The Early Stories: 1953-1975

by John Updike

  August drew in, with cloudy days. Children grew bored with swimming. Roscoe Chace went on vacation to Italy; the pump broke down, and no one repaired it. Dead dragonflies accumulated on the surface of the pool. Small deluded toads hopped in and swam around and around hopelessly. Linda at last returned. From Minneapolis she had gone on to Idaho for six weeks, to be divorced. She and the children had tan faces from riding and hiking; her lips looked drier and more quizzical than ever, still seeking to frame that troubling question. She stood at the window, in the house that already seemed to lack its furniture, at the same side window where the lovers had crouched, and gazed at the deserted pool. The grass around it was green from splashing, save where a long-lying towel had smothered a rectangle and left it brown. Aluminum furniture she didn’t recognize lay strewn and broken. She counted a dozen bottles beneath the glass-topped table. The nylon divider had parted, and its two halves floated independently. The blue plastic beneath the colorless water tried to make a cheerful, otherworldly statement, but Linda saw that the pool in truth had no bottom, it held bottomless loss, it was one huge blue tear. Thank God no one had drowned in it. Except her. She saw that she could never live here again. In September the place was sold, to a family with toddling infants, who for safety’s sake have not only drained the pool but sealed it over with iron pipes and a heavy mesh, and put warning signs around, as around a chained dog.

  When Everyone Was Pregnant

  I’m in securities, but I read a lot, on the train. Read yesterday that the Fifties were coming back. All through the Sixties writers kept knocking them: Eisenhower, Lester Lanin, skirts below the knee, ho-hum. Well, turns out Eisenhower was a great antiwar President. Rock is dead. Skirts have dropped to the ankle. But my Fifties won’t come back.

  Kind years to me. Entered them poor and left them comfortable. Entered them chaste and left them a father. Of four and a miscarriage. Those the years when everyone was pregnant. Not only kind years but beautiful ones.

  How they would float across the sand like billowed sails. My wife and the wives of our friends. Shakespeare, Titania to Oberon: “We have laughed to see the sails conceive, / And grow big-bellied with the wanton wind.” In their sun-paled plaid maternity bathing suits, the pregnant young women. Tugging behind them the toddlers already born, like dinghies. We moved out of Boston to a town with a beach in ’55: my first promotion, Nancy’s second childbirth.

  Coming along the water’s edge, heads higher than the line of the sea. The horizon blue, sparkling, severe. Proust and the “little band” at Balbec. Yet more fully in flower than those, bellies swollen stately. Faces and limbs freckled in every hollow, burnished on the ball of the shoulder, the tip of the nose. Sunburned nostril-wings, peeling. The light in their eyes stealing sparkle from the far hard edge of the sea. Where a few sails showed, leaning, curling.

  They would come up to us, joining us. Laughter, lightweight folding beach chairs, towels, infant sunhats, baby-food jars, thermoses chuckling in the straw hampers. Above me, edge of maternity skirt lifted by touch of wind, curl of pubic hair high inside thigh showed. Sickening sensation of love. Sand-warmed wind blowing cool out of the future.

  They would settle with us, forming a ring. Their heads inward with gossip, their bare legs spokes of a wheel. On the rim, children with sand pails each digging by the feet of his own mother. The shades of sand darkening as they dug. The milk smell of sun lotion. The way our words drifted up and out: sandwich wrappers blowing.

  Katharine, Sarah, Liz, Peggy, Angela, June. Notes of a scale, colors of a rainbow. Nancy the seventh. Now, in the Seventies, two have moved. To Denver, to Birmingham. Two are divorced. Two still among us with their husbands. But all are gone, receding. Can never be revisited, that time when everyone was pregnant. And proud of it.

  Our fat Fifties cars, how we loved them, revved them: no thought of pollution. Exhaust smoke, cigarette smoke, factory smoke: part of life. Romance of consumption at its height. Shopping for baby food in the gaudy arrays of the supermarkets. Purchasing power: young, newly powerful, born to consume, to procreate. A smug conviction that the world was doomed. Beyond the sparkling horizon, an absolute enemy. Above us, bombs whose flash would fill the scene like a cup to overflowing. Who could blame us, living when we could?

  Old slides. June’s husband had a Kodak with a flash attachment (nobody owned Japanese cameras then). How young we were. The men scrawny as boys. Laughable military haircuts: the pea-brain look. The women with bangs and harshly lipsticked smiles. We look drunk. Sometimes we were.

  Jobs, houses, spouses of our own. Permission to drink and change diapers and operate power mowers and stay up past midnight. At college Nancy had not been allowed to smoke upstairs, made herself do it in our home. Like a sexual practice personally distasteful but recommended by Van der Velde. Dreadful freedom: phrase fashionable then.

  Had we expected to starve in the Depression? Be bayonetted by Japs when they invaded California? Korea seemed the best bargain we could strike: extremities of superpowers tactfully clashing in distant cold mud. The world’s skin of fear shivered but held. Then came Eisenhower who gave us the status quo ante and a sluggishly rising market and a (revocable) license to have fun, to make babies. Viewed the world through two lenses since discarded: fear and gratitude. Young people now are many things, but they aren’t afraid and aren’t grateful.

  Those summer parties. Should remember them better. Sunlight in the gin, the sprig of mint wilting. The smell of grass freshly mowed coming in through the evening screens. Children wandering in and out with complaints their mothers brushed away like cigarette smoke. What were we saying? The words we spoke were nonsense, except the breath we took to speak them was life—us alive, able.

  Katharine’s husband Jerry had only one eye, the other frosted by a childhood accident. No one felt sorry for him—too healthy, hearty. Born salesman. Jerry saying across to Sarah Harris, she pregnant in a big-flowered dress, sitting dreaming in a plush wing chair, “Sarah, sitting there you look just like a voluptuous big piece of wallpaper!” I thought, has only one eye, everything looks flat to him.

  Years later I said to Sarah, “You voluptuous piece of wallpaper you,” but she had forgotten and I had to explain.

  Another night, my flat tire in the Connellys’ newly gravelled driveway. Sharp bluestones. Two in the morning. Ed, a mass-going Catholic, came up out of his cellar holding high a cruciform lug wrench chanting “Veni Creator Spiritus.” Shocked me. My own footsteps on the gravel, unch, unch: a monster coming closer. Most of us at least sent the kids to Sunday school.

  Dancing. Hand squeezes. Moonlight songs, smoke getting in your eyes. All innocent enough. The bump, bump of pregnant bellies against me. Seeing each other’s names in the Births column of the local paper a private joke. Hospital visits, wifeless nights. The time our fourth was born, night after the first storm of winter. Gynecologist swung by for her in his car on the way to the hospital. Just starting up practice, handsome man in ski hat. On the stark white empty street below our window looked like a lover tossing pebbles. Her contractions coming every three minutes, her little suitcase packed, hurrying from room to room kissing the children in their sleep. Gynecologist waiting, his face turned upward in the moonlight, in the silence. A lover howling.

  Nervous of the creaking wind, I slept one or two of those nights with a golf club in the bed. I think a seven iron. Figured I could get it around on a burglar quicker than a wood.

  The time Sarah was with me. Nancy off in the hospital with varicose veins. Diagnosis: no more babies. Our last baby cried. Sarah rose and mothered it. Child went silent, laughed, knew something was funny, maybe thought Sarah was Nancy making a face, pretending something. Same smell, woman smell. Panes of moonlight on Sarah’s naked back, bent over crib. Baby gurgled and laughed. “Crazy kid you have here,” she said, flipping her hair back in coming back to me. Too much love. Too many babies, breathing all over the dark house like searchlights that might switch on.

  Sarah’s lo
vely wide shoulders, big hips, breasts shallow and firm. First time I saw them it tore at me; I told her she had breasts like a Greek statue. She laughed and told me I read too much. But it had been torn out of me.

  The ritual of taking out Nancy’s hairpins one by one before making love. The sound they made on the bedside table, like rain on the roof. Fifties a house decade, we stayed off the streets. Cuba, Sputnik, Tibet: rain on the roof.

  The brown line on her belly a woman brings back from the hospital, after being pregnant. Nobody had ever told me that line existed. Why hadn’t they?

  The babies got bigger. The parties got wilder. Time at the beach, after civil-rights dance, hot summer, must have been Sixties. We took off our clothes and swam. Scary tide, strong moon, could see the women had aged. Slack bellies, knees and faces full of shadow. Used their long formal dance dresses as towels. In the newspapers, riots. Assassinations, protests, a decade’s overdue bills heaped like surf thunder on the sand bar. We were no longer young. Embarrassed, we groped for our underclothes and shoes. Yet still the warm kiss of wind off of the sand, even at night.

  I make these notes on the train. My hand shakes. My town slides by, the other comfortable small towns, the pastures and glimpses of sea. A single horse galloping. A golf course with a dawn foursome frozen on the green, dew-white. And then the lesser cities, the little one-hotel disgruntled cities, black walls hurled like fists at our windows, broken factory windows, a rusted drawbridge halted forever at almost-down, a gravel yard with bluestones pyramided by size, a dump smoldering, trash in all the colors of jewels; then the metropolis, the tracks multiplying as swiftly as products in a calculator, the hazed skyscrapers changing relationship to one another like the steeples in Proust, the tunnels of billboards, the station, vast and derelict; the final stop. This evening, the same thing backward.

  But never get bored with how the train slices straight, lightly rocking, through intersections of warning bells dinging, past playgrounds and back yards, warehouses built on a bias to fit the right-of-way. Like time: cuts through everything, keeps going.

  Notes not come to anything. Lives not come to anything. Life a common stock that fluctuates in value. But you cannot sell, you must hold, hold till it dips to nothing. The big boys sell you out.

  Edgar to blinded Gloucester: Ripeness is all. Have never exactly understood. Ripeness is all that is left? Or ripeness is all that matters? Encloses all, answers all, justifies all. Ripeness is God.

  Now: our babies drive cars, push pot, shave, menstruate, riot for peace, eat macrobiotic. Wonderful in many ways, but not ours, never ours, we see now. Now: we go to a party and see only enemies. All the shared years have made us wary, survival-conscious. Sarah looks away. Spokes of the wheel are missing. Our babies accuse us. Treated them like bonuses, flourishes added to our happiness.

  Did the Fifties exist? Voluptuous wallpaper. Crazy kid. Sickening sensation of love. The train slides forward. The decades slide seaward, taking us along. Still afraid. Still grateful.

  Eros Rampant

  The Maples’ house is full of love. Bean, the six-year-old baby, loves Hecuba, the dog. John, who is eight, an angel-faced mystic serenely unable to ride a bicycle or read a clock, is in love with his Creepy Crawlers, his monster cards, his dinosaurs, and his carved rhinoceros from Kenya. He spends hours in his room after school drifting among these things, rearranging, gloating, humming. He experiences pain only when his older brother, Richard Jr., sardonically enters his room and pierces his placenta of contentment. Richard is in love with life, with all outdoors, with Carl Yastrzemski, Babe Parilli, the Boston Bruins, the Beatles, and with that shifty apparition who, comb in hand, peeps back shiny-eyed at him out of the mirror in the mornings, wearing a mustache of toothpaste. He receives strange challenging notes from girls—Dickie Maple you stop looking at me—which he brings home from school carelessly crumpled along with his spelling papers and hectographed notices about eye, tooth, and lung inspection. His feelings about young Mrs. Brice, who confronts his section of the fifth grade with the enamelled poise and studio diction of an airline hostess, are so guarded as to be suspicious. He almost certainly loves, has always deeply loved, his older sister, Judith. Verging on thirteen, she has become difficult to contain, even within an incestuous passion. Large and bumptious, she eclipses his view of the television screen, loudly Frugs while he would listen to the Beatles, teases, thrashes, is bombarded and jogged by powerful rays from outer space. She hangs for hours by the corner where Mr. Lunt, her history teacher, lives; she pastes effigies of the Monkees on her walls, French-kisses her mother good night, experiences the panic of sleeplessness, engages in long languorous tussles on the sofa with the dog. Hecuba, a spayed golden retriever, races from room to room, tormented as if by fleas by the itch for adoration, ears flattened, tail thumping, until at last she runs up against the cats, who do not love her, and she drops exhausted, in grateful defeat, on the kitchen linoleum, and sleeps.

  The cats, Esther and Esau, lick each other’s fur and share a bowl. They had been two of a litter. Esther, the mother of more than thirty kittens mostly resembling her brother, but with a persistent black minority vindicating the howled appeal of a neighboring tom, has been “fixed”; Esau, sentimentally allowed to continue unfixed, now must venture from the house in quest of the bliss that had once been purely domestic. He returns scratched and battered. Esther licks his wounds while he leans dazed beside the refrigerator; even his purr is ragged. Nagging for their supper, they sit like bookends, their backs discreetly touching, an expert old married couple on the dole. One feels, unexpectedly, that Esau still loves Esther, while she merely accepts him. She seems scornful of his Platonic attentions. Is she puzzled by her abrupt surgical lack of what once drastically attracted him? But it is his big square tomcat’s head that seems puzzled, rather than her triangular feminine feline one. The children feel a difference; both Bean and John cuddle Esau more, now that Esther is sterile. Perhaps, obscurely, they feel that she has deprived them of a miracle, of the semiannual miracle of her kittens, of drowned miniature piglets wriggling alive from a black orifice more mysterious than a cave. Richard Jr., as if to demonstrate his superior purchase on manhood and its righteous compassion, makes a point of petting the two cats equally, stroke for stroke. Judith claims she hates them both; it is her chore to feed them supper, and she hates the smell of horsemeat. She loves, at least in the abstract, horses.

  Mr. Maple loves Mrs. Maple. He goes through troublesome periods, often on Saturday afternoons, of being unable to take his eyes from her, of being captive to the absurd persuasion that the curve of her solid haunch conceals, enwraps, a precarious treasure confided to his care. He cannot touch her enough. The sight of her body contorted by one of her yoga exercises, in her elastic black leotard riddled with runs, twists his heart so that he cannot breathe. Her gesture as she tips the dregs of white wine into a potted geranium seems infinite, like one of Vermeer’s moments frozen in an eternal light from the left. At night he tries to press her into himself, to secure her drowsy body against his breast like a clasp, as if without it he will come undone. He cannot sleep in this position, yet maintains it long after her breathing has become steady and oblivious: can love be defined, simply, as the refusal to sleep? Also he loves Penelope Vogel, a quaint little secretary at his office who is recovering from a disastrous affair with an Antiguan; and he is in love with the memories of six or so other females, beginning with a seven-year-old playmate who used to steal his hunter’s cap; and is half in love with death. He as well seems to love, perhaps alone in the nation, President Johnson, who is unaware of his existence. Along the same lines, Richard adores the moon; he studies avidly all the photographs beamed back from its uncongenial surface.

  And Joan? Whom does she love? Her psychiatrist, certainly. Her father, inevitably. Her yoga instructor, probably. She has a part-time job in a museum and returns home flushed and quick-tongued, as if from sex. She must love the children, for they flock to her like sparrows to sue
t. They fight bitterly for a piece of her lap and turn their backs upon their father, as if he, the seed-bearing provider of their lives, were a grotesque intruder, a chimney sweep in a snow palace. None of his impersonations with the children—scoutmaster, playmate, confidant, financial bastion, factual wizard, watchman of the night—win them over; Bean still cries for Mommy when hurt, John approaches her for the money to finance yet more monster cards, Dickie demands that hers be the last good night, and even Judith, who should be his, kisses him timidly, and saves her open-mouthed passion for her mother. Joan swims through their love like a fish through water, ignorant of any other element. Love slows her footsteps, pours upon her from the radio, hangs about her, in the kitchen, in the form of tacked-up children’s drawings of houses, families, cars, cats, dogs, and flowers. Her husband cannot reach her: she is solid but hidden, like the World Bank; presiding yet impartial, like the federal judiciary. Some cold uncoördinated thing pushes at his hand as it hangs impotent; it is Hecuba’s nose. Obese spayed golden-eyed bitch, like him she abhors exclusion and strains to add her warmth to the tumble, in love with them all, in love with the smell of food, in love with the smell of love.