Delphi Works of Robert E. Howard (Illustrated) (Series Four)
Page 367
The moon had set. The starlight scarcely penetrated the interwoven branches. No more creeks barred my way, only shallow streams, through which I splashed with sweating haste. Yet I did not expect to be attacked. Twice the dweller in the depths had passed me by to attack my companion. In icy despair I knew I was being saved for the grimmer fate. Each stream I crossed might be hiding the monster that killed Jim Braxton. Those creeks were all connected in a network of winding waterways. It could follow me easily. But my horror of it was less than the horror of the jungle-born magnetism that lurked in a witch-woman’s eyes.
And as I stumbled through the tangled vegetation, I heard the drum rumbling ahead of me, louder and louder, a demoniacal mockery. Then a human voice mingled with its mutter, in a long-drawn cry of horror and agony that set every fiber of me quivering with sympathy. Sweat coursed down my clammy flesh; soon my own voice might be lifted like that, under unnamable torture. But on I went, my feet moving like automatons, apart from my body, motivated by a will not my own.
The drum grew loud, and a fire glowed among the black trees. Presently, crouching among the bushes, I stared across the stretch of black water that separated Tae from a nightmare scene. My halting there was as compulsory as the rest of my actions had been. Vaguely I knew the stage for horror had been set, but the time for my entry upon it was not yet. When the time had come, I would receive my summons.
A low, wooded island split the black creek, connected with the shore opposite me by a narrow neck of land. At its lower end the creek split into a network of channels threading their way among hummocks and rotting logs and mossgrown, vine-tangled clumps of trees. Directly across from my refuge the shore of the island was deeply indented by an arm of open, deep black water. Bearded trees walled a small clearing, and partly hid a hut. Between the but and the shore burned afire that sent up weird twisting snake-tongues of green flames. Scores of black people squatted under the shadows of the overhanging branches. When the green fire lit their faces it lent them the appearance of drowned corpses.
In the midst of the glade stood a giant Negro, an awesome statue in black marble. He was clad in ragged trousers, but on his head was a band of beaten gold set with a huge red jewel, and on his feet were barbaric sandals. His features reflected titanic vitality no less than his huge body. But he was all Negro-flaring nostrils, thick lips, ebony skin. I knew I looked upon Saul Stark, the conjure man.
He was regarding something that lay in the sand before him, something dark and bulky that moaned feebly. Presently, lifting his head, he rolled out a sonorous invocation across the black waters. From the blacks huddled under the trees there came a shuddering response, like a wind wailing through midnight branches. Both invocation and response were framed in an unknown tongue — a guttural, primitive language.
Again he called out, this time a curious high-pitched wail. A shuddering sigh swept the black people. All eyes were fixed on the dusky water. And presently an object rose slowly from the depths. A sudden trembling shook me. It looked like the head of a Negro. One after another it was followed by similar objects until five heads reared above the black, cypress-shadowed water. They might have been five Negroes submerged except for their heads — but I knew this was not so. There was something diabolical here. Their silence, motionlessness, their whole aspect was unnatural. From the trees came the hysterical sobbing of women, and someone whispered a man’s name.
Then Saul Stark lifted his hands, and the five heads silently sank out of sight. Like a ghostly whisper I seemed to hear the voice of the African witch: “He pals them in the swamp!”
Stark’s deep voice rolled out across the narrow water: “And now the Dance of the Skull, to make the conjer sure!”
What had the witch said? “Hidden among the trees You shall watch the dance of the Skull!”
The drum struck up again, growling and rumbling. The blacks swayed on their haunches, lifting a wordless chant. Saul Stark paced measuredly about the figure on the sand, his arms weaving cryptic patterns. Then he wheeled and faced toward the other end of the glade. By some sleight of hand he now grasped a grinning human skull, and this he cast upon the wet sand beyond the body. “Bride of Damballah!” he thundered. “The sacrifice awaits!”
There was an expectant pause; the chanting sank. All eyes were glued on the farther end of the glade. Stark stood waiting, and I saw him scowl as if puzzled. Then as he opened his mouth to repeat the call, a barbaric figure moved out of the shadows.
At the sight of her a chill shuddering shook me. For a moment she stood motionless, the firelight glinting on her gold ornaments, her head hanging on her breast. A tense silence reigned and I saw Saul Stark staring at her sharply. She seemed to be detached, somehow, standing aloof and withdrawn, head bent strangely.
Then, as if rousing herself, she began to sway with a jerky rhythm, and presently whirled into the mazes of a dance that was ancient when the ocean drowned the black kings of Atlantis. I cannot describe it. It was bestiality and diabolism set to motion, framed in a writhing, spinning whirl of posturing and gesturing that would have appalled a dancer of the Pharaohs. And that cursed skull danced with her; rattling and clashing on the sand, it bounded and spun like a live thing in time with her leaps and prancings.
But there was something amiss. I sensed it. Her arms hung limp, her drooping head swayed. Her legs bent and faltered, making her lurch drunkenly and out of time. A murmur rose from the people, and bewilderment etched Saul Stark’s black countenance. For the domination of a conjure man is a thing hinged on a hair-trigger. Any trifling dislocation of formula or ritual may disrupt the whole web of his enchantment.
As for me, I felt the perspiration freeze on my flesh as I watched the grisly dance. The unseen shackles that bound me to that gyrating she-devil were strangling, crushing me. I knew she was approaching a climax, when she would summon me from my hiding-place, to wade through the black waters to the House of Damballah, to my doom.
Now she whirled to a floating stop, and when she halted, poised on her toes, she faced toward the spot where I lay hidden, and I knew that she could see me as plainly as if I stood in the open; knew, too, somehow, that only she knew of my presence. I felt myself toppling on the edge of the abyss. She raised her head and I saw the flame of her eyes, even at that distance. Her face was lit with awful triumph. Slowly she raised her hand, and I felt my limbs begin to jerk in response to that terrible magnetism. She opened her mouth...
But from that open mouth sounded only a choking gurgle, and suddenly her lips were dyed crimson. And suddenly, without warning, her knees gave way and she pitched headlong into the sands.
And as she fell, so I too fell, sinking into the mire.
Something burst in my brain with a shower of flame. And then I was crouching among the trees, weak and trembling, but with such a sense of freedom and lightness of limb as I never dreamed a man could experience. The black spell that gripped me was broken; the foul incubus lifted from my soul. It was as if light had burst upon a night blacker than African midnight.
At the fall of the girl a wild cry rose from the blacks, and they sprang up, trembling on the verge of panic. I saw their rolling white eyeballs, their bared teeth glistening in the firelight. Saul Stark had worked their primitive natures up to a pitch of madness, meaning to turn this frenzy, at the proper time, into a fury of battle. It could as easily turn into an hysteria of terror. Stark shouted sharply at them.
But just then the girl in a last convulsion, rolled over on the wet sand, and the firelight shone on a round hole between her breasts, which still oozed crimson. Jim Braxton’s bullet had found its mark.
From the first I had felt that she was not wholly human; some black jungle spirit sired her, lending her the abysmal subhuman vitality that made her what she was. She had said that neither death nor hell could keep her from the Dance of the Skull. And, shot through the heart and dying, she had come through the swamp from the creek where she had received her death-wound to the House of Damballah. And the Danc
e of the Skull had been her death dance.
Dazed as a condemned man just granted a reprieve, at first I hardly grasped the meaning of the scene that now unfolded before me.
The blacks were in a frenzy. In the sudden, and to them inexplicable, death of the sorceress they saw a fearsome portent. They had no way of knowing that she was dying when she entered the glade. To them, their prophetess and priestess had been struck down under their very eyes, by an invisible death. This was magic blacker than Saul Stark’s wizardry — and obviously hostile to them.
Like fear-maddened cattle they stampeded. Howling, screaming, tearing at one another they blundered through the trees, heading for the neck of land and the shore beyond. Saul Stark stood transfixed, heedless of them as he stared down at the brown girl, dead at last. And suddenly I came to myself, and with my awakened manhood came cold fury and the lust to kill. I drew a gun, and aiming in the uncertain firelight, pulled the trigger. Only a click answered me. The powder in the cap-and-ball pistols was wet.
Saul Stark lifted his head and licked his lips. The sounds of flight faded in the distance, and he stood alone in the glade. His eyes rolled whitely toward the black woods around him. He bent, grasped the man-like object that lay on the sand, and dragged it into the hut. The instant he vanished I started toward the island, wading through the narrow channels at the lower end. I had almost reached the shore when a mass of driftwood gave way with me and I slid into a deep hole.
Instantly the water swirled about me, and a head rose beside me; a dim face was close to mine — the face of a Negro — the face of Tunk Bixby. But now it was inhuman; as expressionless and soulless as that of a catfish; the face of a being no longer human, and no longer mindful of its human origin.
Slimy, misshapen fingers gripped my throat, and I drove my knife into the sagging mouth. The features vanished in a wave of blood; mutely the thing sank out of sight, and I hauled myself up the bank, under the thick bushes.
Stark had run from his hut, a pistol in his hand. He was staring wildly about, alarmed by the noise he had heard, but I knew he could not see me. His ashy skin glistened with perspiration. He who had ruled by fear was now ruled by fear. He feared the unknown hand that had slain his mistress; feared the Negroes who had fled him; feared the abysmal swamp which had sheltered him, and the monstrosities he had created. He lifted a weird call that quavered with panic. He called again as only four heads broke the water, but he called in vain.
But the four heads began to move toward the shore and the man who stood there. He shot them one after another. They made no effort to avoid the bullets. They came straight on, sinking one by one. He had fired six shots before the last head vanished. The shots drowned the sounds of my approach. I was close behind him when he turned at last.
I know he knew me; recognition flooded his face and fear went with it, at the knowledge that he had a human being to deal with. With a scream he hurled his empty pistol at me and rushed after it with a lifted knife.
I ducked, parried his lunge and countered with a thrust that bit deep into his ribs. He caught my wrist and I gripped his, and there we strained, breast to breast. His eyes were like a mad dog’s in the starlight, his muscles like steel cords.
I ground my heel down on his bare foot, crushing the instep. He howled and lost balance, and I tore my knife hand free and stabbed him in the belly. Blood spurted and he dragged me down with him. I jerked loose and rose, just as he pulled himself up on his elbow and hurled his knife. It sang past my ear, and I stamped on his breast. His ribs caved in under my heel. In a red killing-haze I knelt, jerked back his head and cut his throat from ear to ear.
There was a pouch of dry powder in his belt. Before I moved further I reloaded my pistols. Then I went into the but with a torch. And there I understood the doom the brown witch had meant for me. Tope Sorley lay moaning on a bunk. The transmutation that was to make him a mindless, soulless semi- human dweller in the water was not complete, but his mind was gone. Some of the physical changes had been made — by what godless sorcery out of Africa’s black abyss I have no wish to know. His body was rounded and elongated, his legs dwarfed; his feet were flattened and broadened, his fingers horribly long, and webbed. His neck was inches longer than it should be. His features were not altered, but the expression was no more human than that of a great fish. And there, but for the loyalty of Jim Braxton, lay Kirby Buckner. I placed my pistol muzzle against Tope’s head in grim mercy and pulled the trigger.
And so the nightmare closed, and I would not drag out the grisly narration. The white people of Canaan never found anything on the island except the bodies of Saul Stark and the brown woman. They think to this day that a swamp negro killed Jim Braxton, after he had killed the brown woman, and that I broke up the threatened uprising by killing Saul Stark. I let them think it. They will never know the shapes the black water of Tularoohides. That is a secret I share with the cowed and terror-haunted black people of Goshen and of it neither they nor I have ever spoken.
OTHER WEIRD MENACE
CONTENTS
BLACK TALONS; OR, TALONS IN THE DARK
THE GRISLY HORROR; OR, MOON OF ZAMBEBWEI
BLACK HOUND OF DEATH
BLACK TALONS; OR, TALONS IN THE DARK
First published in Strange Detective Stories, December 1933
JOEL BRILL slapped shut the book he had been scanning, and gave vent to his dissatisfaction in language more appropriate for the deck of a whaling ship than for the library of the exclusive Corinthian Club. Buckley, seated in an alcove nearby, grinned quietly. Buckley looked more like a college professor than a detective, and perhaps it was less because of a studious nature than a desire to play the part he looked, that caused him to loaf around the library of the Corinthian.
“It must be something unusual to drag you out of your lair at this time of the day,” he remarked. “This is the first time I ever saw you in the evening. I thought you spent your evenings secluded in your rooms, pouring over musty tomes in the interests of that museum you’re connected with.”
“I do, ordinarily.” Brill looked as little like a scientist as Buckley looked like a dick. He was squarely built, with thick shoulders and the jaw and fists of a prizefighter; low browed, with a mane of tousled black hair contrasting with his cold blue eyes.
“You’ve been shoving your nose into books here since six o’clock,” asserted Buckley.
“I’ve been trying to get some information for the directors of the museum,” answered Brill. “Look!” He pointed an accusing finger at the rows of lavishly bound volumes. “Books till it would sicken a dog — and not a blasted one can tell me the reason for a certain ceremonial dance practiced by a certain tribe on the West African Coast.”
“A lot of the members have knocked around a bit,” suggested Buckley. “Why not ask them?”
“I’m going to.” Brill took down a phone from its hook.
“There’s John Galt—” began Buckley.
“Too hard to locate. He flits about like a mosquito with the St. Vitus. I’ll try Jim Reynolds.” He twirled the dial.
“Thought you’d done some exploring in the tropics yourself,” remarked Buckley.
“Not worthy of the name. I hung around that God-forsaken Hell hole of the West African Coast for a few months until I came down with malaria — Hello!”
A suave voice, too perfectly accented, came along the wire.
“Oh, is that you, Yut Wuen? I want to speak to Mr. Reynolds.”
Polite surprise tinged the meticulous tone.
“Why, Mr. Reynolds went out in response to your call an hour ago, Mr. Brill.”
“What’s that?” demanded Brill. “Went where?”
“Why, surely you remember, Mr. Brill.” A faint uneasiness seemed to edge the Chinaman’s voice. “At about nine o’clock you called, and I answered the phone. You said you wished to speak to Mr. Reynolds. Mr. Reynolds talked to you, then told me to have his car brought around to the side entrance. He said that you had requested hi
m to meet you at the cottage on White Lake shore.”
“Nonsense!” exclaimed Brill. “This is the first time I’ve phoned Reynolds for weeks! You’ve mistaken somebody else for me.”
There was no reply, but a polite stubbornness seemed to flow over the wire. Brill replaced the phone and turned to Buckley, who was leaning forward with aroused interest.
“Something fishy here,” scowled Brill. “Yut Wuen, Jim’s Chinese servant, said I called, an hour ago, and Jim went out to meet me. Buckley, you’ve been here all evening. Did I call up anybody? I’m so infernally absent- minded—”
“No, you didn’t,” emphatically answered the detective. “I’ve been sitting right here close to the phone ever since six o’clock. Nobody’s used it. And you haven’t left the library during that time. I’m so accustomed to spying on people, I do it unconsciously.”
“Well, say,” said Brill, uneasily, “suppose you and I drive over to White Lake. If this is a joke, Jim may be over there waiting for me to show up.”
As the city lights fell behind them, and houses gave way to clumps of trees and bushes, velvet black in the star-light, Buckley said: “Do you think Yut Wuen made a mistake?”
“What else could it be?” answered Brill, irritably.
“Somebody might have been playing a joke, as you suggested. Why should anybody impersonate you to Reynolds?”
“How should I know? But I’m about the only acquaintance he’d bestir himself for, at this time of night. He’s reserved, suspicious of people. Hasn’t many friends. I happen to be one of the few.”
“Something of a traveler, isn’t he?”