Complete Works of Virginia Woolf

by Virginia Woolf

  They were silent. There was something strained in the atmosphere, Eleanor felt. She took one of the little books that she had dropped on the table and laid it open on her knee. But she did not look at it. Her glance fixed itself rather absent-mindedly upon the farther room. The trees were coming out in the back garden; there were little leaves — little ear-shaped leaves on the bushes. The sun was shining, fitfully; it was going in and it was going out, lighting up now this, now —

  “Eleanor,” Rose interrupted. She held herself in a way that was oddly like her father’s.

  “Eleanor,” she repeated in a low voice, for her sister was not attending.

  “Well?” said Eleanor, looking at her.

  “I want to go to Lamley’s,” said Rose.

  She looked the image of her father, standing there with her hands behind her back.

  “It’s too late for Lamley’s,” said Eleanor.

  “They don’t shut till seven,” said Rose.

  “Then ask Martin to go with you,” said Eleanor.

  The little girl moved off slowly towards the door. Eleanor took up her account-books again.

  “But you’re not to go alone, Rose; you’re not to go alone,” she said, looking up over them as Rose reached the door. Nodding her head in silence, Rose disappeared.

  She went upstairs. She paused outside her mother’s bedroom and snuffed the sour-sweet smell that seemed to hang about the jugs, the tumblers, the covered bowls on the table outside the door. Up she went again, and stopped outside the schoolroom door. She did not want to go in, for she had quarrelled with Martin. They had quarrelled first about Erridge and the microscope and then about shooting Miss Pym’s cats next door. But Eleanor had told her to ask him. She opened the door.

  “Hullo, Martin—” she began.

  He was sitting at a table with a book propped in front of him, muttering to himself — perhaps it was Greek, perhaps it was Latin.

  “Eleanor told me—” she began, noting how flushed he looked, and how his hand closed on a bit of paper as if he were going to screw it into a ball. “To ask you . . .” she began, and braced herself and stood with her back against the door.

  Eleanor leant back in her chair. The sun now was on the trees in the back garden. The buds were beginning to swell. The spring light of course showed up the shabbiness of the chair-covers. The large armchair had a dark stain on it where her father had rested his head, she noticed. But what a number of chairs there were — how roomy, how airy it was after that bedroom where old Mrs Levy — But Milly and Delia were both silent. It was the question of the dinner-party, she remembered. Which of them was to go? They both wanted to go. She wished people would not say, “Bring one of your daughters.” She wished they would say, “Bring Eleanor,” or “Bring Milly,” or “Bring Delia,” instead of lumping them all together. Then there could be no question.

  “Well,” said Delia abruptly, “I shall . . .”

  She got up as if she were going somewhere. But she stopped. Then she strolled over to the window that looked out onto the street. The houses opposite all had the same little front gardens; the same steps; the same pillars; the same bow windows. But now dusk was falling and they looked spectral and insubstantial in the dim light. Lamps were being lit; a light glowed in the drawing-room opposite; then the curtains were drawn, and the room was blotted out. Delia stood looking down at the street. A woman of the lower classes was wheeling a perambulator; an old man tottered along with his hands behind his back. Then the street was empty; there was a pause. Here came a hansom jingling down the road. Delia was momentarily interested. Was it going to stop at their door or not? She gazed more intently. But then, to her regret, the cabman jerked his reins, the horse stumbled on; the cab stopped two doors lower down.

  “Someone’s calling on the Stapletons,” she called back, holding apart the muslin blind. Milly came and stood beside her sister, and together, through the slit, they watched a young man in a top-hat get out of the cab. He stretched his hand up to pay the driver.

  “Don’t be caught looking,” said Eleanor warningly. The young man ran up the steps into the house; the door shut upon him and the cab drove away.

  But for the moment the two girls stood at the window looking into the street. The crocuses were yellow and purple in the front gardens. The almond trees and privets were tipped with green. A sudden gust of wind tore down the street, blowing a piece of paper along the pavement; and a little swirl of dry dust followed after. Above the roofs was one of those red and fitful London sunsets that make window after window burn gold. There was a wildness in the spring evening; even here, in Abercorn Terrace the light was changing from gold to black, from black to gold. Dropping the blind, Delia turned, and coming back into the drawing-room, said suddenly:

  “Oh my God!”

  Eleanor, who had taken her books again, looked up disturbed.

  “Eight times eight . . .” she said aloud. “What’s eight times eight?”

  Putting her finger on the page to mark the place, she looked at her sister. As she stood there with her head thrown back and her hair red in the sunset glow, she looked for a moment defiant, even beautiful. Beside her Milly was mouse-coloured and nondescript.

  “Look here, Delia,” said Eleanor, shutting her book, “you’ve only got to wait . . .” She meant but she could not say it, “until Mama dies.”

  “No, no, no,” said Delia, stretching her arms out. “It’s hopeless. . . .” she began. But she broke off, for Crosby had come in. She was carrying a tray. One by one with an exasperating little chink she put the cups, the plates, the knives, the jam-pots, the dishes of cake and the dishes of bread and butter, on the tray. Then, balancing it carefully in front of her, she went out. There was a pause. In she came again and folded the table-cloth and moved the tables. Again there was a pause. A moment or two later back she came carrying two silk-shaded lamps. She set one in the front room, one in the back room. Then she went, creaking in her cheap shoes, to the window and drew the curtains. They slid with a familiar click along the brass rod, and soon the windows were obscured by thick sculptured folds of claret-coloured plush. When she had drawn the curtains in both rooms, a profound silence seemed to fall upon the drawing-room. The world outside seemed thickly and entirely cut off. Far away down the next street they heard the voice of a street hawker droning; the heavy hooves of van horses clopped slowly down the road. For a moment wheels ground on the road; then they died out and the silence was complete.

  Two yellow circles of light fell under the lamps. Eleanor drew her chair up under one of them, bent her head and went on with the part of her work that she always left to the last because she disliked it so much — adding up figures. Her lips moved and her pencil made little dots on the paper as she added eights to sixes, fives to fours.

  “There!” she said at last. “That’s done. Now I’ll go and sit with Mama.”

  She stooped to pick up her gloves.

  “No,” said Milly, throwing aside a magazine she had opened, “I’ll go . . .”

  Delia suddenly emerged from the back room in which she had been prowling.

  “I’ve nothing whatever to do,” she said briefly. “I’ll go.”

  She went upstairs, step by step, very slowly. When she came to the bedroom door with the jugs and glasses on the table outside, she paused. The sour-sweet smell of illness slightly sickened her. She could not force herself to go in. Through the little window at the end of the passage she could see flamingo-coloured curls of cloud lying on a pale-blue sky. After the dusk of the drawing-room, her eyes dazzled. She seemed fixed there for a moment by the light. Then on the floor above she heard children’s voices — Martin and Rose quarrelling.

  “Don’t then!” she heard Rose say. A door slammed. She paused. Then she drew in a deep breath of air, looked once more at the fiery sky, and tapped on the bedroom door.

  The nurse rose quietly; put her finger to her lips, and left the room. Mrs Pargiter was asleep. Lying in a cleft of the pillows wit
h one hand under her cheek, Mrs Pargiter moaned slightly as if she wandered in a world where even in sleep little obstacles lay across her path. Her face was pouched and heavy; the skin was stained with brown patches; the hair which had been red was now white, save that there were queer yellow patches in it, as if some locks had been dipped in the yolk of an egg. Bare of all rings save her wedding ring, her fingers alone seemed to indicate that she had entered the private world of illness. But she did not look as if she were dying; she looked as if she might go on existing in this borderland between life and death for ever. Delia could see no change in her. As she sat down, everything seemed to be at full tide in her. A long narrow glass by the bedside reflected a section of the sky; it was dazzled at the moment with red light. The dressing-table was illuminated. The light struck on silver bottles and on glass bottles, all set out in the perfect order of things that are not used. At this hour of the evening the sick-room had an unreal cleanliness, quiet and order. There by the bedside was a little table set with spectacles, prayer-book and a vase of lilies of the valley. The flowers, too, looked unreal. There was nothing to do but to look.

  She stared at the yellow drawing of her grandfather with the high light on his nose; at the photograph of her Uncle Horace in his uniform; at the lean and twisted figure on the crucifix to the right.

  “But you don’t believe in it!” she said savagely, looking at her mother sunk in sleep. “You don’t want to die.”

  She longed for her to die. There she was — soft, decayed but everlasting, lying in the cleft of the pillows, an obstacle, a prevention, an impediment to all life. She tried to whip up some feeling of affection, of pity. For instance, that summer, she told herself, at Sidmouth, when she called me up the garden steps. . . . But the scene melted as she tried to look at it. There was the other scene of course — the man in the frock-coat with the flower in his button-hole. But she had sworn not to think of that till bedtime. What then should she think of? Grandpapa with the white light on his nose? The prayer-book? The lilies of the valley? Or the looking-glass? The sun had gone in; the glass was dim and reflected now only a dun-coloured patch of sky. She could resist no longer.

  “Wearing a white flower in his button-hole,” she began. It required a few minutes’ preparation. There must be a hall; banks of palms; a floor beneath them crowded with people’s heads. The charm was beginning to work. She became permeated with delicious starts of flattering and exciting emotion. She was on the platform; there was a huge audience; everybody was shouting, waving handkerchiefs, hissing and whistling. Then she stood up. She rose all in white in the middle of the platform; Mr Parnell was by her side.

  “I am speaking in the cause of Liberty,” she began, throwing out her hands, “in the cause of Justice. . . .” They were standing side by side. He was very pale but his dark eyes glowed. He turned to her and whispered. . . .

  There was a sudden interruption. Mrs Pargiter had raised herself on her pillows.

  “Where am I?” she cried. She was frightened and bewildered, as she often was on waking. She raised her hand; she seemed to appeal for help. “Where am I?” she repeated. For a moment Delia was bewildered too. Where was she?

  “Here, Mama! Here!” she said wildly. “Here, in your own room.”

  She laid her hand on the counterpane. Mrs Pargiter clutched it nervously. She looked round the room as if she were seeking someone. She did not seem to recognise her daughter.

  “What’s happening?” she said. “Where am I?” Then she looked at Delia and remembered.

  “Oh, Delia — I was dreaming,” she murmured half apologetically. She lay for a moment looking out of the window. The lamps were being lit, and a sudden soft spurt of light came in the street outside.

  “It’s been a fine day . . .” she hesitated, “for . . .” It seemed as if she could not remember what for.

  “A lovely day, yes, Mama,” Delia repeated with mechanical cheerfulness.

  “. . . for . . .” her mother tried again.

  What day was it? Delia could not remember.

  “. . . for your Uncle Digby’s birthday,” Mrs Pargiter at last brought out.

  “Tell him from me — tell him how very glad I am.”

  “I’ll tell him,” said Delia. She had forgotten her uncle’s birthday; but her mother was punctilious about such things.

  “Aunt Eugénie—” she began.

  But her mother was staring at the dressing-table. Some gleam from the lamp outside made the white cloth look extremely white.

  “Another clean table-cloth!” Mrs Pargiter murmured peevishly. “The expense, Delia, the expense — that’s what worries me—”

  “That’s all right, Mama,” said Delia dully. Her eyes were fixed upon her grandfather’s portrait; why, she wondered, had the artist put a dab of white chalk on the tip of his nose?

  “Aunt Eugénie brought you some flowers,” she said.

  For some reason Mrs Pargiter seemed pleased. Her eyes rested contemplatively on the clean table-cloth that had suggested the washing bill a moment before.

  “Aunt Eugénie . . .” she said. “How well I remember” — her voice seemed to get fuller and rounder— “the day the engagement was announced. We were all of us in the garden; there came a letter.” She paused. “There came a letter,” she repeated. Then she said no more for a time. She seemed to be going over some memory.

  “The dear little boy died, but save for that . . .” She stopped again. She seemed weaker tonight, Delia thought; and a start of joy ran through her. Her sentences were more broken than usual. What little boy had died? She began counting the twists on the counterpane as she waited for her mother to speak.

  “You know all the cousins used to come together in the summer,” her mother suddenly resumed. “There was your Uncle Horace. . . .”

  “The one with the glass eye,” said Delia.

  “Yes. He hurt his eye on the rocking-horse. The aunts thought so much of Horace. They would say . . .” Here there was a long pause. She seemed to be fumbling to find the exact words.

  “When Horace comes . . . remember to ask him about the dining-room door.”

  A curious amusement seemed to fill Mrs Pargiter. She actually laughed. She must be thinking of some long-past family joke, Delia supposed, as she watched the smile flicker and fade away. There was complete silence. Her mother lay with her eyes shut; the hand with the single ring, the white and wasted hand, lay on the counterpane. In the silence they could hear a coal click in the grate and a street hawker droning down the road. Mrs Pargiter said no more. She lay perfectly still. Then she sighed profoundly.

  The door opened, and the nurse came in. Delia rose and went out. Where am I? she asked herself, staring at a white jug stained pink by the setting sun. For a moment she seemed to be in some borderland between life and death. Where am I? she repeated, looking at the pink jug, for it all looked strange. Then she heard water rushing and feet thudding on the floor above.

  “Here you are, Rosie,” said Nurse, looking up from the wheel of the sewing-machine as Rose came in.

  The nursery was brightly lit; there was an unshaded lamp on the table. Mrs C., who came every week with the washing, was sitting in the armchair with a cup in her hand. “Go and get your sewing, there’s a good girl,” said Nurse as Rose shook hands with Mrs C., “or you’ll never be done in time for Papa’s birthday,” she added, clearing a space on the nursery table.

  Rose opened the table drawer and took out the boot-bag that she was embroidering with a design of blue and red flowers for her father’s birthday. There were still several clusters of little pencilled roses to be worked. She spread it on the table and examined it as Nurse resumed what she was saying to Mrs C. about Mrs Kirby’s daughter. But Rose did not listen.

  Then I shall go by myself, she decided, straightening out the boot-bag. If Martin won’t come with me, then I shall go by myself.

  “I left my work-box in the drawing-room,” she said aloud.

  “Well, then, go and fetch it
,” said Nurse, but she was not attending; she wanted to go on with what she was saying to Mrs C. about the grocer’s daughter.

  Now the adventure has begun, Rose said to herself as she stole on tiptoe to the night nursery. Now she must provide herself with ammunition and provisions; she must steal Nurse’s latchkey; but where was it? Every night it was hidden in a new place for fear of burglars. It would be either under the handkerchief-case or in the little box where she kept her mother’s gold watch-chain. There it was. Now she had her pistol and her shot, she thought, taking her own purse from her own drawer, and enough provisions, she thought, as she hung her hat and coat over her arm, to last a fortnight.

  She stole past the nursery, down the stairs. She listened intently as she passed the schoolroom door. She must be careful not to tread on a dry branch, or to let any twig crack under her, she told herself, as she went on tiptoe. Again she stopped and listened as she passed her mother’s bedroom door. All was silent. Then she stood for a moment on the landing, looking down into the hall. The dog was asleep on the mat; the coast was clear; the hall was empty. She heard voices murmuring in the drawing-room.

  She turned the latch of the front door with extreme gentleness, and closed it with scarcely a click behind her. Until she was round the corner she crouched close to the wall so that nobody could see her. When she reached the corner under the laburnum tree she stood erect.

  “I am Pargiter of Pargiter’s Horse,” she said, flourishing her hand, “riding to the rescue!”

  She was riding by night on a desperate mission to a besieged garrison, she told herself. She had a secret message — she clenched her fist on her purse — to deliver to the General in person. All their lives depended upon it. The British flag was still flying on the central tower — Lamley’s shop was the central tower; the General was standing on the roof of Lamley’s shop with his telescope to his eye. All their lives depended upon her riding to them through the enemy’s country. Here she was galloping across the desert. She began to trot. It was growing dark. The street lamps were being lit. The lamplighter was poking his stick up into the little trap-door; the trees in the front gardens made a wavering network of shadow on the pavement; the pavement stretched before her broad and dark. Then there was the crossing; and then there was Lamley’s shop on the little island of shops opposite. She had only to cross the desert, to ford the river, and she was safe. Flourishing the arm that held the pistol, she clapped spurs to her horse and galloped down Melrose Avenue. As she ran past the pillar-box the figure of a man suddenly emerged under the gas lamp.