Complete Works of Virginia Woolf

by Virginia Woolf

  Nothing could be cooler and quieter. Taking out a pen-knife, Mr. Bankes tapped the canvas with the bone handle. What did she wish to indicate by the triangular purple shape, “just there”? he asked.

  It was Mrs. Ramsay reading to James, she said. She knew his objection — that no one could tell it for a human shape. But she had made no attempt at likeness, she said. For what reason had she introduced them then? he asked. Why indeed? — except that if there, in that corner, it was bright, here, in this, she felt the need of darkness. Simple, obvious, commonplace, as it was, Mr. Bankes was interested. Mother and child then — objects of universal veneration, and in this case the mother was famous for her beauty — might be reduced, he pondered, to a purple shadow without irreverence.

  But the picture was not of them, she said. Or, not in his sense. There were other senses too in which one might reverence them. By a shadow here and a light there, for instance. Her tribute took that form if, as she vaguely supposed, a picture must be a tribute. A mother and child might be reduced to a shadow without irreverence. A light here required a shadow there. He considered. He was interested. He took it scientifically in complete good faith. The truth was that all his prejudices were on the other side, he explained. The largest picture in his drawing-room, which painters had praised, and valued at a higher price than he had given for it, was of the cherry trees in blossom on the banks of the Kennet. He had spent his honeymoon on the banks of the Kennet, he said. Lily must come and see that picture, he said. But now — he turned, with his glasses raised to the scientific examination of her canvas. The question being one of the relations of masses, of lights and shadows, which, to be honest, he had never considered before, he would like to have it explained — what then did she wish to make of it? And he indicated the scene before them. She looked. She could not show him what she wished to make of it, could not see it even herself, without a brush in her hand. She took up once more her old painting position with the dim eyes and the absent-minded manner, subduing all her impressions as a woman to something much more general; becoming once more under the power of that vision which she had seen clearly once and must now grope for among hedges and houses and mothers and children — her picture. It was a question, she remembered, how to connect this mass on the right hand with that on the left. She might do it by bringing the line of the branch across so; or break the vacancy in the foreground by an object (James perhaps) so. But the danger was that by doing that the unity of the whole might be broken. She stopped; she did not want to bore him; she took the canvas lightly off the easel.

  But it had been seen; it had been taken from her. This man had shared with her something profoundly intimate. And, thanking Mr. Ramsay for it and Mrs. Ramsay for it and the hour and the place, crediting the world with a power which she had not suspected — that one could walk away down that long gallery not alone any more but arm in arm with somebody — the strangest feeling in the world, and the most exhilarating — she nicked the catch of her paint-box to, more firmly than was necessary, and the nick seemed to surround in a circle forever the paint-box, the lawn, Mr. Bankes, and that wild villain, Cam, dashing past.

  10

  For Cam grazed the easel by an inch; she would not stop for Mr. Bankes and Lily Briscoe; though Mr. Bankes, who would have liked a daughter of his own, held out his hand; she would not stop for her father, whom she grazed also by an inch; nor for her mother, who called “Cam! I want you a moment!” as she dashed past. She was off like a bird, bullet, or arrow, impelled by what desire, shot by whom, at what directed, who could say? What, what? Mrs. Ramsay pondered, watching her. It might be a vision — of a shell, of a wheelbarrow, of a fairy kingdom on the far side of the hedge; or it might be the glory of speed; no one knew. But when Mrs. Ramsay called “Cam!” a second time, the projectile dropped in mid career, and Cam came lagging back, pulling a leaf by the way, to her mother.

  What was she dreaming about, Mrs. Ramsay wondered, seeing her engrossed, as she stood there, with some thought of her own, so that she had to repeat the message twice — ask Mildred if Andrew, Miss Doyle, and Mr. Rayley have come back? — The words seemed to be dropped into a well, where, if the waters were clear, they were also so extraordinarily distorting that, even as they descended, one saw them twisting about to make Heaven knows what pattern on the floor of the child’s mind. What message would Cam give the cook? Mrs. Ramsay wondered. And indeed it was only by waiting patiently, and hearing that there was an old woman in the kitchen with very red cheeks, drinking soup out of a basin, that Mrs. Ramsay at last prompted that parrot-like instinct which had picked up Mildred’s words quite accurately and could now produce them, if one waited, in a colourless singsong. Shifting from foot to foot, Cam repeated the words, “No, they haven’t, and I’ve told Ellen to clear away tea.”

  Minta Doyle and Paul Rayley had not come back then. That could only mean, Mrs. Ramsay thought, one thing. She must accept him, or she must refuse him. This going off after luncheon for a walk, even though Andrew was with them — what could it mean? except that she had decided, rightly, Mrs. Ramsay thought (and she was very, very fond of Minta), to accept that good fellow, who might not be brilliant, but then, thought Mrs. Ramsay, realising that James was tugging at her, to make her go on reading aloud the Fisherman and his Wife, she did in her own heart infinitely prefer boobies to clever men who wrote dissertations; Charles Tansley, for instance. Anyhow it must have happened, one way or the other, by now.

  But she read, “Next morning the wife awoke first, and it was just daybreak, and from her bed she saw the beautiful country lying before her. Her husband was still stretching himself...”

  But how could Minta say now that she would not have him? Not if she agreed to spend whole afternoons trapesing about the country alone — for Andrew would be off after his crabs — but possibly Nancy was with them. She tried to recall the sight of them standing at the hall door after lunch. There they stood, looking at the sky, wondering about the weather, and she had said, thinking partly to cover their shyness, partly to encourage them to be off (for her sympathies were with Paul),

  “There isn’t a cloud anywhere within miles,” at which she could feel little Charles Tansley, who had followed them out, snigger. But she did it on purpose. Whether Nancy was there or not, she could not be certain, looking from one to the other in her mind’s eye.

  She read on: “Ah, wife,” said the man, “why should we be King? I do not want to be King.” “Well,” said the wife, “if you won’t be King, I will; go to the Flounder, for I will be King.”

  “Come in or go out, Cam,” she said, knowing that Cam was attracted only by the word “Flounder” and that in a moment she would fidget and fight with James as usual. Cam shot off. Mrs. Ramsay went on reading, relieved, for she and James shared the same tastes and were comfortable together.

  “And when he came to the sea, it was quite dark grey, and the water heaved up from below, and smelt putrid. Then he went and stood by it and said,

  ‘Flounder, flounder, in the sea,

  Come, I pray thee, here to me;

  For my wife, good Ilsabil,

  Wills not as I’d have her will.’

  ‘Well, what does she want then?’ said the Flounder.” And where were they now? Mrs. Ramsay wondered, reading and thinking, quite easily, both at the same time; for the story of the Fisherman and his Wife was like the bass gently accompanying a tune, which now and then ran up unexpectedly into the melody. And when should she be told? If nothing happened, she would have to speak seriously to Minta. For she could not go trapesing about all over the country, even if Nancy were with them (she tried again, unsuccessfully, to visualize their backs going down the path, and to count them). She was responsible to Minta’s parents — the Owl and the Poker. Her nicknames for them shot into her mind as she read. The Owl and the Poker — yes, they would be annoyed if they heard — and they were certain to hear — that Minta, staying with the Ramsays, had been seen etcetera, etcetera, etcetera. “He wore a wig in the H
ouse of Commons and she ably assisted him at the head of the stairs,” she repeated, fishing them up out of her mind by a phrase which, coming back from some party, she had made to amuse her husband. Dear, dear, Mrs. Ramsay said to herself, how did they produce this incongruous daughter? this tomboy Minta, with a hole in her stocking? How did she exist in that portentous atmosphere where the maid was always removing in a dust-pan the sand that the parrot had scattered, and conversation was almost entirely reduced to the exploits — interesting perhaps, but limited after all — of that bird? Naturally, one had asked her to lunch, tea, dinner, finally to stay with them up at Finlay, which had resulted in some friction with the Owl, her mother, and more calling, and more conversation, and more sand, and really at the end of it, she had told enough lies about parrots to last her a lifetime (so she had said to her husband that night, coming back from the party). However, Minta came...Yes, she came, Mrs. Ramsay thought, suspecting some thorn in the tangle of this thought; and disengaging it found it to be this: a woman had once accused her of “robbing her of her daughter’s affections”; something Mrs. Doyle had said made her remember that charge again. Wishing to dominate, wishing to interfere, making people do what she wished — that was the charge against her, and she thought it most unjust. How could she help being “like that” to look at? No one could accuse her of taking pains to impress. She was often ashamed of her own shabbiness. Nor was she domineering, nor was she tyrannical. It was more true about hospitals and drains and the dairy. About things like that she did feel passionately, and would, if she had the chance, have liked to take people by the scruff of their necks and make them see. No hospital on the whole island. It was a disgrace. Milk delivered at your door in London positively brown with dirt. It should be made illegal. A model dairy and a hospital up here — those two things she would have liked to do, herself. But how? With all these children? When they were older, then perhaps she would have time; when they were all at school.

  Oh, but she never wanted James to grow a day older! or Cam either. These two she would have liked to keep for ever just as they were, demons of wickedness, angels of delight, never to see them grow up into long-legged monsters. Nothing made up up for the loss. When she read just now to James, “and there were numbers of soldiers with kettledrums and trumpets,” and his eyes darkened, she thought, why should they grow up and lose all that? He was the most gifted, the most sensitive of her children. But all, she thought, were full of promise. Prue, a perfect angel with the others, and sometimes now, at night especially, she took one’s breath away with her beauty. Andrew — even her husband admitted that his gift for mathematics was extraordinary. And Nancy and Roger, they were both wild creatures now, scampering about over the country all day long. As for Rose, her mouth was too big, but she had a wonderful gift with her hands. If they had charades, Rose made the dresses; made everything; liked best arranging tables, flowers, anything. She did not like it that Jasper should shoot birds; but it was only a stage; they all went through stages. Why, she asked, pressing her chin on James’s head, should they grow up so fast? Why should they go to school? She would have liked always to have had a baby. She was happiest carrying one in her arms. Then people might say she was tyrannical, domineering, masterful, if they chose; she did not mind. And, touching his hair with her lips, she thought, he will never be so happy again, but stopped herself, remembering how it angered her husband that she should say that. Still, it was true. They were happier now than they would ever be again. A tenpenny tea set made Cam happy for days. She heard them stamping and crowing on the floor above her head the moment they awoke. They came bustling along the passage. Then the door sprang open and in they came, fresh as roses, staring, wide awake, as if this coming into the dining-room after breakfast, which they did every day of their lives, was a positive event to them, and so on, with one thing after another, all day long, until she went up to say good-night to them, and found them netted in their cots like birds among cherries and raspberries, still making up stories about some little bit of rubbish — something they had heard, something they had picked up in the garden. They all had their little treasures...And so she went down and said to her husband, Why must they grow up and lose it all? Never will they be so happy again. And he was angry. Why take such a gloomy view of life? he said. It is not sensible. For it was odd; and she believed it to be true; that with all his gloom and desperation he was happier, more hopeful on the whole, than she was. Less exposed to human worries — perhaps that was it. He had always his work to fall back on. Not that she herself was “pessimistic,” as he accused her of being. Only she thought life — and a little strip of time presented itself to her eyes — her fifty years. There it was before her — life. Life, she thought — but she did not finish her thought. She took a look at life, for she had a clear sense of it there, something real, something private, which she shared neither with her children nor with her husband. A sort of transaction went on between them, in which she was on one side, and life was on another, and she was always trying to get the better of it, as it was of her; and sometimes they parleyed (when she sat alone); there were, she remembered, great reconciliation scenes; but for the most part, oddly enough, she must admit that she felt this thing that she called life terrible, hostile, and quick to pounce on you if you gave it a chance. There were eternal problems: suffering; death; the poor. There was always a woman dying of cancer even here. And yet she had said to all these children, You shall go through it all. To eight people she had said relentlessly that (and the bill for the greenhouse would be fifty pounds). For that reason, knowing what was before them — love and ambition and being wretched alone in dreary places — she had often the feeling, Why must they grow up and lose it all? And then she said to herself, brandishing her sword at life, Nonsense. They will be perfectly happy. And here she was, she reflected, feeling life rather sinister again, making Minta marry Paul Rayley; because whatever she might feel about her own transaction, she had had experiences which need not happen to every one (she did not name them to herself); she was driven on, too quickly she knew, almost as if it were an escape for her too, to say that people must marry; people must have children.

  Was she wrong in this, she asked herself, reviewing her conduct for the past week or two, and wondering if she had indeed put any pressure upon Minta, who was only twenty-four, to make up her mind. She was uneasy. Had she not laughed about it? Was she not forgetting again how strongly she influenced people? Marriage needed — oh, all sorts of qualities (the bill for the greenhouse would be fifty pounds); one — she need not name it — that was essential; the thing she had with her husband. Had they that?

  “Then he put on his trousers and ran away like a madman,” she read. “But outside a great storm was raging and blowing so hard that he could scarcely keep his feet; houses and trees toppled over, the mountains trembled, rocks rolled into the sea, the sky was pitch black, and it thundered and lightened, and the sea came in with black waves as high as church towers and mountains, and all with white foam at the top.”

  She turned the page; there were only a few lines more, so that she would finish the story, though it was past bed-time. It was getting late. The light in the garden told her that; and the whitening of the flowers and something grey in the leaves conspired together, to rouse in her a feeling of anxiety. What it was about she could not think at first. Then she remembered; Paul and Minta and Andrew had not come back. She summoned before her again the little group on the terrace in front of the hall door, standing looking up into the sky. Andrew had his net and basket. That meant he was going to catch crabs and things. That meant he would climb out on to a rock; he would be cut off. Or coming back single file on one of those little paths above the cliff one of them might slip. He would roll and then crash. It was growing quite dark.

  But she did not let her voice change in the least as she finished the story, and added, shutting the book, and speaking the last words as if she had made them up herself, looking into James’s eyes: “And there t
hey are living still at this very time.”

  “And that’s the end,” she said, and she saw in his eyes, as the interest of the story died away in them, something else take its place; something wondering, pale, like the reflection of a light, which at once made him gaze and marvel. Turning, she looked across the bay, and there, sure enough, coming regularly across the waves first two quick strokes and then one long steady stroke, was the light of the Lighthouse. It had been lit.

  In a moment he would ask her, “Are we going to the Lighthouse?” And she would have to say, “No: not tomorrow; your father says not.” Happily, Mildred came in to fetch them, and the bustle distracted them. But he kept looking back over his shoulder as Mildred carried him out, and she was certain that he was thinking, we are not going to the Lighthouse tomorrow; and she thought, he will remember that all his life.

  11

  No, she thought, putting together some of the pictures he had cut out — a refrigerator, a mowing machine, a gentleman in evening dress — children never forget. For this reason, it was so important what one said, and what one did, and it was a relief when they went to bed. For now she need not think about anybody. She could be herself, by herself. And that was what now she often felt the need of — to think; well, not even to think. To be silent; to be alone. All the being and the doing, expansive, glittering, vocal, evaporated; and one shrunk, with a sense of solemnity, to being oneself, a wedge-shaped core of darkness, something invisible to others. Although she continued to knit, and sat upright, it was thus that she felt herself; and this self having shed its attachments was free for the strangest adventures. When life sank down for a moment, the range of experience seemed limitless. And to everybody there was always this sense of unlimited resources, she supposed; one after another, she, Lily, Augustus Carmichael, must feel, our apparitions, the things you know us by, are simply childish. Beneath it is all dark, it is all spreading, it is unfathomably deep; but now and again we rise to the surface and that is what you see us by. Her horizon seemed to her limitless. There were all the places she had not seen; the Indian plains; she felt herself pushing aside the thick leather curtain of a church in Rome. This core of darkness could go anywhere, for no one saw it. They could not stop it, she thought, exulting. There was freedom, there was peace, there was, most welcome of all, a summoning together, a resting on a platform of stability. Not as oneself did one find rest ever, in her experience (she accomplished here something dexterous with her needles) but as a wedge of darkness. Losing personality, one lost the fret, the hurry, the stir; and there rose to her lips always some exclamation of triumph over life when things came together in this peace, this rest, this eternity; and pausing there she looked out to meet that stroke of the Lighthouse, the long steady stroke, the last of the three, which was her stroke, for watching them in this mood always at this hour one could not help attaching oneself to one thing especially of the things one saw; and this thing, the long steady stroke, was her stroke. Often she found herself sitting and looking, sitting and looking, with her work in her hands until she became the thing she looked at — that light, for example. And it would lift up on it some little phrase or other which had been lying in her mind like that— “Children don’t forget, children don’t forget” — which she would repeat and begin adding to it, It will end, it will end, she said. It will come, it will come, when suddenly she added, We are in the hands of the Lord.