The Last Enchantment
Page 48
Guinevere, according to the mediaeval legends, suffered abduction from time to time as a matter of course, and equally as a matter of course was rescued by Lancelot. A modern reader can see how the stories rose around "the much-abducted queen." Mediaeval singers found in "King Arthur and his Court" a rich source of story-telling, and in time a long series of tales came to be hung around the central figures, much as the television series-writers hang their scripts today. Gradually, in the legends, Arthur himself fades into the background, and various new "heroes" take the center of the stage: Lancelot, Tristram, Gawain, Gereint. Lancelot, being purely fictional (and an invention some centuries later than the "Arthurian fact"), is made to fill the role of the Queen's lover so essential to the mediaeval romancers and their convention of courtly love.
But it is tempting to believe that the first of the "rape stories," the Queen's abduction by Melwas, was founded on fact. Certainly Melwas existed, and remains have been found of the right period that indicate strongholds on and near Glastonbury Tor. In my tale Bedwyr, whose name is linked with Arthur's long before "Lancelot" ever appears, takes the Lancelot role. In the character of Guinevere, as here drawn, I believe I was influenced by Chaucer's treatment of the "false" Criseyde.
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Nimuë (Niniane, Vivien). Nor is there any necessity to attribute the same sort of "falseness" to Merlin's lover, Nimuë. The "betrayal" theme of this legend springs from the need to explain the death or disappearance of an all-powerful enchanter. My version of Merlin's end is based on a tradition which obtains still in parts of the "Summer Country." It was sent me many years ago by a Wiltshire correspondent. This version of the tale is that Merlin, with age drawing on, desired to hand on his magic powers to someone who could be Arthur's adviser after his death. For this he chose his pupil Nimuë, who showed herself adept. This tale not only allows the great enchanter his dignity, and a measure of common sense, but also explains Nimuë's subsequent influence over Arthur. The King would hardly otherwise have kept her near him, or accepted her help against his enemies.
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Ninian. The "boy Ninian" episode was suggested by another incident found in the Vita Merlini. Here Merlin sees a youth buying shoes, and pieces of leather to repair them with to make them last longer. Merlin knows that the youth will have no need of the new shoes, as he will be drowned the same day.
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Cerdic Elesing. The Anglo-Saxon Chronicle records that Cerdic and Cynric his son landed at Cerdices-ora with five ships. Cerdic was Elesing (the son of Elesa, or Eosa). The date given is A.D. 494.
Whatever doubt there may be about the dates of Cerdic's battles, or the locations of his first conquests (Cerdices-ora is thought to be Netley, near Southampton), all the chroniclers seem to agree that he was the founder of the first West Saxon monarchy from which Alfred was to claim descent. For Cerdic, and for the changing of the burial customs that Gereint suggests on page 105, see Hodgkin's History of the Anglo-Saxons, Vol. 1, Section IV.
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Llud-Nuatha, or Nodens. The shrine of Nodens is still to be seen, at Lydney in Gloucestershire.
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Merlin's song "He who is companionless," is based on the Anglo-Saxon poem The Wanderer.
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Finally, for the many gaps in my knowledge of this enormous subject I can only beg forgiveness, and paraphrase what H. M. and N. K. Chadwick wrote in the preface to their Growth of English Literature: "If I had read more widely I should never have completed this book." More: if I had even known how much there was to read, I would never have dared to start to write at all. By the same token I cannot list all the authorities I have followed. But I can hope, in all humility, that my Merlin trilogy may be, for some new enthusiast, a beginning.
M.S.
Edinburgh, 1975-1979
A Note About The Author
MARY STEWART, ONE OF THE most popular novelists writing today, was born in Sunderland, County Durham, England. After boarding-school, she received a B.A. with first class honours in English Language and Literature from Durham University and went on for her M.A. Later she returned to her own University as a Lecturer in English. She married in 1945. Her husband is Sir Frederick Stewart, who is Chairman of the Geology Department at Edinburgh University, and a Fellow of the Royal Society. He is Chairman of the Advisory Board for the Research Councils.
Lady Stewart's career as a novelist began in 1954 with the publication of Madam, Will You Talk? Since then she has published fifteen successful novels, including The Last Enchantment, the third book of her magical trilogy about the legendary enchanter Merlin and young Arthur. Her books for young readers, The Little Broomstick (1971) and Ludo and the Star Horse (1974), quickly met with the same success as her other novels. In 1968, she was elected Fellow of the Royal Society of the Arts. In 1971, the Scottish Chapter of the International PEN Association awarded her the Frederick Niven prize for The Crystal Cave. In 1974, the Scottish Arts Council Award went to Ludo and the Star Horse.