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Damon Runyon Omnibus

Page 13

by Damon Runyon


  But I get to thinking of St. Pierre and the quiet little house of Doctor Armand Dorval again, and how peaceful it is up there, and nothing will do but I must pop off to Halifax, and pretty soon I am in St. Pierre once more. I take a raft of things for Lily with me, such as dolls, and handkerchiefs, and perfume, and a phonograph, and also a set of razors for Doctor Armand, although afterwards I am sorry I take these razors because I remember the old Doc does not shave and may take them as a hint I do not care for his whiskers. But as it turns out the Doc finds them very useful in operations, so the razors are a nice gift after all.

  Well, I spend two peaceful weeks there again, walking up and down in the daytime and playing checkers and singing with Lily in the evening, and it is tough tearing myself away, especially as Doctor Armand Dorval looks very sad again and Lily busts out crying, louder than before. So nearly every year after this I can hardly wait until I can get to St. Pierre for a vacation, and Doctor Armand Dorval's house is like my home, only more peaceful.

  Now in the summer of 1928 I am in Halifax on my way to St. Pierre, when I run across Louie the Lug, and it seems Louie is a lammister out of Detroit on account of some job or other, and is broke, and does not know which way to turn. Personally, I always figure Louie a petty-larceny kind of guy, with no more moxie than a canary bird, but he always dresses well, and always has a fair line of guff, and some guys stand for him. Anyway, here he is in trouble, so what happens but I take him with me to St. Pierre, figuring he can lay dead there until things blow over.

  Well, Lily and old Doctor Armand Dorval are certainly glad to see me, and I am just as glad to see them, especially Lily, for she is now maybe sixteen years old and as pretty a doll as ever steps in shoe leather, what with her long black hair, and her big black eyes, and a million dollars' worth of personality. Furthermore, by this time she swings a very mean skillet, indeed, and gets me up some very tasty fodder out of fish and one thing and another.

  But somehow things are not like they used to be at St. Pierre with this guy Louie the Lug around, because he does not care for the place whatever, and goes roaming about very restless, and making cracks about the citizens, and especially the dolls, until one night I am compelled to tell him to keep his trap closed, although at that the dolls in St. Pierre, outside of Lily, are no such lookers as will get Ziegfeld heated up.

  But even in the time when St. Pierre is headquarters for many citizens of the United States who are in the business of handling merchandise out of there, it is always sort of underhand that such citizens will never have any truck with the dolls at St. Pierre. This is partly because the dolls at St. Pierre never give the citizens of the United States a tumble, but more because we do not wish to get in any trouble around there, and if there is anything apt to cause trouble it is dolls.

  Now I suppose if I have any brains I will see that Louie is playing the warm for Lily, but I never think of Lily as anything but a little doll with her hair in braids, and certainly not a doll such as a guy will start pitching to, especially a guy who calls himself one of the mob.

  I notice Louie is always talking to Lily when he gets a chance, and sometimes he goes walking up and down with her, but I see nothing in this, because after all any guy is apt to get lonesome at St. Pierre and go walking up and down with anybody, even a little young doll. In fact, I never see Louie do anything that strikes me as out of line, except he tries to cut in on the singing between Lily and me, until I tell him one tenor at a time is enough in any singing combination. Personally, I consider Louie the Lug's tenor very flat, indeed.

  Well, it comes time for me to go away, and I take Louie with me, because I do not wish him hanging around St. Pierre alone, especially as old Doctor Armand Dorval does not seem to care for him whatever, and while Lily seems as sad as ever to see me go I notice that for the first time she does not kiss me good-bye. But I figure this is fair enough, as she is now quite a young lady, and the chances are a little particular about who she kisses.

  I leave Louie in Halifax and give him enough dough to go on to Denver, which is where he says he wishes to go, and I never see him again until the other night in Good Time Charley's. But almost a year later, when I happen to be in Montreal, I hear of him. I am standing in the lobby of the Mount Royal Hotel thinking of not much, when a guy by the name of Bob the Bookie, who is a hustler around the race-tracks, gets to talking to me and mentions Louie's name. It brings back to me a memory of my last trip to St. Pierre, and I get to thinking that this is the longest stretch I ever go in several years without a visit there and of the different things that keep me from going.

  I am not paying much attention to what Bob says, because he is putting the blast on Louie for running away from an ever-loving wife and a couple of kids in Cleveland several years before, which is something I do not know about Louie, at that. Then I hear Bob saying like this:

  'He is an awful rat any way you take him. Why, when he hops out of here two weeks ago, he leaves a little doll he brings with him from St. Pierre dying in a hospital without a nickel to her name. It is a sin and a shame.'

  'Wait a minute, Bob,' I say, waking up all of a sudden. 'Do you say a doll from St. Pierre? What-for looking kind of a doll, Bob?' I say.

  'Why,' Bob says, 'she is black-haired, and very young, and he calls her Lily, or some such. He is knocking around Canada with her for quite a spell. She strikes me as a t. b., but Louie's dolls always look this way after he has them a while. I judge,' Bob says, 'that Louie does not feed them any too good.'

  Well, it is Lily Dorval, all right, but never do I see such a change in anybody as there is in the poor little doll I find lying on a bed in a charity ward in a Montreal hospital. She does not look to weigh more than fifty pounds, and her black eyes are sunk away back in her head, and she is in tough shape generally. But she knows me right off the bat and tries to smile at me.

  I am in the money very good at this time, and I have Lily moved into a private room, and get her all the nurses the law allows, and the best croakers in Montreal, and flowers, and one thing and another, but one of the medicos tells me it is even money she will not last three weeks, and 7 to 5 she does not go a month. Finally Lily tells me what happens, which is the same thing that happens to a million dolls before and will happen to a million dolls again. Louie never leaves Halifax, but cons her into coming over there to him, and she goes because she loves him, for this is the way dolls are, and personally I will never have them any other way.

  'But,' Lily whispers to me, 'the bad, bad thing I do is to tell poor old Grandfather I am going to meet you, Jack O'Hearts, and marry you, because I know he does not like Louie and will never allow me to go to him. But he loves you, Jack O'Hearts, and he is so pleased in thinking you are to be his son. It is wrong to tell Grandfather this story, and wrong to use your name, and to keep writing him all this time making him think I am your wife, and with you, but I love Louie, and I wish Grandfather to be happy because he is very, very old. Do you understand, Jack O'Hearts?'

  Now of course all this is very surprising news to me, indeed, and in fact I am quite flabbergasted, and as for understanding it, all I understand is she gets a rotten deal from Louie the Lug and that old Doctor Armand Dorval is going to be all busted up if he hears what really happens. And thinking about this nice old man, and thinking of how the only place I ever know peace and quiet is now ruined, I am very angry with Louie the Lug.

  But this is something to be taken up later, so I dismiss him from my mind, and go out and get me a marriage licence and a priest, and have this priest marry me to Lily Dorval just two days before she looks up at me for the last time, and smiles a little smile, and then closes her eyes for good and all. I wish to say, however, that up to this time I have no more idea of getting myself a wife than I have of jumping out the window, which is practically no idea at all.

  I take her body back to St. Pierre myself in person, and we bury her in a little cemetery there, with a big fog around and about, and the siren moaning away very sad, and old
Doctor Armand Dorval whispers to me like this:

  'You will please to sing the song about the long trail, Jack O' Hearts.' So I stand there in the fog, the chances are looking like a big sap, and I sing as follows:

  'There's a long, long trail a-winding

  Into the land of my dreams,

  Where the nightingale is singing,

  And the white moon beams.'

  But I can get no farther than this, for something comes up in my throat, and I sit down by the grave of Mrs. Jack O'Hearts, who was Lily Dorval, and for the first time I remember I bust out crying.

  So [he says] this is why I say Louie the Lug is no good.

  Well, I am sitting there thinking that Jack O'Hearts is right about Louie, at that, when in comes Jack's chauffeur, a guy by the name of Fingers, and he steps up to Jack and says, very low:

  'Louie dies half an hour ago at the Polyclinic.'

  'What does he say before he goes?' Jack asks.

  'Not a peep,' Fingers says.

  'Well,' Jack O'Hearts says, 'it is sloppy work, at that. I ought to get him the first crack. But maybe he had a chance to think a little of Lily Dorval.'

  Then he turns to me and says like this:

  'You guys need not feel bad about losing your tenor, because,' he says, 'I will be glad to fill in for him at all times.'

  Personally I do not think Jack's tenor is as good as Louie the Lug's especially when it comes to hitting the very high notes in such songs as Sweet Adeline, because he does not hold them long enough to let Good Time Charley in with his bum-bum.

  But of course this does not go if Jack O'Hearts hears it, as I am never sure he does not clip Louie the Lug just to get a place in our quartet, at that.

  Hold 'em, Yale!

  What I am doing in New Haven on the day of a very large football game between the Harvards and the Yales is something which calls for quite a little explanation, because I am not such a guy as you will expect to find in New Haven at any time, and especially on the day of a large football game.

  But there I am, and the reason I am there goes back to a Friday night when I am sitting in Mindy's restaurant on Broadway thinking of very little except how I can get hold of a few potatoes to take care of the old overhead. And while I am sitting there, who comes in but Sam the Gonoph, who is a ticket speculator by trade, and who seems to be looking all around and about.

  Well, Sam the Gonoph gets to talking to me, and it turns out that he is looking for a guy by the name of Gigolo Georgie, who is called Gigolo Georgie because he is always hanging around night clubs wearing a little moustache and white spats, and dancing with old dolls. In fact, Gigolo Georgie is nothing but a gentleman bum, and I am surprised that Sam the Gonoph is looking for him.

  But it seems that the reason Sam the Gonoph wishes to find Gigolo Georgie is to give him a good punch in the snoot, because it seems that Gigolo Georgie promotes Sam for several duckets to the large football game between the Harvards and the Yales to sell on commission, and never kicks back anything whatever to Sam. Naturally Sam considers Gigolo Georgie nothing but a rascal for doing such a thing to him, and Sam says he will find Gigolo Georgie and give him a going-over if it is the last act of his life.

  Well, then, Sam explains to me that he has quite a few nice duckets for the large football game between the Harvards and the Yales and that he is taking a crew of guys with him to New Haven the next day to hustle these duckets, and what about me going along and helping to hustle these duckets and making a few bobs for myself, which is an invitation that sounds very pleasant to me, indeed.

  Now of course it is very difficult for anybody to get nice duckets to a large football game between the Harvards and the Yales unless they are personally college guys, and Sam the Gonoph is by no means a college guy. In fact, the nearest Sam ever comes to a college is once when he is passing through the yard belonging to the Princetons, but Sam is on the fly at the time as a gendarme is after him, so he does not really see much of the college.

  But every college guy is entitled to duckets to a large football game with which his college is connected, and it is really surprising how many college guys do not care to see large football games even after they get their duckets, especially if a ticket spec such as Sam the Gonoph comes along offering them a few bobs more than the duckets are worth. I suppose this is because a college guy figures he can see a large football game when he is old, while many things are taking place around and about that it is necessary for him to see while he is young enough to really enjoy them, such as the Follies.

  Anyway, many college guys are always willing to listen to reason when Sam the Gonoph comes around offering to buy their duckets, and then Sam takes these duckets and sells them to customers for maybe ten times the price the duckets call for, and in this way Sam does very good for himself.

  I know Sam the Gonoph for maybe twenty years, and always he is speculating in duckets of one kind and another. Sometimes it is duckets for the world's series, and sometimes for big fights, and sometimes it is duckets for nothing but lawn-tennis games, although why anybody wishes to see such a thing as lawn tennis is always a very great mystery to Sam the Gonoph and everybody else.

  But in all those years I see Sam dodging around under the feet of the crowds at these large events, or running through the special trains offering to buy or sell duckets, I never hear of Sam personally attending any of these events except maybe a baseball game, or a fight, for Sam has practically no interest in anything but a little profit on his duckets.

  He is a short, chunky, black-looking guy with a big beezer, and he is always sweating even on a cold day, and he comes from down around Essex Street, on the lower East Side. Moreover, Sam the Gonoph's crew generally comes from the lower East Side, too, for as Sam goes along he makes plenty of potatoes for himself and branches out quite some, and has a lot of assistants hustling duckets around these different events.

  When Sam is younger the cops consider him hard to get along with, and in fact his monicker, the Gonoph, comes from his young days down on the lower East Side, and I hear it is Yiddish for thief, but of course as Sam gets older and starts gathering plenty of potatoes, he will not think of stealing anything. At least not much, and especially if it is anything that is nailed down.

  Well, anyway, I meet Sam the Gonoph and his crew at the information desk in Grand Central the next morning, and this is how I come to be in New Haven on the day of the large football game between the Harvards and the Yales.

  For such a game as this, Sam has all his best hustlers, including such as Jew Louie, Nubbsy Taylor, Benny South Street and old Liverlips, and to look at these parties you will never suspect that they are top-notch ducket hustlers. The best you will figure them is a lot of guys who are not to be met up with in a dark alley, but then ducket-hustling is a rough-and-tumble dodge and it will scarcely be good policy to hire female impersonators.

  Now while we are hustling these duckets out around the main gates of the Yale Bowl I notice a very beautiful little doll of maybe sixteen or seventeen standing around watching the crowd, and I can see she is waiting for somebody, as many dolls often do at football games. But I can also see that this little doll is very much worried as the crowd keeps going in, and it is getting on toward game time. In fact, by and by I can see this little doll has tears in her eyes and if there is anything I hate to see it is tears in a doll's eyes.

  So finally I go over to her, and I say as follows: 'What is eating you, little Miss?'

  'Oh,' she says, 'I am waiting for Elliot. He is to come up from New York and meet me here to take me to the game, but he is not here yet, and I am afraid something happens to him. Furthermore,' she says, the tears in her eyes getting very large, indeed, 'I am afraid I will miss the game because he has my ticket.'

  'Why,' I say, 'this is a very simple proposition. I will sell you a choice ducket for only a sawbuck, which is ten dollars in your language, and you are getting such a bargain only because the game is about to begin, and the market is going down.
'

  'But,' she says, 'I do not have ten dollars. In fact, I have only fifty cents left in my purse, and this is worrying me very much, for what will I do if Elliot does not meet me? You see,' she says, 'I come from Miss Peevy's school at Worcester, and I only have enough money to pay my railroad fare here, and of course I cannot ask Miss Peevy for any money as I do not wish her to know I am going away.'

  Well, naturally all this is commencing to sound to me like a hardluck story such as any doll is apt to tell, so I go on about my business because I figure she will next be trying to put the lug on me for a ducket, or maybe for her railroad fare back to Worcester, although generally dolls with hard-luck stories live in San Francisco.

  She keeps on standing there, and I notice she is now crying more than somewhat, and I get to thinking to myself that she is about as cute a little doll as I ever see, although too young for anybody to be bothering much about. Furthermore, I get to thinking that maybe she is on the level, at that, with her story.

  Well, by this time the crowd is nearly all in the Bowl, and only a few parties such as coppers and hustlers of one kind and another are left standing outside, and there is much cheering going on inside, when Sam the Gonoph comes up looking very much disgusted, and speaks as follows:

  'What do you think?' Sam says. 'I am left with seven duckets on my hands, and these guys around here will not pay as much as face value for them, and they stand me better than three bucks over that. Well,' Sam says, 'I am certainly not going to let them go for less than they call for if I have to eat them. What do you guys say we use these duckets ourselves and go in and see the game? Personally,' Sam says, 'I often wish to see one of these large football games just to find out what makes suckers willing to pay so much for duckets.'

  Well, this seems to strike one and all, including myself, as a great idea, because none of the rest of us ever see a large football game either, so we start for the gate, and as we pass the little doll who is still crying, I say to Sam the Gonoph like this:

 

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