Living With the Dead

by Kelley Armstrong

  Colm rubbed his hands against his jeans to clear the images from his head. Niko wouldn't kill Adele, no matter what kumpania law said. He'd give her another chance. He had to. Colm couldn't bear to think -

  He rubbed harder, the rough seam scraping his palms, skin burning from the friction.

  Why hadn't she told Niko from the start? By not admitting it, she'd only made the situation worse and now he was stuck making decisions he should never have to make.

  He clenched and unclenched his hands, exhaling slowly. He'd make one more round of the parking lot and store, and then he'd call his mother. If Adele didn't like that, too bad. Saving her from the Cabal was all that mattered.

  He hefted himself up onto the wooden fence, a simple sound barrier that wobbled under his weight. He made it to the top when a slender, light-haired woman rounded the bookstore back corner.

  Adele's name sprang to his lips. Then the woman stepped from the shadow, shading her eyes to look up at him on the fence, and he saw it was Robyn Peltier.

  He twisted to scramble back down.

  "Wait!" she called. "We need to talk to you."

  He leapt from the fence. One knee buckled as he landed, and he fell on all fours. A shadow passed over him. He looked up to see the man from the apartment vaulting the fence.

  Colm tried to bolt, but the man landed in his path. His eyes met Colm's and something shamefully like a whimper bubbled in the boy's throat. The man lifted his chin. A slight tilt of the head, raising his nose, nostrils flaring... and Colm knew what was standing in front of him. A werewolf.

  Colm's insides liquefied and a few drops trickled down his leg. The werewolf's nostrils flared again, as if he could smell Colm's humiliation.

  The man lifted a finger, a subtle "wait" to someone. Colm noticed the pretty girl from the apartment on the fence. The man kept his gaze locked with Colm's.

  "We're not going to hurt you," he said. "We just need to talk."

  Colm's gaze shunted to the side, looking and praying for Adele.

  "She's gone," said the girl from her fence-top post. "We just want to talk. We can go someplace that you'll feel safe, someplace public - "

  Colm bolted. He knew it was useless. The man was a werewolf - he could lunge and break Colm's neck before he made it five feet. When he didn't, he glanced back to see the man still standing where he'd left him.

  As Colm turned, he saw why. A middle-aged man stood in the medical building lot, his key fob extended, now stopped to watch what was unfolding at the fence line.

  Colm checked over his shoulder one more time, then broke into a full out run for the building. The man in the parking lot watched Colm, his key fob still in hand, other reaching toward his car door. When Colm reached the building door, the man nodded, as if he'd done his duty, seen the boy to safety. He opened his car door.

  Colm reached for the building door. If it was locked, he'd run to the man in the car, make up some story. If it opened, that meant there were more people inside and he could hide there.

  He pulled the door. It swung open. He ran through.

  * * *

  FINN

  In police college, one of Finn's instructors claimed the greatest impediment to justice was prejudice. The ability to assess a situation free from those shackles was the greatest gift an officer could possess. And any officer who thought he could achieve that absolute lack of prejudice was deluded.

  The human brain is designed to make connections. It looks for similarities and patterns, and when it finds them, it is happy. A cop can't help that initial flood of associations and, yes, prejudices. But he can recognize them for what they are and reassess based on facts.

  Standing on the sidewalk, looking up at Nast corporate headquarters and instantly disliking it, Finn was aware that this was a conclusion based on stereotyping.

  The building annoyed him, plain and simple... maybe because the building itself was not plain or simple. The block was full of historical landmarks, stately and dignified. In their midst, the Nast building looked like a Euro-chic runway model swanning through a room of refined dowagers, contempt in every glance she cast on her elderly neighbors.

  Finn guessed that one of these grand old dames had been felled by a wrecking ball to make way for this soaring postmodern blot. Could he overcome that prejudice?

  He doubted it.

  Though it was Sunday, the lobby lights blazed. When he pulled a door open, it made a sucking sound, as if the vestibule was vacuum sealed. Past the second set of doors, a young man sat behind a stainless steel desk that bore an uncanny resemblance to a morgue gurney. His trim build and suit suggested he was more reception than security, but Finn suspected that was for appearance's sake.

  Finn reached for the interior door. Locked. The young man looked up sharply, as if Finn had set off an alarm. There was a whoosh as the door behind him closed tight.

  He couldn't help thinking of those movies where a guy walks into a tiny room that seals behind him and slowly fills with poisonous gas. The faintly metallic smell of the cold air blowing down on him didn't help. Nor did the guy at the desk, who watched him, blank-faced as a cyborg.

  Finn turned to say something to Damon... and saw him still outside on the sidewalk. He discreetly gestured for Damon to walk in. Damon not-so-discreetly gestured that he couldn't.

  Finn opened the outer door, abashedly relieved to see that it would open. Damon walked up to the opening and bounced back. He put his hand out and his palm flattened and whitened, as if pressing against glass.

  "Huh," Finn said. "Maybe you're a vampire now. You need to be invited."

  "A joke? I'm impressed. We'll need to work on your delivery, though. Right now..." Damon rapped his knuckles against the invisible barrier. "Small problem."

  "Is this what happens when Robyn's around?"

  Damon's eyes lit with hope, then it faded. "Nah. With Robyn, I get relocated, like a raccoon wandering into the city. I'll look for another way in."

  When Finn stepped back into the vestibule, the guard was still watching him, face still impassive, as if he saw guys leaning out the door talking to themselves all the time. On the Sunday shift, he probably did.

  The guard made no move to come to the door or turn on the intercom and ask Finn's business. Even when Finn buzzed, the man continued to sit there.

  As Finn raised a hand to buzz again, the man finally pressed a button. A speaker overhead clicked.

  "Nast Corporation. How may I help you?"

  Finn held his badge to the glass. "Detective John Findlay, LAPD."

  For almost twenty seconds, the man sat there, as if waiting for a better explanation. Finally, he pressed another button and the door opened.

  As Finn approached the desk, the young man sat robot straight, his eyes gray ball bearings fixed on Finn's forehead.

  "I'm looking for this man." Finn lifted a cropped version of the photo, without the girl. "I've been told it's Irving Nast."

  The guard's gaze flickered across the image. "I couldn't say, sir. The photo quality appears degraded."

  "Let's pretend it is Mr. Nast, then. I need to speak to him. His wife said he was in the office this morning."

  "Mr. Nast has left for the day."

  "Could you check that? Call his office for me?"

  Those ball bearings bored holes over Finn's eyebrows. The young man waved at the computer display embedded in his desktop. "Our security system monitors all access. Mr. Nast used his code to exit the rear doors at 11:23 and did not reuse it to enter."

  "All right. Then I'll take his cell phone number."

  "I'm not at liberty to divulge that information."

  "This is a matter of some delicacy," Finn said, in the same measured tone. "I'm sure Mr. Nast would prefer I didn't call on him at home. Why don't you call him and ask if you can give me the number. Or call and hand me the phone."

  "Mr. Nast has left for the day. I don't expect him to return. It's Sunday."

  "Which is why I'm asking for his number."
/>   The guard checked his display screen. "Oh, I'm sorry. Mr. Nast is unavailable this weekend."

  "Has he left town?"

  The young man's lips pressed together for - yes, Finn counted - eight seconds. "I'm not privy to the personal plans of our employees, sir. Mr. Irving Nast has indicated he is unavailable this weekend and if a situation requiring executive attention arises, it should be directed to another vice president. Would you like me to do that for you?"

  At the sound of footsteps, Finn looked to see a man striding from the elevators. He was midtwenties, tall and slender, carrying a briefcase and wearing a navy-striped crewneck and dark jeans. Finn pegged him as a fresh MBA. Part of that expensive education should have taught him that as important as it was to put in overtime, corporate success was just as dependent on image, and the casual look and blond ponytail wasn't going to score him any points with upper management, even on a Sunday.

  "Sir?"

  Finn looked back at the guard.

  "Would you like me to contact an alternate executive?"

  "I don't think that would help with my investigation and I'd hate to waste anyone's time. It's very important that I speak to Irving Nast himself, and I can't wait for tomorrow, not on a case that involves four murders, including the deaths of two LAPD officers."

  "I'm quite certain Mr. Nast would know nothing about that."

  "I'm sure you're right." Finn sucked the sarcasm from his words. "I still need to speak to him."

  "Let me contact Josef Nast for you. He's our CFO. Perhaps he can - "

  "I don't think you understand. The CFO - "

  " - will really not want to be bothered on a Sunday," said the young ponytailed man from behind Finn. "My uncle Josef is at church, as I'm sure your schedule shows, Mark."

  The clerk jerked up, like a soldier snapping to attention. In the consternation that crossed his face, Finn saw the first proof that the man was indeed flesh and blood.

  "Mr. Nast, sir," the guard said.

  Finn took a closer look at the young man, seeing his face full-on, the resemblance to the photo now clear in the coloring and the brilliant blue eyes, though his build and features were thinner. That would explain how he got away with the ponytail.

  The young man extended his hand. "Sean Nast."

  "Mr. Nast is our COO," the guard said with a note of sourness that blamed Finn for making him look bad in front of a VIP.

  Finn shook his hand and introduced himself.

  "You wanted to speak to... ?" Nast prompted.

  "Irving Nast."

  "Ah, you just missed him." Nast checked his watch. "Irving won't be home yet and I suspect if I call his cell, he won't answer." A wry smile. "I spent the morning pestering him with questions on a project and he was eager to be off. Why don't we go up to my office and I'll call his house in a few minutes, explain the situation and get him back here for you? He'll likely prefer not to have the police come to his home."

  * * *

  COLM

  Colm leaned over the stairwell railing, watching the second-floor door, ready to fly up the stairs if it opened. After a moment of listening, he closed his eyes and concentrated. The werewolf's image popped open like a computer window. Colm smiled.

  Colm took this as a sign he was back in the gods' favor. He'd tried fixing on the Indian girl or Robyn or the man in the ball cap. But that was pushing his luck.

  He watched the werewolf move through a room on the second floor, dropping to his knees by an adjoining door, trying to determine whether Colm had passed through it. The man straightened, brushing off his pant legs with a swipe of annoyance. Colm hadn't made the trail easy, setting a winding path that slowed him down.

  If there were any other people in the building, Colm hadn't found them. That was okay. As long as he could see the werewolf, he could outwit him and escape. Or that was the mantra he repeated to keep the terror at bay.

  The Cabals claimed they didn't hire werewolves, but the kumpania said that was a lie. Of course Cabal employees wanted to believe it. A werewolf made an ideal assassin, a hunting machine, and now the Cabal had set one on his -

  He squeezed his eyes shut. A werewolf might be a cold killer, but they were stupid beasts - everyone knew that. He just needed to keep evading the monster until he could find a phone, call his mother and get help.

  The next time Colm checked for a vision, though, he couldn't get a lock, and panic congealed in the pit of his stomach as he clenched the railing, straining to hear -

  The werewolf's image popped into his head, so clear he could see the crease lines around his mouth. He was in a hall. Which one? Colm couldn't pick up any clues.

  The vision vanished. Colm struggled to recapture it.

  "I know you're up there." The man's low voice echoed through the empty stairwell.

  Colm jumped and backed against the wall.

  "You're above me," the werewolf said in that same calm voice. "You're standing just below the third-floor doorway."

  How - ? Oh, scent. A dog couldn't just track by a trail on the ground; it could smell you. The werewolf could smell him up here, smell his fear, the piss dried on his legs, the sweat streaking -

  He swallowed, shoulder blades rubbing the wall, desperately trying to get farther from that railing, from the werewolf. He glanced up at the door. Only three steps away. Three seemingly endless steps.

  Colm shut his eyes, not trying for a vision now, concentrating solely on sound. He hadn't heard any footsteps or shoes squeaking on the steps. Maybe the werewolf didn't know for certain that Colm was here. Maybe he was guessing.

  "Have you heard of the interracial council?" the man continued. "They help supernaturals in trouble. My - the woman you saw with me, she works for them. We're here to help you."

  Werewolves were as stupid as everyone said. Or maybe he thought Colm was the stupid one, especially if he expected him to buy that old lie about the council.

  "If you don't know of the council, perhaps you've heard of Lucas Cortez?"

  The man's voice remained steady, volume unchanged, meaning he hadn't moved. The moment he did, Colm was up those three steps and through the door.

  "Lucas Cortez is famous for fighting the Cabals. If you're in trouble with the Nasts, Lucas can help."

  This guy just didn't know when to quit. If one lie didn't work, spew another.

  "I can phone him right now," the werewolf went on. "You can talk to him. Or you can talk to his wife, Paige Winterbourne, one of the council leaders. Just tell me who you'll trust and we'll get in touch with them."

  The only people Colm trusted were the kumpania.

  "Tell me what I can do to make you feel safe. I only want to talk to you."

  A movement flickered on the stairs below. Then the top of the werewolf's dark head appeared. Colm blinked, certain it was a vision caught at a weird angle. He should have heard him climbing, heard his voice getting louder.

  The man looked up, eyes meeting Colm's. Colm scrambled up the steps, his feet barely catching the edges, shoes skidding, the stairs seeming to move under him like an escalator, those three steps to the landing an impossible distance.

  "There's no place to go," the man called, his words barely piercing the pounding of blood in Colm's ears.

  He finally hit the landing. As he dove for the door, the handle turned. He spun before seeing who was on the other side, stumbling to the stairs and tearing up the next flight, his feet remembering how to climb now. He glanced at the fourth-floor door, but didn't need to be clairvoyant to guess that if he opened it, someone would be waiting on the other side.

  As he raced to the next floor, he glanced over the railing. The werewolf was still two flights down, taking his time. Why not? He could get Colm anytime he wanted. He was a werewolf; Colm was a skinny fifteen-year-old clairvoyant.

  The werewolf was still climbing, still not rushing, letting the distance between them grow. He reminded Colm of the kumpania barn cats - overfed beasts slipped scraps by the kitchen staff, they didn't need t
o catch mice to survive, so they toyed with them, getting close, falling back, batting them around until they finally tired of the game and chomped through their little necks.

  Colm missed the next step and fell, palms smacking the concrete, shins striking the step edge, the pain so sharp it blinded him, and he started crawling up on all fours, feeling his way. When his vision cleared, the pain shifted to his wrist, and he glanced down to see the odd angle, a protruding knob of bone that wasn't right. He'd broken his wrist as a child and the doctor warned him it could happen again. Not now, please not -

  "You need to slow down," the werewolf called up. "You're going to hurt yourself."

  He hit the fifth-floor landing, ignored the door and ran up the next flight. Just keep going.

  There wasn't much farther he could go. This flight was the last. He lurched for the door. He tripped, his hands flying out, hitting the door. The pain that jolted down his arm was excruciating.

  With his good hand, he twisted the knob, but it didn't budge. He yanked on it. Yanked and yanked and -

  It was obviously locked. He needed to slow down and do something about it.

  There was a deadbolt, but it was on his side, to keep people from breaking in. The lock on the knob was a simple one. He pulled out his fake ID card, pushed it into the jamb, wriggled it and...

  The door opened.

  Colm pulled open the door and flew through, then reeled back, blinded by the sun.

  He was on the roof.

  He spun, blinking hard, praying this was a vision that would disappear, leaving him with a cool dark hall and a red exit sign to safety. It didn't happen.

  There had to be a fire escape. He jogged the perimeter. Nothing. The door stayed shut. If the werewolf had followed, he should be up here by now.

  Colm's cheeks ballooned as he puffed, calming down. Where he'd exited there was a closet-size "room." He could get behind it and hide, then -

  Stop planning and move. Act, don't think.

  He circled wide to his goal. He needed to get downwind - No, upwind. Or was it downwind?

  Stop thinking! Just -

  The door swung open.

  Colm twisted out of the way.

  "Wait!"

  A woman's voice. He glanced over to see the Indian girl standing by the open door, her hands up, genuine fear on her face. Fear that he'd jump off the roof and her boss would punish her for losing a clairvoyant slave.