that betrayal built, they surrender, listening to his fingers caress the strings; his music finally gives voice to their souls’ sorrow.

  His ma took a music-therapy seminar at Johns Hopkins, but she only knows its theories. Wil has seen how music heals since the day he picked up a guitar on his third birthday. Not all the AWOLs and not all ChanceFolk with sick spirits heal, though. Some are too far gone. Too early to tell into which camp this boy will fall.

  Wil plays for two straight hours, until he smells lunch and feels the cramp in his back. The AWOL sits on the bed, having been awake and listening the whole time. His arms are wrapped around his legs; his chin rests on his knees; his eyes stare at the blanket. The chords of Wil’s music fade to silence.

  “Time to eat.” Wil gets to his feet, his guitar swinging over his shoulder to hang down his back. “Probably soup and corn bread. You coming down?”

  The boy reminds him of a rabbit, frozen, trapped between staying or fleeing. Wil waits, letting the quiet hum in widening ripples till the boy unwraps his arms from his legs and gets off the bed, standing straighter than Wil expected he would.

  “My name’s Lev. I was a tithe.”

  Wil accepts this with a nod and no judgment. Maybe this kid will be okay after all.

  3 • Lev

  Lev watches Wil wash the dishes after lunch, still thinking about what possessed him to tell Wil that he’s a runaway tithe. Giving out too much information can only make things worse for him. Then a dish towel hits him in the face and drops to the counter.

  “Hey.” Lev glares at Wil, wondering if it was thrown in anger. Wil may be big as a bear, but he has a teddy-bear grin.

  “You can dry the dishes. Meet me at the end of the hall when you finish.”

  Lev never did dishes at home: That was the servants’ job. He’s been sick, too. Who makes sick people dry dishes? Still, he does the job. He owes Wil for the one-man concert. He’d never heard guitar playing like that before—and Lev’s folks were big on the arts, making sure their kids had violin lessons, listening to the Cincinnati Pops most Thursday nights.

  But Wil’s music was different. It was . . . real. For two hours, and strictly from memory, Wil played a little Bach, Schubert, and Elton, but he mostly played Spanish guitar.

  Lev thought such wild, complex music would be too hard to listen to in his weakened state, but it was just the opposite. The music lulled him until it seemed to sing through his synapses: notes rising, sweetening, spinning in perfect synchronicity with his thoughts.

  He hangs the towel after he finishes drying the dishes and thinks about going back to his room, but he’s curious about Wil. He finds him at the end of the hall, closing his bedroom door and putting on a light jacket. He looks somehow incomplete without his guitar. Evidently Wil feels the same. His hand fingers the doorknob; then, with a sigh, he opens the door again and retrieves his guitar, and a jacket for Lev, too.

  “Are we going somewhere?” Lev asks.

  “Here and there.” Which seems a logical answer for a guy like Wil, but the answer makes Lev think about being unwound. The dispersal of every piece of him. Here and there. Lev climbed the rez wall desperate for some sort of sanctuary, but what if he put too much faith in rumors?

  “Is it true that reservations are safe for AWOLs?” he asks. “Is it true that People of Chance don’t unwind?”

  Wil nods. “We never signed the Unwind Accord. So not only don’t we unwind, we also can’t use unwound parts.”

  Lev mulls that over, baffled how a society could work without harvesting organs. “So . . . where do you get parts?”

  “Nature provides,” Wil says. “Sometimes.” An enigmatic look crosses Wil’s face like a shadow behind his eyes. “C’mon, I’ll show you around the rez.”

  Moments later they stand on an open balcony, staring down almost four stories to a dry creek. Across the narrow gulf is the wall of a cliff, which mirrors the one into which Wil’s family’s home is carved. Other homes hewn right out of the red stone face them. They appear to be of ancient design, yet somehow modern and carved with diamond precision. New-world technology serving ancestral respect.

  “Not scared of heights, are you?” Wil doesn’t wait for an answer but makes sure his guitar strap has his instrument secure on his back, then hops on a rope ladder. He climbs down, sometimes sliding for yards at a time.

  Lev swallows nervously, but not as nervously as he might have three weeks ago. Lately he’s been doing plenty of dangerous things. He waits till Wil reaches the bottom, then he grits his teeth and follows him. With his left wrist still in a brace, it’s hard, and his stomach rolls every time he looks down, but Lev grins when he reaches bottom, realizing why Wil made him do this. The first thing an AWOL loses is his dignity. By allowing Lev to climb the rope alone, Wil gave his dignity back to him.

  When Lev turns to Wil, he’s surprised to see that they’re not alone.

  “Lev, this is my uncle Pivane.”

  Lev cautiously shakes the large man’s hand, keeping an eye on the shiny tranq rifle cradled in his left arm. His deerskins are worn, and the long graying hair escaping from its rawhide knot makes him look scruffy—but there is no mistaking the designer quality of his boots or the Swiss watch on his wrist. And that fine Uruguayan rifle was probably custom made.

  “How did today’s hunt go?” Wil asks. It should be a casual question, but Lev catches how intently Wil looks at his uncle.

  “Tranq’d a lioness, but had to let her go: She was nursing.” Pivane rubs his eyes. “We’re heading to Cash Out Gulch in the morning. Rumors of a male down there. You coming with us for once?”

  Wil doesn’t answer, and Lev wonders at the sly look Pivane gives his nephew. Lev assumed all ChanceFolk hunted, but maybe that’s just a myth. Just like everything else in his life has been.

  Pivane spares a glance at Lev. “You look better than when I found you. That arm okay?”

  “Yeah. Better. Thanks for saving me.” Lev can’t remember being rescued. He can’t remember much after dropping off the wall except the sharp pain in his wrist, then lying in the leaves and pine needles, certain that this was what dying felt like.

  Pivane’s gaze sharpens on Wil’s guitar. “Are you going down to the medical warren today? Are you going to visit your grandfather?”

  “Maybe not” is all Wil says.

  The man’s voice roughens, becoming almost an accusation. “Medicine folk and musicians don’t get to choose who their hands heal. Or whose way they smooth for dying.” Then he points a finger at Wil. “You do it for him, Chowilawu.” A moment of uneasy eye contact between them, then Pivane takes a step back and shifts his rifle. “Tell your grandfather we’ll bag a heart for him tomorrow.” Then he nods a solemn good-bye to Lev and leaves, using not the ropes but an elevator that Lev did not see, and Wil did not see fit to show him.

  • • •

  They walk into the village. Lev, so used to bland, sienna suburbia, feels out of place among the red-cliff homes, the whitewashed adobes, and the sidewalks of rich mahogany planks. Although the place appears at first to be primitive, Lev knows upper crust when he sees it, from the luxury cars parked on the side streets to the gold plaques embedded in the adobe walls. Men and women wear business suits that are clearly ChanceFolk in style, yet finer than the best designer fashions.

  “What do your people do here?”

  Wil throws him an amused look. “My people as in ‘SlotMongers’ in general, or are you asking about my family in particular?”

  Lev reddens, wondering if the medicine woman told Wil how he’d accidently called the ChanceFolk by the rude slang name. “Both, I guess.”

  “Didn’t do your homework before scaling our wall?”

  “I needed a place to hide and had no time to be choosy. A kid at a train st
ation told me that since your people are protected, I would be protected too. And that you know the legal mumbo jumbo to make it stick.”

  Wil relents and offers Lev a brief history of the tribe. “When my grandfather was a kid, the rez made a bundle—not just from gaming, but from some lawsuits over land usage, a water-treatment plant, a wind farm that went haywire, and casinos we didn’t want but got stuck with when another tribe rolled on us.” He shrugs uncomfortably. “Luck of the draw. We’ve got it better than some tribes.”

  Lev looks down the street, where the curbs gleam with gold. “Way better, by the look of it.”

  “Yeah,” says Wil, looking both embarrassed and proud at the same time. “Some tribes did wise investing with their casino cash; others squandered it. Then, when the virtual casinos got ritzier than the real ones and it all came crashing down, tribes like ours did very well. We’re a Hi-Rez. You’re lucky you didn’t jump the wall of a Low-Rez. They’re much more likely to sell AWOLs to parts pirates.”

  Lev has, of course, heard of the wealth chasm between the rich tribes and the poor ones, but as it was never a part of his world, he never gave it much thought. Maybe people this rich don’t need to profit off AWOLs. Still, he tries not to let his spark of hope ignite. He has quickly learned that hope is a luxury the hunted can ill afford.

  “Anyway,” says Wil, “my tribe knows the law and how to use it. In fact my dad’s a lawyer and has done pretty well for our family. My mom runs the pediatrics lodge in the medical warren and is well respected. We get rich tribal kids from all over North America coming here for healing.”

  Lev wonders at the irony in Wil’s voice but feels awkward about asking him more questions. His mother always told him it was rude to talk about money, especially if you didn’t know the person well. But on the other hand, after listening to Wil play the guitar for him, he feels he knows Lev better than much of his own family knows him.

  Wil stops before a small storefront at the end of the street. A carved oak sign says LUTHIER. He tries the handle, but it’s locked. “Huh. I wanted to introduce you to my fiancée, but I guess she’s taking a break.”

  “Fiancée?”

  “Yah,” says Wil. “It’s like that around here.”

  Lev looks up at the sign above the door, feeling increasingly ignorant. “So . . . what’s a luthier?”

  “Guitar maker. Una is an apprentice to the rez’s best.”

  “You mean there’s more than one?”

  “It’s kind of a tribal specialty.” Wil looks around, clearly disappointed, and Lev realizes this was less about showing him around than it was about showing him off to his fiancée. “Ready to go back yet?”

  But Lev is tired of hibernating at Wil’s house. Besides, if that petition is approved, this could be his new home. The thought gives him a strange chill, excitement laced with fear of a future so new and unknown. There have never been unknown quantities in his life. Until a few weeks ago everything was carefully laid out for him, so he never needed to consider the concept of possibilities. But now there are possibilities enough to make him dizzy.

  “Show me more. How about your schools? What kind of school would I go to?”

  Wil shakes his head, laughing. “You really don’t know anything about us, do you?”

  Lev doesn’t dignify that with a response—he just waits for an explanation.

  “Very young kids learn what they need to know from extended family and the neighborhood elders,” Wil explains. “Then, as their talents and passions are recognized, they’re apprenticed to a master in the field, whatever that field is.”

  “Seems kind of narrow to learn only one thing.”

  “We learn many things, from many people,” Wil says, “as opposed to your world, where you’re taught all the same things, by the same people.”

  Lev nods, point taken. “Advantages and disadvantages to both, I guess.”

  Lev thinks Wil will just defend his tribe’s ways, but instead he says, “Agreed.” Then he adds, “I don’t always like the way things are done here, but the way we learn works for us. It even prepares kids for university every bit as well as your system. We learn because we want to, not because we have to, so we learn faster. We learn deeper.”

  Then Lev hears a young voice behind him.

  “Chowilawu?”

  Lev turns around to see three kids, maybe about ten years old, staring admiringly at Wil. The kid who spoke is skinny as an arrow and strung as tightly as a bow. He has a pleading look on his face.

  “Something wrong, Kele?” Wil asks.

  “No . . . it’s just . . . Elder Muna asks if you’ll play for us.”

  Wil sighs but grins, as if he feels put upon and flattered at the same time. “Elder Muna knows I’m not permitted to play lightly. There must be a need.”

  “It’s Nova,” Kele says, indicating a girl beside him, her eyes downcast. “Ever since her father divorced his spirit animal, her parents have been fighting.”

  “It’s bad,” Nova blurts out. “My ma says she married an eagle, not a possum—but he was the only accountant in his office who wasn’t a possum. So now they fight.”

  Lev wants to laugh but realizes that this is no laughing matter.

  “So shouldn’t I play for your parents, not you?” Wil asks her.

  “They won’t ask,” Nova says. “But maybe some of what you give me will rub off on them.”

  Wil looks to Lev, offers him a shrug, and agrees to perform. “Not too long,” he tells them. “Our new mahpee can’t have too much excitement on his first waking day.”

  Lev looks at him, puzzled.

  “ ‘Mahpee’ is short for ‘sky-faller.’ It’s what we call AWOLs who climb the wall and drop into the rez as if they’ve fallen from the sky.”

  Elder Muna, a white-haired woman, meets them at the door a few streets away, clasping Wil’s hands with both of hers, asking him about his parents. Lev looks around the round room with its many windows. The maps on the walls and the computer stations make the place resemble a classroom, but only slightly. A dozen children mill about in what appears to be total mayhem: Two argue over a helix on one monitor, one child traces a path on a map of Africa, four act out a play that could be Macbeth if Lev remembers his Shakespeare correctly, and except for the three who have shanghaied Wil, the rest are playing some complicated game on the floor with a pile of pebbles.

  Elder Muna claps once, and the children instantly look her way, see Wil, and swarm him. He shoos them away, and they stampede to the center of the room, jostling for the best place on the floor. Wil settles on a stool, and all the kids start shouting their favorites at him. But Elder Muna silences them with a raised hand.

  “The gift is for Nova today. She will choose.”

  “The Crow and Sparrow song,” Nova says, trying to hide her delight with a solemn expression.

  The song is markedly different from the music Wil played for Lev. This tune is bright and joyous, evoking perhaps a different kind of healing. Lev closes his eyes and imagines himself a bird flitting through summer leaves in an orchard that seems to go on forever. It captures, if only for a few moments, a sense of an innocence recently lost.

  When the song is done, Lev raises his hands to clap, but Elder Muna, anticipating this, gently takes his hand before he can and shakes her head no.

  The group of kids sits in silence for a good thirty seconds, filled with the aftermath of the song. Then the elder releases them, and they all go back to their games and learning.

  She thanks Wil and wishes Lev luck with his new journey, and they leave.

  “You really are amazing,” Lev tells him once they’re out on the street. “I bet you could make millions outside the rez with your music.”

  “It would be nice,” Wil says wistfully, almost sadly. “But we both know that’s not going to happen.”

  Lev wonders at his sadness, because if you never had to worry about unwinding, it seems to him that you could do anything. “Why no applause?” he asks. “Are
people here that afraid of clappers?”

  Wil laughs at that. “Believe it or not, we don’t have clappers on the rez. I’d like to believe that’s because people here don’t get angry enough to become suicide bombers and make their blood explosive . . . but maybe it’s just that we vent our anger at the world in different ways.” Then he sighs and says, with more than a little bitterness, “No, we don’t applaud because it’s not our way. Applause is for the musician, and the musician is ‘just an instrument.’ Accepting applause is considered vanity.” Then he looks at his guitar, stroking the strings with his fingertips, peering into its hollow, like maybe something will speak out from inside. “Every night I dream of cheering crowds and wake up feeling guilty for it.”

  “Don’t be,” Lev tells him. “Where I come from, everyone wants to be cheered for something. It’s normal.”

  “Ready to go back?”

  Lev isn’t sure whether he means Wil’s home or back to the world outside of the rez. Well, Lev isn’t ready to do either. He points down a winding path. “What’s down there?”

  Wil huffs, his mood clearly darkened by Lev’s talk of adoration. “Why do you need to see everything? Maybe there are some places it’s best not to go!”

  Lev stares at the ground, feeling more hurt by the rebuke than he wants to admit.

  When he looks up, Wil is staring with pain at the cliffs on the other side of the village, then down the winding path. “The medical warren is down there,” he tells Lev. “It’s where my mother works.”

  And then Lev recalls something. “And where your grandfather is?”

  Wil nods, saying nothing for a moment . . . and then he takes off his guitar and leaves it hidden behind a boulder. “Come on. I’ll take you there.”

  Lost in thought, Wil walks down the cobblestone road. His face looks grim, and Lev leaves him alone, wrapped in memories of his own. Clappers remind him of the last time he saw Connor and Risa, and guilt prickles him. They rescued him, and in his own uneasy ambivalence between his past and his future, he betrayed them. Connor and Risa pretended to be clappers, solemnly applauding in grand rhythmic sweeps, and it caused a panic. They escaped. He hopes. The truth is, he has no idea what befell them. They could be unwound by now. In a “divided state.” The more he thinks about it, the more he despises that euphemism.